AriGold

已经景色无穷的美式橄榄球四分位选手保罗·克洛伊（亚当·桑德勒 Adam Sandler 饰）的人生跌入谷底,他先是因假球变乱饱受争议,随后又因酒驾逮捕而被送入牢狱。牢狱长沃顿·海森（詹姆斯·克伦威尔 James Cromwell 饰）爱好橄榄球却残暴冷淡的家伙。他不雅赏保罗的能力,于是请求他跟其余囚犯组建一支球队,与狱警球队开展反抗。在保罗跟同样身陷囹圄的金牌导师奈特·斯卡布罗（伯特·雷诺兹 Burt Reynolds 饰）的调教下,一支奇异的球队在牢狱中出生了……本片依据1974年的同名金球奖影片改编,并荣获2005年BET笑剧奖最佳男主角奖（Chris Rock）!2005年轻年挑选奖。职业摔角手Bill Goldberg!Kevin Nash!Stone Cold Steve Austin等人亦在片中出演脚色。©豆瓣

Amazon先前宣布制作其第一部英剧《TheCollection》，本剧由OliverGoldstick担任执行制作人，BBCWorldwide为制作方。本剧讲述了二战之后著名巴黎时尚品牌（比如：迪奥）的故事，角色是两个性格各异的兄弟。而现在剧组开始招兵买马，RichardCoyle饰演哥哥PaulSabine，一个有浪漫眼光的设计师，希望重镇战后的巴黎。TomRiley饰演Claude，是Sabine品牌背后真正的天才。MamieGummer饰演Paul的美国人妻子，已在巴黎住了10年。FrancesdelaTour是Sabine兄弟的母亲，不惜利用儿子以达成自己当年失败了的野心。JennaThiam饰演Nina，Sabine品牌首席裁缝的女儿，虽然是工人阶段，但其美貌令其成为品牌的标志。余下演员包括MaxDeacon﹑...

Amazon先前宣告制造其第一部英剧「TheCollection」,本剧由OliverGoldstick担负履行制造人,BBCWorldwide为制造方。本剧报告了二战之后有名巴黎时髦品牌（好比：迪奥）的故事,脚色是两特性情各别的兄弟。而当初剧组开端招兵买马,RichardCoyle扮演欧巴PaulSabine,一个有浪漫眼力的计划师,生机重镇战后的巴黎。TomRiley扮演Claude,是Sabine品牌当面真正的蠢才。MamieGummer扮演Paul的美国熟男子,已在巴黎住了10年。FrancesdelaTour是Sabine兄弟的母亲,不吝应用儿子以告竣本人昔时掉败了的野心。JennaThiam扮演Nina,Sabine品牌首席成衣的女儿,固然是工人阶段,但其仙颜令其成为品牌的标记。余下演员包含MaxDeacon﹑IrèneJacob﹑MichaelKitchen﹑JamesCosmo﹑SarahParish﹑MichelleGomez﹑AllanCorduner﹑AlexandreBrasseur﹑Bethan-MaryJames﹑PatrickKennedy﹑PoppyCorby-Teuch﹑StanleyTownsend。“咱们很兴奋能将这部时髦精细的剧集带给英国的Amazon金牌会员们。”Amazon视频英国区片子电视策略主管ChrisBird如是说,“咱们始终努力于为咱们的不雅众供给最棒的国际电视频道,我信任咱们的会员们会很享用这部剧集所带给各人的诱人的巴黎高等女装的风气,兴许同时隐蔽着的险峻暗潮也会让各人面前一亮。”

韩国女演员黄静茵肯定联袂男演员李善均出演MBC电视台月火新剧(周一周二播出的剧集)「Golden time」。 　　MBC新剧「Golden time」将于7月接档「光与影」播出,是一部以抢救站为配景的医疗剧,向咱们报告了练习生在抢救站开展的一系列故事以及对于勇气的故事。 　　在剧中黄静茵是利效财团所属医大跟5个病院的继续人,但自己却不晓得这个现实,只关怀告其余男友,扮演旁若无人的姜秀士一角。

从媒体关联参谋到总统消息参谋,OliviaPope（KerryWashington表演）一辈子都在掩护美国的机密－－对她来说,保护美国精英阶级的抽象!防止让种种丑闻曝光对这个国度来说是极端主要的事件。小布什的总统任期停止后,跟布什关联亲密的Olivia分开了白宫,开办了本人的公关公司,生机就此揭开人生的新篇章－－无论任务仍是生涯。但是她好像无奈完整解脱从前－－无论是她仍是她的精英团队,他们可以「修复」任何人的生涯,但却对本人生涯中涌现的疑问能干为力。来自「迷掉」的HenryIanCusick表演男主人公Stephen,诉讼状师,为Olivia任务。TonyGoldwyn表演美国总统FitzgeraldGrant。JeffPerry表演美国总统的特殊参谋Cyrus。DarbyStanchfield表演为Olivia任务的考察员AbbyWhelan,任务起来不要命。KatieLowes表演QuinnPerkins,一个很有志向的年青状师,为Olivia任务。LizaWeil表演JuliaTannen,一个跟Grant总统有私交的女人。ColumbusShort!GuillermoDiaz介入上演。

