Pagès

FilmedliveonstageatthePantagesTheatreinHollywood,CA,thisnot-to-be-missedhighenergyshowstarsOriginalBroadwaycastmembersJeremyJordanas"JackKelly,"KaraLindsayas"Katherine,"BenFankhauseras"Davey"andAndrewKeenan-Bolgeras"Crutchie".They’rejoinedbyNorthAmericanTourstarsSteveBlanchardas"JosephPulitzer,"andAishadeHaasas"MeddaLarkin,"andEthanSteineras"Les"alongwithmembersofboththeBroadwayandNorthAmericanTourensembles,fillingthestagewithmore"newsies"andmoredancingthaneverbefore.SetinNewYorkCityattheturnofthecenturyandbasedonatruestory,NewsiesistherousingtaleofJackKelly,acharismaticnewsboyandleaderofaraggedbandofteenaged’newsies,’whodreamsonlyofabetterlifefarfromthehardshipofthestreets.ButwhenpublishingtitansJosephPulitzerandWilliamRandolphHearstraisedistributionpricesatthenewsboys’expense,Jackfindsacausetofightforandralliesnewsiesfromacrossthecitytostrikeandtakeastandforwhat’sright.

电影特技演员罗伊沃克（LeePace饰）在拍摄一组骑马从桥上一跃而下的镜头时严重受伤，导致下半身瘫痪失去知觉。此时的他极度绝望，万念俱灰，只想一死了之。正当罗伊沮丧之际，因摔断胳膊住进医院的5岁小女孩亚历珊卓（CatincaUntaru饰）闯入了罗伊的世界。这两个年龄悬殊的病友就此交上了朋友，亚历珊卓每天来罗伊的病房报到，只为听朋友讲那个玄幻神奇的故事。而罗伊用这个顺口编出的故事吸引小女孩，却想完成借机完成他的自杀计划……本片荣获2007年柏林影展玻璃熊特别表扬-最佳影片奖、Sitges-CatalonianInternationalFilmFestival的最佳影片奖、2008年奥斯汀影评人协会奖最佳剧本。

片子绝技演员罗伊•沃克（Lee Pace 饰）在拍摄一组骑马从桥上一跃而下的镜头时严峻受伤,招致下半身瘫痪得到知觉。此时的他非常掉望,万念俱灰,只想一逝世了之。合法罗伊丧气之际,因摔断胳膊住进病院的5岁小女孩亚历珊卓（Catinca Untaru 饰）突入了罗伊的天下。 这两个春秋迥异的病友就此交上了友人,亚历珊卓天天来罗伊的病房报到,只为听友人讲谁人玄幻神奇的故事。而罗伊用这个顺口编出的故事吸引小女孩,却想实现借机实现他的自残筹划…… 本片荣获2007年柏林影展玻璃熊特殊表彰-最佳影片奖!Sitges - Catalonian International Film Festival的最佳影片奖!2008年奥斯汀影评人协会奖最佳脚本。

米尔德雷德（弗兰西斯·麦克多蒙德 Frances McDormand 饰）的女儿在外出时惨遭奸杀，米尔德雷德和丈夫查理（约翰·哈克斯 John Hawkes 饰）之间的婚姻因此走到了尽头，如今，她同儿子罗比（卢卡斯·赫奇斯 Lucas Hedges饰）过着相依为命的生活。一晃眼几个月过去了，案件仍然没有告破预兆，而警方似乎早已经将注意力从案子上转移了开来。被绝望和痛苦缠绕的米尔德雷德租下了高速公路边上的三块巨型广告牌，在上面控诉警方办案无能，并将矛头直接对准了警察局局长威洛比（伍迪·哈里森 Woody Harrelson 饰）。实际上，威洛比一直隐瞒着自己身患绝症命不久矣的事实。因为这三块广告牌，米尔德雷德和威洛比的生活发生了翻天覆地的变化。©豆瓣

Embark on a global odyssey to discover the largest and least explored habitat on earth. New ocean science and technology has allowed us to go further into the unknown than we ever thought possible.

Inprisonforkillinghisnemesis,PatrickJanemustprovethatthemanheshotreallywasRedJohn.Meanwhile,LisbonurgesVanPelttoseekcounselingintheaftermathofthedeathofherfiancé,DetectiveO'Laughlin.WrittenbyCBSPublicity

‘April.16,2014.AM08:48.SewolFerrysunk.’Exploringwhathappenedaboutdivingbell,oneofthebiggestcontroversiesaftertragicevent,thedocumentarytriestosurvivetruthfromburialbyfocusingongoingcourseofmediadistortionandbureaucraticinterventioninuseofdivingbell.

