Gaye
搜索"Gaye" ，找到 以下影视作品
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Thefirstinstallmentofaplannedtrilogy,directorFranciscoLaresgoiti'sspeculativesci-fithrillerfindsthesonofapowerfulgeneralcaughtinthemiddleofaragingclasswarbetweentheprivilegedelite,andthedowntroddenmasses.Intheyear2033,Mexicohasbecomeafasciststate.Astheupperclassespartakeindebauchedpartiesandamusethemselvesbyusingthepo...
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玛利亚·施佩特
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Lynn(22)liveswithherbrotherinBerlin.Theresheenjoystheadvantagesoffamilylife,withoutreallyfeelinginvolvedinit.Shedoesnothaveanypreciseaiminlife,butmanagestoawakentheinterestofmanypeoplewithherdirectandspontaneouscharacter.HerboyfriendDavidisverydifferent:heisentirelyengrossedinhisverydisciplinedswimmingtrainingfortheworldchampionships.DaviddoesnotintendtoallowhimselftobedistractedbythecomplicatingfactorsofarelationshipwithLynn.WhenLynn,workingbehindthetillofrestaurant,meetstheJapanesestudentKoji,everythinggetsmorecomplicated.Theycan’texchangemanywords,butitissoonclearthattheirmomentstogethermeanalottobothofthem.
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TenyearsaftersigningoffofoneofTV’smosticonicshows,Carly,Spencer,andFreddieareback,navigatingthenextchapteroftheirlives,facingtheuncertaintiesoflifeintheirtwenties.
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In the bleak filmscape of glasnost, The Needle stood out as a black sheep of a movie. The most playful and offbeat of the Soviet films of the period, it contrasted sharply to the mainstream, which was overwhelmed with revisionism of the Stalinist past and nihilistic social criticism.
Made in 1988 by a young Kazakh director, Rashid Nugmanov, fresh out of VGIK (the national film school), The Needle was a pioneering effort in several ways. Having e from a remote, stagnant republic of Kazakhstan, the picture set off a movement that has e to be known as the "Kazakh New Wave." Represented by such works as Alexander Baranov's and Bakhyt Kilibayev's The Three (1988) and Woman of the Day (1990); Kilibayev's The Tick (1990); Baranov's He and She (1990); Abai Karpykov's Little Fish in Love (1989); and Serik Aprymov's The Last Stop (1989), the Kazakh New Wave was for the agonizing Soviet film of the late 1980s what the French New Wave was for the dusty French film of the late 1950s. The Needle was the movement's a bout de souffle. The film also became a model for the Russian version of postmodernism—uninhibited and uninformed, pensating for the lack of culture, skill, and resources with mischief and wit. A young man named Moro (played by Viktor Tsoi, the late rock 'n' roll legend from the St. Petersburg band "Kino") returns to his Asiatic hometown only to find his exgirlfriend, Dina (Marina Smirnova), being a drug addict and himself being involved in the bizarre life of the city's underworld. In an attempt to save Dina, Moro takes her away to the Aral Sea, turned into a barren desert by the time they arrive. There Dina seems cured, but back in town everything starts anew. Almost desperate, Moro decides to fight the drug dealers, led by a hospital doctor (played by another rock 'n' roll star, eccentric leader of the "Sound of Mu" band and the future star of Taxi Blues, Pyotr Mamonov), when one of them stabs him in a deserted park.
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米歇尔·德·斯瓦特
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阿米拉·加扎拉
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安珀·格拉比
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伯蒂·乔治·维恩
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Genesis Lynea
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塔尼娅·雷诺兹
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苏菲·里德
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塞扬·萨尔文
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卡尔·戴维斯
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Isy Suttie
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Shvorne Marks
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碧悠·加德斯顿
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Angela Yeoh
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巴夫·乔希
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Patrice Naiambana
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Michelle Thomas
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大卫·伯纳特
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戴维·坎恩
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When38-year-oldNatashaisunexpectedlylandedwithababy,herlifeofdoingwhatshewants,whenshewants,dramaticallyimplodes.Controlling,manipulativeandwithviolentpowers,thebabytwistsNatasha’slifeintoahorrorshow.Wheredoesitcomefrom?Whatdoesitwant?AndwhatlengthswillNatashahavetogotoinordertogetherlifeback?Shedoesn’twantababy....
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염지호
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Chan-woo, who has been studying to become a police officer for 5 years, joins his friends for dinner to ask for the money to apply for his exam and ends up getting drunk. He completely blacks out and wakes up not remembering what happened in his next door neighbor's room. Not only that, he finds a bloody corpse in the middle of the room. He hurries back to his room and tries to...
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胡明进
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After Hassan discovers Zidik living alone on the streets, he takes him in and cares for him like a son. Zidik now works together with Hassan in the junkyard but both men are stuck in the past. 15 years ago, they lost their loved ones to a virus that turned people violent. Hassan often "forgets" that the virus killed his wife, while Zidik still remembers his sister attacking his...
