Hes
搜索"Hes" ，找到 以下影视作品
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24-yearsoldEllenalwayshadtroubletofinishwhatshestartedanddecidetofinallygetthehighschooldiplomashenevergot.Buttodothatshegottopretendtobe16,somethingthatisturningouttobemuchharderthansheexpected.
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After20yearsoflivinginWashington,D.C.,MarkKleinseeksmuch-neededsolacebymovingtotheremotewildsofWestVirginia.Toeasehisloneliness,hesendsregularvideoupdatestomembersofhisOCD-supportgroupbackinthecity.ButMarkgraduallyrealizesthatdespitehisnew,isolatedsetting,hemaynotbealone.Fromtheendlesswoodssurroundinghishome,somethingelseiswatching.
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TheycallhimTheSniffer.He'stheproudownerofanextraordinarilyacutesenseofsmell.Hecandetectthingsaboutmingtian6.comyouthatyoudesperatelywanttoconceal.He'llfindthatneedleinthehaystack.Don'teverdoubthisextraordinaryskills!Butthetruthisthathissenseofsmellisasmuchacurseasitisagift.Thisguycansolveamysterybyhavingasing...
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综合了神秘主义\民俗风景\超现实幻像\魔幻现实主义等元素,本片被认为是哥伦比亚历史上最经典的恐怖片之一.InasmallpropertyintheColombianfield,theambitionofawomanagainstadefenselessgirltransformsindeathforthewoman.Astradition,thefuneraloneiscarriedoutinthesmallhouse.Thegirl,wholivesalone,itisaccompaniedforthenearerneighbors.Withabigfrightforthethedeadone,withoutlightandwithoutanycommunication,thenightarrives.Atthesametime,thesolitude...thegirlsuspectsthatthewoman'sbadintentionshavenotendedup.
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拉姆·麦德拉瓦尼
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Reassigned from TV to radio, a frustrated anchor sees both danger and opportunity when he receives threatening calls on the air.bywww.qujuji.com Electronic Media Exposed Anwar Says An Anchor is an actor , Actor needs audience and audience need drama, these three lines expose the electronic media today in Ram Madhvani's release today DHAMAKA at Netflix. A remake of 2013 Korean Film 'The Terror Live 'and shot in only 10 days and the credit goes to Neerja and Aarya director and the Superstar in making Kartik Aaryan. Madhvani idea of filming is at loggerheads with the area the film is traversing, he is more into explosion , probably since the title is Dhamaka . I liked the way Aaryan Khan's initial life has been shown in the opening song . No other cast has been given much exposure and passing on the buck is the way of corporate life has been perfectly narrated . At points the movie seems going slow but suddenly picks up . Madhvani has been able to drumming up the tensions and also able to sustain it . A new trend set by Madhvani , the main cast carries the whole movie on hisher shoulder, whether it was Sonam Kapur or Sushmita Sen and now Kartik Aarayan . Watch it today after India- Newzealand 20-20 for stealing performance of Aaryan. #Netflix #anwarsays #DhamakaOnNetflix #kartikaaryan #movie2021 #moviereview #RamMadhvani #ElectronicMedia #sealink #explosion #tvanchor.
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故事开端于1923年加利福尼亚的的瓜达洛普大戈壁,传奇导演Cecile B. DeMille正在拍摄一部名为「十诫」的无声史诗片子。这部片子是依据DeMille本人的设法来拍摄的,这跟33年后（1956年）DeMille再次拍摄的Charlton Heston主演的有名版本完整差别。然而片场频仍涌现的新奇逝世亡变乱,让DeMille烦忙不已－－更令人觉得恐惧的是,这些人的逝世因跟逝世状很像是传说中的古埃及逝世神阿努比斯（Anubis）所为。终极,片子摄制实现,然而谁也不晓得,片场合应用的古埃及遗物叫醒了罪恶的魔灵。DeMille命人将过剩的道具埋葬到黄沙之下……80多年从前了,从伊拉克疆场上退役的老兵Mark帮助年老的祖父离开昔时的片子拍摄地,Mark的祖父素性能挖掘出本人孩童时期亲手埋下的遗物。与此同时,Alice Carter博士带着一群先生离开戈壁要地探险,他们的目标也是寻觅DeMille的遗物。Mark跟祖父很快参加了Alice的步队。不必说,Alice跟Mark很快擦出了火花。然而跟着Alice的准未婚夫!擅长捉弄女性的Jesse Carter博士的涌现,多少自我的关联变得庞杂起来。未多少,Mark跟祖父找到了准确的挖掘所在,而昔时谁人相似于阿努比斯的恶魔也从新涌现,跋扈狂地开端屠杀。它能将双手所涉及到的性命酿成黄沙,并开释出毒蝎!毒蛇,或许制作一个表面相似于眼睛蛇的巨型沙暴。在寻觅本相的进程中,Mark跟Alice还碰到了一位怪僻的英国白叟跟一位终日埋怨屁股上长了虱子的厌恶农平易近。
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尼古拉斯·佩雷达
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AcclaimedMexican-CanadianauteurNicolásPeredareturnstotheFestivalwithMinotaur,apendanttohis2009featureJuntos.ShotintheMexicoCityapartmentofPereda'ssignatureactorGabinoRodríguez,Minotaurisanincandescentchamberpiecethatobservesthreethirtysomethings(Rodríguez,LuisaPardoandFranciscoBarreiro)astheysleep,dream,read,andreceivevisitors(includingthehousekeeperwhotakescareofthem)intheircommunalspace.Alovelyandlethargicspelliscastasanambiguous,Marienbad-likelovetriangleemergesamongthetrio,conveyedthroughliterature(booksfunctionastelepathictransmittersanddefinersofrelationships),choreography,andtheacutephysicalpresenceofthethreeleads.ExtendingPereda'srecurringinterestsinclass,socialstructureandfamilyrelationsinMexicansocietyinitswraithlikefantasyofaleisureclassthatisquiteliterallysustainedinitsnarcolepticexistencebytheministrationsofthedomestichelp,MinotaurevokesthefilmsofTsaiMing-lianginitsdistendednaturalism,ritualisticsolitude,andcreationofacloisteredworldsuffusedwithlonging.ThesurrealauraofMinotaurseepsbeyondtheconfinesofthetrio'sapartmentintoastrange"nightwithoutdistance"inLoisPatiño'shallucinatoryportraitofbordersmugglingintheGerêsMountainsbetweenPortugalandGalicia.Castingrealtownsfolk,someofwhomweresmugglersintheiryouth,PatiñoplacestheirstifflyStraubianpresenceswithincross-processed,multilayeredtableauxofrocks,river,andtrees—anever-indeterminateplacethathasimbibedandbornewitnesstoinnumerable,desperateactsofsurvival.Conjuringaninstantinthememoryofalandscapefilledwithghosts,Nightwithoutdistanceextractsspellbindingfantasyfromthereal.
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MYHAPPYFAMILYisthestoryof52-year-oldMananawhoiscaughtupinaconflictbetweenfamilylifeandherownfreedom.Itposesthequestionastowhetherpersonalfulfillmentcanbeachievedwithintheco-existenceofthreegenerationsunderoneroof,andifarelationshipsometimesneedsspacetomakewayforafreshstart...
