Abanikanda
搜索"Abanikanda" ，找到 以下影视作品
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在这个提醒钢铁超人来源的传奇冒险故事里,从前跟当初产生了碰撞。在一个被安葬多年的中国陈旧王国的废墟上,百万大亨兼创造家托尼。斯塔克直接着发掘任务,但发掘进度远远超越了协定划定的部门。他解开了一个陈旧的预言,预示中国最暗中跟最暴动朝代的君主Mandarin将会苏醒。为了应付这股极具损坏性的气力,托尼打造了一套盔甲,并设备上进步卒器。为了阻拦这个他亲手带到地球的罪恶气力,托尼必须要成为本人有生以来最巨大的创造-钢铁超人。这个重生的兵士必需到地球的四个角落同Mandarin的跟随者元素兵士-4个把持着土!水!风跟火元素气力的兵士战役。但像预言所说的那样,钢铁超人能否有充足的才能挑衅运气,阻拦这股罪恶气力用意对地球的损坏呢！
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来自英国的麦特（GytonGrantley饰）带着女友苏西（AdriennePickering饰）以及居住在悉尼的妹妹凯特（ZoeNaylor饰）来到澳大利亚某个港口小镇游玩，麦特的朋友卢克（DamianWalshe-Howling饰）热情接待了他们。而在面对前女友凯特时，他的心中涌起别样的涟漪。阳光明媚，碧海蓝天，莫要辜负这个天堂一般的胜地和假期，他们租用水手沃伦（KieranDarcy-Smith饰）的游艇，启程前往天鹅大堡礁附近潜水玩耍。夜幕降临，游艇突然撞到了什么东西，伙伴们顿时陷入恐慌之中。五个人好不容易逃出生天，但船底破了打洞，他们被困在大海中央。本就处在孤立无援的危险境地，恐怖的食人鲨又悄悄向这几名遇难者逼近……
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"Bob Dylan going electric" at the 1965 Newport Folk Festival is one of those epochal moments in rock history that seemingly everyone has heard about, but what few people seem to know is that it wasn't some ephemeral event that we only know from word of mouth -- filmmaker Murray Lerner documented the performances at the Newport Festival for several years running, and The Other Side of the Mirror collects footage from the three years Dylan appeared at the celebrated folk gathering, allowing us to see Dylan's rise through the folk scene for ourselves. Watching Lerner's documentary, what's most remarkable is how much Dylan changed over the course of 36 months; the young folkie performing at the afternoon "workshop" at the side of Joan Baez in 1963 is at once nervy and hesitant, singing his wordy tunes while chopping away at his acoustic guitar and energizing the crowd without seeming to know just what he's doing. In 1964, Dylan all but owns Newport, and he clearly knows it; he's the talk of the Festival, with Baez and Johnny Cash singing his praises (and his songs), and his mand of the stage is visibly stronger and more confident while his new material (including "Mr. Tambourine Man" and "It Ain't Me, Babe") sees him moving away from the "protest songs" that first made his name. When the audience demands an encore after Dylan's evening set (Odetta and Dave Van Ronk were scheduled to follow him), Peter Yarrow tries to keep the show moving along while Dylan beams at the crowd's adulation, like the rock star he was quickly being. By the time the 1965 Newport Festival rolled around, Dylan's epochal "Like a Rolling Stone" was starting to scale the singles charts, and the hardcore folk audience was clearly of two minds about his popular (and populist) success. When Dylan, Fender Stratocaster in hand, performs "Maggie's Farm" backed by Al Kooper, Mike Bloomfield and the rhythm section from the Paul Butterfield Blues Band, the raucous but hard-driving number inspires a curious mixture of enthusiastic cheering and equally emphatic booing, and while legend has it that the version of "Like a Rolling Stone" that followed was a shambles, the song cooks despite drummer Sam Lay's difficulty in finding the groove, though if anything the division of the crowd's loyalties is even stronger afterward. After these two numbers, Dylan and his band leave the stage, with Yarrow (once again serving as MC) citing technical problems (if Pete Seeger really pulled the power on Dylan, as legend has it, there's no sign of it here); Dylan returns to the stage with an acoustic six-string to sing "Mr. Tambourine Man" and "It's All Over Now, Baby Blue" before vanishing into the night without ment. While much of the audience at Newport in 1965 wanted the "old" Dylan back, his strong, willful performances even on the acoustic stuff makes it obvious that the scrappy semi-amateur we saw at the beginning of the movie was gone forever, and the ovations suggest more than a few people wanted to see Dylan rock. Lerner's film tells us a certain amount of what we already knows, but it gently debunks a few myths about Dylan during this pivotal moment in his career, and his performances are mitted and forceful throughout; no matter how many times you've read about Dylan's Newport shoot-out of 1965, seeing it is a revelatory experience, and Lerner has assembled this archival material with intelligence and taste. This is must-see viewing for anyone interested in Dylan or the folk scene of the '60s.
