Masud
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Whydidtheworldsuddenlytreatstuffedanimalslikegold?TyWarnerwasafrustratedtoysalesmanuntilhiscollaborationwiththreewomengrewhismasterstrokeofanideaintothebiggesttoycrazeinhistory.“TheBeanieBubble”isaninventivestoryaboutwhatandwhowevalue,andtheunsungheroeswhosenamesdidn'tappearontheheart-shapedtag.
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Whenhislongsufferinggirlfrienddisappearssuddenly,leavingacrypticnoteasheronlyexplanation,Hankscomfortablelifeandhissanitybegintocrack.Then,fromthewoodssurroundinghishouse,somethingterriblestartstryingtobreakin.
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史蒂芬·卡嘉克
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1987. Denver, Co. One crazy night in the life of four friends reeling from the sudden demise of iconic British band The Smiths, while the local airwaves are hijacked by an impassioned Smiths fan with a gun. Based on true events.
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CIAanalystRileyQuinnlosteverythingwhensheblewthewhistleontheUSgovernment.Huntedintoexile,sheescapedtoColombia.Twoyearslater,RileyislivingalonerlifestylewhensuddenlyCIAAgentBillDonovanshowsupwithanoffer.Hernamewillbeclearedifshehelpsaninternationaltaskforceconfiscatemillions.Rileyacceptsthejob,butsherealizestoolatethatitsalie.Pursuedbycorruptagents,Rileymustbattlethedemonsofherpastandfindawayback[emailprotected]
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Sixty Glorious Years is an exercise in the creation of iconography, both for Victoria and its star, Anna Neagle (who subsequently became known as 'Regal Neagle'). Just as Elizabeth I commissioned artists to create flattering iconic images for public consumption, so this film performs a similar function, for Neagle is more beautiful than the real life Victoria. Controversial events (such as the 'Irish problem') are omitted and unpleasant aspects of Victoria's character (her petulance, arrogance, favouritism and 'right to privilege') are glossed over as endearing little 'whims'. Albert acts as a moderating influence when she goes too far. The film followed a year after the highly successful Victoria the Great (d. Herbert Wilcox, 1937). Again the screenplay is by Miles Malleson and Robert Vansittart, and many of the supporting cast (the cream of acting talent of period) repeat their roles, this time for the colour cameras. This was the first full length Technicolor film of cinematographer Freddie Young, who captures the spectacle of royal weddings, grand balls and opulent interiors, with scenes actually filmed at royal palaces. Vivid battle scenes, set in Alexander Korda's empire territory (Sevastopol and the Sudan), rival those in The Four Feathers (d. Zoltan Korda 1939). The title music sets the tone a regal choir sings over a shot of the crown. Elgar's 1901 'Pomp and Circumstance' march is heard during the diamond jubilee celebrations and, as Victoria's coffin lies in state, the film concludes with Anthony Collins' stately music accompanied by the text of Rudyard Kipling's 'Lest we forget'. Combined with the emotional appeal of scenes of Victoria connecting with her 'ordinary folk', this is stirring stuff. The film connects with contemporary events of 1938. The release of two celebratory royal films was intended to boost public affection for the monarchy in the wake of Edward VIII's abdication. Anglo-German relations were another touchy subject. With another war on the horizon, influential voices wanted appeasement, and the film could be seen to fit that agenda. Victoria herself was of mainly German descent, nicknamed 'the grandmother of Europe', while Albert is a 'good German', charmingly played by Anton Walbrook as a cultured, decent man. Sixty Glorious Years now seems unduly formal and reverential. Had movies existed during Victoria's reign (they only emerged at the end) this might have been the kind of film produced. Unlike Mrs Brown (d. John Madden, 1997), it is all so very 'Victorian'. Roger Philip Mellor
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豪梅·巴拉格罗
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艾斯特·爱珀斯托
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ángela Cremonte
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Alejandra Meco
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费尔南多·瓦尔迪维尔索
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费德里科·阿瓜多
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Magüi Mira
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Inés Fernández
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Whengo-godancerLucíanicksafortuneindesignerdrugsfromhermafiaemployers,themobsters’doggedpursuitforceshertoseeksanctuarywithherestrangedsisterRocíoandnieceAlbain“TheVenus,”adecrepitapartmentcomplexontheoutskirtsofMadrid.Asterrible,rotten,no-goodluckwouldhaveit,LucíasoonfindsherselfsoleguardiantolittleAlbaafterRocíosuddenlyfliestheconcretecoop,unabletohandlethesupernaturalstressoflivinginamonoliththatisapparentlyalsohosttoamalignantevil—onethatinvadesitstenants’wakingnightmares.TakingafewcuesfromH.P.Lovecraft’s“TheDreamsintheWitchHouse,”"Venus"pilesonthebloodandbombshellslikeadoublebillof"Demons2"and"TheSentinel".源自：https://poff.ee/en/film/venus/
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DanGrin
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Diana
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Belova
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Andrew
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Craig
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Roman
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Danilychev
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Svetlana
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Egorova
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Fluora
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Iskhakova
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Vitt
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Ray
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Evgeniya
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Yarushnikova
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Arnella
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Zubkova
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Ornella
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Zubkova
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Sergey
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Kevorkyanz
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Yana
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Guledza
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Vladimir
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Pisarev
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Dmirty
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Bikchentaev
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Xander
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Cage
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Mc
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Almaz
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Stepan
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Bordachev
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Timur
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Krim
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AyoungAmericanclerkAnthony,whowasrecentlydivorced,ledalonelylifestyle.HisoldfriendMattdidnotanswercallsforseveraldaysanditlookedlikeheleftsomewherewithoutwarninganyofhisfriends.Oneday,soundswereheardfromMatt'sapartmentandAnthonywenttocheckwhathappenedthere.Suddenly,hestumbleduponanunfamiliar,beautifulgirlandfellins...
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Ayoungmansearchesforhislovedoneinacitythrustsintochaosbythesuddenarrivalofamysteriousandthreateningalienpresence.
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Antonioisa30yofamilyman,whoselifefindsanunexpectedtwistwhenhe'ssuddenlydumpedbyhishusband,whomhedependsbothpsychologicallyandeconomically:heneedstofindanewplacetostay,ajobandanewpurposeinlife.AntoniofindsaroominanapartmentownedbyDenisandstartstoworkinabakeryownedbyLuca,whileattendingpastryschool.Throughthisprocesshediscoversthatitwaswrongofhimtogiveuphisindependenceforthesakeofhisrelationshipinthepast.
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While the hot rodders and motorcyclists are having a rock-and-roll beach party, a barrel of radioactive material is unloaded from a passing ship, plunges to the bottom and splits against a jagged rock. A black liquid oozes out and covers a shapeless mass on the ocean floor, which suddenly moves and becomes an encrusted vicious monster. Soon there are several monsters and they must have human blood to survive. Tina is the first victim, and football hero Hank Green and airhead Elaine Gavin enlist the aid of her science-professor father, Dr. Gavin, to solve and capture the killer. Not working fast enough to prevent the attack on twenty teen-agers at a slumber party nor the killing of three girl motorists, Dr. Gavin finds an arm lost by one of the monsters and discovers that only sodium will destroy the monsters whose composition is mostly water. Can they gather enough salt in southern California to put an end to this horror
