Willes
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Sixty Glorious Years is an exercise in the creation of iconography, both for Victoria and its star, Anna Neagle (who subsequently became known as 'Regal Neagle'). Just as Elizabeth I commissioned artists to create flattering iconic images for public consumption, so this film performs a similar function, for Neagle is more beautiful than the real life Victoria. Controversial events (such as the 'Irish problem') are omitted and unpleasant aspects of Victoria's character (her petulance, arrogance, favouritism and 'right to privilege') are glossed over as endearing little 'whims'. Albert acts as a moderating influence when she goes too far. The film followed a year after the highly successful Victoria the Great (d. Herbert Wilcox, 1937). Again the screenplay is by Miles Malleson and Robert Vansittart, and many of the supporting cast (the cream of acting talent of period) repeat their roles, this time for the colour cameras. This was the first full length Technicolor film of cinematographer Freddie Young, who captures the spectacle of royal weddings, grand balls and opulent interiors, with scenes actually filmed at royal palaces. Vivid battle scenes, set in Alexander Korda's empire territory (Sevastopol and the Sudan), rival those in The Four Feathers (d. Zoltan Korda 1939). The title music sets the tone a regal choir sings over a shot of the crown. Elgar's 1901 'Pomp and Circumstance' march is heard during the diamond jubilee celebrations and, as Victoria's coffin lies in state, the film concludes with Anthony Collins' stately music accompanied by the text of Rudyard Kipling's 'Lest we forget'. Combined with the emotional appeal of scenes of Victoria connecting with her 'ordinary folk', this is stirring stuff. The film connects with contemporary events of 1938. The release of two celebratory royal films was intended to boost public affection for the monarchy in the wake of Edward VIII's abdication. Anglo-German relations were another touchy subject. With another war on the horizon, influential voices wanted appeasement, and the film could be seen to fit that agenda. Victoria herself was of mainly German descent, nicknamed 'the grandmother of Europe', while Albert is a 'good German', charmingly played by Anton Walbrook as a cultured, decent man. Sixty Glorious Years now seems unduly formal and reverential. Had movies existed during Victoria's reign (they only emerged at the end) this might have been the kind of film produced. Unlike Mrs Brown (d. John Madden, 1997), it is all so very 'Victorian'. Roger Philip Mellor
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Marseille,juillet1905.LejeuneMarcelPagnolvientd'acheversesétudesprimaires.Danstroismois,ilentreraau?lycée?.Troismois...uneéternitéquandonacetage.Carvoiciletempsdesvacances,lesvraies,lesgrandes!Enfantdelaville,ceretourtantattenduàseschèrescollinesd'Aubagne,cellesde?LaGloiredemonpère?et?LeChateaudemamère?letr...
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剧情：在这个地球上，有三个人因歇洛克·福尔摩斯而遐尔闻名；华生、柯南·道尔和杰锐莱·布莱特。三个人，贡献出三个福尔摩斯‘华生嘴里的福尔摩斯、柯南·道尔笔下的福尔摩斯和杰锐莱·布莱特扮演的福尔摩斯。通过华生的嘴与柯南·道尔的笔，我们想象福尔摩斯，而杰锐莱·布莱特堪称完美的精彩演绎，让我们丰富的想象变成丰富的真实。作为全球影迷公认的、独一无二的权威影视版本，作为罕有的两度荣获美国神秘作家作品奖的影视剧，作为一部深入人心、精彩绝伦的福尔摩斯探案剧集，欣赏它，无须太多理由。四个字，就刚刚好：不睹不快。剧集包括：Season3,Episode1:TheEmptyHouse《空屋》9July1986Season3,Episode2:TheAbbeyGrange《格兰其庄园》16July1986Season3,Episode3:TheMusgraveRitual《马斯格鲁夫典礼》23July1986Season3,Episode4:TheSecondStain《第二块血迹》30July1986Season3,Episode5:TheManwiththeTwistedLip《歪唇男人》6August1986Season3,Episode6:ThePriorySchool《修道院公学》13August1986Season3,Episode7:TheSixNapoleons《六个拿破仑半身像》20August1986Season4,Episode1-2:TheSignofFour《四签名》29November1987Season4,Episode3:TheDevil'sFoot《魔鬼之足》6April1988Season4,Episode4:SilverBlaze《银额马》13April1988Season4,Episode5:WisteriaLodge《维斯特里亚寓所》20April1988Season4,Episode6:TheBruce-PartingtonPlans《布鲁斯帕廷顿计划》27April1988Season4,Episode7:TheHoundoftheBaskervilles《巴什克维尔的猎犬》31August1988
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夏洛特·布罗姆
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Theyneverstoplovingeachother,eveniftheyfromtimetotimecan'tstandthesight.LivandTerjeisobservedbydaughterDianafrombabytoherleavinghome.Theworld'sworstparents,noteventryingtodotheirbest.KomedienDianasbrylluperenh?ylytthyllesttildesomhiverseghodel?stinnikj?rligheten.Omtosomaldrislutter?elskehverandre,selvomdeipe...
