Demet

Inanambitious,ground-breakingapproachtodramaandhistory,historianLucyWorsleytimetravelsbacktotheTudorCourttowitnesssomeofthemostdramaticmomentsinthelivesofHenryVIII’sSixWives.CombiningdramawrittenbyChloeMosswithLucy’sowncontemporaryhistoricalcomment,Lucywillmoveseamlesslyfromthepresenttothepast,appearingasarangeofsilentservants:amaid,midwifeornursemaid.Asthedramaplaysout,LucyeavesdropsontheeventsintheRoyalCourtandreportsback.Closelyknitandoftenrelatedtoeachother,theTudorcourtwasmadeupofasmallgroupofpowerfulfamiliesallvyingforinfluenceandpowerovereachother.Whileitwasaworldrunbymen,andtheKinghadultimatepower,eachQueen(aswellastheirladiesinwaiting)foundtheirownuniquemethodsofexertinginfluence.Forthefirsttime,itisthesewomen’sstoriesthatLucywantstouncover,witnessandexplore,aswellasofferingaverynewlensonHenryhimself.

阔别伊斯坦布尔的安纳托利亚,业已退休的梨园后辈艾登（Haluk Bilginer 饰）以专栏作家的身份开展了新的人生。他故作关怀地日复一日撰写宗教类的文章,沉迷沉醉在自我所营建的看似深入的思考天下里无奈自拔。艾登用退休金运营一家旅店,名下另有多处正在出租的房产,在与一般大众的触摸进程中让他看起来多了一份虚假跟冰凉。妹妹尼卡（Demet Akbag 饰）从前仳离,常常伸直在艾登的书房内针对写作而争辩,乃至相互讥嘲攻讦。他的老婆尼哈尔（Melisa Sözen 饰）年青独破,热衷种种公益奇迹。聚少离多且人生立场悬殊的老汉少妻渐行渐远,情感涌现裂缝……                                                                    本片荣获2014年戛纳片子节金棕榈奖。

该剧由《真爱如血》（TrueBlood）制片人AlanBall打造，故事描述曾经坐过牢的诈骗大师兼飞天大盗LucasHood（AntonyStarr）不知悔改，跑到宾夕法尼亚州Banshee镇假冒警长，暗地里仍然干非法勾当。与此同时，多年前遭他背叛的一名黑帮匪徒穷追不舍，誓要将他碎尸万段。和Cinemax其他节目一样，性和暴力是该剧的主要看点。IvanaMilicevic扮演臭名昭著的珠宝大盗CarrieHopewell，Lucas的旧情人和犯罪搭档。Carrie如今用化名在Banshee镇过着隐居生活，不仅嫁了人，还生了孩子，她的家人对她的犯罪历史完全不知情。UlrichThomsen扮演富有的商人Proctor，在当地他的话就是法律，没有人敢挑战他的权威。FrankieFaison扮演一名退役的拳击手，聪明、强势，曾干过诈骗的勾当，如今是当地酒吧的老板。RusBlackwell扮演战争英雄GordonHopewell，Banshee镇上的检察官，是Carrie的丈夫。RyannShane扮演Carrie和Gordon的女儿Deva，性格叛逆。BenCross扮演冷血无情的乌克兰黑帮成员「兔子先生」，15年来一直在追踪Lucas和Carrie的下落——他们曾是他手下的顶级大盗。DemetriusGrosse扮演曾当过橄榄球运动员的警官EmmettYawners。TriesteKellyDunn扮演性格泼辣的女警官SiobhanKelly。MattServitto扮演Banshee镇警察局服役时间最长的警官BrockLotus，本有希望成为警长，Lucas的到来威胁到他的地位。LiliSimmons扮演当地一名阿曼门诺派教徒RebeccaBowman，二十出头，白天是个看似虔诚的宗教信徒、温柔乖巧的女孩，但到了夜里就变成性格叛逆、可以随便和男人上床的交际花。HoonLee扮演有异装癖的计算机黑客Job，是Lucas打造犯罪帝国的重要帮手。DanielRossOwens扮演镇长DanKendall，年轻的理想主义者。

Whenanoldmanwitnessesastrangemeteorland,hefindshimselfgrowingyounger,buthisrenewedyouthhasaprice;hemustkillordie.Heisavampire,butitisnotbloodheneedstosatisfyhiscravings.Aseriesofmurdersinwhichseveralwomenarebrutallyslainleadsthepoliceonaconfusingchaseacrossseveralstates.

