Jacen

ThelifeofVincentVanGoghpresentedbyWaldemarJanuszczak.

基于Jessica Bruder所著册本「Nomadland: Surviving America in the Twenty-First Century」,报告一个60多岁的女人在经济大冷落中得到了所有,她作为一个栖身在货车里的古代游牧平易近,开端了穿梭美国西部的路程。

"60DayIn"offersanunprecedentedlookatlifebehindbarsatIndiana’sClarkCountyJailasseveninnocent册unteersaresenttoliveamongitsgeneralpopulationfor60dayswithoutfellowinmatesorstaffknowingtheirsecret.

TheBritishespionagedrama"MI-5",providesmoreshockingtwistsandturnsinitsthirdseason.TomQuinn(MatthewMacfayden)disappearsfollowingashootingandnewmanAdamCarter(RupertPenry-Jones)risestothechallengeinSectionB.Afterrecoveringfromhisinjury,Harry(PeterFirth)tasksAdamwithprovingTom’sinnocence.LaterintheseasonDanny(DavidOyelowo)andZoe(KeeleyHawes)aresentonamissionthathastragicconsequencesforoneofthem.

《MadMen》是由AmericanMovieClassics公司出品的美剧。该剧曾获得第65届、第66届、第67届美国电影电视金球奖最佳电视剧，并连续四年夺得艾美奖剧情类最佳电视剧奖。1960年代，美国的广告业步入全盛时代，位于曼哈顿的麦迪逊大道有数百家广告公司，斯特林·库帕公司堪称行业中的佼佼者。创意总监唐·德雷柏（乔·哈姆JonHamm饰）面容英俊，体格健硕，足智多谋，仿佛广告业中的007。除此，公司中还有酷爱炫耀其上流社会出生的老板罗杰·斯特林（约翰·斯拉特里JohnSlattery饰）、识时务的秘书佩吉·奥尔森（伊丽莎白·莫斯ElisabethMoss饰）、野心勃勃却缺乏真才实学的拜特·坎贝尔（文森特·卡塞瑟VincentKartheiser饰）等各色人等，他们一边为了满足客户的要求殚精竭虑，一边又要在生活的困顿中挣扎。

13岁的黑人小孩克里斯（泰勒·詹姆斯·威廉姆TylerJamesWilliams饰）生活在纽约布鲁克林区，家中有做好几份低等工拼命养家、极度抠门的老爸朱利叶斯（泰瑞·克鲁斯TerryCrews饰），有虚荣、能干的大嗓门老妈罗谢尔（蒂琪娜·阿诺TichinaArnold饰），还有一对麻烦的弟妹德鲁（特昆·里奇蒙德TequanRichmond饰）和唐娅（ImaniHakim饰）。到了上学年龄，克里斯被严格的老妈送入白人学校，不出所料受尽欺侮，但也有幸交到一个好朋友——因瘦弱苍白同样要做受气包的格雷戈（文森特·马特拉VincentMartella饰），每天从家里到学校同样吵闹和无奈，克里斯始终用一种无所谓的自嘲精神面对这一切……本剧里面“克里斯”的原型是艾美奖得主、喜剧明星克里斯·洛克（ChrisRock），并由他本人亲自担任独白。

纽约剧团要重排《天鹅湖》，因前领舞Beth（薇诺娜•赖德 Winona Ryder 饰）离去，总监Thomas（文森特•卡索尔 Vincent Cassel. 饰）决定海选新领舞，且要求领舞要分饰黑天鹅与白天鹅。Nina（娜塔莉•波特曼Natalie Portman 饰）自幼练习芭蕾舞，在母亲的细心关照下，技艺出众。这次，她希望可以脱颖而出。然而，在竞争中，她发现心机颇重的Lily（米拉•库妮丝 Mila Kunis 饰）是自己的强劲对手。在选拔中，她的白天鹅表演的无可挑剔，但是黑天鹅不及Lily。她感到身心俱疲，回家还发现了背部的红斑与脚伤。她一个人找到总监，希望争取一下。总监趁机亲吻她，却被她强硬拒绝。结果，总监居然选了她。队友怀疑她靠色相上位。在酒会上，Beth甚至当众发泄。这种压力外加伤病，一直影响着她的发挥。总监启发她要释放激情，表现出黑天鹅的诱惑。在强大的心理暗示中，她似乎也滑向了黑天鹅的角色……©豆瓣