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奥利维埃·巴鲁
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Richard, Gilles et Philippe sont amis depuis près de cinquante ans. Le temps d’un été, ils embarquent avec leurs compagnes sur un magnifique voilier pour une croisière vers la Corse. Mais la cohabitation à bord d’un bateau n’est pas toujours facile. D’autant que chaque couple a ses problèmes, et que la météo leur réserve de grosses surprises... Entre rires et confessions, griefs et jalousies vont remonter à la surface. Chacun va devoir faire le point sur sa vie et sur ses relations aux autres. L’amitié résistera-t-elle au gros temps ?
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绝望家庭主妇的故事是从MaryAliceYoung为了掩盖一个惊天秘密而自杀身亡开始的。在每一集中，她都会以逝者的身份，从局外人的角度，用旁白的方式讲述朋友的生活。这也是本剧制作上的亮点之一。她的朋友包括：SusanMayer臺灣電影網，一位在爱情的旅途上坎坷不断的离异单身母亲LynetteScavo，被事业和家庭搞得焦头烂额的母亲BreeVanDeKamp，养有两个问题小孩的寡妇GabielleSolis，曾做过当红模特的她，拥有很多女人们梦寐以求的东西——富有的丈夫、豪宅、香车，但美满的婚姻却不肯眷顾她。还有一位多次离婚的EdieBritt，地产经济人，她的爱情生活也是一团糟。
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发生在Edie身上的一件事会在Fairview的左邻右舍中引起怎样的反应？Lynette的癌症病情进展如何？小区里又搬来了新邻居，他们又是什么人？一切都即将在9月30日《绝望家庭主妇》第四季首播中找到答案。发生臺灣電影網在紫藤街的好戏在新一季里将继续上演。在上季最后一集中，JohnSlattery（饰演VictorLang）迎娶了EvaLongoria所饰演的Gabrielle。但是，在之后的采访中John说过，他在剧中露面的时日不会太多了。这就意味着一出大戏将要上演。而这场戏肯定同RicardoAntonioChavira所饰演的Gabby的前夫Carlos有很大关系。来自加拿大的喜剧明星NathanFillion在新季中将扮演一位新搬入的妇科医生。另外，一对男同性恋伴侣也将是新的角色。他们的加入，也将为本剧增加更多喜剧色彩。对紫藤街来说，平静的表面之下其实暗潮涌动。《绝望家庭主妇》的故事是从MaryAliceYoung为了掩盖一个惊天秘密而自杀身亡开始的。在每一集中，她都会以逝者的身份，从局外人的角度，用旁白的方式讲述朋友的生活。这也是本剧制作上的亮点之一。她的朋友包括：SusanMayer，一位在爱情的旅途上坎坷不断的离异单身母亲；LynetteScavo，被事业和家庭搞得焦头烂额的母亲；BreeVanDeKamp，养有两个问题小孩的寡妇；GabielleSolis，曾做过当红模特的她，拥有很多女人们梦寐以求的东西——富有的丈夫、豪宅、香车，但美满的婚姻却不肯眷顾她。还有一位多次离婚的EdieBritt，地产经济人，她的爱情生活也是一团糟。剧中的三位男主角分别是：MikeDelfino，一位与Suan分分合合的水管工；Lynette的丈夫Tom则有不太光彩的过去；第三位是Gabrille的离异丈夫Carlos。
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Inthenot-so-distantfuturethecomputergameindustryreachesitsfullestflower.Virtualrealityisindistinguishablefromreallife.ThegovernmentlaunchesDepartmentCtocontrolthegamespace.Censorssecretlydelveintogames.Theirmissionistotakesexandviolencebeyondtheforbiddenlevel.Agamethatwouldletthemdothatmustbebanned.OneoftheCensorsisagoodguywhohateshisbloodyjob.Theotheroneisacreep.ButeventheCensorslosetheirabilitytotellthegamefromtherealworld.
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Suiteàunedécisionmunicipale,l’Envol,centred’accueilpourfemmesSDF,vafermer.Ilneresteplusquetroismoisauxtravailleusessocialespourréinsérerco?tequeco?telesfemmesdontelless’occupent:falsifications,pistons,mensonges…Désormais,toutestpermis!