Inthisnewthree-partseries,SimonReevetravelsacrosstheworld’sbiggestcountry,Russia.OnthecentenaryanniversaryoftheRussianRe册ution,Simon’sjourneywilltakehimfromthesnow-capped册canoesofthefareast,throughsomeoftheremotestpartsofourplanet,tothegreatcitiesofthewest,MoscowandStPetersburg.Alongthewayheencountersanextraordinarycastofcharactersincludingreindeerherderslivinginextremetemperatures,theformertrafficcopwhosefollowersbelieveheisthereincarnationofJesus,Cossacklawenforcersandacheeseentrepreneurbeatingwesternsanctions.Aswellasbravingconditionsinsomeofmostextremeplacesintheworld,Simonandtheteamalsoexperiencefirst-handwhatit’slikefilminginPutin’sRussiawhentheteamarerepeatedlyfollowedanddetainedbyRussianauthorities.

Onaleaveofabsencefromthepoliceforce,LutherislayinglowinarundowncottageontheedgeofEnglandbutavisitfromhisoldcolleaguesattheMetbringsashockingpieceofnewsthatdrawshimbacktoLondoninsearchofthetruth.Meanwhile,agruesomeserialkillerhasstruckthecity.Withatrailofcluesleadingfromonecrimescenetothenext,Schenkandhisteammustworkoutthetwistedlogicthatconnectseachvictimbutthismurderingmastermindismorethanamatchforthepolice,outsmartingthemateverystep.It’snotlongbeforeLutherisbackintheBullpen,determinedtostealamarchonthekillerbeforeit’stoolate.

