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GuyisanexperiencedBritishfighterpilotwhoisincommandofBritain'sfirstmannedmissiontospace.HehastrainedforthisforthreeyearsattheheightoftheColdWarandnowheisaloneinspacewithamalfunctioningcapsule.HehaslimitedcontactwiththeUK,someunusualcommunicationwiththeUSandsomeunorthodoxcommunicationwithTyuratamdeepinSovietRussia...

"Bob Dylan going electric" at the 1965 Newport Folk Festival is one of those epochal moments in rock history that seemingly everyone has heard about, but what few people seem to know is that it wasn't some ephemeral event that we only know from word of mouth -- filmmaker Murray Lerner documented the performances at the Newport Festival for several years running, and The Other Side of the Mirror collects footage from the three years Dylan appeared at the celebrated folk gathering, allowing us to see Dylan's rise through the folk scene for ourselves. Watching Lerner's documentary, what's most remarkable is how much Dylan changed over the course of 36 months; the young folkie performing at the afternoon "workshop" at the side of Joan Baez in 1963 is at once nervy and hesitant, singing his wordy tunes while chopping away at his acoustic guitar and energizing the crowd without seeming to know just what he's doing. In 1964, Dylan all but owns Newport, and he clearly knows it; he's the talk of the Festival, with Baez and Johnny Cash singing his praises (and his songs), and his mand of the stage is visibly stronger and more confident while his new material (including "Mr. Tambourine Man" and "It Ain't Me, Babe") sees him moving away from the "protest songs" that first made his name. When the audience demands an encore after Dylan's evening set (Odetta and Dave Van Ronk were scheduled to follow him), Peter Yarrow tries to keep the show moving along while Dylan beams at the crowd's adulation, like the rock star he was quickly being. By the time the 1965 Newport Festival rolled around, Dylan's epochal "Like a Rolling Stone" was starting to scale the singles charts, and the hardcore folk audience was clearly of two minds about his popular (and populist) success. When Dylan, Fender Stratocaster in hand, performs "Maggie's Farm" backed by Al Kooper, Mike Bloomfield and the rhythm section from the Paul Butterfield Blues Band, the raucous but hard-driving number inspires a curious mixture of enthusiastic cheering and equally emphatic booing, and while legend has it that the version of "Like a Rolling Stone" that followed was a shambles, the song cooks despite drummer Sam Lay's difficulty in finding the groove, though if anything the division of the crowd's loyalties is even stronger afterward. After these two numbers, Dylan and his band leave the stage, with Yarrow (once again serving as MC) citing technical problems (if Pete Seeger really pulled the power on Dylan, as legend has it, there's no sign of it here); Dylan returns to the stage with an acoustic six-string to sing "Mr. Tambourine Man" and "It's All Over Now, Baby Blue" before vanishing into the night without ment. While much of the audience at Newport in 1965 wanted the "old" Dylan back, his strong, willful performances even on the acoustic stuff makes it obvious that the scrappy semi-amateur we saw at the beginning of the movie was gone forever, and the ovations suggest more than a few people wanted to see Dylan rock. Lerner's film tells us a certain amount of what we already knows, but it gently debunks a few myths about Dylan during this pivotal moment in his career, and his performances are mitted and forceful throughout; no matter how many times you've read about Dylan's Newport shoot-out of 1965, seeing it is a revelatory experience, and Lerner has assembled this archival material with intelligence and taste. This is must-see viewing for anyone interested in Dylan or the folk scene of the '60s.

Eighty people from totally diverse backgrounds suddenly find themselves in an undisclosed location where they are expected to compete in a race with simple rules, "If you are lapped twice, you die. If you step off the path, you die. Race… or die." Many will start but only one may cross the finish line alive. Eighty individuals are chosen by an anonymous being, who instantly disappears from where they were to appear on a path, prepared for the race. Each person hears the same message in their own language, with their own voice, and instantly needs to race and survive. People of different sexes, different ethnic backgrounds, and different physical capacities are thrown in. Will it be survival of the fittest or a show of humanity?

TakingplacealmostentirelyinEurope,Season3ofAtlantafinds“Earn”(DonaldGlover),“Alfred‘PaperBoi’Miles”(BrianTyreeHenry),“Darius”(LaKeithStanfield)and“Van”(ZazieBeetz)inthemidstofasuccessfulEuropeantour,asthegroupnavigatestheirnewsurroundingsasoutsiders,andstruggletoadjusttothenewfoundsuccesstheyhadaspiredto.DonaldGloverservesasExecutiveProducer,alongwithStephenGlover,HiroMurai,StefaniRobinson,PaulSimmsandDianneMcGunigle.AtlantaisproducedbyFXProductions.