Setin790AD,VikinganefeaturesthedailychallengesofpeoplelivinginasmallVikingvillage,frompowerstruggle,brotherrivalry,genderequality,tobetrayalandfriendship."It’sthestoryofpeoplefromourtime,butlivingduringtheVikingera.Ofcourseeverydaychoiceshavefarmoredramaticconsequencesandthatmakesforgreatcomedymaterial.

With this new series Andrew Graham-Dixon returns to Europe taking us on a journey into the captivating watery world of the Low Countries and its art. This small myriad of regions we now know as Holland and Belgium produced some of the most celebrated names in art: Van Eyck, Bosch, Rembrandt, Rubens, Vermeer, Van Gogh, Mondrian and Magritte. As he travels by canal boat and of course by bicycle Andrew reveals just how important the Low Countries were in key moments in the development of western culture - the birth of oil painting in the late medieval ages, the triumph of the Dutch golden age, and the onset of polarizing modern art movements surrealism and abstraction. This is not the story of one nation, but of fluid, ever-shifting boundaries and the search for identity in an area that has always been politically contested. EPISODE ONE: The first episode will be about how the art of Renaissance Flanders e册ved from the craft of precious tapestries within the Duchy of Burgundy into a leading painting school in its own right. Starting his journey at the magnificent altarpiece of Ghent Cathedral created by the Van Eyck brothers Andrew explains their ground breaking innovation in oil painting and marvels how the colours they obtained can still remain so vibrant today. Andrew will describe how in the early Renaissance the most urgent preoccupation was not the advancement of learning, humanist or otherwise, but the Last Judgment. People believed they were living in the end of days; a subject popular with preachers and artists and intensely realized in swarming microscopic detail by Hieronymus Bosch. EPISODE TWO: In the second episode Andrew explores how the seemingly peaceful countries of Holland and Belgium – famous for their tulips and windmills, mussels and chips - were in fact forged in a crucible of conflict and division. He will examine how a period of economic boom driven for the first time by a burgeoning and secular middle class led to the Dutch Golden Age of the 17th Century. Andrew travels to Delft and Amsterdam to demonstrate the striking contrast between two of its greatest proponents, Rembrandt and Vermeer (one famed for his breathtakingly realistic domestic street scenes, the other for explosive rapid brushstrokes and raw colours, best exemplified in his contentious magnum opus – The Nightwatch.) Radically different in style, both men were united by the realization that they must become innovators in business as well as masters of their craft. Yet boom also meant bust - and in a story with very modern echoes they ultimately shared the same fate, financial destitution. EPISODE THREE: Following a brief period of decline, the third episode will look at how the entrepreneurial and industrious region of the Low Countries rose again to become a cultural leader in the modern age; how despite its small and apparent insignificance when stood up against the powerhouses of Europe it produced important forward thinking artists like Van Gogh, Mondrian, Magritte and Delvaux who changed the face of art forever. In this episode Andrew’s exhilarating journey takes us to a remote beach in North West Holland which inspired Mondrian’s transition to his now renowned abstract grid paintings.

　　The new series on Renaissance painting, written and presented by Matthew Collings, begins with an artistic investigation into one of the most radiant and beautiful images in all of art history, The Madonna of the Meadow, painted in 1505 - by Raphael.　　Renaissance art has become part of the 21st-century heritage industry but when Raphael was alive, it was a startling new form of visual expression, and Raphael's vibrant 'realism' was striking and fresh. It became the model for western art for the next 400 - years, right up until the birth of Modernism.　　As much as it was a cultural 'rebirth', the Renaissance was also a re册ution in ideas about reality. Matthew Collings sets out to remind us of how radical Renaissance paintings were when they were made, as well as opening our eyes to what is still truly great about them. In this programme he deconstructs The Madonna of the Meadow with the help of the very latest high-resolution digital technology, which allows him to explore the inner secrets of Raphael's painterly effects with a clarity and at a level of detail never before seen on television.　　As Matthew says, it is a journey 'to the other side of an illusion', revealing how Raphael created the alluring images that were so appealing to his wealthy Renaissance clients - including the Pope - and which entranced artists for centuries after his death. Matthew explains the secret to Raphael's vibrant colour harmonies, which the artist grasped intuitively, long before the advent of colour 'theory'; and Raphael also knew how to exploit colour effects to create the impression of extraordinary depth in his paintings.