AvivaMarks

TheseriesfollowsJamesSt.Patrick,nicknamed"Ghost",ownerofapopularNewYorkCitynightclub.Inaddition,heisamajorplayerinoneofthecity’sbiggestillegaldrugnetworks.Hestrugglestobalancethesetwolives,andthebalancetoppleswhenherealizeshewantstoleavethedrugringinordertosupporthislegitimatebusiness.

Forky,inDisneyandPixar’s“ToyStory4 - ”isacraftprojectcreatedfromtrash,hasimportantquestionsabouthowtheworldworks,suchas:Whatislove?Whatistime?Andofcourse,thedeepestquestionofall,Whatischeese?Heexploresallofthesequestionsandmoreinacollectionof10shorts.

在严寒的冰雪中,独身汉拉斯（瑞恩•高斯林RyanGosling饰）觉得有些孤寂而无聊。他是一个典范的宅男,性情自闭,无友无伴。他的欧巴格斯（保罗•施耐德PaulSchneider饰）跟嫂子（艾米莉•莫迪默EmilyMortimer饰）住在隔邻,见此情景也觉得酸楚。嫂子见他终日宅在家中,于是约请他前来用饭,然而兄嫂的嘘寒问暖仍杯水车薪。某天,拉斯竟然从玩具公司定制了一个充气娃娃比安卡,并带她加入家庭集会,一同用饭,一同入眠,一同去教堂星期。四周的人都觉得拉斯的精力不畸形,兄嫂为此专门征询了大夫达戈玛（派翠西娅•克拉克森PatriciaClarkson饰）,后者以为拉斯的症状是一种幻觉,最好的医治就是顺水推舟。而此时,拉斯对比安卡的痴迷曾经到达了登峰造极的田地,乃至还要在教堂跟它举办婚礼……

BillMarks（利亚姆·尼森LiamNeeson饰）是一名空警,衔命在一架飞往伦敦的飞机上履行安保义务。在飞翔途中,他收到一个未知号码发来的短信,发短信的人对他的所有举措一目了然,而且请求他向一个机密账户转账1.5亿美元,不然就会每隔20分钟杀逝世一名航班上的搭客。Bill认识到局势的严峻性,在空姐Nancy（米歇尔·道克瑞MichelleDockery饰）!搭客Jen（朱丽安·摩尔JulianneMoore饰）的帮助下,试图找出这个发短信的人。然而事件的停顿却远远超越了他的预料,原来想挽救世人的Bill,却不测招致了多少自我的逝世亡,他也被其余搭客看成一个劫机犯。Bill能否可以力挽狂澜,即挽救机上的搭客,又洗脱本人身上的罪名！

“TheSilencebeforeBach”isanapproachtomusicandthetradesandsubjectsthatsurrounditthroughBach’sworks.Alookattheprofounddramaturgicrelationshipbetweenimageandmusicwherethelatterisnotmerelyconceivedassubsidiarytotheimagebutasasubjectofthenarrationinitsownright.Thefilmspringsfromapreviouslydefinedmusicalstructure.Thesoun...

AstridNielsen,worksinthelibraryofthejudicialpolice.SufferingfromAsperger'ssyndrome,however,shehasanincrediblememory,sosheisveryusefulinanalyzingthefilesforongoinginvestigations.Thedistrictcommander,havingnoticedthis

大侦探福尔摩斯（小罗伯特·唐尼RobertDownerJr.饰）即使在置人于死地之时也异常的逻辑清晰，然而办案时有条不紊的他在私底下的生活中简直就是个“怪胎”，至少在他的助手华生医生（裘德·洛JudeLaw饰）眼中他是这样一个人。他们亲手绳之以法的“黑暗巫师”布莱克大人（马克·斯特朗MarkStrong饰）在临死前说死亡即是开始，随后艾琳·艾德勒（瑞秋·麦克亚当斯RachelMcAdams饰）出现在他的身边要他帮忙找个失踪的人，而她身边有个影子般可怕人物。坊间传说黑暗巫师已经复活，他的墓地遭到破坏，而躺在棺材里的人另有其人。又到了大侦探福尔摩斯出马的时候了，然而调查过程从一开始就险象环生，助手华生医生在调查中更是险些丧命，福尔摩斯也陷入连串的迷团之中。

