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Stage stars Tom and Ellen Bowen embark to open their show in England. Innocent-seeming Ellen is a female Don Juan and doesn't take dancing as seriously as brother Tom; on shipboard she meets her match, Lord John Brindale. Arrived in London, confirmed bachelor Tom auditions and is taken with cool dancer Anne Ashmond. Will romance break up the act

Astronomer Bill Whitley is so preoccupied with the new comet he's discovered that his time at the observatory sometimes comes at the expense of his beautiful wife, Vicky. When the neglected spouse becomes influenced by an eccentric neighbor into believing in the power of astrology, she subscribes to a weekly horoscope from a phony seer, the appropriately named Margaret Sybill. When the beautiful Mrs. Whitley reads that a new dream man will be coming soon into her life, she assumes he's taken the form of Lloyd Hunter, a handsome and dashing foreign correspondent who doubles as the neighborhood air raid warden. A frantic Bill realizes that he's going to have to keep closer track of his earthbound heavenly body if he's going to keep the prediction from becoming a self-fulfilling prophecy.

MajorRonanJackson(DevonSawa),anaccomplishedfighterpilotfortheIsraelDefenseForcesandsonofaU.S.Senator(RobertPatrick),isshotdownwhileflyingthroughSyrianairspace.Aftermiraculouslysurvivingthecrash,JacksonistakencaptivebyagroupofHezbollahmilitiamen.Agrippingandpowerfulstorypackedwithhard-hittingaction,Jarhead:LawofReturnfollowsasquadofMarines,ledbySergeantDaveFlores(AmauryNolasco),astheyrisktheirownlivesinthehopesofsavinganallytheyvenevermet.

布莱德利·詹姆斯(「梅林」)将主演Netflix新动画剧「束缚者」(The Liberator)。为什么是主演动画！由于拍摄办法较特别,将用Trioscope技巧,将最新的的CG科技联合真人扮演来出现,据称既有动画的视觉俏丽,也有严正题材所需的丰硕人类情绪细节(图2为后果图)。该剧为二战题材,来自实在业绩,詹姆斯扮演第157步卒团的美军军官Felix Sparks,团员多数是牛仔!美领土人!墨西哥/美国人,Sparks就是一个来自亚利桑那的牛仔,故事聚焦他在束缚欧洲的疆场上一段超越500天的路程,从防御意大利开端,到束缚纳粹的达豪会合营。Sparks壮大而满怀悲悯之心,勇于疏忽不关怀部属生逝世!只关怀本人前程的主座。在这500天里,他从少尉升为中校,部下的人也从一个连变为10000多人,是一个出色的“火线引导”人物。 脚本改编自Alex Kershaw的册本「束缚者：一个二兵士兵的500天冒险」,Jeb Stuart(「虎胆龙威」「流亡海角」)任主创!编剧跟履行制造人。共4集,全体由Trioscope技巧的开创人之一Grzegorz Jonkajtys执导。

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BBC与HBO将结合制造记录片[D·B·库珀之谜](The Mystery Of D.B. Cooper,暂译)。约翰·道尔([我的山达基片子])执导。影片将揭开D·B·库珀的奥秘面纱。1971年11月,D·B·库珀登上东南航空的飞机,并在飞机还在停机坪上时,挟制了该机。他宣称他的行李箱里有炸弹,请求以开释36名机上搭客调换4个下降伞跟20万美元。库珀请求飞机腾飞前去墨西哥城,他在半途带着钱胜利跳伞,随后便消逝不见了。他的掉落也是美国联邦考察局的未解之谜之一。

名声大噪的神枪手翰（简·拉塞尔 Jane Russell 饰）被州长从牢狱里机密放出,作为掉掉落赦宥的前提,简接收了一项卧底义务。她要前去迪尔费尔德保找一个名叫吉姆的男子,与他假扮成伉俪,机密亲近合法倒卖军器的印第安人。但是,当简到达了目标地后才发明,吉姆早曾经裸露了身份,受到了杀戮,这也就象征着她的身份也曝光了,果不其然,简很快就受到了朋友的追杀。 在误打误撞之中,简跳上了牙医波特（鲍勃·霍普 Bob Hope 饰）的马车,不忍心看到英俊的女人流浪,波特决议向简伸出援手。终极,两人不只躲过了追杀,拘捕了罪犯,还在此进程中碰撞出了恋情的火花。

