Haroun、Fall、Beatrice、Grannò、Dylan、Magon、Daniela、Scattolin

Sarah’sdilemma,betweenherfeelingsforGeorgeandherdutytoherhusbandRene,isexacerbatedbyaheartbreakingsecret.JamesandOlivia’srelationshipisunderpressurewhenthetrueparentageofbabyGeorgeisthreatenedwithexposure.ElizabethBligh’sdecisiontoleaveAshParktoexplorealifeofherownprovesmoredifficultthanshethought.AnnaandGinofacethedifferencebetweenthefairytaleromanceandtherealityofmarriedlife.IndependentloversCarolynandJacktrytomoveclosertoacommitment.Throughitall,Regina’smanipulativebehaviourweavesanimpenetrablewebaroundGeorge.InthesleepyvillageofInverness,sex,deathandsecretsareneverfarbelowthesurface.

Voice1(male"professionalannouncer"type):Thisneighborhood(1)wasmadeforthewretcheddignityofthepettybourgeoisie,forrespectableoccupationsandintellectualtourism.Thesedentarypopulationoftheupperfloorswasshelteredfromtheinfluencesofthestreet.Thisneighborhoodhasremainedthesame.Itwasthestrangesettingofourstory,whereasystematicquestioningofallthediversionsandworksofasociety,atotalcritiqueofitsideaofhappiness,wasexpressedinacts.Thesepeoplealsoscorned"subjectiveprofundity".Theywereinterestedinnothingbutanadequateandconcreteexpressionofthemselves.Voice2(Debord,monotone):Humanbeingsarenotfullyconsciousoftheirreallife-usuallygropinginthedark;overwhelmedbytheconsequencesoftheiracts;ateverymomentgroupsandindividualsfindthemselvesconfrontedwithresultstheyhavenotwished.Voice1 - Theysaidthatoblivionwastheirrulingpassion.Theywantedtoreinventeverythingeachday;tobecomethemastersandpossessorsoftheirownlives.Justasonedoesnotjudgeamanaccordingtotheconceptionhehasofhimself,onecannotjudgesuchperiodsoftransitionaccordingtotheirownconsciousness;onthecontrary,onemustexplaintheconsciousnessthroughthecontradictionsofmateriallife,throughtheconflictbetweensocialconditionsandtheforcesofsocialproduction.Theprogressachievedinthedominationofnaturewasnotyetmatchedbyacorrespondingliberationofeverydaylife.Youthpassedawayamongthevariouscontrolsofresignation.Ourcamerahascapturedforyouafewaspectsofaprovisionalmicrosociety.Theknowledgeofempiricalfactsremainsabstractandsuperficialaslongasitisnotconcretizedbyitsintegrationintothewhole"”whichalonepermitsthesupersessionofpartialandabstractproblemssoastoarriveattheirconcreteessence,andimplicitlyattheirmeaning.Thisgroupwasonthemarginsoftheeconomy.Ittendedtowardaroleofpureconsumption,andfirstofallthefreeconsumptionofitstime.Itthusfounditselfdirectlyengagedinqualitativevariationsofeverydaylifebutdeprivedofanymeanstointerveneinthem.Thegrouprangedoveraverysmallarea.Thesametimesbroughtthembacktothesameplaces.Noonewenttobedearly.Discussiononthemeaningofallthiscontinued...Voice2 - "Ourlifeisajourney"”Inthewinterandthenight."”Weseekourpassage..."�Voice1 - Theabandonedliteratureneverthelessexertedadelayingactiononnewaffectiveformulations.Voice2 - Therewasthefatigueandthecoldofthemorninginthismuch-traversedlabyrinth,likeanenigmathatwehadtoresolve.Itwasalooking-glassrealitythroughwhichwehadtodiscoverthepotentialrichnessofreality.Onthebankoftherivereveningbeganonceagain;andcaresses;andtheimportanceofaworldwithoutimportance.Justastheeyeshaveablurredvisionofmanythingsandcanseeonlyoneclearly,sothewillcanstriveonlyincompletelytowarddiver搜索引擎优化bjectsandcancompletelyloveonlyoneatatime.Voice3(younggirl):Noonecountedonthefuture.Itwouldneverbepossibletobetogetherlater,oranywhereelse.Therewouldneverbeagreaterfreedom.Voice1 - Therefusaloftimeandofgrowingoldautomaticallylimitedencountersinthisnarrow,contingentzone,wherewhatwaslackingwasfeltasirreparable.Theextremeprecariousnessofthemeansofgettingbywithoutworkingwasattherootofthisimpatiencewhichmadeexcessesnecessaryandbreaksdefinitive.Voice2 - Oneneverreallycontestsanorganizationofexistencewithoutcontestingallofthatorganization’sformsoflanguage.Voice1 - Whenfreedomispracticedinaclosedcircle,itfadesintoadream,becomesamererepresentationofitself.Theambianceofplayisbynatureunstable.Atanymoment"ordinarylife"�canprevailonceagain.Thegeographicallimitationofplayisevenmorestrikingthanitstemporallimitation.Anygametakesplacewithinthecontoursofitsspatialdomain.Aroundtheneighborhood,arounditsfleetingandthreatenedimmobility,stretchedahalf-knowncitywherepeoplemetonlybychance,losingtheirwayforever.Thegirlswhofoundtheirwaythere,becausetheywerelegallyunderthecontroloftheirfamiliesuntiltheageofeighteen,wereoftenrecapturedbythedefendersofthatdetestableinstitution.Theyweregenerallyconfinedundertheguardofthosecreatureswhoamongallthebadproductsofabadsocietyarethemostuglyandrepugnant:nuns.Whatusuallymakesdocumentariessoeasytounderstandisthearbitrarylimitationoftheirsubjectmatter.Theydescribetheatomizationofsocialfunctionsandtheisolationoftheirproducts.Onecan,incontrast,envisagetheentirecomplexityofamomentwhichisnotresolvedintoawork,amomentwhosemovementindissolublycontainsfactsandvaluesandwhosemeaningdoesnotyetappear.Thesubjectmatterofthedocumentarywouldthenbethisconfusedtotality.Voice2 - Theerahadarrivedatalevelofknowledgeandtechnicalmeansthatmadepossible,andincreasinglynecessary,adirectconstructionofallaspectsofaliberatedaffectiveandpracticalexistence.Theappearanceofthesesuperiormeansofaction,stillunusedbecau搜索引擎优化fthedelaysintheprojectofliquidatingthecommodityeconomy,hadalreadycondemnedaestheticactivity,whoseambitionsandpowerswerebothoutdated.Thedecayofartandofallthevaluesofformermoreshadformedoursociologicalbackground.Therulingclass’smonopolyovertheinstrumentsweneededtocontrolinordertorealizethecollectiveartofourtimehadexcludedusfromaculturalproductionofficiallydevotedtoillustratingandrepeatingthepast.Anartfilmonthisgenerationcanonlybeafilmonitsabsenceofrealcreations.Everyoneunthinkinglyfollowedthepathslearnedonceandforall,totheirworkandtheirhome,totheirpredictablefuture.Forthemdutyhadalreadybecomeahabit,andhabitaduty.Theydidnotseethedeficiencyoftheircity.Theythoughtthedeficiencyoftheirlifewasnatural.Wewantedtobreakoutofthisconditioning,inquestofanotheru搜索引擎优化ftheurbanlandscape,inquestofnewpassions.Theatmosphereofafewplacesgaveusintimationsofthefuturepowersofanarchitectureitwouldbenecessarytocreatetobethesupportandframeworkforlessmediocregames.Wecouldexpectnothingofanythingwehadnotourselvesaltered.Theurbanenvironmentproclaimedtheordersandtastesoftherulingsocietyjustasviolentlyasthenewspapers.Itismanwhomakestheunityoftheworld,butmanhasextendedhimselfeverywhere.Peoplecanseenothingaroundthemthatisnottheirownimage;everythingspeakstothemofthemselves.Theirverylandscapeisalive.Therewereobstacleseverywhere.Therewasacohesionintheobstaclesofalltypes.Theymaintainedthecoherentreignofpoverty.Everythingbeingconnected,itwasnecessarytochangeeverythingbyaunitarystruggle,ornothing.Itwasnecessarytolinkupwiththemasses,butweweresurroundedbysleep.Voice3 - Thedictatorshipoftheproletariatisadesperatestruggle,bloodyandbloodless,violentandpeaceful,militaryandeconomic,educationalandadministrative,againsttheforcesandtraditionsoftheoldworld.Voice1 - Inthiscountryitisonceagainthemenoforderwhohaverebelled.Theyhavereinforcedtheirpower.Theyhavebeenabletoaggravatethegrotesquenessoftherulingconditionsaccordingtotheirwill.Theyhaveembellishedtheirsystemwiththefunerealceremoniesofthepast.Voice2 - Years,likeasingleinstantprolongedtothispoint,cometoanend.Voice1 - Whatwasdirectlylivedreappearsfrozeninthedistance,fitintothetastesandillusionsofanera,carriedawaywithit.Voice2 - Theappearanceofeventsthatwehavenotmade,thatothershavemadeagainstus,nowobligesustobeawareofthepassageoftime,itsresults,thetransformationofourowndesiresintoevents.Whatdifferentiatesthepastfromthepresentispreciselyitsout-of-reachobjectivity;thereisnomoreshould-be;beingissoconsumedthatithasceasedtoexist.Thedetailsarealreadylostinthedustoftime.Whowasafraidoflife,afraidofthenight,afraidofbeingtaken,afraidofbeingkept?Voice3 - Whatshouldbeabolishedcontinues,andwecontinuetowearawaywithit.Weareengulfed.Weareseparated.Theyearspassandwehaven’tchangedanything.Voice2 - Onceagainmorninginthesamestreets.Onceagainthefatigueofsomanysimilarlypassednights.Itisawalkthathaslastedalongtime.Voice1 - Reallyhardtodrinkmore.Voice2 - Ofcour搜索引擎优化nemightmakeafilmofit.Butevenifsuchafilmsucceedsinbeingasfundamentallydisconnectedandunsatisfyingastherealityitdealswith,itwillneverbemorethanare-creation"”poorandfalselikethisbotchedtravelingshot.Voice3 - Therearenowpeoplewhopridethemselvesonbeingauthorsoffilms,asotherswereauthorsofnovels.Theyareevenmorebackwardthanthenovelistsbecausetheyareunawareofthedecompositionandexhaustionofindividualexpressioninourtime,ignorantoftheendoftheartsofpassivity.Theyarepraisedfortheirsinceritysincetheydramatize,withmorepersonaldepth,theconventionsofwhichtheirlifeconsists.Thereistalkoftheliberationofthecinema.ButwhatdoesitmattertousifonemoreartisliberatedthroughwhichTom,DickorHarrycanjoyouslyexpresstheirslavishsentiments?Theonlyinterestingventureistheliberationofeverydaylife,notonlyintheperspectivesofhistorybutforusandrightaway.Thisentailsthewitheringawayofalienatedformsofcommunication.Thecinema,too,hastobedestroyed.Voice2 - Inthefinalanalysis,starsarecreatedbytheneedwehaveforthem,andnotbytheirtalentorlackoftalentorevenbythefilmindustryoradvertising.Miserableneed,dismal,anonymouslifethatwouldliketoexpanditselftothedimensionsofcinemalife.Theimaginarylifeonthescreenistheproductofthisrealneed.Thestaristheprojectionofthisneed.Theimagesoftheadvertisementsduringtheintermissionsaremoresuitedthananyothersforevokinganintermissionoflife.Toreallydescribethiseraitwouldnodoubtbenecessarytoshowmanyotherthings.Butwhatwouldbethepoint?Bettertograspthetotalityofwhathasbeendoneandwhatremainstobedonethantoaddmoreruinstotheoldworldofthespectacleandofmemories.1.Thisfilm,whichevokesthelettristexperiencesattheoriginofthesituationistmovement,openswithshotsoftheParisdistrictfrequentedbythelettristsintheearly1950s.

