Chip
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Iqbal and Sille are best friends and have always lived next door to each other. Their street must undergo urban regeneration and Easelman and The Swine will unluckily be in charge of the project. For the construction project is in fact a cover to get their hands on the oil they have discovered beneath Blågårdsgade. Iqbal and Sille must now fight against the villains and get the money to buy back their building, so they don't have to move away from each other. When Iqbal discovers a chip with magic energy, the kids manage to convince Easelman and The Swine to buy the chip so they can reclaim their building. But the villains deceive the children, and now Iqbal, Sille and the grown-ups in Blågårdsgade must put in every effort to retrieve the chip and expose the villains' secret plan.
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Chip Majors是路易斯安那州的州长。在总统推举年,他是副总统地位的第一候选人。可怜的是,他从前的暗中机密困扰着他,乃至牵动了国度平安局。他发明不只要为本人的政治生活而奋斗,乃至是为了生命。
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With this new series Andrew Graham-Dixon returns to Europe taking us on a journey into the captivating watery world of the Low Countries and its art. This small myriad of regions we now know as Holland and Belgium produced some of the most celebrated names in art: Van Eyck, Bosch, Rembrandt, Rubens, Vermeer, Van Gogh, Mondrian and Magritte. As he travels by canal boat and of course by bicycle Andrew reveals just how important the Low Countries were in key moments in the development of western culture - the birth of oil painting in the late medieval ages, the triumph of the Dutch golden age, and the onset of polarizing modern art movements surrealism and abstraction. This is not the story of one nation, but of fluid, ever-shifting boundaries and the search for identity in an area that has always been politically contested. EPISODE ONE: The first episode will be about how the art of Renaissance Flanders e册ved from the craft of precious tapestries within the Duchy of Burgundy into a leading painting school in its own right. Starting his journey at the magnificent altarpiece of Ghent Cathedral created by the Van Eyck brothers Andrew explains their ground breaking innovation in oil painting and marvels how the colours they obtained can still remain so vibrant today. Andrew will describe how in the early Renaissance the most urgent preoccupation was not the advancement of learning, humanist or otherwise, but the Last Judgment. People believed they were living in the end of days; a subject popular with preachers and artists and intensely realized in swarming microscopic detail by Hieronymus Bosch. EPISODE TWO: In the second episode Andrew explores how the seemingly peaceful countries of Holland and Belgium – famous for their tulips and windmills, mussels and chips - were in fact forged in a crucible of conflict and division. He will examine how a period of economic boom driven for the first time by a burgeoning and secular middle class led to the Dutch Golden Age of the 17th Century. Andrew travels to Delft and Amsterdam to demonstrate the striking contrast between two of its greatest proponents, Rembrandt and Vermeer (one famed for his breathtakingly realistic domestic street scenes, the other for explosive rapid brushstrokes and raw colours, best exemplified in his contentious magnum opus – The Nightwatch.) Radically different in style, both men were united by the realization that they must become innovators in business as well as masters of their craft. Yet boom also meant bust - and in a story with very modern echoes they ultimately shared the same fate, financial destitution. EPISODE THREE: Following a brief period of decline, the third episode will look at how the entrepreneurial and industrious region of the Low Countries rose again to become a cultural leader in the modern age; how despite its small and apparent insignificance when stood up against the powerhouses of Europe it produced important forward thinking artists like Van Gogh, Mondrian, Magritte and Delvaux who changed the face of art forever. In this episode Andrew’s exhilarating journey takes us to a remote beach in North West Holland which inspired Mondrian’s transition to his now renowned abstract grid paintings.
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KaitlinOlson是女配角,表演Mackenzie“Mickey”Murphy,生涯潦倒!谈话粗暴!烟不离手的女人。由于她那富得流油的姊姊为了回避联邦告状而逃离了美国,只好搬到康涅狄格州的格林威治,去照料姊姊那些已宠坏的孩子。她很快晓得一件世人皆知的事：他人家的就是熊孩子。SofiaBlackD’Elia表演Sabrina,Mickey照料的孩子中年事最大的。ThomasBarbusca表演Chip,12岁的少年,异常自负,给人成熟的感到,然而脸看上去非常欠揍。JackStanton表演Ben,最小的孩子。CarlaJimenez表演Alba,Micky姊姊家的管家,跟Micky非常要好。SusanPark扮演Liz。
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KaitlinOlson是女主角，扮演MackenzieMickeyMurphy，生活潦倒、说话粗鲁、烟不离手的女人。因为她那富得流油的妹妹为了逃避联邦起诉而逃离了美国，只好搬到康涅狄格州的格林威治，去照顾妹妹那些已宠坏的孩子。她很快知道一件众人皆知的事：别人家的就是熊孩子。SofiaBlackD’Elia扮演Sabrina，Mickey照顾的孩子中年纪最大的。ThomasBarbusca扮演Chip，12岁的少年，非常自信，给人成熟的感觉，但是脸看上去十分欠揍。JackStanton扮演Ben，最小的孩子。CarlaJimenez扮演Alba，Micky姐姐家的管家，跟Micky十分要好。SusanPark饰演Liz。
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霍华德·霍克斯
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西部片巨匠霍华德·霍克斯HowardHawks导演的非洲冒险片。片中有不少精彩的野生动物生态镜头，捕兽场面也拍得相当热闹刺激，加上在阳刚气息中穿插的一些幽默笑料和浪漫爱情，使本片维持了一定的娱乐性。在环保意识已普遍抬头的今天，象这类题材的影片已很难看到了。由SeanMercer领导的一班猎兽团﹐专门在非洲捕捉野生动物﹐售给世界各地动物园﹐不过他们从不使用刀枪﹐却使用绳索及围困的方法﹐为免伤害到牠们。某天当他们捕捉一头犀牛的时候﹐其中一位名为Indian的队员受伤了﹐需要一种特别的血型来输血﹐众人担心不已﹐幸好Chips在﹐不过这名陌生人要求在猎兽团中得到一份工作。另一方面﹐这晚突然来了一位女士﹐名为AnnaMaria﹐她是买家派来的一位摄影师﹐要求在捕猎时拍摄过程﹐Sean大吃一惊﹐因为他一直以为那人是一位男生﹐于是这个由一位少女Bra...
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伊利亚·德米特鲁
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Fish, a fish, is desperate to e册ve into a landling. Chips, a cat, would like to return to his privileged lifestyle. Both of them need a talisman to achieve their goal. Unfortunately they are fighting for the same one, a magical bone.
