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Inthismoderncreaturefeature,ascaryinternetmemecalled"Grimcutty"stirsuppanicamongstalltheparentsintown,convincedit'smakingtheirkidsharmthemselvesandothers.Whenareal-lifeversionofGrimcuttystartsattackingteenAshaChaudry,herparentsbelievethatshe'scuttingherselfaspartofachallenge.Withherphonetakenawayandnoonewhobelieveshe...

查理先生手下有三名女打手，她们才貌双全拥有一身好功夫，专门接受查理先生的命令为他人伸张正义。她们分别是：娜塔莉（卡梅伦?迪亚兹 饰）、戴兰（茱莉?巴里摩尔 饰）与艾利克斯（刘玉玲 饰）。　　她们最近接受了一个任务：艾瑞克?克诺斯（萨姆?罗克韦尔 饰）先生设计了一款高科技的声音辨别系统。艾瑞克却不幸被绑架了，这三名“天使”需要从不法分子手中拯救艾瑞克。因为这套由艾瑞克设计的高科技系统，一旦被不法分子利用的话后果堪虞。　　三位“天使”得知情况后，很快联想到了艾瑞克公司的对手，该负责人罗格成为了最大的嫌疑。三人于是日夜调查罗格的行踪，也掌握了重要的线索。正在她们有把握拯救艾瑞克的时候，一通电话打破了她们三人的全盘计划。娜塔莉·库克、迪伦·桑德斯和亚历克斯·芒迪是“天使”，三位才华横溢、坚韧、迷人的女性，一起为看不见的百万富翁查理·汤森德担任私家侦探。查理使用办公室里的扬声器与天使队沟通，他的助手博斯利在需要时直接与他们合作。查理指派天使们去寻找软件天才埃里克·诺克斯 (Eric Knox)，他创造了革命性的语音识别系统，并领导着自己的公司诺克斯企业 (Knox Enterprises)。据信他是被罗杰·科温绑架的，罗杰·科温经营着一家名为红星的通信卫星公司。天使们潜入了科文举办的派对，并发现了一个他们之前在诺克斯绑架事件的监控录像中看到的可疑男子。天使们称他为“瘦子”，追捕他并与他战斗。他逃脱了，但天使们找到了诺克斯，他被安全地绑在附近。天使队让诺克斯与他的商业伙伴维维安·伍德重聚后，查理解释说，他们必须确定瘦人是否窃取了诺克斯的语音识别软件。天使们潜入红星总部，欺骗了安全系统，并在中央计算机中安装了一个设备，使他们能够远程探索。他们把与红星电脑通讯的笔记本电脑交给博斯利后就休息了一晚。迪伦接受了诺克斯的提议，与他共度一夜，最终他们发生了性关系。后来，他背叛了她；与此同时，娜塔莉和亚历克斯遭到攻击，博斯利被维维安抓获，科文被瘦人谋杀。诺克斯告诉迪伦，他的绑架事件都是伪造的，目的是让天使帮助他访问红星卫星网络。他计划使用它和他的语音识别软件来找到并杀死查理，诺克斯声称查理在越南战争中杀死了他的父亲。迪伦逃脱并与同样在袭击中幸存的娜塔莉和亚历克斯团聚。他们来到查理的办公室时，大楼爆炸了。他们找到了一个无线电接收器，博斯利能够通过植入牙齿的无线电发射器进行通信。博斯利提供了有关他被捕地点的足够信息，以便娜塔莉推断出其位置：一座废弃的灯塔。在迪伦男友查德的帮助下，天使们悄悄接近了它。迪伦找到诺克斯后，被他的追随者抓住，并被绑起来并堵住嘴。天使们来不及阻止诺克斯确定查理的位置，尽管他们救出了博斯利，而迪伦则击退了绑架者。他们齐心协力击败薇薇安、瘦人和其他形形色色的追随者，但诺克斯炸毁了灯塔，并乘坐攻击直升机飞往查理的家。博斯利帮助天使登上了它，亚历克斯重新编程了导弹，让它向后射击；当天使安全着陆时，炸毁了直升机并杀死了诺克斯。看到终于有机会见到查理本人，他们进入了诺克斯瞄准的附近海滨别墅，但他已经离开了。他通过另一位演讲者远程祝贺天使队出色地完成了工作，并请他们和博斯利去度假。查理还告诉他们，诺克斯的父亲是一名卧底双重间谍；他被敌人发现并杀死，但没有被查理发现并杀死。当他在海滩上通过电话与天使们交谈时，他们询问是否可以亲自见到他。迪伦怀疑她看到他在附近用手机说话，但没有告诉大家；选择向查理敬酒。博斯利开玩笑地用他的饮料浇在天使身上，他们追着他朝大海走去。查理的剪影远远地看着他们，然后走开了。

Afterapubliccontroversylefthimdisgracedanddemonetized,awashedupinternetpersonalitytriestowinbackhisfollowersbylive-streaminghimselfspendingonenightaloneinanabandonedhauntedhouse.

