Amel
搜索"Amel" ，找到 以下影视作品
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巴里·索南菲尔德
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这季将讲到原作小说第5-9本的内容,也将“比第一季更庞杂!野心更大”。紧接上季开头,三姐弟被银内行Poe存放在普鲁弗洛克准备黉舍,期待适合监护人,他们会碰见奇葩的同窗Carmelita Spats。而尼尔·帕特里克·哈里斯扮演的好人欧拉夫伯爵,会假装成欧洲拍卖商Günther离开黉舍。
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JeffRake执笔﹑DavidFrankel导演的《命运航班Manifest》讲述一架飞机「蒙特哥航空828号」在5年前消失得无影无踪，但这被众人以为已坠海的飞机突然再次出现；然而问题是，在旁人眼中这事件已经过了5年，但机上所有人都没察觉此事，犹如穿越了时间一样。MelissaRoxburgh饰演MichaelaStone，事发前她因为一宗意外而苦恼自己是否适合当警察及未婚妻，而神秘失踪后回来的她对生活有了新目标﹑JoshDallas饰演情报分析员BenStone，典型A型人的他正努力处理两个问题-儿子的罕见癌症，以及出现在他脑中的神秘声音。J.R.Ramirez饰演警探JaredWilliams，尽管他深爱着失踪飞机上的未婚妻，但多年过去后他还是放下了，然而此时未婚妻回归令他陷入两难。AthenaKarkanis饰演GraceStone，在丈夫及儿子失踪多年后，她终于与他们能奇迹般重聚了，并且决定拥抱这新常态；ParveenKaur饰演研究生兼医学研究人员Saanvi，她失踪多年后发现自己的工作在医学界有了惊人的突破。LunaBlaise饰演Olive，Cal的双胞胎妹妹；过去她的父亲及哥哥一直都走不出失去Olive的阴霾，而当她回来后他们关系仍如旧昔，唯一不同的是双胞胎的岁数不同了。
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PickingupwhereheleftoffinNOVA'spopularspecial,HuntingtheElements,DavidPoguesetsoutonaworldwidequesttofindthekeymoleculesandchemicalreactionsthathavepavedthewayforhumancivilization,life,andeventheuniverseasweknowit.Andalongtheway,heuncoversthesimpleprinciplesthatproducesuchadizzyingdiversityofmatterfromelementsontheperiodictable.Episodesinclude…ReactionsIndestructibleLife
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内详
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《法律与秩序：组织犯罪》是《法律与秩序：特殊受害者》的衍生剧，主演是曾在1999-2011年于剧集中演出的ChristopherMeloni。ChristopherMeloni会在此衍生剧中再次饰演ElliotStabler，讲述他在纽约警局领导一支反黑组。
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故事报告了堕入两难的乖乖仔Rocco(Frank Lotito扮演)不得不在挚爱Katie(Holly Valance扮演)跟对他宠爱有加跟适度掩护的母亲(Carmelina di Guglielmo扮演)间做出决定。故事报告了堕入两难的乖乖仔Rocco(Frank Lotito扮演)不得不在挚爱Katie(Holly Valance扮演)跟对他宠爱有加跟适度掩护的母亲(Carmelina di Guglielmo扮演)间做出决定。 乖小子Rocco看似占有了令人羡慕的所有：一份满足的任务,拉风的车子,跟一个违心为他做任何事且无前提爱他的女人——他的母亲。但是,当Rocco相逢了诱人的Katie,他认识到本人须要转变。在搞怪街坊Cotoletta太太的赞助下,Rocco试图转变本人乖乖仔的抽象,从而找到翻开Katie 心房的钥匙...
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Sixty Glorious Years is an exercise in the creation of iconography, both for Victoria and its star, Anna Neagle (who subsequently became known as 'Regal Neagle'). Just as Elizabeth I commissioned artists to create flattering iconic images for public consumption, so this film performs a similar function, for Neagle is more beautiful than the real life Victoria. Controversial events (such as the 'Irish problem') are omitted and unpleasant aspects of Victoria's character (her petulance, arrogance, favouritism and 'right to privilege') are glossed over as endearing little 'whims'. Albert acts as a moderating influence when she goes too far. The film followed a year after the highly successful Victoria the Great (d. Herbert Wilcox, 1937). Again the screenplay is by Miles Malleson and Robert Vansittart, and many of the supporting cast (the cream of acting talent of period) repeat their roles, this time for the colour cameras. This was the first full length Technicolor film of cinematographer Freddie Young, who captures the spectacle of royal weddings, grand balls and opulent interiors, with scenes actually filmed at royal palaces. Vivid battle scenes, set in Alexander Korda's empire territory (Sevastopol and the Sudan), rival those in The Four Feathers (d. Zoltan Korda 1939). The title music sets the tone a regal choir sings over a shot of the crown. Elgar's 1901 'Pomp and Circumstance' march is heard during the diamond jubilee celebrations and, as Victoria's coffin lies in state, the film concludes with Anthony Collins' stately music accompanied by the text of Rudyard Kipling's 'Lest we forget'. Combined with the emotional appeal of scenes of Victoria connecting with her 'ordinary folk', this is stirring stuff. The film connects with contemporary events of 1938. The release of two celebratory royal films was intended to boost public affection for the monarchy in the wake of Edward VIII's abdication. Anglo-German relations were another touchy subject. With another war on the horizon, influential voices wanted appeasement, and the film could be seen to fit that agenda. Victoria herself was of mainly German descent, nicknamed 'the grandmother of Europe', while Albert is a 'good German', charmingly played by Anton Walbrook as a cultured, decent man. Sixty Glorious Years now seems unduly formal and reverential. Had movies existed during Victoria's reign (they only emerged at the end) this might have been the kind of film produced. Unlike Mrs Brown (d. John Madden, 1997), it is all so very 'Victorian'. Roger Philip Mellor
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耿超
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喵星公主Mel在平行空间每天都偷偷观望着地球，而让Mel真正感兴趣的是戴维。公主通过星际技术连接戴维，二人像普通人一样聊天。而通过平行空间偷窥地球的行为，在喵星是被严厉禁止的，更别说这种像是异星恋情。喵星长老道格拉斯决定消灭人类毁灭地球，因为人类已经让地球变成一片垃圾场，这些肮脏的人类令人不齿。道格拉斯的提议被Mel否决，Mel提出很多关乎人类的优点，从而暴露了自己偷窥地球的事实，公主犯法与民同罪，公主因此被监禁。公主被监禁后，道格拉斯就会对地球发动攻击。公主决定和护卫伊河一起逃往地球向戴维发出示警。就在公主准备逃离时被道格拉斯发现，伊河为掩护公主和捕杀者搏斗身中数刀，公主穿越来到地球….
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A homeless ex-boxer and an inner-city kid's unlikely bond helps them face their future, while fighting the tragedy from their past.
