Alda

凯文（保罗·达诺PaulDano饰）是一名天才小说家，曾经凭借处女作跻身全国著名作家，可是到了第二部作品时却遇到了瓶颈。与此同时，他的生活也显得不尽如人意，自从初恋女友离开他以后，凯文一直孤身一人，甚至称自己是“不适合约会的类型”。于是，凯文开始在梦里虚构了一个自己的理想型露比（佐伊·卡赞ZoeKazan饰），并把梦中的露比记录下来预备做自己新书的题材。就这样，凯文过了几个晚上做梦白天写作的日子。直到有一天，凯文醒来发现梦中的露比竟然真真实实的出现在了他的生活里，更令人难以置信的是凯文竟然可以通过书写虚构的露比来改变现实生活中的露比……影片《恋恋书中人》由保罗·达诺与佐伊·卡赞这对现实中的情侣携手主演。

Acausedesasantévacillante,MonsieurHenrinepeutplusvivreseuldanssonappartementparisien.Particulièrementbougon,ilfinitnéanmoinsparaccepterlapropositiondesonfilsPauldelouerunechambreàunejeuneétudiante.Loindetombersouslecharme,Henrivaseservird’ellepourcréerunvéritablechaosfamilial…

Journalist,techbloggeranddirectorofTheCentreForTheAnalysisOfSocialMediaJamieBartlett-authorofseveralbooksontechnologyandpolitics-explorestherealitybehindSiliconValley’sglitteringpromisetobuildabetterworld.