9岁女孩菲比（艾丽•范宁 Elle Fanning 饰）进退黉舍话剧团,扮演「爱丽丝梦游瑶池」的配角爱丽丝,话剧教师道吉尔蜜斯（帕特里西娅•克拉克森 Patricia Clarkson 饰）对菲比赞美有佳。但话剧团外的菲比却疑问重重,因向同窗吐口水跟无奈掌握本人的行动而屡遭费事。菲比的母亲希拉里（菲莉丝蒂•夏夫曼 Felicity Huffman 饰）谢绝否认菲比身患强制性神经官能症的事实,面临多重压力,希拉里与老公皮特（比尔•普曼 Bill Pullman 饰）的抵触频仍进级。与此同时,菲比的症状日益加剧,脑筋中的幻象与事实的界线越来越隐约,而校方也对道吉尔蜜斯对孩子们的教导办法不满。经心排练的「爱丽丝梦游瑶池」终极还能公映吗！

Psychomagic explores the therapeutic work of director Alejandro Jodorowsky, showing by means of real acts, what Psychomagic is, its principle, how it is practiced, and how it is applied in life. Jodorowsky works directly with real, suffering people who are eager to solve their problems.

Voice1(male"professionalannouncer"type):Thisneighborhood(1)wasmadeforthewretcheddignityofthepettybourgeoisie,forrespectableoccupationsandintellectualtourism.Thesedentarypopulationoftheupperfloorswasshelteredfromtheinfluencesofthestreet.Thisneighborhoodhasremainedthesame.Itwasthestrangesettingofourstory,whereasystematicquestioningofallthediversionsandworksofasociety,atotalcritiqueofitsideaofhappiness,wasexpressedinacts.Thesepeoplealsoscorned"subjectiveprofundity".Theywereinterestedinnothingbutanadequateandconcreteexpressionofthemselves.Voice2(Debord,monotone):Humanbeingsarenotfullyconsciousoftheirreallife-usuallygropinginthedark;overwhelmedbytheconsequencesoftheiracts;ateverymomentgroupsandindividualsfindthemselvesconfrontedwithresultstheyhavenotwished.Voice1 - Theysaidthatoblivionwastheirrulingpassion.Theywantedtoreinventeverythingeachday;tobecomethemastersandpossessorsoftheirownlives.Justasonedoesnotjudgeamanaccordingtotheconceptionhehasofhimself,onecannotjudgesuchperiodsoftransitionaccordingtotheirownconsciousness;onthecontrary,onemustexplaintheconsciousnessthroughthecontradictionsofmateriallife,throughtheconflictbetweensocialconditionsandtheforcesofsocialproduction.Theprogressachievedinthedominationofnaturewasnotyetmatchedbyacorrespondingliberationofeverydaylife.Youthpassedawayamongthevariouscontrolsofresignation.Ourcamerahascapturedforyouafewaspectsofaprovisionalmicrosociety.Theknowledgeofempiricalfactsremainsabstractandsuperficialaslongasitisnotconcretizedbyitsintegrationintothewhole"”whichalonepermitsthesupersessionofpartialandabstractproblemssoastoarriveattheirconcreteessence,andimplicitlyattheirmeaning.Thisgroupwasonthemarginsoftheeconomy.Ittendedtowardaroleofpureconsumption,andfirstofallthefreeconsumptionofitstime.Itthusfounditselfdirectlyengagedinqualitativevariationsofeverydaylifebutdeprivedofanymeanstointerveneinthem.Thegrouprangedoveraverysmallarea.Thesametimesbroughtthembacktothesameplaces.Noonewenttobedearly.Discussiononthemeaningofallthiscontinued...Voice2 - "Ourlifeisajourney"”Inthewinterandthenight."”Weseekourpassage..."�Voice1 - Theabandonedliteratureneverthelessexertedadelayingactiononnewaffectiveformulations.Voice2 - Therewasthefatigueandthecoldofthemorninginthismuch-traversedlabyrinth,likeanenigmathatwehadtoresolve.Itwasalooking-glassrealitythroughwhichwehadtodiscoverthepotentialrichnessofreality.Onthebankoftherivereveningbeganonceagain;andcaresses;andtheimportanceofaworldwithoutimportance.Justastheeyeshaveablurredvisionofmanythingsandcanseeonlyoneclearly,sothewillcanstriveonlyincompletelytowarddiver搜索引擎优化bjectsandcancompletelyloveonlyoneatatime.Voice3(younggirl):Noonecountedonthefuture.Itwouldneverbepossibletobetogetherlater,oranywhereelse.Therewouldneverbeagreaterfreedom.Voice1 - Therefusaloftimeandofgrowingoldautomaticallylimitedencountersinthisnarrow,contingentzone,wherewhatwaslackingwasfeltasirreparable.Theextremeprecariousnessofthemeansofgettingbywithoutworkingwasattherootofthisimpatiencewhichmadeexcessesnecessaryandbreaksdefinitive.Voice2 - Oneneverreallycontestsanorganizationofexistencewithoutcontestingallofthatorganization’sformsoflanguage.Voice1 - Whenfreedomispracticedinaclosedcircle,itfadesintoadream,becomesamererepresentationofitself.Theambianceofplayisbynatureunstable.Atanymoment"ordinarylife"�canprevailonceagain.Thegeographicallimitationofplayisevenmorestrikingthanitstemporallimitation.Anygametakesplacewithinthecontoursofitsspatialdomain.Aroundtheneighborhood,arounditsfleetingandthreatenedimmobility,stretchedahalf-knowncitywherepeoplemetonlybychance,losingtheirwayforever.Thegirlswhofoundtheirwaythere,becausetheywerelegallyunderthecontroloftheirfamiliesuntiltheageofeighteen,wereoftenrecapturedbythedefendersofthatdetestableinstitution.Theyweregenerallyconfinedundertheguardofthosecreatureswhoamongallthebadproductsofabadsocietyarethemostuglyandrepugnant:nuns.Whatusuallymakesdocumentariessoeasytounderstandisthearbitrarylimitationoftheirsubjectmatter.Theydescribetheatomizationofsocialfunctionsandtheisolationoftheirproducts.Onecan,incontrast,envisagetheentirecomplexityofamomentwhichisnotresolvedintoawork,amomentwhosemovementindissolublycontainsfactsandvaluesandwhosemeaningdoesnotyetappear.Thesubjectmatterofthedocumentarywouldthenbethisconfusedtotality.Voice2 - Theerahadarrivedatalevelofknowledgeandtechnicalmeansthatmadepossible,andincreasinglynecessary,adirectconstructionofallaspectsofaliberatedaffectiveandpracticalexistence.Theappearanceofthesesuperiormeansofaction,stillunusedbecau搜索引擎优化fthedelaysintheprojectofliquidatingthecommodityeconomy,hadalreadycondemnedaestheticactivity,whoseambitionsandpowerswerebothoutdated.Thedecayofartandofallthevaluesofformermoreshadformedoursociologicalbackground.Therulingclass’smonopolyovertheinstrumentsweneededtocontrolinordertorealizethecollectiveartofourtimehadexcludedusfromaculturalproductionofficiallydevotedtoillustratingandrepeatingthepast.Anartfilmonthisgenerationcanonlybeafilmonitsabsenceofrealcreations.Everyoneunthinkinglyfollowedthepathslearnedonceandforall,totheirworkandtheirhome,totheirpredictablefuture.Forthemdutyhadalreadybecomeahabit,andhabitaduty.Theydidnotseethedeficiencyoftheircity.Theythoughtthedeficiencyoftheirlifewasnatural.Wewantedtobreakoutofthisconditioning,inquestofanotheru搜索引擎优化ftheurbanlandscape,inquestofnewpassions.Theatmosphereofafewplacesgaveusintimationsofthefuturepowersofanarchitectureitwouldbenecessarytocreatetobethesupportandframeworkforlessmediocregames.Wecouldexpectnothingofanythingwehadnotourselvesaltered.Theurbanenvironmentproclaimedtheordersandtastesoftherulingsocietyjustasviolentlyasthenewspapers.Itismanwhomakestheunityoftheworld,butmanhasextendedhimselfeverywhere.Peoplecanseenothingaroundthemthatisnottheirownimage;everythingspeakstothemofthemselves.Theirverylandscapeisalive.Therewereobstacleseverywhere.Therewasacohesionintheobstaclesofalltypes.Theymaintainedthecoherentreignofpoverty.Everythingbeingconnected,itwasnecessarytochangeeverythingbyaunitarystruggle,ornothing.Itwasnecessarytolinkupwiththemasses,butweweresurroundedbysleep.Voice3 - Thedictatorshipoftheproletariatisadesperatestruggle,bloodyandbloodless,violentandpeaceful,militaryandeconomic,educationalandadministrative,againsttheforcesandtraditionsoftheoldworld.Voice1 - Inthiscountryitisonceagainthemenoforderwhohaverebelled.Theyhavereinforcedtheirpower.Theyhavebeenabletoaggravatethegrotesquenessoftherulingconditionsaccordingtotheirwill.Theyhaveembellishedtheirsystemwiththefunerealceremoniesofthepast.Voice2 - Years,likeasingleinstantprolongedtothispoint,cometoanend.Voice1 - Whatwasdirectlylivedreappearsfrozeninthedistance,fitintothetastesandillusionsofanera,carriedawaywithit.Voice2 - Theappearanceofeventsthatwehavenotmade,thatothershavemadeagainstus,nowobligesustobeawareofthepassageoftime,itsresults,thetransformationofourowndesiresintoevents.Whatdifferentiatesthepastfromthepresentispreciselyitsout-of-reachobjectivity;thereisnomoreshould-be;beingissoconsumedthatithasceasedtoexist.Thedetailsarealreadylostinthedustoftime.Whowasafraidoflife,afraidofthenight,afraidofbeingtaken,afraidofbeingkept?Voice3 - Whatshouldbeabolishedcontinues,andwecontinuetowearawaywithit.Weareengulfed.Weareseparated.Theyearspassandwehaven’tchangedanything.Voice2 - Onceagainmorninginthesamestreets.Onceagainthefatigueofsomanysimilarlypassednights.Itisawalkthathaslastedalongtime.Voice1 - Reallyhardtodrinkmore.Voice2 - Ofcour搜索引擎优化nemightmakeafilmofit.Butevenifsuchafilmsucceedsinbeingasfundamentallydisconnectedandunsatisfyingastherealityitdealswith,itwillneverbemorethanare-creation"”poorandfalselikethisbotchedtravelingshot.Voice3 - Therearenowpeoplewhopridethemselvesonbeingauthorsoffilms,asotherswereauthorsofnovels.Theyareevenmorebackwardthanthenovelistsbecausetheyareunawareofthedecompositionandexhaustionofindividualexpressioninourtime,ignorantoftheendoftheartsofpassivity.Theyarepraisedfortheirsinceritysincetheydramatize,withmorepersonaldepth,theconventionsofwhichtheirlifeconsists.Thereistalkoftheliberationofthecinema.ButwhatdoesitmattertousifonemoreartisliberatedthroughwhichTom,DickorHarrycanjoyouslyexpresstheirslavishsentiments?Theonlyinterestingventureistheliberationofeverydaylife,notonlyintheperspectivesofhistorybutforusandrightaway.Thisentailsthewitheringawayofalienatedformsofcommunication.Thecinema,too,hastobedestroyed.Voice2 - Inthefinalanalysis,starsarecreatedbytheneedwehaveforthem,andnotbytheirtalentorlackoftalentorevenbythefilmindustryoradvertising.Miserableneed,dismal,anonymouslifethatwouldliketoexpanditselftothedimensionsofcinemalife.Theimaginarylifeonthescreenistheproductofthisrealneed.Thestaristheprojectionofthisneed.Theimagesoftheadvertisementsduringtheintermissionsaremoresuitedthananyothersforevokinganintermissionoflife.Toreallydescribethiseraitwouldnodoubtbenecessarytoshowmanyotherthings.Butwhatwouldbethepoint?Bettertograspthetotalityofwhathasbeendoneandwhatremainstobedonethantoaddmoreruinstotheoldworldofthespectacleandofmemories.1.Thisfilm,whichevokesthelettristexperiencesattheoriginofthesituationistmovement,openswithshotsoftheParisdistrictfrequentedbythelettristsintheearly1950s.