Kamp

This three-hour, two-film presentation "Elvis Presley: The Searcher" focuses on Elvis Presley the musical artist, taking the audience on a comprehensive creative journey from his childhood through the final 1976 Jungle Room recording sessions.

BELGRAVIAisthestoryofasecret.AsecretthatunravelsbehindtheporticoeddoorsofLondon’sgrandestpostcode.Thestorybehindthesecretwillberevealedinweeklybite-sizedinstalmentscompletewithtwistsandturnsandcliff-hangerendingsthatwillbedelivereddirectlytoyourmobile,tabletordesktopviaabrandnewapp.Youcanreadit,orlistentoit,orjumpbetweenthetwo.Setinthe1840swhentheupperechelonsofsocietybegantorubshoulderswiththeemergingindustrialnouveauriche,Belgraviaispeopledbyarichcastofcharacters.ButthestorybeginsontheeveoftheBattleofWaterlooin1815.AttheDuchessofRichmond’snowlegendaryball,onefamily’slifewillchangeforever...

MAMMA+MAMMAisthestoryoftwowomenwholoveeachotherandoftheirdesiretohaveachildtogether.KaroleandAlistilldontknowthattheenthusiasmofthisfirstattemptwillbefollowedbymanyvicissitudes,butwhenthedesirebecomesstrongerthanthepainandfatigue,miraclescanhappen.

《幻想的色彩》是由音乐剧改编的电影。故事发生在塞哥维亚的一个基督教营地。8月，刚刚到来的贝尔纳达修女希望能通过她的歌“我们将在信仰中变得坚强”挽救别人。年轻的米拉格洛斯修女总是疑虑重重，喜欢PresuntosImplicados乐队。玛丽亚和苏珊娜是两个问题少女，她们从小开始每年都会参加“指南针”基督教夏令营，她们俩都热爱雷鬼乐和拉美电子乐。一天晚上，上帝向玛利亚显身了，于是一切都变了。原来上帝爱惠特尼·休斯顿呀！

A young mad genius attempts to 'hack the human mind' in order to fix humanity.

费德烈（贝尔纳·康潘 Bernard Campan 饰）带着老婆弗德莉奇（蕾雅·德吕盖 Lea Drucker 饰）跟可憎的儿子住在法国德龙省电一个小镇,生涯幸福圆满。一个炎天的薄暮,他们约请新街坊——计划师雨果（夏尔·贝尔林 Charles Berling 饰）来家里加入烤肉晚宴,席间,雨果异常慷慨地提到本人是个同性恋,绝不避忌他人的眼光。雨果的坦诚赢得费德烈的好感,他开端天天约雨果去晨跑,以男子的方法开阔来往,然而费德烈心中不免不时荡起荡漾,好像雨果的到来为他的生涯翻开另一扇门,让他看到了一个未知的本人……

Umberto Lenzi is undoubtedly the king of Italian crime movies, but unfortunately; Syndicate Sadists is not the best examples of his work in this genre. Lenzi's crime flicks tend to be a cut above the rest because he makes films based on stories with a point, and they don't lack direction; but this film feels a bit too wayward to fully fit with the rest of his stuff. The film takes obvious influence from Sergio Leone's landmark western 'A Fistful of Dollars' (which in turn, took influence from Akira Kurosawa's landmark samurai flick Yojimbo), in that it features two warring families and a strong character at the centre. The crime that Lenzi focuses on is kidnapping, and we centre on a character called 'Rambo'. Rambo is dragged into the war between the two families after his brother is killed because of it. Rambo uses his brains and brawn to pit the two families against one another, in the hope of gaining revenge for his brother's death, rescuing a young boy that they've kidnapped, and ultimately letting the two sides destroy one another.　　The film's biggest asset is undoubtedly Tomas Milian. Milian was put to great use by Lenzi in almost all of his crime thrillers. The range of characters he has played for Lenzi is immense, and this one is easily one of the coolest. The character is called Rambo, which immediately sprang to mind the popular Sylvester Stallone character - but for once, the Italians actually haven't stolen this name as Syndicate Sadists was released first! As usual, the film is wickedly entertaining, as we get to watch Milian get himself involved in the usual array of car chases, shootouts and brawls. Lenzi has got him riding a motorbike this time round, and every scene featuring it and Milian is a real standout! However, the film often feels like it doesn't really have anywhere to go, and this means that the running time is stretched out more than it should be. Compared to the crime films of other Italian directors, Syndicate Sadists is more than above average; but in relation to Lenzi crime flicks such as Almost Human and The Cynic, The Rat and The Fist - it doesn't stand tall as one of Lenzi's best. Still, if you're looking for ninety minutes of testosterone fuelled mayhem - Syndicate Sadists will suffice!