Valente
搜索"Valente" ，找到 以下影视作品
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Mavka-abeautifulforestnymphandsouloftheForest-facesanimpossiblechoicebetweenloveandherdutyasguardiantotheHeartoftheForest,whenshefallsinlovewithahuman-thetalentedyoungmusicianLukash.Ourstoryisaboutthemagicalpoweroflove.Thatkindoflovethatenableshumannaturetofindthemagicwithinandrevealsabilitiesandqualitiesthat...
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未知
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内详
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ayearafterthetragicdeathofherbrother,19-year-oldLisifromKitzbühelentersthedecadentworldofaMunichcliquethatcomestotheluxuryskiresorttocelebrateeveryseason.ButLisisoonkicksoffanavalanchethatrevealsthetruthbehindthefacadefullofglamor,moneyandhedonism-withuncontrollableconsequences.
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"Aleksei Gherman junior’s film The Last Train premiered in Moscow in mid December during the film festival Stalker, which also awarded it the prize for the best film. However, its first screening had already taken place in the ‘controcorrente’ competition of the Venice Film Festival in September. The film, dealing with theme of war and shot in black and white, remained unnoticed by the press in the context of the Venice Film Festival (preoccupied almost exclusively with Zviagintsev’s The Return), although it was awarded a prize. In Moscow, it made rather a different impression, especially when set in the context of films dealing with human rights issues.Gherman’s film is, in a sense, a response to his father’s war film 20 - Days without War. Maybe this explains the oddity of a young, clearly talented director venturing on his debut film into the trodden territories of the war film, a theme that dominated Russian cinema in general, but had also been dealt with by his father. For Gherman Junior, however, war knows neither winners nor losers: instead of exploring the history of WWII, Gherman looks at the fate of two men who have failed to make the right choice (or a choice) at the right time. Therefore, they are now the victims of circumstances, of politics, of regimes – which they have or have not elected. Gherman’s concern is with people in particular circumstances, which are not their choice, and how they cope with these unwanted situations.
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宮崎光代
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Yumaisa23-year-oldwomanfromTokyo.Whenshecommutesbytraintoherjobinamangastudio,herfaceisathipheighttotheotherpassengersstandingup.Yumausesawheelchaironaccountofcerebralpalsy.Herdeformedlimbsonlyallowhertocrawl–andtoholdapencil.Thefactthatherboss,asuccessfulcomicartistandbloggernamedSayaka,whohasapenchantforgarishFairyKeiattire,passesYuma’sdrawingideasoffasherown,dismaysthetalented‘mangaka’.Evenworse,heroverprotectivemotherhardlyletsheroutofhersightandrefusestotalkaboutherfather.AsYumaattemptstoliveamoreindependentlife,shestumblesacrossadultcomics–mangaporn–andtoyswiththeideaofdrawingsomeherself.Thepublisheradviseshertogainsomepersonalexperiencefirst.ButwhathappenswhenawomaninawheelchairasksatoutinTokyo’sredlightdistricttofixherupwithasexdate?DirectorHIKARI’shumorousandendearing37Secondsdepictsanunusualjourneyofself-discovery-inartistic,physicalandfamilialterms.And,asthefilm’scharmingprotagonistlearns,friendswhoarenotprejudicedcanbefoundanywhere.
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SetinasmallQuebectowninthelate-1920′s,thisemotionaldramafollowsthelifeandexploitsofCelesteBeaumont,atalentedyoungpianistwhogainslocalcelebrityatthetownmovietheaterforhergiftsasasilentfilmpianist.AwkwardPierreBlaudellisherbiggestfanandeventuallymarriesher.Shortlyafterthisshebearshisson,Pierre,whojoinsthearmy.S...
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弗雷德·卡瓦耶
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Paris1942.Fran?oisMercierisanordinarymanwhoonlyaspirestostartafamilywiththewomanheloves,Blanche.Heisalsotheemployeeofatalentedjeweler,Mr.Haffmann.ButfacedwiththeGermanoccupation,thetwomenwillhavenootherchoicebuttoconcludeanagreementwhoseconsequences,overthemonths,willupsetthefateofourthreecharacters.
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史蒂芬·戴德利
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A talented young dancer has to learn to fight for his dream despite social and parental disapproval.
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马里奥·毛瑞尔
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卡曼妮·耶美肯
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Taksaorn Paksukcharern
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Sakarat Jumrus
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吉拉维奇·蓬帕吉特
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查亚鹏·朱利·普帕特
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娜塔玻·提米露克
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帕贡·查博里拉
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Rudklao Amratisha
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SixCharactersispossiblythemosthighlyanticipatedThaifilmthisyear,notleastofallforitsstar-studdedcast.Onashootingsetfilledwithtension,anervousdirector(MarioMaurer)triestoshootahorrormovie.Thewillfulcastofactorsisnohelp.Meanwhile,sixstrangerssuddenlyappearwhotelltheirstory,explainingthattheyarethecharactersofthescriptleftbyadeadscreenwriter.Thedirectorlaughsatthestrangersatfirstbuteventuallybeginstogetcarriedawaybythecompellingfamilystorytheytell.DirectorM.L.BhandevanovDevakula,whoalsovisitedBusanin2011withEternity,isadirectorwhoistalenteddepictingeroticismwithintenseemotionsaswellasadaptationasintheJanDaraseries.SixCharacters,anadaptationofItalianplaywriterLuigiPirandello′sSixCharactersinSearchofanAuthor,spotlightsthedirector’sstrengthsandvision.
