Luti
搜索"Luti" ,找到 以下影视作品
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莱丝莉·艾沃克斯
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FollowstheDC'shistoryandlegacy,highlightingtheuniverseofcharacters,andtheiconiccomicbookcompany'soriginsanditsevolution.
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斯蒂芬.赫瑞克
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克利斯·科尔兹是一名办公用品销售员,他的梦想是成为一名摇滚歌星。红极一时的SteelDragon乐队是他向往、追逐的目标。克利斯和朋友们组成一支业余乐队BloodPollution,竭力模仿SteelDragon乐队主唱鲍比·毕尔斯的,他的执着与痴迷与日俱增,为此他经常和乐队成员发生争吵;队友演奏时,乐曲稍有出入,他便大打出手。终于,大家再也无法忍受他那近乎偏执的热情。毕竟,他们不想一味模仿、照搬,他们需要创新。克利斯被逐出了乐队。与此同时,SteelDragon乐队正打算撤掉主唱鲍比·毕尔斯。正巧克利斯的两位歌迷同乡给SteelDragon乐队看了BloodPollution的演出录像,吉它手柯克·卡第看中了克立斯,决定约他面试。在女友艾米丽的协助下,克利斯大获全胜,以精湛的表演一举征服SteelDragon乐队成员。至此,克立斯成为SteelDragon乐队的主唱,为重金属时代写下辉煌的一笔。
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An intimate look at post-re册ution Libya through the eyes of an aspiring all-female soccer team, whose struggle to gain mainstream acceptance mirrors the broader challenges facing women in contemporary Libyan society.
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EderleziRisingisanexcitingsciencefictionromancesetinnearfutureaboutthepioneeringspacemissiontoAlphaCentauriundertakenbythemultinationalEderleziCorporation.EderlezirecruitsMIlutinaSlavcosmonauttrainedinthenewlyreformedfuturisticSovietUnionandaccompanieshimwithNimani,afemaleandroidprogrammedtofulfillwhateverhedesires.
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DantehasabeautifulrelationshipwithhisgirlfriendAlice,buthehasabadonewithTime:absorbedbythemanycommitmentsofhisdailylife,healwaysarriveslateandhastheimpressionthathislifeisflowingtooquickly.Italsohappensonthefirstdayofhisfortyyears,whenDanteshowsuphourslateathisbirthdayparty.Accordingtohim,thesolutionseemsathan...
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Thefilmexploresthelife,philosophyandimpactofoneofthemostinfluentialearly20thcenturymodernists,MarcelDuchamp.ThefilmbreaksdownDuchampsideasandappliesthemtobothhistoricaleventsandthemodernistexplosionthatblanketedtheearly20thcentury.ArtofthePossibleisntsimplyabiopic;rather,thefilmshowshowDuchampsideaschangedthepublicconsciousness,andourunderstandingofaesthetics,art,andculture.ThefilmhighlightsthesingularimpactofDuchampsphilosophyonart,and,moreimportantly,examineshowDuchampsrevolutionaryideasfromtheearly20thcenturyhaveshapedthe21stcenturyandmodernday.
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Banksy,theworld'smostinfamousstreetartist,whosepoliticalart,criminalstunts,anddaringinvasionsoutragedtheestablishmentandcreatedarevolutionarynewmovementwhilehisidentityremainedshroudedinmystery.
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朗·霍华德
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We Feed People spotlights renowned chef José Andrés and his nonprofit World Central Kitchen’s incredible mission and evolution over 12 years from being a scrappy group of grassroots volunteers to becoming one of the most highly regarded humanitarian aid organizations in the disaster relief sector.
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50年代-60年代初波兰电影学院派的经典作品之一,堪称与同时代意大利导演安东尼奥尼的《奇遇》相比,改编自Józef Hen在社会主义波兰时期被禁的小说。 In 1960 his second film NIKT NIE WOLA NOBODY'S CALLING, based on a Jozef Hen novel that was never published in Poland, described the fate of Poles on the Eastern Front. Kutz used the film to explore new formal solutions, collaborating closely with cinematographer Jerzy Wojcik to reveal the psychological landscape of a pair of lovers who are strongly affected by wartime events. The camera recorded the couple's inner experiences, contrasting their muted intimacy against the surrounding scenery of a ruined town. The film did not win over critics at the time of its release. It was not until later that critics recognized Kutz's effort to experiment with aesthetics in a manner akin to that pursued by filmmakers of the new wave. NOBODY'S CALLING came to be compared with Michelangelo Antonioni's THE ADVENTURE, which was produced around the same time.
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DOMESTICVIOLENCEwasfilmedinTampa,Florida.ThefilmshowsthepolicerespondingtodomesticviolencecallsandtheworkofTheSpring,theprincipalshelterinTampaforwomenandchildren.Sequenceswiththepoliceincludepoliceresponse,intervention,andattemptedresolutionofdomesticviolencecalls.Sequencesattheshelterincludeintakeinterviews,individualcounselingsessions,angermanagementtraining,grouptherapy,staffmeetings,andconversationsamongclientsandbetweenclientsandstaff.Sincetwothirdsoftheresidentsattheshelterarechildren,thefilmalsohassequencesofschoolactivities,therapysessionsforchildrenwheredomesticviolenceisdiscussed,andcounselingforparentsandchildrenorganizedaroundchildrensissuesandexperienceswithdomesticviolence.