DavidAmos

Naples.AtalmostfiftyyearsoldSandroistheleaderoftheApache,agroupofultraswithwhomhehasspenthiswholelifeatthestadium:alifeofviolence,clashes,passions,andunshakablevalues.NowthataDaspopreventshimfromapproachingthecurve,thosevaluesarestartingtofalter.Sandrofeelsforthefirsttimetheneedforanormallife,arelationship,maybeevenafamily.AlsomeetingTerry,whoisbeautifulandseemstonotfearanything.AngeloissixteenandconsiderstheApachehisfamily.Sandroishisguide,thepersonwhotooktheplaceofhisbrotherSasa,whodiedyearsearlierduringtheclashesofatrip.ULTRASisthestoryoftheirfriendship,ofafaithandalovemarkedbythelastfewweeksofafootballchampionship,andtheinevitablemeetingofbothwiththeirowndestiny.IntheNaplesofFrancescoLettieri(Liberato,Calcutta,EmisKilla,Thegiornalistiandmanyothers)Ultrastellsanalmostfraternalfriendshipbetweenthetwoprotagonistswith,inthebackground,ahypotheticalfootballchampionship.UltrasisthefirstfilmbyFrancescoLettieri,itwillbereleasedinselectedcinemasonMarch9,10and11andwillbeavailableonNetflixfromMarch20.

Atwistedgayromancesetinthe19thCenturypicturesqueBohemiatellingatabooedtruestoryofbirthofoneofthenationsmostinfluentialwriters,starringJuliusFeldmeier(Toretanzt).Suspense,laughter,violence,hope,heart,nudity,sexandhappyending.Mostlyhappyending.

LovingHighsmithisauniquelookatthelifeofcelebratedAmericanauthorPatriciaHighsmith.Thefilm’snarrativeisbasedontheunpublisheddiariesofthebestsellingnovelist.Focusingonherquestforidentityandhertroubledlovelife,thefilmshedsnewlightonherwriting.Family,friends,herownvoiceandbeautifullyinterweavedarchivematerialdrawavividportraitofoneofthemostprolificfemaleauthorstodate.Highsmithwroteover22novels,manywereadaptedtothebigscreen:bestknownareStrangersonaTrain,adaptedbyAlfredHitchock,TheTalentedMr.RipleyadaptedforthescreenbyRenéClément,WimWendersandAnthonyMinghella,andCarol,apartlyautobiographicnovelonalesbianlovestory,byToddHaynes.

　　This movie was the most illogical and stupid movie EVER made. If the FBI would have been called in once it was officially a kidnapping, the movie would have been over in 20 minutes and all of the people involved would have been in jail. Instead, the peo

One of the five sci-fi's I remember every single detail of from my earliest days as a fan. For the genre, I think it's considerably above average. The moor is nicely atmospheric. There's one of every character in the book: the good guy, the bad guy, the local sheriff, the lovely damsel, her father the old professor, etc. The scene where we're looking for the first time through the window of the ship and the visitor peeks out from the other side is easily as good as the three-fingered-hand-on-the-shoulder in War of the Worlds. Nice "character" to the visitor, for whom, like Karloff's Frankenstein, we end up feeling some empathy .

　　曾卷起一股英式幽默风潮的情景喜剧《IT狂人》，在阔别观众2年多之后再度袭来！距第四季完结至今，观众们始终翘首以盼，尽管导演表示不再制作第五季，但他还是重新启动了剧集，推出了本特别篇，“还给观众一个结尾”。Moss，Roy和Jen，位于公司地下室的IT部门三狂人，这次又会遭遇怎么样的爆笑故事？　　本特别篇依然围绕着IT部三人展开：Roy恋上了七楼一个姑娘，但是很快，他发现自己似乎有情感缺陷，恋情因此摇摇欲坠；与此同时，Moss也发现自己不够自信，在老板Douglas的建议下，他跑去女装店买了一条女式长裤。随后，一个大麻烦找上了Jen和Roy，这个飞来横祸不仅影响了他们个人，更是危及公司的声誉，Jen和Roy面临着被解雇的危险……

AninsidelookatoneofthemostanticipatedmoviesequelseverwithJamesCameronandcast.

Having witnessed his junkie father killed Russell Stevens grows up to become a policeman and make a difference. When he is offered an undercover job by Gerald Carver he accepts and begins to build a relationship with David Jason in order to get to the main dealers. However as he is forced to deal drugs and kill to keep his cover he finds the lines between cop and criminal being lost – is he a cop pretending to be a dealer or a dealer pretending to be a cop　　Larry (as he was then) Fishburne's first lead role was a typically dark vehicle. The story is the usual one of cop losing himself when undercover, however it manages to be more than that for most of the time. Co-written by Tolkin, who wrote The Player, this naturally has a nice cynical edge to it when it looks at the US's hypocritical approach to drug control and the political links between the street hustlers and the political high rollers who court respectability. The story does eventually settle into a traditional setting but even then it works well as a thriller.　　The multi-talented Bill Duke directs well with a gritty feel and a few nice touches. However several things are a bit iffy. For most of the film Fishburne's narrationvoice over is a bit like a cross between Apocalypse Now and Blade Runner – it comes across as a little too dark and heavy and also explains things like we can't figure it out ourselves. However once you get into the film it's not as big a deal. My main problem lies with the characters.　　Fishburne is excellent, a real model of underlying anger and violence, Goldblum is good but perhaps a little OTT on the yuppieviolence thing, but there's good support from Smith and Spin City's beautiful (and often underused – but not here) Victoria Dillard. However the two main white characters (Goldblum and Smith) are both smeared with racist insinuations – Smith appears to insult his black officers and doesn't care about the junkies, while Goldblum is fascinated about all things black and talks about them as wild beautiful beasts and loves having sex with black'. These things aren't a major problem, but with basically only two white characters in it, it's a little worrying that both are given that edge.　　However these are minor complaints that get lost with a good thriller. Fishburne excels and Duke delivers a story that is a good thriller but also has a jaded, subversive edge.

JayaandYogisetoutonashortjourneytoretracepastrelationshipsandendupinthemosteventful,strange,crazytripoftheirlives.ThisshortjourneythroughRishikesh,BikanerandGangtokwiththeupsanddowns,themissedtrainsandtaxirides,theheartbreakandthemendingofoldfriendships,thequarrelsandself-discovery,sweepsJayaandYogiaway,andindeedus

　　克里斯蒂安（克拉斯·邦 Claes Bang 饰）和妻子离婚后，带着小女儿（Lilianne Mardon 饰）开始了全新的生活。克里斯蒂安在一间艺术馆里担任策展人的职位，最近，他正在筹划一项名为“方形”的装置展览，希望宣扬一种人人平等互助的积极向上的理念。　　一场意外中，克里斯蒂安的手机被偷了，通过GPS定位，克里斯蒂安找到了偷手机的小偷所居住的公寓，深夜里，克里斯蒂安向该大楼的每一户居民家的门缝里塞进了一张指控书，哪知道这不经思考的举动，为他惹出了大麻烦。为了宣传展览，克里斯蒂安找来了传媒公关公司的代理人，哪知道这两个不靠谱的男人，很快就将这个展览搅成了一锅粥。祸不单行，克里斯蒂安和女记者安妮（伊丽莎白·莫斯 Elisabeth Moss 饰）之间的一段露水情缘让安妮对他展开了猛烈的攻势。