Tarasov
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WhatdoyoupicturewhenyouthinkofKing’sRoad?Theswinging60s?VivienneWestwoodpioneeringpunkfashion?Onenotableestablishmentinthisenclaveofhistorythat’softenforgottenaboutisGateways,London’slongest-survivinglesbianclub.Alongsideahostofitspatronsovertheyears,SandiToksvighighlightsthelegacyoftheclubfromitsoriginalowner,whowonit...
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马克·詹金
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康沃尔渔村的风景明信片田园诗误导了人们。虽然过去钓鱼是一种养家糊口的方式,但如今富有的伦敦游客纷纷下山,取代了当地人,当地人的生计因此受到威胁。史蒂文和马丁兄弟的关系也很紧张。马丁是一个没有船的渔夫,因为史蒂文开始用它来为一整天的游客提供更赚钱的旅游。他们卖掉了这座家庭别墅,现在看来,最后一场战斗是和新主人在海边的停车位上展开。然而,情况很快就失控了,而不仅仅是因为车轮夹钳。Bait是一种黑白,手工制作,16毫米胶片制作的电影。许多关于鱼、网、龙虾、长靴、绳结和渔篮的特写镜头让人想起了蒙太奇景点的理论。对不同社会阶层的描述——可以说是阶级关系——也让人想起了英国电影中的社会现实主义传统。然而,最重要的是,在影像中不同层次的电影历史参考文献之下,当前许多政治关联正在等待被发现。Thepicture-postcardidylloftheCornwallfishingvillageismisleading.Whilefishingusedtobeawayofsupportingoneself,wealthyLondontouristshavenowdescendedandaredisplacingthelocals,whoselivelihoodisthusthreatened.TherelationshipbetweenbrothersStevenandMartinisalsostrained.Martinisafishermanwithoutaboat,sinceStevenstartedusingitforfarmorelucrativetoursforalltheday-trippers.They’vesoldthefamilycottageandnowitseemsthatthefinalbattletobefoughtisthatwiththenewownersovertheparkingspacenexttothesea.Yetthesituationsoongetsoutofhand,andnotjustbecauseofthewheelclamp.Baitisablack-and-whitefilmshotonhand-processed16mm.Numerousclose-upsoffish,nets,lobsters,wellingtonboots,knotsandcatchbasketsbringtomindthetheoryofamontageofattractions.Thedepictionofthedifferentsocialstrata–onecouldspeakofclassrelations–isalsoreminiscentofthetraditionofsocialrealisminBritishcinema.Aboveall,however,awholelotofcurrentpoliticalrelevanceiswaitingtobediscoveredbeneaththedifferentlayersoffilmhistoricalreferencescontainedintheimages.
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Afterateachertragicallydies,hisfriend,whohappenstobeaformercop,takesoverhisoldjobinhopesofcatchingthepeopleresponsibleforhismurder.
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ClaudiaandFlaviowereoncepassionatelyinlove,butallofthatisover.Now,intheirfifties,theymustventureanewintotheworldofloveanddatingoncemorebutforClaudiaconfrontingtheendandacceptinganewbeginningisn’tsoeasy.Claudiaisunwillingtoletgoandforgetthelifeshe’sbuiltwithFlavio,whileFlavio,eagertomoveon,soonfindshimselfinarelationshipwithamuchyoungerwoman.ClaudiasoonreconnectswithNina,astudentfromherdaysasaprofessor.
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马里奥·毛瑞尔
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卡曼妮·耶美肯
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Taksaorn Paksukcharern
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Sakarat Jumrus
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吉拉维奇·蓬帕吉特
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查亚鹏·朱利·普帕特
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娜塔玻·提米露克
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帕贡·查博里拉
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Rudklao Amratisha
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SixCharactersispossiblythemosthighlyanticipatedThaifilmthisyear,notleastofallforitsstar-studdedcast.Onashootingsetfilledwithtension,anervousdirector(MarioMaurer)triestoshootahorrormovie.Thewillfulcastofactorsisnohelp.Meanwhile,sixstrangerssuddenlyappearwhotelltheirstory,explainingthattheyarethecharactersofthescriptleftbyadeadscreenwriter.Thedirectorlaughsatthestrangersatfirstbuteventuallybeginstogetcarriedawaybythecompellingfamilystorytheytell.DirectorM.L.BhandevanovDevakula,whoalsovisitedBusanin2011withEternity,isadirectorwhoistalenteddepictingeroticismwithintenseemotionsaswellasadaptationasintheJanDaraseries.SixCharacters,anadaptationofItalianplaywriterLuigiPirandello′sSixCharactersinSearchofanAuthor,spotlightsthedirector’sstrengthsandvision.
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Set during the last days of the civil war that followed the Russian Revolution. The Crimea Peninsula is the last stronghold of the White Guard, and the Red Army is planning the final assault. The first story line of the movie follows two Red Army soldiers: unlikely friends Nekrasov and Karyakin. The second story line is about a White Guard officer Brusentsov who is devoted to Russia and his cause but sees it being destroyed day by day.
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When18-year-oldJohannacomeshomefromschool,hermiserablefatherhidesbehinddrawncurtains.Hecan'tmanagebuyingfood,payingtheelectricbill,orsupporthisdaughter,whoinsteadplodsovertothepawnshopwithherslalomskisaftertheuninspiredsophomoricsexwithapot-smokingsmall-timedealerfromthevillaneighbourhood.ButonedayJoannaendsupnexttoAudreyinGermanclass,andeverythingchanges.SoDamnEasyGoingisacharminglyplayfullovefilmwheresparksflyaroundNikkiHansebladandMelinaBenettPaukkonenintheleadingroles,withShantiRoneypresentingamovingportraitofthetorturedfatheronthecouch.