LilaSalet
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《Dexter》消失在我们的视线中已经很久，最近终于传来了这部剧集第4季的新消息，Dexter的杀人之路将如何继续呢？ 首先当这部剧集在秋季归来时，故事将会发生在第3季结束的6个月后，Dexter和Rita新婚之后，并生下来了一个男宝宝。“在这一季中，我们将面对的是：一个连环杀手如何平衡个人生活、工作以及他的黑暗生活。”该剧的制作人Sara Colleton如此说：“换句话说，Dexter是否能够拥有一切？其实就是困扰着我们每一天生活的这些问题，非常贴近每个人，我们会看到Dexter如何来应对这一切。”而Dexter本季的强劲对手男角色暂时还未选定，“他会照亮Dexter的生活，强迫他做出一切苦难的选择。”至于Dexter的老妹Deb，将于继续迫近Dexter的黑暗秘密。“贯穿整季的故事中，Deb想了解她的父亲更多一些，于是她的调查越来越接近Dexter的亲生母亲的真实身份。”也许有一天Dexter不得不想办法“对付”自己的这个不听话的妹妹。
剧情：
《Dexter》消失在我们的视线中已经很久，最近终于传来了这部剧集第4季的新消息，Dexter的杀人之路将如何继续呢？ 首先当这部剧集在秋季归来时，故事将会发生在第3季结束的6个月后，Dexter和Rita新婚之后，并生下来了一个男宝宝。“在这一季中，我们将面对的是：一个连环杀手如何平衡个人生活、工作以及他的黑暗生活。”该剧的制作人Sara Colleton如此说：“换句话说，Dexter是否能够拥有一切？其实就是困扰着我们每一天生活的这些问题，非常贴近每个人，我们会看到Dexter如何来应对这一切。”而Dexter本季的强劲对手男角色暂时还未选定，“他会照亮Dexter的生活，强迫他做出一切苦难的选择。”至于Dexter的老妹Deb，将于继续迫近Dexter的黑暗秘密。“贯穿整季的故事中，Deb想了解她的父亲更多一些，于是她的调查越来越接近Dexter的亲生母亲的真实身份。”也许有一天Dexter不得不想办法“对付”自己的这个不听话的妹妹。
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在上一季末，珍妮弗·卡彭特饰演的Deb的世界崩塌了，她发现了Dexter的秘密。剧集执行制作人Sara Colleton在接受采访时说：“她被自己内心的情绪淹没，并不只是她对寄养兄弟的亲情，还有她发现自己爱上了Dexter。这些情绪便是她去哪里的原因，而她看到的则是她从未想到的。”这样突然的戏剧冲突，相信要比Deb采用自己的刑侦技术查到Dexter的蛛丝马迹要更有力和震撼。自两年前的迈阿密一别，我就搬来这座俄亥俄州的小镇驻下。在镇上谋了份开卡车的工作，租了一间独立在靠海的旧木屋，紧挨在码头的附近，为了尽量的减少握方向盘找回家路的机会，也多少想怀念以前椰树林公寓的影子。
剧情：
在上一季末，珍妮弗·卡彭特饰演的Deb的世界崩塌了，她发现了Dexter的秘密。剧集执行制作人Sara Colleton在接受采访时说：“她被自己内心的情绪淹没，并不只是她对寄养兄弟的亲情，还有她发现自己爱上了Dexter。这些情绪便是她去哪里的原因，而她看到的则是她从未想到的。”这样突然的戏剧冲突，相信要比Deb采用自己的刑侦技术查到Dexter的蛛丝马迹要更有力和震撼。自两年前的迈阿密一别，我就搬来这座俄亥俄州的小镇驻下。在镇上谋了份开卡车的工作，租了一间独立在靠海的旧木屋，紧挨在码头的附近，为了尽量的减少握方向盘找回家路的机会，也多少想怀念以前椰树林公寓的影子。
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在一个阳光亮媚的日子里,俏丽的克拉拉（拉蒂西亚·多瑞拉 Leticia Dolera 饰）行将跟漂亮帅气的爱人科多（迪雅戈·马丁 Diego Martín 饰）步入婚礼殿堂。两边亲友相聚在一同,手舞足蹈,好不欢乐。但是合法婚礼晚宴直接到热潮之时,一其中年女子忽然从楼上跌落,当他爬起家时,其描述大变,面貌狞恶,随即狂躁地啃咬身边的人。现场有如炸锅正常,全部人的都四散而逃,而不知为何酿成丧尸的人们追咬着每一个生者,丧尸的步队越来越大,科多与克拉拉也在凌乱中掉散。教堂未然酿整天堂,有如最后的审讯日,人们身不禁己……
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Rakkawasbornwiththeabilitytocommunicatewiththespiritsofthedead.Thisabilitytortureshim,astheyoftenappeartohelpsettletheirgrudgesorsolvetheirproblems.Rakkaoftenhelpspoliceuncovermurdersuspectsandwherevictimsareburied.Rakka’sabilitymakeshimostracizedatschool.RakkadecidestomovetoBogortolivewithhisuncle,Ajat,whoalsohasthesameability.Rakkameetsabeautifulghostwhocan’trememberhername.RakkabeginstobondwiththisghostnamedDinibecausesheistheonlypersonwhocanunderstandRakka.Diniforgetsherpastandhasnopurpose.Feelingpityforthissituation,RakkaintendstohelpDinirememberherpast.Meanwhile,athisnewschool,terrorappearsfromamysteriousghostfigurewhoisseenwearingabloodymask.SomeofRakka’sfriendsdisappeared.Rakkausesherabilitiestofindoutthereasonbehindthisghostterror.
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约翰·亚历山大
