Ten

　　In the Bezonians social club in North London, A group of down and outs scheme, plot and dream of becoming rich and breaking out of the monotony of their dreary and financially impotent lives.

Withthequarantinefinallyover,thenewseasonofMythicQuestfindseveryonebackintheoffice(well,almosteveryone),attemptingtobuilduponthesuccessofRavensBanquetbylaunchinganepicnewexpansion,butIan(RobMcElhenney)andthenewlypromotedco-creativedirector,Poppy(CharlotteNicdao),strugglewiththegame’sdirection.Meanwhile,C.W.(F.MurrayAbraham)reconcilessomeunresolvedissuesfromhispast,thetesters(AshlyBurchandImaniHakim)testtheboundsofanofficeromance,andDavid(DavidHornsby)losesyetanotherwomaninhislifeasJo(JessieEnnis)leaveshimtoassistBrad(DannyPudi).

Tenyearsaftertheeventsoftheoriginalmovie,VictorCrowleyismistakenlyresurrectedandproceedstokilloncemore.

Fernando Di Leo's Milano Calibro 9 is an out-and-out masterpiece of Italian Crime cinema and, in my opinion, one of the most astonishing crime stories ever told. The first film in Di Leo's excellent 'Milieu' trilogy, Milano Calibro 9 was followed by La Mala Ordina (aka. Manhunt, also 1972) and the brilliant Il Boss (1973). The three films are not connected story-wise, but all three are excellent, and highly realistic portrayals of organized crime. As far as I am concerned Manhunt is (allthough excellent) slightly inferior to this one and Il Boss which both stand out as absolute all-time highlights of crime cinema. Milano Calibro 9 is the best of them all, a film that is astonishing in all aspects, be it the ingenious plot that, apart from a compelling story and clever twists, includes social criticism, the performances, the gritty atmosphere and suspense or the brilliant score. I can hardly find the right words to express my admiration for this masterpiece which easily ranks among the greatest Gangster flicks ever brought to screen.　　Gastone Moschin stars as Ugo Piazza, a tough and elliptical ex-convict who has just been released from prison. Immediately after his release, Ugo is approached by members of the Milan mob lead by the irascible gangster Rocco (Mario Adorf), as they suspect him to be responsible for the disappearance of a large sum of money belonging to their boss, an American (Lionel Stander) who controls the organized crime in Milan...　　Milano Calibro 9 is a film that delivers an astonishingly realistic mood of the underworld like hardly another. The intriguing storyline goes in hand with interesting characters, raw atmosphere, suspense and breathtaking action, social criticism and brutal violence. The film is simply stunning from the beginning to the end, which is even intensified by the brilliant score, a collaboration of the famous composer Luis Enríquez Bacalov and the Italian Progressive Rock band Osanna. Ugo Piazza must be one of the most charismatic gangster characters ever in cinema, and Gastone Moschin was the prefect choice for the role. Moschin delivers a brilliant performance, and the rest of the cast is also great. Mario Adorf is irascible like a rabid dog as the ferocious gangster Rocco, a role that fits him like a glove. The great Lionel Stander fits perfectly in his role of the American Mafia Don.　　The two cop characters in the film are played by two of the greatest regulars of Italian genre-cinema, Luigi Pistilli and Frank Wolff (who committed suicide before the film was released). The ravishing Barbara Bouchet is astonishing and incredibly sexy in the role of Ugo Piazza's stripper girlfriend. Bouchet is both a stunning beauty and an excellent actress and this is doubtlessly one of her most memorable roles. This is also a political film and director Di Leo embedded a lot of social criticism about topics like corruption. This film simply has everything one can possibly desire in cinema. Films like Milano Calibro 9 are the reason why I love cinema. This is an absolute masterpiece in all regards and, without exaggeration, one of the greatest Crime flicks ever made! The ingenious opening scene alone is more memorable than most films get in two hours.

