Bagni
搜索"Bagni" ，找到 以下影视作品
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An army veteran attempts to assimilate back into a country he barely recognizes while trying to win the heart of an Iraqi immigrant who is on the verge of being deported.
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Marg Duffield (Lee Remick) is the Maine wife of Al (Joseph Sommer) whose daughter Peg (Marlee Matlin) is deaf. Peg's husband is killed in a car accident on the way to visit the Maine house, and the Duffield's take in Peg's six year old daughter, Lisa, while Peg recovers. Since Lisa is a speaking child, Marg thinks of her the way she wanted Peg to be, and seeks guardian custody. Remick's role is secondary to Matlin's, though she is presented as a tragic figure, particularly as Al refuses to help her plan to gain Lisa. Peg's deafness is said to be from a childhood case of spinal meningitis, and the teleplay by Louisa Burns-Bisogno, with story by Louisa and Tom Bisogno, reduces Remick to a textbook mother who is self-hating from guilt and therefore cannot love her own daughter. In a memorable scene, Peg angrily signs her exit to Marg, since Marg has refused to learn sign language, though Peg has learned to speak for her mother. The treatment uses the Tennesee Williams play, The Glass Menagerie, for therapy, to help Peg overcome her grief and also Marg `lose her unicorn horn' and embrace her daughter. Whilst Peg choosing to act in this play may seem an odd choice for someone grieving, what is more noticable is that Matlin is far too more glamourous to be believable as Laura. The Bisogno's include Michael O'Keefe as Dan, Peg's deceased husband's best friend and director of Actors Theatre for the Deaf, to offer Peg a new romantic interest, and thankfully she rebukes his protestations of love. Although his opinion may be influenced by his `crush', Dan tells Peg that being different is better than being normal, since the normal ones are as `common as weeds'. This philosophy reads as rather Nietzschean, on the level of artists not being restricted to the common moral code. Director Karen Arthur either has those signing also speaking or those signing being translated for the audience, though in one scene the sound of lapping waves drowns out the dialogue between Dan and Peg. She also gives Matlin some good moments, one being her scream of horror when she hears the news of the death of her husband, and another when she chases Remick down a flight of steps, hitting her.
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1942年之夏，瓦斯柯夫准尉（彼得·费奥多罗夫PyotrFyodorov饰）带领两个班的女机枪手驻扎在一个靠近小车站的村子里。一天，班长丽达（阿纳斯塔西娅·米库尔钦娜AnastasiaMikulchina饰）在不远的树林里发现了两个空降的德军计划要袭击苏联腹地的军事设施。瓦斯柯夫带领一支小分队去搜查敌军，成员包括丽萨（索菲娅·列别杰娃SofyaLebedeva饰）、迦尔卡（克里斯蒂娜·阿斯姆斯KristinaAsmus饰）、丽达、索妮娅（雅戈尼娅·库兹涅佐娃AgniyaKuznetsova饰）、冉妮娅（叶夫根尼娅·马拉霍娃ZhenyaMalakhova饰）等五个姑娘。但敌人的力量与自然环境的恶劣远比她们想得要残酷，这些美丽的苏联女战士，不得不在丛林中与人数众多的敌军反复周旋......电影根据前苏联当代着名作家鲍...
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Everyone knows Sue, the majestic Tyrannosaurus Rex skeleton that is the pride of Chicago’s Field Museum of Natural History. Less known is the bizarre seven-year tale of intrigue, perfidy, double-dealing, and government intervention that resulted in the dinosaur-hunting discoverers, members of South Dakota’s Black Hills Institute, being divested of their find, cheated of recognition, and even sent to prison. Assembly of the gigantic fossil is something of a metaphor for filmmaker Miller’s meticulous reconstruction of a story that includes home movie footage of Sue’s discovery and recovery, her 1992 - kidnapping by heavily armed FBI agents, a rip-roaring courtroom drama as her ownership falls into dispute, and her eventual sale at auction for a heart-stopping sum.
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玛丽亚·施拉德
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故事聚焦《纽约时报》女记者乔迪·坎托尔（佐伊·卡赞饰）与梅根·吐赫（凯瑞·穆里根饰），她们联手撰写了这个世代最重要的一篇报道，进而引发#MeToo运动，不但揭发了好莱坞数十年来默许的性侵真相，也永远改变了美国文化。影片根据畅销书《她说：打破性骚扰的故事，帮助点燃了一场运动》（SheSaid:BreakingtheSexualHarassmentStoryThatHelpedIgniteaMovement）改编。
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Deserves recognition as an interesting misunderstanding of the hallucination generation, 20 January 2007 Author TimothyFarrell from Worcester, MA Wild in the Streets comes from the same school of film making that spawned other attempts to connect to the counterculture such as Skidoo and Candy. The difference between this and the aforementioned films is that Wild in the Streets is reasonably clever and well-made. It isn't sympathetic to the counterculture and will likely offend those with fond memories of the time. Surprisingly, it was a big hit when released and appealed to the youth whom it ridiculed so much. Unlike The Trip and Psych-Out (two other AIP films), its not an accurate representation of the movement at all. However it does work as social satire. The direction by Barry Shear is good and makes innovative use of split screen photography. Plus, he keeps everything moving at a quick pace. In its funny moments, the film works well. In its attempts at drama, its helplessly dated and just as funny as the humorous moments. Christopher Jones underplays his role and Shelly Winters overacts. Hal Holbrook offers the best performance and Diane Varsi achieves the right note of grooviness. The script by Robert Thom has its moments, especially the ending (easily the most ingenious part of the film). Wild in the Streets isn't perfect, but deserves recognition as an interesting misunderstanding of the hallucination generation. Those into this kind of kitsch will enjoy it the most. I'd rather watch The Trip or Psych-Out however. (610) -from imdb
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Twobestfriendsmakethebestofgoingtohighschoolbydreamingupfashionmagazinephotoshoots,andbribingtheirsiblingstomodelforthem.Renéindulgeshisfantasiesandlovesdesigningclothes.Frankielivesforhercameraandpunkrock.TheybothfallforSasha,theshysoccerplayerwithasoftspotforpoemsbyPushkin.Whenthethreeofthemarecaughtbetweencom...
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A mixed couple move to Los Angeles for a fresh start. But old wounds and resentments are re-ignited when the wife’s twin sister pays a visit.
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Afterhisparentsmysteriouslydisappearedeightyearsago,youngEricDalarasembarksonasearchforthetruthandentersafrighteningworld.HeandhissisterUmagrewupwiththeirmaternalgrandparents.Ericdecidestoleavehishomelandtoreturntotheplaceofhischildhood,CaboQwert,wherehewantstolookforanswersattheTierraIncógnitahorroramusementpark,s...
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罗恰拍摄好友巴西著名作家阿马多的纪录短片。ThisfilmwascommissionedbyGlauberRochatobeshownontelevisionasaspecialprogrammeonthegreatBrazilianwriterJorgeAmado.Itmainlyconsistsinanextremelyaffectionateconversationaboutallsortsofthings,shotinthewritershouseinSalvadorwithhislargefamily.JorgeAmadowasalsofilmedinabookshopduringasigningsessionforo...