Voice1(male"professionalannouncer"type):Thisneighborhood(1)wasmadeforthewretcheddignityofthepettybourgeoisie,forrespectableoccupationsandintellectualtourism.Thesedentarypopulationoftheupperfloorswasshelteredfromtheinfluencesofthestreet.Thisneighborhoodhasremainedthesame.Itwasthestrangesettingofourstory,whereasystematicquestioningofallthediversionsandworksofasociety,atotalcritiqueofitsideaofhappiness,wasexpressedinacts.Thesepeoplealsoscorned"subjectiveprofundity".Theywereinterestedinnothingbutanadequateandconcreteexpressionofthemselves.Voice2(Debord,monotone):Humanbeingsarenotfullyconsciousoftheirreallife-usuallygropinginthedark;overwhelmedbytheconsequencesoftheiracts;ateverymomentgroupsandindividualsfindthemselvesconfrontedwithresultstheyhavenotwished.Voice1 - Theysaidthatoblivionwastheirrulingpassion.Theywantedtoreinventeverythingeachday;tobecomethemastersandpossessorsoftheirownlives.Justasonedoesnotjudgeamanaccordingtotheconceptionhehasofhimself,onecannotjudgesuchperiodsoftransitionaccordingtotheirownconsciousness;onthecontrary,onemustexplaintheconsciousnessthroughthecontradictionsofmateriallife,throughtheconflictbetweensocialconditionsandtheforcesofsocialproduction.Theprogressachievedinthedominationofnaturewasnotyetmatchedbyacorrespondingliberationofeverydaylife.Youthpassedawayamongthevariouscontrolsofresignation.Ourcamerahascapturedforyouafewaspectsofaprovisionalmicrosociety.Theknowledgeofempiricalfactsremainsabstractandsuperficialaslongasitisnotconcretizedbyitsintegrationintothewhole"”whichalonepermitsthesupersessionofpartialandabstractproblemssoastoarriveattheirconcreteessence,andimplicitlyattheirmeaning.Thisgroupwasonthemarginsoftheeconomy.Ittendedtowardaroleofpureconsumption,andfirstofallthefreeconsumptionofitstime.Itthusfounditselfdirectlyengagedinqualitativevariationsofeverydaylifebutdeprivedofanymeanstointerveneinthem.Thegrouprangedoveraverysmallarea.Thesametimesbroughtthembacktothesameplaces.Noonewenttobedearly.Discussiononthemeaningofallthiscontinued...Voice2 - "Ourlifeisajourney"”Inthewinterandthenight."”Weseekourpassage..."�Voice1 - Theabandonedliteratureneverthelessexertedadelayingactiononnewaffectiveformulations.Voice2 - Therewasthefatigueandthecoldofthemorninginthismuch-traversedlabyrinth,likeanenigmathatwehadtoresolve.Itwasalooking-glassrealitythroughwhichwehadtodiscoverthepotentialrichnessofreality.Onthebankoftherivereveningbeganonceagain;andcaresses;andtheimportanceofaworldwithoutimportance.Justastheeyeshaveablurredvisionofmanythingsandcanseeonlyoneclearly,sothewillcanstriveonlyincompletelytowarddiver搜索引擎优化bjectsandcancompletelyloveonlyoneatatime.Voice3(younggirl):Noonecountedonthefuture.Itwouldneverbepossibletobetogetherlater,oranywhereelse.Therewouldneverbeagreaterfreedom.Voice1 - Therefusaloftimeandofgrowingoldautomaticallylimitedencountersinthisnarrow,contingentzone,wherewhatwaslackingwasfeltasirreparable.Theextremeprecariousnessofthemeansofgettingbywithoutworkingwasattherootofthisimpatiencewhichmadeexcessesnecessaryandbreaksdefinitive.Voice2 - Oneneverreallycontestsanorganizationofexistencewithoutcontestingallofthatorganization’sformsoflanguage.Voice1 - Whenfreedomispracticedinaclosedcircle,itfadesintoadream,becomesamererepresentationofitself.Theambianceofplayisbynatureunstable.Atanymoment"ordinarylife"�canprevailonceagain.Thegeographicallimitationofplayisevenmorestrikingthanitstemporallimitation.Anygametakesplacewithinthecontoursofitsspatialdomain.Aroundtheneighborhood,arounditsfleetingandthreatenedimmobility,stretchedahalf-knowncitywherepeoplemetonlybychance,losingtheirwayforever.Thegirlswhofoundtheirwaythere,becausetheywerelegallyunderthecontroloftheirfamiliesuntiltheageofeighteen,wereoftenrecapturedbythedefendersofthatdetestableinstitution.Theyweregenerallyconfinedundertheguardofthosecreatureswhoamongallthebadproductsofabadsocietyarethemostuglyandrepugnant:nuns.Whatusuallymakesdocumentariessoeasytounderstandisthearbitrarylimitationoftheirsubjectmatter.Theydescribetheatomizationofsocialfunctionsandtheisolationoftheirproducts.Onecan,incontrast,envisagetheentirecomplexityofamomentwhichisnotresolvedintoawork,amomentwhosemovementindissolublycontainsfactsandvaluesandwhosemeaningdoesnotyetappear.Thesubjectmatterofthedocumentarywouldthenbethisconfusedtotality.Voice2 - Theerahadarrivedatalevelofknowledgeandtechnicalmeansthatmadepossible,andincreasinglynecessary,adirectconstructionofallaspectsofaliberatedaffectiveandpracticalexistence.Theappearanceofthesesuperiormeansofaction,stillunusedbecau搜索引擎优化fthedelaysintheprojectofliquidatingthecommodityeconomy,hadalreadycondemnedaestheticactivity,whoseambitionsandpowerswerebothoutdated.Thedecayofartandofallthevaluesofformermoreshadformedoursociologicalbackground.Therulingclass’smonopolyovertheinstrumentsweneededtocontrolinordertorealizethecollectiveartofourtimehadexcludedusfromaculturalproductionofficiallydevotedtoillustratingandrepeatingthepast.Anartfilmonthisgenerationcanonlybeafilmonitsabsenceofrealcreations.Everyoneunthinkinglyfollowedthepathslearnedonceandforall,totheirworkandtheirhome,totheirpredictablefuture.Forthemdutyhadalreadybecomeahabit,andhabitaduty.Theydidnotseethedeficiencyoftheircity.Theythoughtthedeficiencyoftheirlifewasnatural.Wewantedtobreakoutofthisconditioning,inquestofanotheru搜索引擎优化ftheurbanlandscape,inquestofnewpassions.Theatmosphereofafewplacesgaveusintimationsofthefuturepowersofanarchitectureitwouldbenecessarytocreatetobethesupportandframeworkforlessmediocregames.Wecouldexpectnothingofanythingwehadnotourselvesaltered.Theurbanenvironmentproclaimedtheordersandtastesoftherulingsocietyjustasviolentlyasthenewspapers.Itismanwhomakestheunityoftheworld,butmanhasextendedhimselfeverywhere.Peoplecanseenothingaroundthemthatisnottheirownimage;everythingspeakstothemofthemselves.Theirverylandscapeisalive.Therewereobstacleseverywhere.Therewasacohesionintheobstaclesofalltypes.Theymaintainedthecoherentreignofpoverty.Everythingbeingconnected,itwasnecessarytochangeeverythingbyaunitarystruggle,ornothing.Itwasnecessarytolinkupwiththemasses,butweweresurroundedbysleep.Voice3 - Thedictatorshipoftheproletariatisadesperatestruggle,bloodyandbloodless,violentandpeaceful,militaryandeconomic,educationalandadministrative,againsttheforcesandtraditionsoftheoldworld.Voice1 - Inthiscountryitisonceagainthemenoforderwhohaverebelled.Theyhavereinforcedtheirpower.Theyhavebeenabletoaggravatethegrotesquenessoftherulingconditionsaccordingtotheirwill.Theyhaveembellishedtheirsystemwiththefunerealceremoniesofthepast.Voice2 - Years,likeasingleinstantprolongedtothispoint,cometoanend.Voice1 - Whatwasdirectlylivedreappearsfrozeninthedistance,fitintothetastesandillusionsofanera,carriedawaywithit.Voice2 - Theappearanceofeventsthatwehavenotmade,thatothershavemadeagainstus,nowobligesustobeawareofthepassageoftime,itsresults,thetransformationofourowndesiresintoevents.Whatdifferentiatesthepastfromthepresentispreciselyitsout-of-reachobjectivity;thereisnomoreshould-be;beingissoconsumedthatithasceasedtoexist.Thedetailsarealreadylostinthedustoftime.Whowasafraidoflife,afraidofthenight,afraidofbeingtaken,afraidofbeingkept?Voice3 - Whatshouldbeabolishedcontinues,andwecontinuetowearawaywithit.Weareengulfed.Weareseparated.Theyearspassandwehaven’tchangedanything.Voice2 - Onceagainmorninginthesamestreets.Onceagainthefatigueofsomanysimilarlypassednights.Itisawalkthathaslastedalongtime.Voice1 - Reallyhardtodrinkmore.Voice2 - Ofcour搜索引擎优化nemightmakeafilmofit.Butevenifsuchafilmsucceedsinbeingasfundamentallydisconnectedandunsatisfyingastherealityitdealswith,itwillneverbemorethanare-creation"”poorandfalselikethisbotchedtravelingshot.Voice3 - Therearenowpeoplewhopridethemselvesonbeingauthorsoffilms,asotherswereauthorsofnovels.Theyareevenmorebackwardthanthenovelistsbecausetheyareunawareofthedecompositionandexhaustionofindividualexpressioninourtime,ignorantoftheendoftheartsofpassivity.Theyarepraisedfortheirsinceritysincetheydramatize,withmorepersonaldepth,theconventionsofwhichtheirlifeconsists.Thereistalkoftheliberationofthecinema.ButwhatdoesitmattertousifonemoreartisliberatedthroughwhichTom,DickorHarrycanjoyouslyexpresstheirslavishsentiments?Theonlyinterestingventureistheliberationofeverydaylife,notonlyintheperspectivesofhistorybutforusandrightaway.Thisentailsthewitheringawayofalienatedformsofcommunication.Thecinema,too,hastobedestroyed.Voice2 - Inthefinalanalysis,starsarecreatedbytheneedwehaveforthem,andnotbytheirtalentorlackoftalentorevenbythefilmindustryoradvertising.Miserableneed,dismal,anonymouslifethatwouldliketoexpanditselftothedimensionsofcinemalife.Theimaginarylifeonthescreenistheproductofthisrealneed.Thestaristheprojectionofthisneed.Theimagesoftheadvertisementsduringtheintermissionsaremoresuitedthananyothersforevokinganintermissionoflife.Toreallydescribethiseraitwouldnodoubtbenecessarytoshowmanyotherthings.Butwhatwouldbethepoint?Bettertograspthetotalityofwhathasbeendoneandwhatremainstobedonethantoaddmoreruinstotheoldworldofthespectacleandofmemories.1.Thisfilm,whichevokesthelettristexperiencesattheoriginofthesituationistmovement,openswithshotsoftheParisdistrictfrequentedbythelettristsintheearly1950s.