　　卡洛琳·班德（Hope Lange）是一个刚毕业不久、在纽约打拼的女大学生，她进入费边出版公司担任秘书职位，并在那里认识了同样身为秘书的格雷格·亚当斯（Suzy Parker）和阿普里尔·莫里森（Diane Baker），格雷格和阿普里尔都很喜欢卡洛琳，于是邀请卡洛琳搬进她们的公寓，三个女孩就这样生活在了一起。卡洛琳的上司阿曼达·法罗（Joan Crawford）因为怀疑卡洛琳企图取代她的位置，所以一直百般刁难卡洛琳，然而卡洛琳自己却计划男友艾迪·哈里斯（Brett Halsey）一从欧洲回来便与其成婚，然后从公司辞职彻底投入家庭主妇的生活，但天不遂人愿的是艾迪在欧洲与其他女人成婚，伤心不已的卡洛琳只好全心投入工作之中，她和编辑迈克·莱斯（Stephen Boyd）的感情也因此变得越发复杂。阿普里尔是个天真单纯的女孩，刚一入公司就遭到了上司沙利马尔先生(Brian Aherne)的性骚扰，但却反而与其成为朋友，后来偶然间她认识了富二代德克斯特·基（Robert Evans）并与其交往，她幻想着与之成家立业却未料到自己所托非人。格雷格一直努力想要成为一个女演员，她偶然认识了导演戴维·塞维奇（Louis Jourdan）并与之谈起恋爱，有了塞维奇的帮助她以为自己已经可以全心追求演艺事业便放弃了秘书的工作，却未想到厄运已经就此埋下祸根。

Fernando Di Leo's Milano Calibro 9 is an out-and-out masterpiece of Italian Crime cinema and, in my opinion, one of the most astonishing crime stories ever told. The first film in Di Leo's excellent 'Milieu' trilogy, Milano Calibro 9 was followed by La Mala Ordina (aka. Manhunt, also 1972) and the brilliant Il Boss (1973). The three films are not connected story-wise, but all three are excellent, and highly realistic portrayals of organized crime. As far as I am concerned Manhunt is (allthough excellent) slightly inferior to this one and Il Boss which both stand out as absolute all-time highlights of crime cinema. Milano Calibro 9 is the best of them all, a film that is astonishing in all aspects, be it the ingenious plot that, apart from a compelling story and clever twists, includes social criticism, the performances, the gritty atmosphere and suspense or the brilliant score. I can hardly find the right words to express my admiration for this masterpiece which easily ranks among the greatest Gangster flicks ever brought to screen.　　Gastone Moschin stars as Ugo Piazza, a tough and elliptical ex-convict who has just been released from prison. Immediately after his release, Ugo is approached by members of the Milan mob lead by the irascible gangster Rocco (Mario Adorf), as they suspect him to be responsible for the disappearance of a large sum of money belonging to their boss, an American (Lionel Stander) who controls the organized crime in Milan...　　Milano Calibro 9 is a film that delivers an astonishingly realistic mood of the underworld like hardly another. The intriguing storyline goes in hand with interesting characters, raw atmosphere, suspense and breathtaking action, social criticism and brutal violence. The film is simply stunning from the beginning to the end, which is even intensified by the brilliant score, a collaboration of the famous composer Luis Enríquez Bacalov and the Italian Progressive Rock band Osanna. Ugo Piazza must be one of the most charismatic gangster characters ever in cinema, and Gastone Moschin was the prefect choice for the role. Moschin delivers a brilliant performance, and the rest of the cast is also great. Mario Adorf is irascible like a rabid dog as the ferocious gangster Rocco, a role that fits him like a glove. The great Lionel Stander fits perfectly in his role of the American Mafia Don.　　The two cop characters in the film are played by two of the greatest regulars of Italian genre-cinema, Luigi Pistilli and Frank Wolff (who committed suicide before the film was released). The ravishing Barbara Bouchet is astonishing and incredibly sexy in the role of Ugo Piazza's stripper girlfriend. Bouchet is both a stunning beauty and an excellent actress and this is doubtlessly one of her most memorable roles. This is also a political film and director Di Leo embedded a lot of social criticism about topics like corruption. This film simply has everything one can possibly desire in cinema. Films like Milano Calibro 9 are the reason why I love cinema. This is an absolute masterpiece in all regards and, without exaggeration, one of the greatest Crime flicks ever made! The ingenious opening scene alone is more memorable than most films get in two hours.

In this very late 60's irreverent, almost anarchic low-budget film, Brian De Palma defines more of his strange, given Hitchcock-like fascination of voyeurism, and attacks the issues of the day. The most prominent of which, both cringe-inducing and just plain funny, is when he focuses on the black-power movement (a black woman handing out fliers asking white people 'do you know what it's like to be black'), which is something that could only work for that time and place, not before or now.　　But one of the key things to the interest in the film is 27 year old Robert De Niro (not his first or last film with the director), who plays this character who sits in a room looking out through his telescope at women in their rooms, setting up phony deals, and in the end basically throwing bombs. Those who have said that De Niro can't act and just is himself in every movie should see this movie, if only out of some minor curiosity. A couple of times in the film it's actually not funny, as when there's a disturbance in a black-power meeting (filmed in a grainer, rougher style than the rest of the film).　　In the end it's capped off with a rambling monologue in an interview that tops De Niro's in King of Comedy. It's pretty obvious where De Palma's career would go after this, into slightly more mainstream Hollywood territory, but all of his trademarks are here; the dark, almost nail-biting comedy, the perfectly timed style of voyeurism, and interesting usage of locals. Think if De Palma and De Niro did a Monty Python film, only even more low-budget and in its New York way just as off-the-hinges, and you got Hi, Mom! It also contains an eccentric and funny soundtrack.　　imdb comment