Paur
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比尔·安德森
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Forensicpathologistsfacepersonalandprofessionalchallengesinamoody,tensethrillerthatmovesfromthecrimescenetothelab.AmandaBurtonmakesadramaticreturntoSilentWitnessasshereprisesherroleofSamRyanforthe25thanniversary.AmandafirstappearedintheleadroleofpathologistSamRyanin1996,starringin54episodesbeforeleavingin2004,whenhercharacterreturnedhometoNorthernIrelandtobewithherfamily.AmandaBurtonsays:“IamsoexcitedtobereturningtoSilentWitnessandsteppingbackintoSamRyan’sshoes-withadifference!AudiencescanlookforwardtoplentyoftwistsandturnsastheydiscoverwhatSam’sbeendoingsinceleavingtheLyell.”AmandajoinsfellowcastmembersEmiliaFox(NikkiAlexander),DavidCaves(JackHodgson)andGenesisLynea(SimoneTyler)forsixbrandnewepisodeswhichwillmarkthe25thAnniversaryofthehugelypopularprimetimeBBCOnedrama.EmiliaFoxsays:“ItissuchadelightandthrilltobeworkingwithAmanda.TohaveSamRyanbackagainattheheartoftheshowisthegreatestwayofalltocelebratethe25thanniversaryofSilentWitness.”
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Ontherunfromhisformeremployer,areluctanthitmanseeksrefugeinanisolatedvillagewhereheisfacedwitheventsthattestthetruenatureofhisconscience.
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金宗铉
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《国家代表2》的剧本已经完成创作,正在进行选角工作。《国家代表2》将讲述2003年参加青森亚洲冬季运动会的韩国女子冰球代表队的故事,而队员中还有一名北韩出身的脱北队员。该片制作公司是曾制作《美女的烦恼》、《我的帕瓦罗蒂》等影片的KMCulture,而导演一职将由曾执导《我的新拍档》、《甘先生的胜利》等影片的金钟贤担任。该片将在选角工作完成后开机拍摄,预计2016年年初上映
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萨姆·佩金帕
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Mike Locken is one of the principal members of a group of freelance spies. A significant portion of their work is for the C.I.A. and while on a case for them, one of his friends turns on him and shoots him in the elbow and knee. His assignment, to protect someone, goes down in flames. He is nearly crippled, but with braces is able to again become mobile. For revenge as much as anything else, Mike goes after his ex-friend.
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Satyendra aka Sattu (Rajkummar Rao) and Aarti (Kriti Kharbanda) meet for a proposed arranged marriage and fall in love in the process. On the night of their marriage, an unexpected turn of events turns their world upside down. Set in the backdrop of India's civil services, Shaadi Mein Zaroor Aana explores the challenges that Satyendra and Aarti face as a middle-class couple in India.
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After a holiday visit with his parents, Mikey is headed to the airport to return to his wife and newborn baby. Except he doesn’t board the plane. Instead he returns to his parents’ loft in lower Manhattan, back to his childhood room that has since been converted to storage. Unsure of his own motivations, he makes up excuses about why he’s staying – his flight is delayed, his flight is cancelled. A day passes, and then another, and he calls home and work to say he can’t return just yet – his parents are getting old, his parents are ill, time is too short. His doting mother is more than happy to enable his procrastination, while his artist father is suspicious. From afar, his confused wife grows increasingly unsettled. Meanwhile Mikey moves back into his room, digging out notebooks and mementos, calling on old friends. As the days go on he becomes more and more entrenched in his adolescent sanctuary, and comes to a point where he must choose between life as it is and life as it was. --? Official Site
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‘TreasuresfromtheWreckoftheUnbelievable’chartsthestorybehindDamienHirst’smostambitiousprojecttodate.Almosttenyearsinthemaking,theeponymousexhibitionwasdisplayedacrossthePuntadellaDoganaandPalazzoGrassiinVenicefrom9thApril–3rdDecember2017.HirstcollaboratedwithdirectorSamHobkinsonandproducerNicolasKenttochronicletheexhibi...
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马克·詹金
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康沃尔渔村的风景明信片田园诗误导了人们。虽然过去钓鱼是一种养家糊口的方式,但如今富有的伦敦游客纷纷下山,取代了当地人,当地人的生计因此受到威胁。史蒂文和马丁兄弟的关系也很紧张。马丁是一个没有船的渔夫,因为史蒂文开始用它来为一整天的游客提供更赚钱的旅游。他们卖掉了这座家庭别墅,现在看来,最后一场战斗是和新主人在海边的停车位上展开。然而,情况很快就失控了,而不仅仅是因为车轮夹钳。Bait是一种黑白,手工制作,16毫米胶片制作的电影。许多关于鱼、网、龙虾、长靴、绳结和渔篮的特写镜头让人想起了蒙太奇景点的理论。对不同社会阶层的描述——可以说是阶级关系——也让人想起了英国电影中的社会现实主义传统。然而,最重要的是,在影像中不同层次的电影历史参考文献之下,当前许多政治关联正在等待被发现。Thepicture-postcardidylloftheCornwallfishingvillageismisleading.Whilefishingusedtobeawayofsupportingoneself,wealthyLondontouristshavenowdescendedandaredisplacingthelocals,whoselivelihoodisthusthreatened.TherelationshipbetweenbrothersStevenandMartinisalsostrained.Martinisafishermanwithoutaboat,sinceStevenstartedusingitforfarmorelucrativetoursforalltheday-trippers.They’vesoldthefamilycottageandnowitseemsthatthefinalbattletobefoughtisthatwiththenewownersovertheparkingspacenexttothesea.Yetthesituationsoongetsoutofhand,andnotjustbecauseofthewheelclamp.Baitisablack-and-whitefilmshotonhand-processed16mm.Numerousclose-upsoffish,nets,lobsters,wellingtonboots,knotsandcatchbasketsbringtomindthetheoryofamontageofattractions.Thedepictionofthedifferentsocialstrata–onecouldspeakofclassrelations–isalsoreminiscentofthetraditionofsocialrealisminBritishcinema.Aboveall,however,awholelotofcurrentpoliticalrelevanceiswaitingtobediscoveredbeneaththedifferentlayersoffilmhistoricalreferencescontainedintheimages.
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在8×01、8×02《High-ValueTarget&BellyoftheBeast》中,海军罪案调查处未能找到内奸,国防部次长CorbinDuggan(JacksonHurst)坚持要更换洛杉矶小组的负责人,从Hetty和Granger手中全面接管洛杉矶小组。与此同时,洛杉矶小组前往叙利亚抓捕一名「高价值目标」。任务出现差错,一名队员在行动中严重受伤。