With this new series Andrew Graham-Dixon returns to Europe taking us on a journey into the captivating watery world of the Low Countries and its art. This small myriad of regions we now know as Holland and Belgium produced some of the most celebrated names in art: Van Eyck, Bosch, Rembrandt, Rubens, Vermeer, Van Gogh, Mondrian and Magritte. As he travels by canal boat and of course by bicycle Andrew reveals just how important the Low Countries were in key moments in the development of western culture - the birth of oil painting in the late medieval ages, the triumph of the Dutch golden age, and the onset of polarizing modern art movements surrealism and abstraction. This is not the story of one nation, but of fluid, ever-shifting boundaries and the search for identity in an area that has always been politically contested. EPISODE ONE: The first episode will be about how the art of Renaissance Flanders e册ved from the craft of precious tapestries within the Duchy of Burgundy into a leading painting school in its own right. Starting his journey at the magnificent altarpiece of Ghent Cathedral created by the Van Eyck brothers Andrew explains their ground breaking innovation in oil painting and marvels how the colours they obtained can still remain so vibrant today. Andrew will describe how in the early Renaissance the most urgent preoccupation was not the advancement of learning, humanist or otherwise, but the Last Judgment. People believed they were living in the end of days; a subject popular with preachers and artists and intensely realized in swarming microscopic detail by Hieronymus Bosch. EPISODE TWO: In the second episode Andrew explores how the seemingly peaceful countries of Holland and Belgium – famous for their tulips and windmills, mussels and chips - were in fact forged in a crucible of conflict and division. He will examine how a period of economic boom driven for the first time by a burgeoning and secular middle class led to the Dutch Golden Age of the 17th Century. Andrew travels to Delft and Amsterdam to demonstrate the striking contrast between two of its greatest proponents, Rembrandt and Vermeer (one famed for his breathtakingly realistic domestic street scenes, the other for explosive rapid brushstrokes and raw colours, best exemplified in his contentious magnum opus – The Nightwatch.) Radically different in style, both men were united by the realization that they must become innovators in business as well as masters of their craft. Yet boom also meant bust - and in a story with very modern echoes they ultimately shared the same fate, financial destitution. EPISODE THREE: Following a brief period of decline, the third episode will look at how the entrepreneurial and industrious region of the Low Countries rose again to become a cultural leader in the modern age; how despite its small and apparent insignificance when stood up against the powerhouses of Europe it produced important forward thinking artists like Van Gogh, Mondrian, Magritte and Delvaux who changed the face of art forever. In this episode Andrew’s exhilarating journey takes us to a remote beach in North West Holland which inspired Mondrian’s transition to his now renowned abstract grid paintings.

　　The new series on Renaissance painting, written and presented by Matthew Collings, begins with an artistic investigation into one of the most radiant and beautiful images in all of art history, The Madonna of the Meadow, painted in 1505 - by Raphael.　　Renaissance art has become part of the 21st-century heritage industry but when Raphael was alive, it was a startling new form of visual expression, and Raphael's vibrant 'realism' was striking and fresh. It became the model for western art for the next 400 - years, right up until the birth of Modernism.　　As much as it was a cultural 'rebirth', the Renaissance was also a re册ution in ideas about reality. Matthew Collings sets out to remind us of how radical Renaissance paintings were when they were made, as well as opening our eyes to what is still truly great about them. In this programme he deconstructs The Madonna of the Meadow with the help of the very latest high-resolution digital technology, which allows him to explore the inner secrets of Raphael's painterly effects with a clarity and at a level of detail never before seen on television.　　As Matthew says, it is a journey 'to the other side of an illusion', revealing how Raphael created the alluring images that were so appealing to his wealthy Renaissance clients - including the Pope - and which entranced artists for centuries after his death. Matthew explains the secret to Raphael's vibrant colour harmonies, which the artist grasped intuitively, long before the advent of colour 'theory'; and Raphael also knew how to exploit colour effects to create the impression of extraordinary depth in his paintings.

Historianandauthor,SimonSebagMontefiorepresentsafascinatingseriesonJerusalem:theplacewhereGodmeetsman,theshrineofthreefaiths–Judaism,ChristianityandIslam,andthemostfoughtovercityinhistory.MontefioreexplainshowJerusalem–establishedbyKingDavid3 - 000yearsagowasfoughtforandshapedbyKingsandEmperorsandhowtheholinessofthecitywasintensifiedbymythsandfables,borrowedandrefinedbetweenreligions.HethenexploreshowthispeerlesslybeautifulcityrosefromacrumblingruinafterthecrusadestobecomeaworldcentreofIslamicpilgrimage,theobjectofrivalrybetweenChristiannations,aholyrefugeforJewsfromallovertheworldand,ultimately,thesiteofoneoftheworld’smostintractableconflicts.