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托多尔·查卡诺威
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An ex-special forces operative wages a one man war through the streets of Amsterdam to rescue his friend's daughter from the local crime syndicate.
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里克·罗曼·沃夫
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杰拉德·巴特勒将与《天使陷落》导演里克·罗曼·沃夫再度合作，出演后者执导的新片《坎大哈陷落》(Kandahar)。前美军军事情报官员Mitchell LaFortune撰写剧本，根据其真实经历改编，讲述汤姆·哈里斯(巴特勒饰)是一名在中东工作的CIA秘密特工。一份情报的泄露让他秘密执行的任务及身份有暴露的风险。哈里斯被困在敌方的心脏地带，他和他的翻译必须逃离沙漠，前往坎大哈的一个撤离点，同时还要躲避精锐的特种部队的追捕。
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可爱到震，舞姿杀死人！一群具杀伤力的动物逃离澳洲野生动物园，重投荒野的怀抱，大名鼎鼎的树熊“小帅哥”也跟著来，一场大追捕将要展开！全新亲子喜剧《荒野老友记》配音阵容鼎盛，有艾娜菲舒亚(IslaFisher)、TimMinchin、艾力宾拿(EricBana)、佳皮雅斯(GuyPearce)、MirandaTapsell、AngusImrie、KeithUrban、AislinnDerbez及积琪韦花(JackiWeaver)。大家做好热身，齐来摆动“尾巴”吧！
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Maggie?Rainbow?LeewardandMarycannotevenagreeontheirthreeyearolddaughtersnameanymore.Maryisahardworkingnursewhodreamsofonlyonething:changingherlife.Sheresentsherhusbandforbeinganirresponsible,overgrownadolescent,incapableofholdingdownajob.Leewardisanatypical,idealisticmusicianwhofancieshimselfamisunderstoodartistandaNe...
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迈克尔·艾普特
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暑假到了，长大的苏珊和彼得与父母生活在美国，露西（乔基•亨莉 Georgie Henley 饰）和埃德蒙（斯堪德•凯恩斯 Skandar Keynes 饰）则借住到了姨妈家。这让他俩很不情愿，因为那里有个总惹人厌的表弟尤斯塔斯（威尔•保尔特 Will Poulter 饰 ）。有一天，一幅描绘海上行船的油画活了起来，水面不断外溢，露西、埃德曼和小表弟就这样被卷入了纳尼亚世界的汪洋中。好在三人被大船上的凯斯宾王子（本•巴恩斯 Ben Barnes 饰）救起，原来他正在寻找王国旧臣的路上，四人于是共同展开了新的冒险。 本片是《纳尼亚传奇》系列电影的第三集，改编自同名小说的第四部《黎明踏浪号》。
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韦西·沙赞那庭
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2013年,泰国大选进入到最缓和的阶段,自在党主席丹迪•雷宣布了奋发平易近气的演说,他许诺中选后停建病国殃平易近的核电站,由此掉掉落选平易近的支撑,胜利击败国平易近党,中选新一届的泰国总理。但是政客的许诺素来都不值钱,跟着丹迪•雷的莅祚,仅仅三年泰国上空便被阴云覆盖,罪行贪心如病毒般肆意伸张到每一个角落,曼谷成为如雷贯耳的国际化犯法之都。在社会品德沦丧到登峰造极的田地,一自我们心底期盼已久的豪杰横空降生。他就是红鹰侠（阿南达·爱华灵咸 Ananda Everingham 饰）,游走于执法之外,身怀特技,嫉恶如仇,看待罪孽极重繁重的腐坏分子毫不手软。与此同时,头号罪犯马杜里正带领部下直接一项罪弗成赦的核武筹划,红鹰侠的存在恰好成为阻拦他筹划实行的阻碍。 嫡平易近跟当局的抵触更加剧烈,为平易近示威的红鹰侠冲在最前段……
