Paget
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RansomisinspiredbytheprofessionalexperiencesofcrisisnegotiatorLaurentCombalbertwhowithhispartner,MarwanMery,areamongthetopnegotiatorsintheworld.Together,theytravelaroundtheglobetohelpmultinationalcorporationsandgovernmentalagencieswithcomplexnegotiationsandconflictresolution.
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Americanabortionclinicsareinafightforsurvival.TargetedRegulationofAbortionProviders(TRAP)lawsareincreasinglybeingpassedbystatesthatmaintaintheyensurewomen’ssafetyandhealth,butasclinicscontinuetoshuttheirdoors,opponentsbelievetherealpurposeoftheselawsistooutlawabortion.WorldPremiere
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比尔·杜克
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Having witnessed his junkie father killed Russell Stevens grows up to become a policeman and make a difference. When he is offered an undercover job by Gerald Carver he accepts and begins to build a relationship with David Jason in order to get to the main dealers. However as he is forced to deal drugs and kill to keep his cover he finds the lines between cop and criminal being lost – is he a cop pretending to be a dealer or a dealer pretending to be a cop Larry (as he was then) Fishburne's first lead role was a typically dark vehicle. The story is the usual one of cop losing himself when undercover, however it manages to be more than that for most of the time. Co-written by Tolkin, who wrote The Player, this naturally has a nice cynical edge to it when it looks at the US's hypocritical approach to drug control and the political links between the street hustlers and the political high rollers who court respectability. The story does eventually settle into a traditional setting but even then it works well as a thriller. The multi-talented Bill Duke directs well with a gritty feel and a few nice touches. However several things are a bit iffy. For most of the film Fishburne's narrationvoice over is a bit like a cross between Apocalypse Now and Blade Runner – it comes across as a little too dark and heavy and also explains things like we can't figure it out ourselves. However once you get into the film it's not as big a deal. My main problem lies with the characters. Fishburne is excellent, a real model of underlying anger and violence, Goldblum is good but perhaps a little OTT on the yuppieviolence thing, but there's good support from Smith and Spin City's beautiful (and often underused – but not here) Victoria Dillard. However the two main white characters (Goldblum and Smith) are both smeared with racist insinuations – Smith appears to insult his black officers and doesn't care about the junkies, while Goldblum is fascinated about all things black and talks about them as wild beautiful beasts and loves having sex with black'. These things aren't a major problem, but with basically only two white characters in it, it's a little worrying that both are given that edge. However these are minor complaints that get lost with a good thriller. Fishburne excels and Duke delivers a story that is a good thriller but also has a jaded, subversive edge.
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亨利·塞利克
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名气漫画家斯图•米利（Brendan Fraser 布兰登•弗雷瑟 饰）自童年起便饱受恶梦困扰,醒来后他将梦中场景用画条记载上去。回顾过往,他的性掷中全是恐惧昏暗的色彩。在结识了俏丽的茱莉（Bridget Fonda 布里独特•方达 饰）后,斯图在她的勉励下实验用左手绘画,终于创作出可憎的蹦蹦猴及其同系列漫画。作品一经刊行,大受欢送,斯图的人生今后涌现转折。 但是合法他预备向茱莉求婚时,却遭受了一场新奇车祸。堕入重度苏醒的斯图离开一座独特鬼怪的城堡,令他觉得惊讶的是,这里涌现的人跟物竟跟他恶梦中的气象何其类似。未多少他更得悉,本人必需在12个小时之内前往世间,不然将永久留在逝世亡之国。而四周独一能够依附的,恰是那只他亲手发明的淘气搞怪的蹦蹦猴……
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ABC宣布以13集首季直接预订PoppyMontgomery主演的夏季剧《暗礁ReefBreak》，这部预定19年播出的剧是由ABCStudiosInternational﹑ABCStudios及法国方M6三方合拍。《暗礁》由PoppyMontgomery及KenSanzel共同开发，剧中讲述前飞贼的女主CatChambers当起了问题解决者（《寻人密探组WithoutaTrace》及《记忆神探Unforgettable》的PoppyMontgomery饰），她为一处犹如天堂般的太平洋小岛的总督处理各种问题；Cat的犯罪过去令她最为了解罪犯的想法，因此她对这工作可谓是得心应手。DesmondChiam饰演小岛警探JakeWyatt，他与Cat一夜情过后发现自己得与女主在一件案子上合作。RayStevenson饰演很有男子气慨﹑近期运气不佳的Jake；尽管他是名联邦探员，但比起待在办公室，他更愿意过着像海滩客的生活。他与Cat过去有段历史，而且双方都没完全放下对方。
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乔丹·亚历山大
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惠特尼·皮克
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米歇尔·崔切伯格
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伊莱·布朗
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乔尔·韦斯特伍德
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阿什莉·诺斯
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Natalie
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Shaw
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Gretchen
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Allison
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Alex
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Anagnostidis
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Denia
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Aponte
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Isa
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Barrett
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Jac
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Bernhard
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Naomi
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Castellano
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Anthony
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Cipriani
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Victorya
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Danylko-Petrovskaya
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Dominique
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Gatlin
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Anthony
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Gullotta
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David
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Negri
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Booch
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O'Connel
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It'sthesecondsemesterofJunioryear,andGossipGirlisleavingnostoneunturnedinherefforttocontrolthescandalouslivesofManhattan'selite.She'slearnedathingortwofromherfirstgo-round-namelywhatheraudiencewants,theyshallget.It'stimeforhertoturntheheatuponwhat'sbeensimmering.Oldenemies,newallies,constantlyshiftingsands-thiss...
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“我每天午夜的就餐者是漫长一天的结束，也是新一天的开始。”——吉姆《月光鸡饭》讲述了一个以卖海南鸡饭为生的普通小伙吉姆，在自己的餐车里遇到了醉酒的顾客文的故事。把他们两个带到一起的那个晚上，创造了一种难以理解的感觉。尽管文是一个被绑架的人，但两人都无法停止对彼此的思念。之后他们生活中的一切都不一样了。"Mydineratmidnighteverydayistheendofalongday,butalsothestartofanewday."-Jim"MoonlightChicken"tellsthestoryaboutJim,anordinaryguywhosellsHainanesechickenriceforaliving,whometWen,adrunkcustomerinhisdiner.Thenightthatbringsthembothtogethercreatedafeelingthatishardtounderstand.NoneofthetwocanstopthinkingabouteachotherdespiteWenbeingatakenman.Everythingintheirlifeisnotthesameafterthat.
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ppoy is a school kid with a creative mind who couldn't cope up with the formal system. All the while he got attention through his art. When he was forced to the edge of the system he begin to lose his identity. Later he is pushed into a loser category. At one point he begins to get attention when he started to perform outside of the system as a wild character. Because of the strong outer factor of the system and due to confused feelings he chose to remain as a wild character without knowing he is actually being a slave of the rottening system.…
