DiTillio

　　剧情是关於孤儿 Pete 结识了忽隐忽现的妙妙龙 Elliott ，得到妙妙龙的暗助他才逃离奴役的命运，后来他被灯塔看守员的女儿 Nora 收养，而 Nora 的男友在此之前却已经航海失去了音讯，Nora 每天由灯塔遥望著大海，期待会有奇迹出现… Pete 与妙妙龙的友情、Nora 与其男友的爱情，以及 Nora 对 Pete 的怜悯关怀之情，交织成这一部温馨感人的歌舞电影。本片是一部真人与动画合演的电影，动画部分就是那只妙妙龙 Elliott 而已，比较以往迪士尼的真人动画杰作，如【南方之歌】、【悠情伴我心】、【欢乐满人间】以及【飞天万能床】等，动画真人合演的部分都只有一小段而已，但在本片当中，妙妙龙与演员常常同时出现，尤其是 Pete 还常坐在它的肚子上与它嬉闹、诉说心事，真人、动画配合的技巧更上一层楼!

Just over 40 - years ago, marriage in China was arranged by the state. Romantic love was seen as a capitalist concept and was not allowed during this period. Wedding photography (if any at all) consisted of one black and white passport photo of the couple (dressed in Mao- style outfits) as proof of the marriage. Now, China has fallen in love with love and its exploding wedding industry is worth 80 - billion dollars, and it is on an upward curve. Pre-wedding photography is one of the most significant and curious parts of the industry. Every couple marrying in China will take part in a pre-wedding shoot. It in册ves several costume and backdrop changes where you can become a character in any fantasy you choose. For the most exotic lo- cations couples pay up to $250 - 000 - AUD. Pre-wedding photo shoots have become an important national ritual. They are proof of the marriage but now also of love, romance, freedom, status, money and the new China Dream. As an expat living in Shanghai with a long history of coming to China, Sinophile photographer Olivia Mar- tin-McGuire was captivated by the construction of dreams through this booming photographic world. Once she started to delve deeper into this new traditional she found a unique window into China. One that revealed a country dreaming, a country rapidly booming and a country reconstructing its recent past trauma all through their own lens. China Love takes us on a wild journey into the warmth of the family web in China into the hearts of our characters and into their personal dreams with an understanding of why and where these aspirations come from. The project explores China's new position as a globalised country from its restrictive and highly traditional past - through the window of its booming wedding industry and asks what is the new China Dream when it comes to love.

When a rebellious teen embarks on a solo summer journey to connect with her roots, she finds herself in a new world, geared up for the ride of her life, and discovers she had the drive in her all along.

Thisdocuseriesexplorestheoriginsandevolutionofplayacrosstheglobe,fromage-oldritualstobillion-dollarbusinesses.

一直作為米路斯．科曼劇本鐵三角（另一位是帕培錫，也是本片編劇之一）成員的艾雲．巴薩，當然也走低度戲劇路線。同是音樂家的彼德與卡洛老友重逢，生活狀況大不同，你有伴侶我有家庭，然而都有說不出的不明朗，唯有以酒與音樂代替口水。全片推展不問目的，只在剎那間的意圖，行行企企比起科曼更義無反顧，卻有生活淡如流水的詩意和繆思，叫觀眾聯想到二十年後的伊力．盧馬。巴薩鍾愛音樂的程度不下於文字和電影，古典音樂與民間音樂於全片迴轉迴盪，難怪成了奇斯洛夫斯基十大心愛電影之一。　　　　康城影展青年評審團獎，美國全國影評人協會特別獎　　　　這部1966年的珍品，是捷克新浪潮短暫生命中最佳作品之一。成名音樂家到小鎮探訪舊同學，舊同學是個窮音樂教師，有時在喪禮上吹奏樂曲。平凡的素材在巴素手裡，變出風趣復罕見的旋律，一部憂鬱的喜劇，或灰色喜劇。　　　　- Dave Kehr, Chicago Reader　　　　Ivan Passer's (Cutter's Way and Creator) last film to be made in his native Czechoslovakia is about friends – musician Petr and music teacher Karel – reunited when Petr returns to town for a performance. Passer frequently collaborated with Milos Forman and the episodic, low-action aesthetic that was evident in Forman's early work can be seen here. Years of separation have bred apprehension between the two men, and Karel's simmering jealousy makes their meeting all the more awkward. Eventually, the barriers crumble enough for the pair to freely discuss their lives. The film's simple beauty is in the details of the men's reacquainting themselves with each other, discovering each other's regrets and unfulfilled desires. Alive with pathos, humour and insight.　　　　Special Award, National Society of Film Critics Awards　　　　Its simple city mouse-country mouse story involves the meeting of two former schoolmates as they prepare for a small-town concert. Enlivened by Passer's flair for grotesquerie, this unassuming masterpiece maintains a delicate balance between hilarity and despair.　　　　- Elliott Stein, Village Voice　　　　Source HKIFF Czech New Wave 2006