Golden Bear for Best Short Film (win) - 2004 - Berlin International Film Festival

「Road to Kingdom」（韩语：로드 투 킹덤）,是韩国Mnet电视台于2020年4月30日行将推出的综艺,李多熙及张圣圭掌管,由7组K-POP新进男团参赛竞争：PENTAGON!ONF!G办公室DEN CHILD!THE BOYZ!ONEUS!VERIVERY!TOO。 终极优越集团将掉掉落介入「Kingdom」的优先权。此节目是「Queendom」的后续节目!「Kingdom」的贯穿连接节目。

Voice1(male"professionalannouncer"type):Thisneighborhood(1)wasmadeforthewretcheddignityofthepettybourgeoisie,forrespectableoccupationsandintellectualtourism.Thesedentarypopulationoftheupperfloorswasshelteredfromtheinfluencesofthestreet.Thisneighborhoodhasremainedthesame.Itwasthestrangesettingofourstory,whereasystematicquestioningofallthediversionsandworksofasociety,atotalcritiqueofitsideaofhappiness,wasexpressedinacts.Thesepeoplealsoscorned"subjectiveprofundity".Theywereinterestedinnothingbutanadequateandconcreteexpressionofthemselves.Voice2(Debord,monotone):Humanbeingsarenotfullyconsciousoftheirreallife-usuallygropinginthedark;overwhelmedbytheconsequencesoftheiracts;ateverymomentgroupsandindividualsfindthemselvesconfrontedwithresultstheyhavenotwished.Voice1 - Theysaidthatoblivionwastheirrulingpassion.Theywantedtoreinventeverythingeachday;tobecomethemastersandpossessorsoftheirownlives.Justasonedoesnotjudgeamanaccordingtotheconceptionhehasofhimself,onecannotjudgesuchperiodsoftransitionaccordingtotheirownconsciousness;onthecontrary,onemustexplaintheconsciousnessthroughthecontradictionsofmateriallife,throughtheconflictbetweensocialconditionsandtheforcesofsocialproduction.Theprogressachievedinthedominationofnaturewasnotyetmatchedbyacorrespondingliberationofeverydaylife.Youthpassedawayamongthevariouscontrolsofresignation.Ourcamerahascapturedforyouafewaspectsofaprovisionalmicrosociety.Theknowledgeofempiricalfactsremainsabstractandsuperficialaslongasitisnotconcretizedbyitsintegrationintothewhole"”whichalonepermitsthesupersessionofpartialandabstractproblemssoastoarriveattheirconcreteessence,andimplicitlyattheirmeaning.Thisgroupwasonthemarginsoftheeconomy.Ittendedtowardaroleofpureconsumption,andfirstofallthefreeconsumptionofitstime.Itthusfounditselfdirectlyengagedinqualitativevariationsofeverydaylifebutdeprivedofanymeanstointerveneinthem.Thegrouprangedoveraverysmallarea.Thesametimesbroughtthembacktothesameplaces.Noonewenttobedearly.Discussiononthemeaningofallthiscontinued...Voice2 - "Ourlifeisajourney"”Inthewinterandthenight."”Weseekourpassage..."�Voice1 - Theabandonedliteratureneverthelessexertedadelayingactiononnewaffectiveformulations.Voice2 - Therewasthefatigueandthecoldofthemorninginthismuch-traversedlabyrinth,likeanenigmathatwehadtoresolve.Itwasalooking-glassrealitythroughwhichwehadtodiscoverthepotentialrichnessofreality.Onthebankoftherivereveningbeganonceagain;andcaresses;andtheimportanceofaworldwithoutimportance.Justastheeyeshaveablurredvisionofmanythingsandcanseeonlyoneclearly,sothewillcanstriveonlyincompletelytowarddiver搜索引擎优化bjectsandcancompletelyloveonlyoneatatime.Voice3(younggirl):Noonecountedonthefuture.Itwouldneverbepossibletobetogetherlater,oranywhereelse.Therewouldneverbeagreaterfreedom.Voice1 - Therefusaloftimeandofgrowingoldautomaticallylimitedencountersinthisnarrow,contingentzone,wherewhatwaslackingwasfeltasirreparable.Theextremeprecariousnessofthemeansofgettingbywithoutworkingwasattherootofthisimpatiencewhichmadeexcessesnecessaryandbreaksdefinitive.Voice2 - Oneneverreallycontestsanorganizationofexistencewithoutcontestingallofthatorganization’sformsoflanguage.Voice1 - Whenfreedomispracticedinaclosedcircle,itfadesintoadream,becomesamererepresentationofitself.Theambianceofplayisbynatureunstable.Atanymoment"ordinarylife"�canprevailonceagain.Thegeographicallimitationofplayisevenmorestrikingthanitstemporallimitation.Anygametakesplacewithinthecontoursofitsspatialdomain.Aroundtheneighborhood,arounditsfleetingandthreatenedimmobility,stretchedahalf-knowncitywherepeoplemetonlybychance,losingtheirwayforever.Thegirlswhofoundtheirwaythere,becausetheywerelegallyunderthecontroloftheirfamiliesuntiltheageofeighteen,wereoftenrecapturedbythedefendersofthatdetestableinstitution.Theyweregenerallyconfinedundertheguardofthosecreatureswhoamongallthebadproductsofabadsocietyarethemostuglyandrepugnant:nuns.Whatusuallymakesdocumentariessoeasytounderstandisthearbitrarylimitationoftheirsubjectmatter.Theydescribetheatomizationofsocialfunctionsandtheisolationoftheirproducts.Onecan,incontrast,envisagetheentirecomplexityofamomentwhichisnotresolvedintoawork,amomentwhosemovementindissolublycontainsfactsandvaluesandwhosemeaningdoesnotyetappear.Thesubjectmatterofthedocumentarywouldthenbethisconfusedtotality.Voice2 - Theerahadarrivedatalevelofknowledgeandtechnicalmeansthatmadepossible,andincreasinglynecessary,adirectconstructionofallaspectsofaliberatedaffectiveandpracticalexistence.Theappearanceofthesesuperiormeansofaction,stillunusedbecau搜索引擎优化fthedelaysintheprojectofliquidatingthecommodityeconomy,hadalreadycondemnedaestheticactivity,whoseambitionsandpowerswerebothoutdated.Thedecayofartandofallthevaluesofformermoreshadformedoursociologicalbackground.Therulingclass’smonopolyovertheinstrumentsweneededtocontrolinordertorealizethecollectiveartofourtimehadexcludedusfromaculturalproductionofficiallydevotedtoillustratingandrepeatingthepast.Anartfilmonthisgenerationcanonlybeafilmonitsabsenceofrealcreations.Everyoneunthinkinglyfollowedthepathslearnedonceandforall,totheirworkandtheirhome,totheirpredictablefuture.Forthemdutyhadalreadybecomeahabit,andhabitaduty.Theydidnotseethedeficiencyoftheircity.Theythoughtthedeficiencyoftheirlifewasnatural.Wewantedtobreakoutofthisconditioning,inquestofanotheru搜索引擎优化ftheurbanlandscape,inquestofnewpassions.Theatmosphereofafewplacesgaveusintimationsofthefuturepowersofanarchitectureitwouldbenecessarytocreatetobethesupportandframeworkforlessmediocregames.Wecouldexpectnothingofanythingwehadnotourselvesaltered.Theurbanenvironmentproclaimedtheordersandtastesoftherulingsocietyjustasviolentlyasthenewspapers.Itismanwhomakestheunityoftheworld,butmanhasextendedhimselfeverywhere.Peoplecanseenothingaroundthemthatisnottheirownimage;everythingspeakstothemofthemselves.Theirverylandscapeisalive.Therewereobstacleseverywhere.Therewasacohesionintheobstaclesofalltypes.Theymaintainedthecoherentreignofpoverty.Everythingbeingconnected,itwasnecessarytochangeeverythingbyaunitarystruggle,ornothing.Itwasnecessarytolinkupwiththemasses,butweweresurroundedbysleep.Voice3 - Thedictatorshipoftheproletariatisadesperatestruggle,bloodyandbloodless,violentandpeaceful,militaryandeconomic,educationalandadministrative,againsttheforcesandtraditionsoftheoldworld.Voice1 - Inthiscountryitisonceagainthemenoforderwhohaverebelled.Theyhavereinforcedtheirpower.Theyhavebeenabletoaggravatethegrotesquenessoftherulingconditionsaccordingtotheirwill.Theyhaveembellishedtheirsystemwiththefunerealceremoniesofthepast.Voice2 - Years,likeasingleinstantprolongedtothispoint,cometoanend.Voice1 - Whatwasdirectlylivedreappearsfrozeninthedistance,fitintothetastesandillusionsofanera,carriedawaywithit.Voice2 - Theappearanceofeventsthatwehavenotmade,thatothershavemadeagainstus,nowobligesustobeawareofthepassageoftime,itsresults,thetransformationofourowndesiresintoevents.Whatdifferentiatesthepastfromthepresentispreciselyitsout-of-reachobjectivity;thereisnomoreshould-be;beingissoconsumedthatithasceasedtoexist.Thedetailsarealreadylostinthedustoftime.Whowasafraidoflife,afraidofthenight,afraidofbeingtaken,afraidofbeingkept?Voice3 - Whatshouldbeabolishedcontinues,andwecontinuetowearawaywithit.Weareengulfed.Weareseparated.Theyearspassandwehaven’tchangedanything.Voice2 - Onceagainmorninginthesamestreets.Onceagainthefatigueofsomanysimilarlypassednights.Itisawalkthathaslastedalongtime.Voice1 - Reallyhardtodrinkmore.Voice2 - Ofcour搜索引擎优化nemightmakeafilmofit.Butevenifsuchafilmsucceedsinbeingasfundamentallydisconnectedandunsatisfyingastherealityitdealswith,itwillneverbemorethanare-creation"”poorandfalselikethisbotchedtravelingshot.Voice3 - Therearenowpeoplewhopridethemselvesonbeingauthorsoffilms,asotherswereauthorsofnovels.Theyareevenmorebackwardthanthenovelistsbecausetheyareunawareofthedecompositionandexhaustionofindividualexpressioninourtime,ignorantoftheendoftheartsofpassivity.Theyarepraisedfortheirsinceritysincetheydramatize,withmorepersonaldepth,theconventionsofwhichtheirlifeconsists.Thereistalkoftheliberationofthecinema.ButwhatdoesitmattertousifonemoreartisliberatedthroughwhichTom,DickorHarrycanjoyouslyexpresstheirslavishsentiments?Theonlyinterestingventureistheliberationofeverydaylife,notonlyintheperspectivesofhistorybutforusandrightaway.Thisentailsthewitheringawayofalienatedformsofcommunication.Thecinema,too,hastobedestroyed.Voice2 - Inthefinalanalysis,starsarecreatedbytheneedwehaveforthem,andnotbytheirtalentorlackoftalentorevenbythefilmindustryoradvertising.Miserableneed,dismal,anonymouslifethatwouldliketoexpanditselftothedimensionsofcinemalife.Theimaginarylifeonthescreenistheproductofthisrealneed.Thestaristheprojectionofthisneed.Theimagesoftheadvertisementsduringtheintermissionsaremoresuitedthananyothersforevokinganintermissionoflife.Toreallydescribethiseraitwouldnodoubtbenecessarytoshowmanyotherthings.Butwhatwouldbethepoint?Bettertograspthetotalityofwhathasbeendoneandwhatremainstobedonethantoaddmoreruinstotheoldworldofthespectacleandofmemories.1.Thisfilm,whichevokesthelettristexperiencesattheoriginofthesituationistmovement,openswithshotsoftheParisdistrictfrequentedbythelettristsintheearly1950s.