聚焦美国第一个空手发迹的黑人女性百万大亨!一百年前的美容美发业大亨C·J·沃克。她是仆从之女,7岁成为孤儿,14岁完婚,20岁守寡,当了20年的洗衣女工。进程中她创造了一种反动性的洗发产物,合适黑人女性发质,并以此树破起了为黑人女性供给美容!安康产物的工业帝国。该剧将展示她怎样战胜社会!凌乱的家庭跟凌乱等难题要素,从一穷二白到建起工业。改编自沃克的曾曾孙女A’LeliaBundles所著册本「OnOurOwnGround」,Bundles也将出任剧集参谋。卡斯·莱蒙斯(「暗中的出世」「卢克·凯奇」)执导首集并制片,NicoleAsher编写脚本,共有8集。

In 2007 - Banksy goes to Palestine to paint on walls. Someone takes offense at a piece depicting an Israeli soldier checking a donkey's ID. A local taxi driver decides to cut it off and sell it back to the West. This is the story of the Palestinian perspective and reaction to street art through the work of its most celebrated hero. The story of an illegal black market of art stolen from streets around the world, cultures clashing in the face of an unsustainable political situation and finally of the changing perception on street art. It is not one story, but many. Like Banksy's art would be meaningless without its context, so the absence of it would be meaningless without an understanding of the elements that brought his artwork from Bethlehem to a Western auction house, along with the wall it was painted on.