Tenyearsaftertheeventsoftheoriginalmovie,VictorCrowleyismistakenlyresurrectedandproceedstokilloncemore.

　Michael, a Danish gangster, takes his girlfriend, Sascha, and his extended criminal family on a luxury vacation in a fancy villa in gorgeous Bodrum, Turkey. Shopping, waterparks, barbecuing, and hardcore partying fill their days and nights. Having little regard for anything or anybody outside their world, they exist in a bubble of excess that is governed by Michael’s rules—and if the code is broken, they all know that violence will follow. But when Sascha befriends a Dutchman with romantic designs on her, she toys with Michael’s authority and creates a situation that cannot end well.　　In a breakthrough performance, Victoria Carmen Sonne fully commits as Sascha, the complex young moll that eludes assumptions and expectations. First-time writer/director Isabella Eklöf has a dynamic visual touch and a flair for dark comedy and creates a destabilizing discord as she elaborately fills the frame with colorful, seductive images while telling a disturbing, graphic tale of brutality and power. Holiday provokes, challenges—and even implicates—the viewer in its unsettling reflection of our times.

Invitéesenmaisonderepospourexplorerleurstroublessexuels,troisjeunesfemmesoccupentlesjoursetlesnuitsàapprivoiserleursdémonsintimes.Souslasupervisiontranquilled’unethérapeuteallemandeetd’untravailleursocialbienveillant,legroupetentedegarderunéquilibrefragile.PourlajeuneGeisha,lasombreLéonieetl’imprévisibleEugénie,ils’agit,pour26jours,d’éviterlescris,d’apprivoiserleschuchotementsdutempsprésentetdeconsidérerl’avenir.

　　彼得·杰克逊早期作品，这部纪录片以翔实的考察，细致地讲述了一段不为人知的电影史传奇，展现了一位默默无闻的新西兰人在20世纪初期为电影作出的革命性贡献。《被遗忘的电影》（Forgotten Silver）是一部于1995年上映的新西兰纪录片，由彼得·杰克逊和寇斯塔·包提斯共同编剧，彼得·杰克逊担任导演。影片由彼得·杰克逊、伦纳德马丁、山姆·尼尔和Thomas Robins等人主演。《被遗忘的电影》以幽默的方式讲述了一个虚构的新西兰电影制作家科林·麦肯齐（Colin McKenzie）的故事。据片中所述，科林·麦肯齐是新西兰电影史上的一位天才导演和发明家，他在20世纪初创造了许多令人惊叹的电影技术和特效。影片以纪录片的形式展现了科林·麦肯齐的传奇事迹，包括他创造的全息摄影、彩色电影和声音同步技术。然而，随着故事的发展，观众逐渐发现这只是一个精心编织的虚构故事。科林·麦肯齐并不存在，他的作品和成就也是虚构的。《被遗忘的电影》是一部关于电影制作历史的幽默讽刺作品。导演彼得·杰克逊以他独特的风格和幽默感，用纪录片的形式让观众沉浸在一个虚构的世界中。这部影片不仅揭示了电影制作的技术进步和变革，还对电影史和媒体史进行了娱乐性的重构和调侃。彼得·杰克逊以他对细节和视觉效果的关注而闻名，这在《被遗忘的电影》中得到了展现。他创造了逼真的纪录片风格，同时将虚构元素融入其中，以让观众陷入对真实性的混淆和惊讶之中。

　The rise and fall of a soccer club owner, discovering the harsh reality of the sport, often connected with crime and fraud.

Colm is in his mid-forties, married, with two teenage children. Still grieving the death of his father, a destructive gure in his life, Colm struggles with his relationship to his own son, whilst at work a recent takeover threatens his job. Unable to share his vulnerability with his wife, Colm's world is falling apart around him. In the midst of this crisis, Colm solicits sex from a young man called Jay. This encounter and his growing infatuation has a deep effect on Colm. He finds a comfort in Jay that no one else can provide.