Would you believe in a policewoman who suffers from such serious panic disorders that she is afraid to get close to any crime scene and has been on permanent office duty for more than a decade Would you believe a lone mother who is unfit to pay her mortgage and also raise her rebellious teenage daughter Indeed, no one believes that the troubled ex-detective has discovered a serial murder case. Personal dramas and a murder mystery unfold in present-day Budapest, where demonstrations are part of the pre-election life of a city still trying to cope with the shadows of its historical and recent past. It is a city where nothing seems honest and true, except through the eyes of an emotionally unstable policewoman and her misfit daughter who wants to know who her father truly was.　　入围第32届华沙电影节新导演单元

行为方便的妮卡（菲安娜·多里夫 Fiona Dourif 饰）跟母亲莎拉·皮尔斯（Chantal Quesnelle 饰）生涯在一栋古旧的大屋子里。某天,当母女收到一个奇异的娃娃恰奇之后,莎拉于当夜不测逝世亡。在此之后,妮卡用心叵测的姊姊芭比（Danielle Bisutti 饰）带着潦倒崎岖潦倒的老公伊恩（Brennan Elliott 饰）!美丽年青的保姆吉尔（Maitland McConnell 饰）!可憎的女儿爱丽丝（Summer H. Howell 饰）以及教区神父（A Martinez 饰）离开家中。妮卡将恰奇送给爱丽丝当礼品,小女孩高兴至极。 谁知从当晚开端,逝世亡变乱接连在妮卡一家人四周产生,貌似天真的鬼娃娃静静举起手中的屠刀。电闪雷鸣,阴风阵阵,残暴无情的屠杀拉开尾声……

在澳大利亚内陆的冒险经历过去一年后，Elliot和Helen一起去往了爱尔兰。因车祸导致严重失忆的Elliot决定是时候重新了解自己的出身了，来自他过往生活的危险旋风却将两人卷入其中。当Elliot与自己的恶魔战斗时，Helen需要揭开更大的谜团，这一切迫使他们去直面那些新老敌人。

　　Jennifer uses her intuitive skills to investigate her friend's death in a multimillion-dollar home with a dark history.

号称是美国七十年代最非著名的一部科幻电影杰作，导演索尔·巴斯是设计师，还曾两次获过奥斯卡奖，但不知为何这部经典的心理科幻片至今都没出DVD。　　Desert ants suddenly form a collective intelligence and begin to wage war on the desert inhabitants. It is up to two scientists and a stray girl they rescue from the ants to destroy them. But the ants have other ideas.　　Phase IV is an incredible full length feature film by Saul Bass who is most acclaimed as a graphic designer who's work can be seen as the opening credits from The Seven Year Itch, Vertigo, West Side Story to Alien, Broadcast News and Casino. Phase IV is a much overlooked film that is very much in the style of The Andromeda Strain. What it perhaps lacks in story, it gains in the photography of the millions of ants.　　索尔·巴斯，美国动画片绘制家、美工师、导演，1920年5月8日生于纽约市，少年时曾经在布鲁克林学院学习绘画，毕业后从事过十年自由职业设计师的职业，1946年在洛杉矶创立索尔·巴斯合作公司。他在为一些影片进行美术设计时，猜出心裁地为片头片尾的演职人员表配上生动活泼的动画人物，这些动画人物的形态动作巧妙地提示了影片的主题，反映了影片的基调，从而使单调乏味的演职人员表和谐地成为了影片不可或缺的一部分，这种大胆的创新丰富了电影的表现形式，广受观众们的喜爱，其后为不少国家的影片所沿用。索尔·巴斯设计片头片尾的影片以《卡门·琼斯》(1955)、《红衣主教》(1963)等片最为著名。此外，他还监制和导演了很多电视广告片、动画片片和纪录片，如《敏锐的眼光》(1963)、《第四相》(1974)等。