　　A sassy parrot and a free-spirited librarian upend the well-ordered life of a solitary man. Lyman (Jackson Hurst) is a loner, working the graveyard shift for the Courtesy Patrol. When a green parrot flies in to his trailer he becomes obsessed with finding its owner, which leads him to Fiona(Rachel Nichols). She has been eyeing Lyman from a distance and decides to help with his parrot search, whether he wants her to or not. Along with her basset hound, they set out on a quest to find the bird’s previous owners and Fiona begins to unravel the mysteries of Lyman's past. But when Fiona joins Lyman on his nightly rounds, she witnesses a reality more intense than the romantic version she had envisioned.

这是一部对于恐龙的科教记载片,北极：7万万年前。一个极真个天下。冬季的阳光酿成了24小時寒冷的夜晚。恐龙们不得不做出挑选,大胆的向南迁徙以寻觅阳光。一段布满了狂风雪,火山暴发跟致命佃猎者的伤害路程,一个年青的埃德蒙頓龙开端了他的第一个千里迁徙.片中令人赞叹的CG动画 跟经心构建的数码天下,能够說是真正的恐龙片子演化,令人震动.The Arctic: 70 - million years ago. It is a world of extremes. Tropical summers of 24hr sunlight are replaced by freezing winters of continuous night. The remarkable dinosaurs that lived under the Northern Lights had to make a choice, brave the winter or head south to find the sun.Join Scar, a young Edmontosaurus embarking on his first thousand-mile migration. It is a journey for survival that is fraught with danger; blizzards, 册canic eruptions and deadly predators lie ahead. Meanwhile Patch, a juvenile Troodon, left alone in the North, must learn to survive in one of the harshest environments the Earth has ever known.This epic feature-length adventure portrays an incredible polar odyssey that actually happened but has neverbeen witnessed before. Based on recent fossil evidence blasted out of the ice around the North Pole, the makersof ''Walking with Dinosaurs'' and ''Prehistoric Park'' are delighted to introduce you to an all-new cast of dinosaurs, from feathered tyrannosaurs to giant marine predators. Featuring stunning animation and a painstakingly recreated digital world, it can truly be said that the dinosaur film has e册ved.

　　In the UK over £9 - billion a year are spent on beauty products that promise to improve and transform us. But how much of what these products promise is based in scientific evidence, and how much is simply marketing manipulation? 　　Cherry Healey teams up with independent scientists to put everyday cosmetics to the test like never before. In a groundbreaking study carried out by the University of Sheffield, and with the help of 25 - 册unteers, she discovers that moisturisers might not have the benefits people think they do.

SmashisanAmericanmusical-dramatelevisionseriesthatpremieredonNBConFebruary6,2012.TheserieswascreatedbyplaywrightTheresaRebeckanddevelopedbyNBCexecutiveRobertGreenblatt,andfameddirectorStevenSpielbergservesasoneoftheexecutiveproducers.TheseriesisbroadcastintheUnitedStatesonthenetworkchannelNBCandisproducedbyDreamWorksTelevisionandUniversalTelevision.ThesecondseasonpremieredonFebruary5,2013.TheseriesrevolvesaroundafictionalNewYorktheatercommunityandspecificallythecreationofanewBroadwaymusical.Itfeaturesalargeensemblecast,currentlyledbyDebraMessing,JackDavenport,KatharineMcPhee,ChristianBorle,MeganHiltyandAnjelicaHuston.Theseries,particularlythepilotepisode,hasenjoyedconsiderablesuccess.ThefirstseasonreceivedanEmmyAwardforchoreography,anditwasalsonominatedforaGoldenGlobeandaGrammyaward.

Academy Award Nominated director Michèle Ohayon's Verite film follows women of all ages and ethnic backgrounds who heal trauma and body image shame through sensual dance and daring pole dance artistry.

