BarEl
搜索"BarEl" ，找到 以下影视作品
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The Garden Left Behind traces the relationship between Tina, a young transwoman, and Eliana, her grandmother, as they navigate Tina's transition and struggle to build a life for themselves as undocumented immigrants in New York City.
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阿德里安娜·赫勒比茨卡
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马太乌兹·巴纳斯乌克
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米科拉吉·罗森斯基
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托马斯·卡罗拉克
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Monika
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Krzywkowska
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米罗斯洛·巴卡
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克里斯托夫·切佐特
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Rajski
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Therelationshipofawell-knownjournalistandadown-to-earthteachergoesthroughhardtimeswhenshetakesanewjob.
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Ayounggirlstrugglestocreatearelationshipwithherfatherafterthedeathofherauntwhoraisedher.
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ChristmasdesignerLeslieMajor(BrelyEvans)isthebiggestfanofChristmasever.SheislikeatidalwaveofYuletidecheer.HerbiggestjobeveryyearisdecoratingthelobbyofthefamedChestertonHotel.Assheisonaladderdecoratingthetree,shefallsintothearmsofEdmundJames(AndraFuller)-thegrandsonoftheownerJJJames.Edmundisallbusinessandthinks...
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丹·维勒加斯
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Two strangers met, fell in love fast, and have to decide after three years where their relationship is really going. Will they give up on love or continue to make it last? All of You is sure to make you fall in love over and over [email protected]
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伊凡·帕瑟
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一直作為米路斯．科曼劇本鐵三角（另一位是帕培錫，也是本片編劇之一）成員的艾雲．巴薩，當然也走低度戲劇路線。同是音樂家的彼德與卡洛老友重逢，生活狀況大不同，你有伴侶我有家庭，然而都有說不出的不明朗，唯有以酒與音樂代替口水。全片推展不問目的，只在剎那間的意圖，行行企企比起科曼更義無反顧，卻有生活淡如流水的詩意和繆思，叫觀眾聯想到二十年後的伊力．盧馬。巴薩鍾愛音樂的程度不下於文字和電影，古典音樂與民間音樂於全片迴轉迴盪，難怪成了奇斯洛夫斯基十大心愛電影之一。 康城影展青年評審團獎，美國全國影評人協會特別獎 這部1966年的珍品，是捷克新浪潮短暫生命中最佳作品之一。成名音樂家到小鎮探訪舊同學，舊同學是個窮音樂教師，有時在喪禮上吹奏樂曲。平凡的素材在巴素手裡，變出風趣復罕見的旋律，一部憂鬱的喜劇，或灰色喜劇。 - Dave Kehr, Chicago Reader Ivan Passer's (Cutter's Way and Creator) last film to be made in his native Czechoslovakia is about friends – musician Petr and music teacher Karel – reunited when Petr returns to town for a performance. Passer frequently collaborated with Milos Forman and the episodic, low-action aesthetic that was evident in Forman's early work can be seen here. Years of separation have bred apprehension between the two men, and Karel's simmering jealousy makes their meeting all the more awkward. Eventually, the barriers crumble enough for the pair to freely discuss their lives. The film's simple beauty is in the details of the men's reacquainting themselves with each other, discovering each other's regrets and unfulfilled desires. Alive with pathos, humour and insight. Special Award, National Society of Film Critics Awards Its simple city mouse-country mouse story involves the meeting of two former schoolmates as they prepare for a small-town concert. Enlivened by Passer's flair for grotesquerie, this unassuming masterpiece maintains a delicate balance between hilarity and despair. - Elliott Stein, Village Voice Source HKIFF Czech New Wave 2006
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卡欧利·乌梅萨罗
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Would you believe in a policewoman who suffers from such serious panic disorders that she is afraid to get close to any crime scene and has been on permanent office duty for more than a decade Would you believe a lone mother who is unfit to pay her mortgage and also raise her rebellious teenage daughter Indeed, no one believes that the troubled ex-detective has discovered a serial murder case. Personal dramas and a murder mystery unfold in present-day Budapest, where demonstrations are part of the pre-election life of a city still trying to cope with the shadows of its historical and recent past. It is a city where nothing seems honest and true, except through the eyes of an emotionally unstable policewoman and her misfit daughter who wants to know who her father truly was. 入围第32届华沙电影节新导演单元
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克莱尔·麦卡锡
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Eva Green﹑Eve Hewson及Marton Csokas加盟6集BBC小说改编剧《发光体 The Luminaries》，这部剧集改编自Eleanor Catton的同名著作，讲述19世纪60年代，位于新西兰南岛的淘金热潮中，岛上聚集着一群为了发财梦的人，然而这里却发生了一宗交织着爱情﹑谋杀及复仇等的大事件。 Eva Green饰演Lydia Wells﹑Eve Hewson饰演Anna Wetherell，以及Marton Csokas饰演Francis Carver。
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Jess Harris, a 29 - year old web designer for a nonprofit in Brooklyn, is ecstatic to be the surrogate and egg-donor for her best friend Josh and his husband Aaron. Twelve weeks into the pregnancy, a prenatal test comes back with unexpected results that pose a moral dilemma. As they all consider the best course of action, the relationship between the three friends is put to the test.
