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LucyWorsley’sNightsAtTheOpera,atwo-partseriesfeaturingSirAntonioPappano,willexplorethehistoryandmusicofkeyoperacities.

Setin790AD,VikinganefeaturesthedailychallengesofpeoplelivinginasmallVikingvillage,frompowerstruggle,brotherrivalry,genderequality,tobetrayalandfriendship."It’sthestoryofpeoplefromourtime,butlivingduringtheVikingera.Ofcourseeverydaychoiceshavefarmoredramaticconsequencesandthatmakesforgreatcomedymaterial.

With this new series Andrew Graham-Dixon returns to Europe taking us on a journey into the captivating watery world of the Low Countries and its art. This small myriad of regions we now know as Holland and Belgium produced some of the most celebrated names in art: Van Eyck, Bosch, Rembrandt, Rubens, Vermeer, Van Gogh, Mondrian and Magritte. As he travels by canal boat and of course by bicycle Andrew reveals just how important the Low Countries were in key moments in the development of western culture - the birth of oil painting in the late medieval ages, the triumph of the Dutch golden age, and the onset of polarizing modern art movements surrealism and abstraction. This is not the story of one nation, but of fluid, ever-shifting boundaries and the search for identity in an area that has always been politically contested. EPISODE ONE: The first episode will be about how the art of Renaissance Flanders e册ved from the craft of precious tapestries within the Duchy of Burgundy into a leading painting school in its own right. Starting his journey at the magnificent altarpiece of Ghent Cathedral created by the Van Eyck brothers Andrew explains their ground breaking innovation in oil painting and marvels how the colours they obtained can still remain so vibrant today. Andrew will describe how in the early Renaissance the most urgent preoccupation was not the advancement of learning, humanist or otherwise, but the Last Judgment. People believed they were living in the end of days; a subject popular with preachers and artists and intensely realized in swarming microscopic detail by Hieronymus Bosch. EPISODE TWO: In the second episode Andrew explores how the seemingly peaceful countries of Holland and Belgium – famous for their tulips and windmills, mussels and chips - were in fact forged in a crucible of conflict and division. He will examine how a period of economic boom driven for the first time by a burgeoning and secular middle class led to the Dutch Golden Age of the 17th Century. Andrew travels to Delft and Amsterdam to demonstrate the striking contrast between two of its greatest proponents, Rembrandt and Vermeer (one famed for his breathtakingly realistic domestic street scenes, the other for explosive rapid brushstrokes and raw colours, best exemplified in his contentious magnum opus – The Nightwatch.) Radically different in style, both men were united by the realization that they must become innovators in business as well as masters of their craft. Yet boom also meant bust - and in a story with very modern echoes they ultimately shared the same fate, financial destitution. EPISODE THREE: Following a brief period of decline, the third episode will look at how the entrepreneurial and industrious region of the Low Countries rose again to become a cultural leader in the modern age; how despite its small and apparent insignificance when stood up against the powerhouses of Europe it produced important forward thinking artists like Van Gogh, Mondrian, Magritte and Delvaux who changed the face of art forever. In this episode Andrew’s exhilarating journey takes us to a remote beach in North West Holland which inspired Mondrian’s transition to his now renowned abstract grid paintings.

　　The new series on Renaissance painting, written and presented by Matthew Collings, begins with an artistic investigation into one of the most radiant and beautiful images in all of art history, The Madonna of the Meadow, painted in 1505 - by Raphael.　　Renaissance art has become part of the 21st-century heritage industry but when Raphael was alive, it was a startling new form of visual expression, and Raphael's vibrant 'realism' was striking and fresh. It became the model for western art for the next 400 - years, right up until the birth of Modernism.　　As much as it was a cultural 'rebirth', the Renaissance was also a re册ution in ideas about reality. Matthew Collings sets out to remind us of how radical Renaissance paintings were when they were made, as well as opening our eyes to what is still truly great about them. In this programme he deconstructs The Madonna of the Meadow with the help of the very latest high-resolution digital technology, which allows him to explore the inner secrets of Raphael's painterly effects with a clarity and at a level of detail never before seen on television.　　As Matthew says, it is a journey 'to the other side of an illusion', revealing how Raphael created the alluring images that were so appealing to his wealthy Renaissance clients - including the Pope - and which entranced artists for centuries after his death. Matthew explains the secret to Raphael's vibrant colour harmonies, which the artist grasped intuitively, long before the advent of colour 'theory'; and Raphael also knew how to exploit colour effects to create the impression of extraordinary depth in his paintings.