Voice1(male"professionalannouncer"type):Thisneighborhood(1)wasmadeforthewretcheddignityofthepettybourgeoisie,forrespectableoccupationsandintellectualtourism.Thesedentarypopulationoftheupperfloorswasshelteredfromtheinfluencesofthestreet.Thisneighborhoodhasremainedthesame.Itwasthestrangesettingofourstory,whereasystematicquestioningofallthediversionsandworksofasociety,atotalcritiqueofitsideaofhappiness,wasexpressedinacts.Thesepeoplealsoscorned"subjectiveprofundity".Theywereinterestedinnothingbutanadequateandconcreteexpressionofthemselves.Voice2(Debord,monotone):Humanbeingsarenotfullyconsciousoftheirreallife-usuallygropinginthedark;overwhelmedbytheconsequencesoftheiracts;ateverymomentgroupsandindividualsfindthemselvesconfrontedwithresultstheyhavenotwished.Voice1 - Theysaidthatoblivionwastheirrulingpassion.Theywantedtoreinventeverythingeachday;tobecomethemastersandpossessorsoftheirownlives.Justasonedoesnotjudgeamanaccordingtotheconceptionhehasofhimself,onecannotjudgesuchperiodsoftransitionaccordingtotheirownconsciousness;onthecontrary,onemustexplaintheconsciousnessthroughthecontradictionsofmateriallife,throughtheconflictbetweensocialconditionsandtheforcesofsocialproduction.Theprogressachievedinthedominationofnaturewasnotyetmatchedbyacorrespondingliberationofeverydaylife.Youthpassedawayamongthevariouscontrolsofresignation.Ourcamerahascapturedforyouafewaspectsofaprovisionalmicrosociety.Theknowledgeofempiricalfactsremainsabstractandsuperficialaslongasitisnotconcretizedbyitsintegrationintothewhole"”whichalonepermitsthesupersessionofpartialandabstractproblemssoastoarriveattheirconcreteessence,andimplicitlyattheirmeaning.Thisgroupwasonthemarginsoftheeconomy.Ittendedtowardaroleofpureconsumption,andfirstofallthefreeconsumptionofitstime.Itthusfounditselfdirectlyengagedinqualitativevariationsofeverydaylifebutdeprivedofanymeanstointerveneinthem.Thegrouprangedoveraverysmallarea.Thesametimesbroughtthembacktothesameplaces.Noonewenttobedearly.Discussiononthemeaningofallthiscontinued...Voice2 - "Ourlifeisajourney"”Inthewinterandthenight."”Weseekourpassage..."�Voice1 - Theabandonedliteratureneverthelessexertedadelayingactiononnewaffectiveformulations.Voice2 - Therewasthefatigueandthecoldofthemorninginthismuch-traversedlabyrinth,likeanenigmathatwehadtoresolve.Itwasalooking-glassrealitythroughwhichwehadtodiscoverthepotentialrichnessofreality.Onthebankoftherivereveningbeganonceagain;andcaresses;andtheimportanceofaworldwithoutimportance.Justastheeyeshaveablurredvisionofmanythingsandcanseeonlyoneclearly,sothewillcanstriveonlyincompletelytowarddiver搜索引擎优化bjectsandcancompletelyloveonlyoneatatime.Voice3(younggirl):Noonecountedonthefuture.Itwouldneverbepossibletobetogetherlater,oranywhereelse.Therewouldneverbeagreaterfreedom.Voice1 - Therefusaloftimeandofgrowingoldautomaticallylimitedencountersinthisnarrow,contingentzone,wherewhatwaslackingwasfeltasirreparable.Theextremeprecariousnessofthemeansofgettingbywithoutworkingwasattherootofthisimpatiencewhichmadeexcessesnecessaryandbreaksdefinitive.Voice2 - Oneneverreallycontestsanorganizationofexistencewithoutcontestingallofthatorganization’sformsoflanguage.Voice1 - Whenfreedomispracticedinaclosedcircle,itfadesintoadream,becomesamererepresentationofitself.Theambianceofplayisbynatureunstable.Atanymoment"ordinarylife"�canprevailonceagain.Thegeographicallimitationofplayisevenmorestrikingthanitstemporallimitation.Anygametakesplacewithinthecontoursofitsspatialdomain.Aroundtheneighborhood,arounditsfleetingandthreatenedimmobility,stretchedahalf-knowncitywherepeoplemetonlybychance,losingtheirwayforever.Thegirlswhofoundtheirwaythere,becausetheywerelegallyunderthecontroloftheirfamiliesuntiltheageofeighteen,wereoftenrecapturedbythedefendersofthatdetestableinstitution.Theyweregenerallyconfinedundertheguardofthosecreatureswhoamongallthebadproductsofabadsocietyarethemostuglyandrepugnant:nuns.Whatusuallymakesdocumentariessoeasytounderstandisthearbitrarylimitationoftheirsubjectmatter.Theydescribetheatomizationofsocialfunctionsandtheisolationoftheirproducts.Onecan,incontrast,envisagetheentirecomplexityofamomentwhichisnotresolvedintoawork,amomentwhosemovementindissolublycontainsfactsandvaluesandwhosemeaningdoesnotyetappear.Thesubjectmatterofthedocumentarywouldthenbethisconfusedtotality.Voice2 - Theerahadarrivedatalevelofknowledgeandtechnicalmeansthatmadepossible,andincreasinglynecessary,adirectconstructionofallaspectsofaliberatedaffectiveandpracticalexistence.Theappearanceofthesesuperiormeansofaction,stillunusedbecau搜索引擎优化fthedelaysintheprojectofliquidatingthecommodityeconomy,hadalreadycondemnedaestheticactivity,whoseambitionsandpowerswerebothoutdated.Thedecayofartandofallthevaluesofformermoreshadformedoursociologicalbackground.Therulingclass’smonopolyovertheinstrumentsweneededtocontrolinordertorealizethecollectiveartofourtimehadexcludedusfromaculturalproductionofficiallydevotedtoillustratingandrepeatingthepast.Anartfilmonthisgenerationcanonlybeafilmonitsabsenceofrealcreations.Everyoneunthinkinglyfollowedthepathslearnedonceandforall,totheirworkandtheirhome,totheirpredictablefuture.Forthemdutyhadalreadybecomeahabit,andhabitaduty.Theydidnotseethedeficiencyoftheircity.Theythoughtthedeficiencyoftheirlifewasnatural.Wewantedtobreakoutofthisconditioning,inquestofanotheru搜索引擎优化ftheurbanlandscape,inquestofnewpassions.Theatmosphereofafewplacesgaveusintimationsofthefuturepowersofanarchitectureitwouldbenecessarytocreatetobethesupportandframeworkforlessmediocregames.Wecouldexpectnothingofanythingwehadnotourselvesaltered.Theurbanenvironmentproclaimedtheordersandtastesoftherulingsocietyjustasviolentlyasthenewspapers.Itismanwhomakestheunityoftheworld,butmanhasextendedhimselfeverywhere.Peoplecanseenothingaroundthemthatisnottheirownimage;everythingspeakstothemofthemselves.Theirverylandscapeisalive.Therewereobstacleseverywhere.Therewasacohesionintheobstaclesofalltypes.Theymaintainedthecoherentreignofpoverty.Everythingbeingconnected,itwasnecessarytochangeeverythingbyaunitarystruggle,ornothing.Itwasnecessarytolinkupwiththemasses,butweweresurroundedbysleep.Voice3 - Thedictatorshipoftheproletariatisadesperatestruggle,bloodyandbloodless,violentandpeaceful,militaryandeconomic,educationalandadministrative,againsttheforcesandtraditionsoftheoldworld.Voice1 - Inthiscountryitisonceagainthemenoforderwhohaverebelled.Theyhavereinforcedtheirpower.Theyhavebeenabletoaggravatethegrotesquenessoftherulingconditionsaccordingtotheirwill.Theyhaveembellishedtheirsystemwiththefunerealceremoniesofthepast.Voice2 - Years,likeasingleinstantprolongedtothispoint,cometoanend.Voice1 - Whatwasdirectlylivedreappearsfrozeninthedistance,fitintothetastesandillusionsofanera,carriedawaywithit.Voice2 - Theappearanceofeventsthatwehavenotmade,thatothershavemadeagainstus,nowobligesustobeawareofthepassageoftime,itsresults,thetransformationofourowndesiresintoevents.Whatdifferentiatesthepastfromthepresentispreciselyitsout-of-reachobjectivity;thereisnomoreshould-be;beingissoconsumedthatithasceasedtoexist.Thedetailsarealreadylostinthedustoftime.Whowasafraidoflife,afraidofthenight,afraidofbeingtaken,afraidofbeingkept?Voice3 - Whatshouldbeabolishedcontinues,andwecontinuetowearawaywithit.Weareengulfed.Weareseparated.Theyearspassandwehaven’tchangedanything.Voice2 - Onceagainmorninginthesamestreets.Onceagainthefatigueofsomanysimilarlypassednights.Itisawalkthathaslastedalongtime.Voice1 - Reallyhardtodrinkmore.Voice2 - Ofcour搜索引擎优化nemightmakeafilmofit.Butevenifsuchafilmsucceedsinbeingasfundamentallydisconnectedandunsatisfyingastherealityitdealswith,itwillneverbemorethanare-creation"”poorandfalselikethisbotchedtravelingshot.Voice3 - Therearenowpeoplewhopridethemselvesonbeingauthorsoffilms,asotherswereauthorsofnovels.Theyareevenmorebackwardthanthenovelistsbecausetheyareunawareofthedecompositionandexhaustionofindividualexpressioninourtime,ignorantoftheendoftheartsofpassivity.Theyarepraisedfortheirsinceritysincetheydramatize,withmorepersonaldepth,theconventionsofwhichtheirlifeconsists.Thereistalkoftheliberationofthecinema.ButwhatdoesitmattertousifonemoreartisliberatedthroughwhichTom,DickorHarrycanjoyouslyexpresstheirslavishsentiments?Theonlyinterestingventureistheliberationofeverydaylife,notonlyintheperspectivesofhistorybutforusandrightaway.Thisentailsthewitheringawayofalienatedformsofcommunication.Thecinema,too,hastobedestroyed.Voice2 - Inthefinalanalysis,starsarecreatedbytheneedwehaveforthem,andnotbytheirtalentorlackoftalentorevenbythefilmindustryoradvertising.Miserableneed,dismal,anonymouslifethatwouldliketoexpanditselftothedimensionsofcinemalife.Theimaginarylifeonthescreenistheproductofthisrealneed.Thestaristheprojectionofthisneed.Theimagesoftheadvertisementsduringtheintermissionsaremoresuitedthananyothersforevokinganintermissionoflife.Toreallydescribethiseraitwouldnodoubtbenecessarytoshowmanyotherthings.Butwhatwouldbethepoint?Bettertograspthetotalityofwhathasbeendoneandwhatremainstobedonethantoaddmoreruinstotheoldworldofthespectacleandofmemories.1.Thisfilm,whichevokesthelettristexperiencesattheoriginofthesituationistmovement,openswithshotsoftheParisdistrictfrequentedbythelettristsintheearly1950s.