本·马尼拜格(派瑞·沈饰)是一名亚裔美国高中少年——一个极端聪慧的完善主义者,背负着亚洲人的传统思惟,然而过于有成就感反而成为一种井蛙之见,直接约束了他思惟的正常开展。本生涯在加利福尼亚州橘县的一个守旧的郊区,黉舍跟从级都是一样的压制,生涯中除了三点一线好像再不其余的豪情可言。就如许平庸地度过中学时光,本结业时是班级成就最优良的先生,顺遂地进入到最好的常春藤同盟大学。 在本高校生涯开真个时间,他偶尔赞助了达瑞克·鲁(罗格·范饰),一个高年级致离别辞的结业生代表——是别的一个过于有成就感的人。本在新情况里敏捷交友了多少个友人,包含俏丽的史蒂芬妮(卡琳·安娜·丘格饰)；另有关联最好的维吉尔(贾森·J·托宾饰),他才干横溢却在交际上笨手笨脚；另有一个就是维吉尔的表兄韩(宋康饰),一个丧掉了魂魄!肌肉赛过大脑的家伙。但此时他发明达瑞克有些奇异：作为班上最聪慧的先生,他看上去好像可托跟亲热的反面躲藏着很多机密。 在与达瑞克一同的日子里,本跟搭档们认识到传统的完善先生的位置正遭到威逼,于是本事导这组各怀苦衷的少年参加了一个郊区帮派,用双倍的开打趣跟一些小小的犯法去缓解作为一名好先生的压力,对他们来说,偷货色跟毒品买卖就像测验舞弊一样轻松而有成就感。但是跟着时光的流逝,所有都得到了掌握：性!毒品跟犯法的饥渴……******美国2002光阴侨导演贾斯汀林执导的R级独破片,是继「喜福会」之后第二部华侨班底制造的独破片子,入围圣丹斯片子节!多伦多国际片子节参赛作品,IMDB评估到达7.7分,派拉蒙一区版。明珠也出了此片,名叫「来日会更好」。简介：该片80%的不雅众是华侨,本·麦纳伯格（派里·沈）是亚裔高中先生,他聪慧聪颖!作业好!课外运动踊跃,多少乎所有的有名大学都向他收回了吸收函。他跟他的挚友维吉尔（詹森·J·托宾）在后院踢球,却听了有手机德律风铃响,不是本也不是维吉尔的,好象是从草地中收回的,于是他们寻声向地下发掘,挖呀挖近似跋扈狂,终于他们发明那响声是从土壤中,从一个遗体手中握着抓着的货色收回的。「Better Luck Tomorrow」,是一部完整由亞裔拍攝跟上演,表現美國亞裔青少年生涯的片子。電影開始前,三個亞裔青年進來向各人問好,呼籲觀眾——大部份是亞裔 ——動員本人的友人來看。說實話,這部製作費用昂贵的電影拍得相當不錯,我有些猎奇為什麼沒有在媒體上見到太多的廣告。電影散場以後,我才認出來,剛才進來講話的居然是影片中的配角。後來晓得,該片經費菲薄,沒有marketing的費用,只有配角在美國巡迴推廣。這不由讓我感喟華裔在美國的艱辛跟困苦。美國是個移平易近國家,以「大熔爐」著稱,但是美國對於外國移平易近的容纳跟友爱,好像主要體現在對歐洲跟南美洲移平易近身上。從一百多年前中國勞工第一次踏上美洲大陸開始,這片自在土壤上的一代代華裔就自始至終為生涯進行著抗爭跟奮鬥。剛到美國的時候,我想作為生在美國長在美國的華裔,他們會很天然地認同本人是美國人,但是因為亞裔表面體型上跟大部份美國人的差別,在社會上他們會很轻易被誤認為是「外國人」,即便他們說一口流畅的英文。這樣的現象在文學跟藝術界尤為明顯。許多從事創作的華裔人士雖然從心思跟個人歷史配景上來看都是地隧道道的美國人,但他們的作品卻每每被放到他們的種族配景(ethic background)裏去解讀。在這種不公正的詮釋眼前,作為創作者正常有兩種態度。有的人愈加尽力跟锐意地去洗刷本人的種族配景,力圖否認本人是華裔這個事實；也有人開始嘗試去瞭解!融入那個誕生他們祖輩的遙遠的東方文化,並且給本人定位為東东方文化的橋樑,把本人身份的特别性從倒霉變成特長。好比在美國相當胜利的華裔作家Amy Tan就是個典范的例子。當然這兩種態度並沒有優劣之分,每個人都有權利決定本人的生涯方法,然而作為現今美國社會中的大多數華裔,在生涯跟任务中他們须要比正常美國人多面對一層隔绝,這是個不爭的事實。在這種窘境下,亞裔本人的團結跟尽力就顯得更為主要。「Better Luck Tomorrow」的導演演員們的尽力就是生机的一部门。我們應當給予這樣的尽力更多的鼓勵。生机亞裔友人都來看這部電影。