你能设想文明摩擦的情况吗！或许说得更精确一点……文明碰撞。 对Dan Yoder（Mike O’Malley,「欢快独唱团」）跟老婆Katrina（Mary McCormack,「就在面前」）来说,生涯中要面临的疑问几乎太多了。就在女儿Molly（Ella Rae Peck）高中结业并拿到大学退学告诉书的统一天,他们发明她居然有身了。但那还不是这个故事的全体。 在洛杉矶的另一边,正在宣布高中结业报告的Junior Hernandez（Joseph Haro）忽然收到了女友Molly发来的短信,称他很将近当爸爸了。你完整能够预感到,Junior的怙恃Miguel（Ricardo Chavira）跟Lisette（Justina Machado）对这件事并不觉得兴奋……他们全都是拉美裔,而家里很快就要有白人了。 Molly跟Junior决议闪电完婚,两个家庭破刻像炸开了锅一样,种种百般的文明摩擦也随之而来。Yoder一家人跟Hernandez一家人完整不任何类似性,融会如许两个家庭几乎比登天还难。但要想让Molly跟Junior婚姻幸福,这是必经之路。Junior的弟弟Demetrio（Aramis Knight）已经够让人头疼了,两个父亲在一同则完整不任何独特言语。两个母亲固然想坐上去好好懂得一下对方,但即使简略的「聊家常」也会带来大疑问。 Molly跟Junior对在一同生涯长短常当真的,当他们的怙恃认识到这一点之后,都实验做出让步。在这个刚融会的小家庭里,学会懂得是每自我都须要迈出的第一步——而滑稽!爱心跟容忍则会带来精益求精的后果。 Mike O’Malley表演Molly的父亲Dan。他是个咄咄逼人的牙科大夫,18岁的女儿就要分开家出去闯世界了,他正为这件事兴奋呢——女儿走了当前,他的人生将翻开新的篇章。谁晓得……女儿带来了有身的新闻,他感慨本人年事微微就当了「外祖父」。 Mary McCormack表演Molly的母亲Katrina。她是个美食家,老是想把本人打扮成一个「一般女人」,只有Dan才晓得她的内情——她实在很蛮横,有很强的掌握欲。她是一个心疼孩子的母亲,多年来始终实验懂得女儿Molly的心理,但不是很胜利。 Ricardo Chavira跟Justina Machado表演Junior的怙恃Miguel跟Lisette,他们已经仳离。Miguel是一个已经犯过罪的拉丁裔移平易近,从天而降的「有身变乱」让他措手不迭,不知该怎样应答。Lisette在灵活车辆部任务,现在仍旧跟前夫Miguel分享儿子Junior的抚育权。