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BELGRAVIAisthestoryofasecret.AsecretthatunravelsbehindtheporticoeddoorsofLondon’sgrandestpostcode.Thestorybehindthesecretwillberevealedinweeklybite-sizedinstalmentscompletewithtwistsandturnsandcliff-hangerendingsthatwillbedelivereddirectlytoyourmobile,tabletordesktopviaabrandnewapp.Youcanreadit,orlistentoit,orjumpbetweenthetwo.Setinthe1840swhentheupperechelonsofsocietybegantorubshoulderswiththeemergingindustrialnouveauriche,Belgraviaispeopledbyarichcastofcharacters.ButthestorybeginsontheeveoftheBattleofWaterlooin1815.AttheDuchessofRichmond’snowlegendaryball,onefamily’slifewillchangeforever...
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翁贝托·伦齐
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Umberto Lenzi is undoubtedly the king of Italian crime movies, but unfortunately; Syndicate Sadists is not the best examples of his work in this genre. Lenzi's crime flicks tend to be a cut above the rest because he makes films based on stories with a point, and they don't lack direction; but this film feels a bit too wayward to fully fit with the rest of his stuff. The film takes obvious influence from Sergio Leone's landmark western 'A Fistful of Dollars' (which in turn, took influence from Akira Kurosawa's landmark samurai flick Yojimbo), in that it features two warring families and a strong character at the centre. The crime that Lenzi focuses on is kidnapping, and we centre on a character called 'Rambo'. Rambo is dragged into the war between the two families after his brother is killed because of it. Rambo uses his brains and brawn to pit the two families against one another, in the hope of gaining revenge for his brother's death, rescuing a young boy that they've kidnapped, and ultimately letting the two sides destroy one another. The film's biggest asset is undoubtedly Tomas Milian. Milian was put to great use by Lenzi in almost all of his crime thrillers. The range of characters he has played for Lenzi is immense, and this one is easily one of the coolest. The character is called Rambo, which immediately sprang to mind the popular Sylvester Stallone character - but for once, the Italians actually haven't stolen this name as Syndicate Sadists was released first! As usual, the film is wickedly entertaining, as we get to watch Milian get himself involved in the usual array of car chases, shootouts and brawls. Lenzi has got him riding a motorbike this time round, and every scene featuring it and Milian is a real standout! However, the film often feels like it doesn't really have anywhere to go, and this means that the running time is stretched out more than it should be. Compared to the crime films of other Italian directors, Syndicate Sadists is more than above average; but in relation to Lenzi crime flicks such as Almost Human and The Cynic, The Rat and The Fist - it doesn't stand tall as one of Lenzi's best. Still, if you're looking for ninety minutes of testosterone fuelled mayhem - Syndicate Sadists will suffice!
