Milans

"Aleksei Gherman junior’s film The Last Train premiered in Moscow in mid December during the film festival Stalker, which also awarded it the prize for the best film. However, its first screening had already taken place in the ‘controcorrente’ competition of the Venice Film Festival in September. The film, dealing with theme of war and shot in black and white, remained unnoticed by the press in the context of the Venice Film Festival (preoccupied almost exclusively with Zviagintsev’s The Return), although it was awarded a prize. In Moscow, it made rather a different impression, especially when set in the context of films dealing with human rights issues.Gherman’s film is, in a sense, a response to his father’s war film 20 - Days without War. Maybe this explains the oddity of a young, clearly talented director venturing on his debut film into the trodden territories of the war film, a theme that dominated Russian cinema in general, but had also been dealt with by his father. For Gherman Junior, however, war knows neither winners nor losers: instead of exploring the history of WWII, Gherman looks at the fate of two men who have failed to make the right choice (or a choice) at the right time. Therefore, they are now the victims of circumstances, of politics, of regimes – which they have or have not elected. Gherman’s concern is with people in particular circumstances, which are not their choice, and how they cope with these unwanted situations.

　　A unique relationship flourishes between an aspiring artist and a plant man growing in his garden.

TroubledartistCassiesufferswithreoccurringvisionsofmurder,whichshecopeswithbycommittingtheviolentactstocanvas.Butwhenhervisionsbegintomanifestinreallife,herfriendsandfamilybegintoturnupdead.Realizinghervisionsactuallyprovideadirectlinktothekiller,Cassiemustnowconfrontherownpastinordertostopthemurdersandsaveherself.

HorroranthologyfeaturefilmcomprisedofacompilationofshortscuratedbyFunSizeHorror.

Anall-timeragerofateenhousepartyturnstoterrorwhenaliensattack,forcingtwowarringsiblingstobandtogethertosurvivethenight.

Follow up to Son of Bigfoot: Father uses his new fame to fight against an Alaska oil company but when he disappears the son, the mother, a raccoon and a bear head North to rescue him.

ProfessorBettanyHughesinvestigatesthestoryofBacchus,godofwine,revelry,theatreandexcess,travellingtoGeorgia,Jordan,GreeceandBritaintodiscoverhisoriginsandhispresenceinthemodernworld,andexplorehowlosingoneselfplaysavitalroleinthedevelopmentofcivilisation.

Asensational,sentimental,andphilosophicalhorrorneo-noirthatfollowsthestill-at-largecrimesofNoel,arepentant,classyandcharmingserialkillerlooseinthesuburbsofNewYork.

比尔·斯卡斯加德和麦卡·梦露将主演新片《恶棍》(Villains)，DanBerk&RobertOlsen(《别杀它》《身体》)执导。剧情讲述一对业余罪犯闯进了一间郊区房子，偶然发现了一个黑暗秘密，两名虐待狂房主将不惜一切代价阻止秘密被曝光。Tim&TrevorWhite编写剧本，并联合AllanMandelbaum、GarrickDion制片。

本作は企業において労働者之安康治理を担う産業医之姿を描いたラブコメディ。主人公は[社員よ健やかに生きやがれ]をモットーに!常時1000人以上之会社員之安康を守るため!忙しい毎日を送る大桜美々だ。28歳单身之美々は長いこと恋愛をしておらず!ドSで完璧主義な性情から社内で“診療室之专制者”と恐れられていた。彼女はSNSで知り合った顔も名前もわからない誰かに恋をするが!そ之相手が同じ会社で働いていることが判明する。