1943年，第二次世界大战期间，被占领的苏联即将迎来漫长的冬天。IstvánSemetka是一支匈牙利特种部队的一员，他的任务是挨家挨户搜寻游击队员。一天，部队在向一个偏僻的村庄行军时，遭到敌人的炮火袭击。指挥官被击毙，作为最高级别的军官，Semetka必须接任。穿过一片沼泽地，他把幸存者领到一个被占领的村庄，在那里与他们的分队汇合。

故事发生在马里兰州切萨皮克湾（ChesapeakeShores）沿岸地区的一座小镇，O’Brien三兄弟亲手设计并创立了这座小镇，这个爱尔兰裔美国家庭也因此成为当地最重要的势力。然而因为内部矛盾加剧，这个家庭最终四分五裂。多年之后，一家人再次团聚，但他们不得不回忆过去的痛苦经历，同时面对难以确定的未来。他们很快发现，学会融洽相处是一件非常重要的事情。AbbyO’Brien（MeghanOry）是个雷厉风行的职业女性，离了婚，独自带着一对双胞胎女儿生活。她从纽约回到家乡切萨皮克湾探亲，这迫使她再次面对自己的过去——包括她的高中恋人Trace（JesseMetcalfe）、顽固古板的父亲Mick（TreatWilliams）、受人尊敬的祖母Nell（DianeLadd）。Abby意识到自己的职业令她无法做一个合格的母亲，于是她考虑永久留在家乡。