年前的科学家塞斯（杰夫?高布伦JeffGoldblum饰）刚刚发明一台能传送物体的“电动传送机”，这台机器能将物体分解，传送完成后再自动合成还原。兴奋不已的塞斯决定亲自体验一下电动传送，于是，他进入了传送仓。不幸的是，一只苍蝇这时也飞进了传送仓，于是，在机器将分解后的塞斯的分子再合成时，将苍蝇的分子也合成到了塞斯的体内。塞斯成了拥有一半苍蝇基因的蝇人。起初，塞斯的身体就像蜘蛛侠一样变得强壮和精力旺盛，他的女友维罗尼卡（吉娜?戴维斯GeenaDavis饰）根本不相信男友的鬼话。但是，随着塞斯的身体迅速的渐渐老去，身体开始长毛，牙齿脱落，浑身冒浆，维罗尼卡渐渐接受了这个事实。她并没有遗弃男友，而是和他一起平静的接受了这个事实，即使他变得血肉模糊，她还是和他一起相拥而眠。

伊比（基南·卡尔金 Kieran Culkin 饰）是一个正处在反叛期的十七岁男孩,终年生涯在压制的家庭情况之中。伊比的父亲杰森（比尔·普尔曼 Bill Pullman 饰）有着严峻的精力决裂症,母亲咪咪（苏珊·萨兰登 Susan Sarandon 饰）无私冷淡依附服用镇静剂坚持沉着,欧巴是一个完完整全的政治狂人,曾经损掉了人道。 再也无奈忍耐如许的家庭气氛的伊比决议离家出奔,然而他的对抗很快就受到了母亲的压制,母亲先后将伊比送往两所军事化治理的黉舍中,妄图让儿子重回正轨,但都以掉败了结。最后伊比离开了教父贝恩（杰夫·高布伦 Jeff Goldblum 饰）家中。贝恩是一胜景利的贩子,在他这里,伊比第一次找到了家的感到。