汤姆·雷普利是20世纪60年代初在纽约勉强度日的骗子。一位富翁雇他前往意大利去说服流浪的儿子回家。汤姆接受了这份工作，迈出了他走向欺骗、欺诈和谋杀的复杂生活的第一步。这部限定剧集改编自帕特里夏·海史密斯的畅销小说《TomRipley》。安德鲁·斯科特饰演汤姆·雷普利；达科塔·范宁饰演玛琪·谢伍德；强尼·弗林饰演迪奇·格林里夫。其他演员包括：埃利奥特·萨姆纳、毛里齐奥·隆巴迪、玛格丽塔·布伊、约翰·马尔科维奇、肯尼思·洛纳根和安·库萨克。《雷普利》由Showtime和EndemolShineNorthAmerica以及Entertainment360和Filmrights联合制作。监制团队包括Diogenes的斯蒂文·泽里安、加勒特·巴施、克莱顿·汤森、盖蒙·卡萨迪、本·福克纳、莎伦·利维和菲利普·基尔。斯科特将担任该剧集的制片人。所有八集均由斯蒂文·泽里安执导和编剧。

　Troubled by bouts of sleepwalking and disturbing nightmares, graduate student Sarah Foster goes to her university sleep research center for help. But when she wakes up after her first night of being monitored, the world she lives in seems to have changed in subtle, Twilight-Zone-esque ways.

The intertwined stories of an international Don in Malaysia, David Billa, chased by the cops, an Indian police officer, a woman who wants to avenge the death of her brother, and a lowly thief, Velu who shares with Billa, an unusual connection.

　　Linh, an art student, moves to a new house where she encounters a ghost. She helps him to uncover the mysterious cause of his death realizing what’s important in her life.

Fernando Di Leo's Milano Calibro 9 is an out-and-out masterpiece of Italian Crime cinema and, in my opinion, one of the most astonishing crime stories ever told. The first film in Di Leo's excellent 'Milieu' trilogy, Milano Calibro 9 was followed by La Mala Ordina (aka. Manhunt, also 1972) and the brilliant Il Boss (1973). The three films are not connected story-wise, but all three are excellent, and highly realistic portrayals of organized crime. As far as I am concerned Manhunt is (allthough excellent) slightly inferior to this one and Il Boss which both stand out as absolute all-time highlights of crime cinema. Milano Calibro 9 is the best of them all, a film that is astonishing in all aspects, be it the ingenious plot that, apart from a compelling story and clever twists, includes social criticism, the performances, the gritty atmosphere and suspense or the brilliant score. I can hardly find the right words to express my admiration for this masterpiece which easily ranks among the greatest Gangster flicks ever brought to screen.　　Gastone Moschin stars as Ugo Piazza, a tough and elliptical ex-convict who has just been released from prison. Immediately after his release, Ugo is approached by members of the Milan mob lead by the irascible gangster Rocco (Mario Adorf), as they suspect him to be responsible for the disappearance of a large sum of money belonging to their boss, an American (Lionel Stander) who controls the organized crime in Milan...　　Milano Calibro 9 is a film that delivers an astonishingly realistic mood of the underworld like hardly another. The intriguing storyline goes in hand with interesting characters, raw atmosphere, suspense and breathtaking action, social criticism and brutal violence. The film is simply stunning from the beginning to the end, which is even intensified by the brilliant score, a collaboration of the famous composer Luis Enríquez Bacalov and the Italian Progressive Rock band Osanna. Ugo Piazza must be one of the most charismatic gangster characters ever in cinema, and Gastone Moschin was the prefect choice for the role. Moschin delivers a brilliant performance, and the rest of the cast is also great. Mario Adorf is irascible like a rabid dog as the ferocious gangster Rocco, a role that fits him like a glove. The great Lionel Stander fits perfectly in his role of the American Mafia Don.　　The two cop characters in the film are played by two of the greatest regulars of Italian genre-cinema, Luigi Pistilli and Frank Wolff (who committed suicide before the film was released). The ravishing Barbara Bouchet is astonishing and incredibly sexy in the role of Ugo Piazza's stripper girlfriend. Bouchet is both a stunning beauty and an excellent actress and this is doubtlessly one of her most memorable roles. This is also a political film and director Di Leo embedded a lot of social criticism about topics like corruption. This film simply has everything one can possibly desire in cinema. Films like Milano Calibro 9 are the reason why I love cinema. This is an absolute masterpiece in all regards and, without exaggeration, one of the greatest Crime flicks ever made! The ingenious opening scene alone is more memorable than most films get in two hours.

In this very late 60's irreverent, almost anarchic low-budget film, Brian De Palma defines more of his strange, given Hitchcock-like fascination of voyeurism, and attacks the issues of the day. The most prominent of which, both cringe-inducing and just plain funny, is when he focuses on the black-power movement (a black woman handing out fliers asking white people 'do you know what it's like to be black'), which is something that could only work for that time and place, not before or now.　　But one of the key things to the interest in the film is 27 year old Robert De Niro (not his first or last film with the director), who plays this character who sits in a room looking out through his telescope at women in their rooms, setting up phony deals, and in the end basically throwing bombs. Those who have said that De Niro can't act and just is himself in every movie should see this movie, if only out of some minor curiosity. A couple of times in the film it's actually not funny, as when there's a disturbance in a black-power meeting (filmed in a grainer, rougher style than the rest of the film).　　In the end it's capped off with a rambling monologue in an interview that tops De Niro's in King of Comedy. It's pretty obvious where De Palma's career would go after this, into slightly more mainstream Hollywood territory, but all of his trademarks are here; the dark, almost nail-biting comedy, the perfectly timed style of voyeurism, and interesting usage of locals. Think if De Palma and De Niro did a Monty Python film, only even more low-budget and in its New York way just as off-the-hinges, and you got Hi, Mom! It also contains an eccentric and funny soundtrack.　　imdb comment

TheConnershasbeenrenewed!KareyBurke,president,ABCEntertainment,announcedthattheABCTelevisionNetworkhasorderedasecondseasonofthefreshmanhitcomedy.