ScarePackageII:RadChad’sRevengeimmediatelyfollowstheeventsoftheoriginalwiththesurvivorsattendingthefuneralof“RadChad”Buckley,whichquicklydevolvesintoanelaborateseriesofdeathtrapscenteredaroundChad’sfavoritefilms,forcingthegueststobandtogetherandusetherulesofhorrortosurvivethebloodygame.

　　A failed, recluse director, Max, moves from New York City to a small seaside town after his wife's death. He struggles with his parental role over his son. Eddie, meanwhile, is becoming increasingly involved in the not-so-underground culture of drugs, promiscuous sex, and gang violence that lies there.　　The chasm between them seems to be growing despite Max's best efforts. Max jogs in the mornings and routinely passes a psychic. She spontaenously predicts that one night a serial killer will attack Eddie on the beach.　　Eddie is sampling various drugs with his friend, Smiley, and having unprotected sex. He ignores the advice of his father as a rule and seems beyond hope of redemption in the eyes of mainstream society. He shows potential for betterment when he prevents the murder of a rival gang member. Max saves Eddie from the serial killer.

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ABC预订由HeatherMitchell担任,依据「罗密欧与朱丽叶RomeoandJuliet」配景所写的续篇小说而改篇的剧集「悲恋再续StillStar-Crossed」。LashanaLynch将扮演女配角Rosaline,Capulet伯爵的侄女,罗密欧在原著中后期的情人,表面绚丽﹑聪慧﹑率性。在罗密欧与朱丽叶双亡下,在女族长LadyCapulet（ZuleikhaRobinson扮演）部下强制成为佣人。她始终冷静蒙受,并试图找方法发泄她遭到的凌辱。她厥后被命令得跟Montague族长的侄子Ben册io结婚。WadeBriggs扮演Montague族长的侄子Ben册io（罗密欧的挚友）,伤害而英俊,以为Montague及Capulet的族人结婚并无好处。TorranceCoombs扮演英俊,在曼托瓦的Paris伯爵,原定由他迎娶素未碰面的茱丽叶,在朱丽叶逝世后表现伤痛。不外这位巨骑士精力﹑浪漫主义的贵族,现实隐蔽着一个暗中机密。据指他只签了一年合约。EbonéeNoel扮演Livia,Rosaline的妹妹,比姊姊更为英俊,但伶俐却不姊姊的程度。SterlingSulieman扮演Escalus王子﹑MedalionRahimi扮演惯例脚色Isabella公主,聪慧﹑直爽,对本人想干的事会坚决的地去做﹑GrantBowler扮演惯例脚色Montague族长,性感聪慧,但亦恐怖﹑残暴的人,他为了晋升家属位置而不择手腕。AnthonyHead扮演权倾一方的Capulet族长,名义上他体谅﹑阳光﹑咄咄逼人,但当不当心冒犯他时,他会破即翻脸。DanHildebrand扮演惯例脚色FriarLawrence,生机借教会爬上下流社会。丹麦演员ClaraRugaard以客串身份扮演朱丽叶,罗密欧由曾在「尖叫女王ScreamQueens」上演的LucienLaviscount扮演。「悲恋再续」由同名小说改篇,是依据16世纪莎士比亚名喜剧「罗密欧与朱丽叶RomeoandJuliet」配景所写的续篇小说,由MelindaTaub所著,故事为Capulet及Montague家属在罗密欧与朱丽叶逝世后的故事。在书中,两个家属停止了世仇关联,国王命令Montague族长的侄子Ben册io（罗密欧的挚友）,跟Capulet家属的Rosaline（罗密欧在原著中后期的情人）结婚。

在一个名为瑞弗顿的小镇,曾涌现过令人谈虎色变的开膛手。他的实在身份是一个名叫亚伯尔·普林科夫（RaúlEsparza饰）的一般女子,开膛手好像是他一个隐蔽的品德,又像是躲藏在他体内的罪行的鬼魂。某晚,亚伯尔掉心发疯,杀戮了待产的老婆。他则被赶来的警员射上,却在回警局的路上激发事变,今后着落不明。与此同时,小镇病院内出世了7名早产儿。16年从前,昔时的7名婴儿成为了好友人。他们将诞辰定为开膛手日,每年的这一天都举办奇异的庆贺典礼,希望借此远分开膛手的梦魇。然而这一年,开膛手亚伯好像真地回到了瑞弗顿,并将目的锁定在这7个孩子身上……