居住在纽约的匈牙利移民威利（约翰·劳瑞JohnLurie饰）是一个自认为时髦的年轻人，受姨妈之托，很不情愿地接待素未谋面的表妹艾娃（伊斯特·伯林特eszterbalint饰）来住所借宿10天。然而在短暂又无聊的十天中，个性的艾娃却渐渐赢得了威利的好感，也与他的好哥们艾迪（RichardEdson饰）成为了朋友。时间来到一年后，威利和艾迪打扑克赢下了许多钱，他们决定离开这座城市，去克利夫兰找艾娃。亦是因为无聊，三个朋友在回合后又决定离开克利夫兰，一起去佛罗里达度假。然而在佛罗里达，无聊的时光终于出现了戏剧性的变化，威利和艾迪去赛狗输光了所有钱，而艾娃却在海边散步时，被一个毒贩误认而获得一笔意外之财。艾娃给两个伙伴留下了一些钱后，便准备买机票飞回欧洲，而与此同时，威利和艾迪去赛马又把钱赢了回来，他们能否在机场顺利追回艾娃……本片曾获1...

波塞战役时期。雾色中,一队波斯尼亚士兵向塞尔维亚阵地亲近,可怜天明时被对方发明,波斯尼亚士兵西基（Branko Djuric 饰）中弹滚入战壕,战友则全体就义。塞方派出新兵尼诺（Rene Bitorajac 饰）在一老兵率领下检视疆场,老兵将弹式地雷塞入波术士兵遗体上面充作圈套,找到了兵器的西基忽然涌现,击毙老兵后将尼诺俘虏。未多少“遗体”忽然醒转,西基看着地雷上的战友能干为力,只好与尼诺二人在波塞阵地之间的无主地带要求赞助。结合国维跟军队接到告急赶到现场,维跟高层引导本着防止费事的准则谢绝施救,英国女记者珍妮掉掉落这一新闻后借媒体气力对维跟批示部施压。然而维跟军队与媒体的参与,并没能改变凌乱战役中的又一喜剧变乱。                                                                    本片获2002年奥斯卡最佳外语片奖等二十余项嘉奖。

Modern-dayconfectionersrelivetheworldofhistoricalsweetsmakingcenturies-oldtreatsfromoriginalrecipesguidedbyhistoriansAnnieGrayandEmmaDabiri.

本片由由威尼斯电影节发起，并由联合国儿童基金会选定七位导演各自拍摄七部以儿童为主题的短片，旨在唤醒世人对儿童的关注和爱护。《坦扎》梅迪·夏夫（MehdiCharef）非洲男孩坦扎的国家正陷入内战，他手执冰冷冷的枪战战兢兢度过每一天，他多么希望能回到安静的家乡和充满阳光的课堂……《蓝色吉卜赛》埃米尔·库斯图里卡（EmirKusturica）吉普赛男孩乌洛斯（UrosMilovanovic饰）即将走出少管所，但是大墙外的自由世界却看不到幸福的希望……《上帝保佑的美国孩子》斯派克·李（SpikeLee）小女孩从父母那里感染了艾滋病，幼小的她该如何面对这一切？《毕露和乔》卡迪亚·兰德（KátiaLund）毕露和乔是住在巴西贫民窟的两个好朋友，为了一双新球鞋，为了给家中多添一片瓦，他们拾废品换钱，永远保持乐观的精神……《乔纳森》...

在风雪交加的寒冷高地大兴安岭，一群俄国探险科考队员在队长亚森尼耶夫（虞瑞索罗民YuriSolomin饰）的带领下进驻这里，寻找附近的资源矿藏。这些远离家乡的队员，每到夜晚的时候，都会唱起思乡的歌曲表达各自的离愁别绪。正在此时，他们聆听到一阵悠扬的旋律，后来才发现有个当地的赫哲老猎手德尔苏乌扎（马克西姆门祖克MaksimMunzuk饰）拉常年驻扎此地。为了能够在陌生的地方不被野兽吞噬不走弯路，队长决定雇佣德尔苏乌扎拉为向导，指引军队前行，后者欣然应允，并且帮助他们躲过了老虎的血盆大口，穿越了活埋死人的沙丘，在与自然的对抗与相处中，德尔苏乌扎拉和科考队员慢慢地建立了跨文化的深厚情谊，他们对自然的认识也逐渐加深……本片获第48届奥斯卡最佳外语片。

InthefuturisticcityofVanille,withproperlytunedImmerSystEyes&Earstheworldcanlookandsoundlikeaparadise.Butthelifeofafatherandhisyoungsonthreatenstodisintegratewhenthefather’sdevicebeginstofail.Desperatetoavoidfacinghisowntraumaticreality,themanmustventureoutsidetofindareplacement,intoacitywhereviolenceanddangerlurkbeneathaskimofbeautifulillusion.