Twenty-three-year-oldPeterFosterisanonlychildwholivesathome,whereheconstantlyhearshisparentsarguing.BecausePeterdoesnothingallday,thefamilygoestoaclinicwhereatherapistvideotapesthem.AfterPeterwatcheshistape,heviewsthetapeofatroubledArmenianfamily,whogavetheironlysonawayforadoptionwhentheyarrivedinCanada.Peterdecidestovisitthisfamily,andhepretendstobetheirson,BedrosDeryan.TheDeryanfamilywelcomeshimwithopenarms,andPetertriestopatchupthepoorrelationshipbetweenGeorgeDeryanandhisdaughterAzah.

Tobuildaninnovativesexappandwinatechcompetition,asexuallyinexperiencedstudentandherfriendsmustexplorethedauntingworldofintimacy.

母亲安娜把自己的女儿英加留在了东德，自己逃往西部。英加在梅克伦堡的一个偏远小镇长大，和祖父母生活在一起，以为自己母亲淹死在波罗的海，祖父母就是这么告诉她的。直到英加长成年轻姑娘，她才知道事实并非如此，她在怪癖的文学教授的帮助下横跨德国寻找母亲。电影是一部悲情的公路电影，一个关于生活谎言、沉默和遭排挤、关于负罪感的故事。Malchow,EastGermany,1980.Twenty-year-oldAnneishidingJuri(IljaPletner),aRedArmydeserter.WithJurifacingadeathsentencethecouplefleetotheWest,leavingAnne’sinfantdaughterIngainthecareofhe...

本片根据曾于1977年至1981年间担任美国中央情报局局长的斯坦菲尔德·特纳的小说《高度机密：总统、中情局局长和特工》改编而成。Osbourne（约翰·马尔科维奇 John Malkovich 饰）是CIA的资深分析员，因酗酒问题被开除。沮丧的Osbourne回到家中又不被老婆重视。他妻子Katie（蒂尔达·斯文顿 Tilda Swinton 饰）是个冷冰冰的职业医生，与财政部的Harry（乔治·克鲁尼 George Clooney 饰）偷情，在船上共度春光。Osbourne赌咒写一本自传来透露CIA的高极机密，却被一心想跟自己离婚的Katie错拿去记录调查自己的财政报告，后又不慎落在了健身房。被傻里傻气的健身房女员工Linda（弗兰西斯·麦克多蒙德 Frances McDormand 饰）和稍有点二百五的健身教练Chad（布拉德·皮特 Brad Pitt 饰）拾得，这下一直为整容手术费用发愁的Linda有了主意，决定去敲诈。这一群人的命运就因为这张光盘而发生了变化。©豆瓣

刑事犯罪检察官的迈克尔·克莱顿(乔治·克鲁尼 George Clooney 饰)曾在纽约法律界风光一时。离职后又在一家大型私人法律事务所谋事。在新老板马蒂·巴彻(西德尼·波拉克 Sydney Pollack 饰)的督促下，开始了清理不良记录的工作中。但工作和个人生活也因此改变：妻子孩子离他而去，债务让他没了以前的光彩。财政状况让他只得继续在工作中煎熬。同时，他又因为公司的肮脏业务而卷入一场价值高达数百万美元的集体诉讼案当中。而正当他利用自己的关系和丰富的办事经验“拨开迷雾”成功解决这场诉讼案时，老板手下的另一个办事员亚瑟·艾登斯(汤姆·威尔金森 Tom Wilkinson 饰)以及女诉讼律师凯伦·克劳德(蒂尔达·斯文顿 Tilda Swinton 饰)等人的一一卷入，使得迈克尔的事业和人生再次面临新一轮严峻的挑战……

由于本人小小的特别嗜好被人发明,艾维斯（保罗·达诺PaulDano饰）不得不分开了本人酷爱的任务岗亭,生机面貌全非的他离开了纽约,并很快就找到了一份稳固的任务。名义上看来,艾维斯的重生涯过得风生水起,但实在的情形,却只有他本平易近气里清晰。艾维斯住在一幢破旧的公寓里,跟室友哈里森（凯文·克莱恩KevinKline饰）独特生涯。哈里森是一个实足的怪咖,他固然博古通今才干横溢,却总热衷于一些稀罕异僻的事件,行动举止更是疯疯癫癫,但也只有哈里森晓得,在这个都会里,那里正发生着真正风趣的事件。在哈里森的率领下,艾维斯终于见地到了本人始终以来朝思暮想的生涯,而在一次又一次的放浪形骸中,他跟哈里森之间也发生了牢固的友情。