1941年冬岛国日本对英!美!法宣战,动员了平静洋战役。在岛国日本飞机轰炸马来西亚的时间,华裔林亚珍一家十一口,都被炸逝世,只有她跟年老林亚龙活了上去。妈妈临终前吩咐林亚珍与年老林亚龙回广东故乡东江边的惠阳。他们加入了返国华裔抗日构造,华裔效劳社团。国对头恨,让他们在偶尔的机遇,加入了东江抗日游击队。并追随一支东江特遣队。离开香港,履行北方局下达的机密义务。2005年,在全天下庆贺反法西斯战役成功60年之既,广东东江电视台「旧事」栏目,从马来西亚请来了昔时去香港履行机密营救文明人士的特别义务,特遣队仅存的女兵士八十多岁的林亚珍。故事跟着栏目掌管人的讯问,林亚珍逐步翻开了收藏在心坎深处,悲壮又深痛的影象。                                                                    1942年春,林亚珍追随欧巴林亚龙被编如了刘子良的特遣队,他们一行人马上潜入被岛国日自己占据的香港。林亚珍是个天性仁慈的护士。但在与刘子良的触摸进程中,她认为刘子良是个被战役呆板磨砺,变得冷淡无情的人。                                                                    外行为中,林亚珍跟刘子良偶尔遇到了被汉奸雷山君部下肥刁欺侮的一群被抛弃的战役孤儿。林亚珍固然多少次向刘子良透去祈求的眼光,但刘子良不心情的脸,让林亚珍掉落臂特遣队的规律,私下把祖传四代的手镯卖掉落,上前救济孤儿。                                                                    如斯同时,刘子良黑暗救出孤儿。这让林亚珍对刘子良的意见有了转变。在厥后与刘子良的触摸进程中,林亚珍发明刘子良在用自己奇特的方法,关爱着特遣队的每个战友,他不会对身边的受难者扭过脸去。                                                                    厥后林亚珍才晓得,刘子良跟她一样,百口也被岛国日自己杀戮了。在特遣队的行为中,林亚珍的欧巴林亚龙为了销毁鬼子的粮库,壮烈就义,在就义前林亚龙把阿珍交付给刘子良。刘子良带着身心的伤痛,回到讨论处。当他面临林亚珍的时间,在战役中,这两颗心坎埋藏着深切恋情种子的兵士,把对恋情的盼望,压在心底。短短的触摸,深深的情义,原来能够着花成果,但立刻又要在战火中生离逝世别。                                                                    告别前,刘子良把林亚珍事先为了救济战役孤儿而卖掉落的手镯,交还给林亚珍。这种深切的情感表达,在特定的战役情况下,露出出来,又把追随自己多年的可爱怀表留给了阿珍。林亚珍抱着从战火中救出来的孤儿,六岁的阿梅,目送刘子良跟战友们去履行最后的义务。这是他们之间的最后一面。他们之间而独一的留念,是刘子良送林亚珍的一块怀表,那是在战役的猛火中,独一的留念。                                                                    在最后的行为中,刘子良跟其余战友,勇敢战役,逝世逝世拖住鬼子大队人马,顺遂让其余特遣队,实现了保护文明名流机密转移义务。最后全体壮烈就义,鬼子在刘子良就义后,发明刘子良的后背上,刺着四个大字,誓逝世抗日。这代表着咱们中华平易近族,一个抗日斗士最无力的誓言。                                                                    在抗战成功60周年的明天,林亚珍做为猛特遣队独一的幸存者,报告了这段不为人知的汗青,故事报告了东江后代,与日军浴血奋战的故事。报告了抗战战火中,东江后代的豪杰业绩。在「旧事」栏目中,经由电视台的排,林亚珍跟掉散了60年,昔时特遣队救下的六岁女孩,当初曾经60多岁的阿梅,两个阅历了战役的女人,相拥在一同,在久长的呜咽中,不雅众们被故事深深的感动。                                                                    在豪杰留念碑前,老兵士林亚珍把心坎的话说出来,等她逝世后,她要把骨灰撒进东江,让自己追随昔时并肩作战的战友们,他想刘队长跟战友们必定会来接她。                                                                    起源：http://yule.sohu.com/20060420/n242912433.shtml