Yen

Voice1(male"professionalannouncer"type):Thisneighborhood(1)wasmadeforthewretcheddignityofthepettybourgeoisie,forrespectableoccupationsandintellectualtourism.Thesedentarypopulationoftheupperfloorswasshelteredfromtheinfluencesofthestreet.Thisneighborhoodhasremainedthesame.Itwasthestrangesettingofourstory,whereasystematicquestioningofallthediversionsandworksofasociety,atotalcritiqueofitsideaofhappiness,wasexpressedinacts.Thesepeoplealsoscorned"subjectiveprofundity".Theywereinterestedinnothingbutanadequateandconcreteexpressionofthemselves.Voice2(Debord,monotone):Humanbeingsarenotfullyconsciousoftheirreallife-usuallygropinginthedark;overwhelmedbytheconsequencesoftheiracts;ateverymomentgroupsandindividualsfindthemselvesconfrontedwithresultstheyhavenotwished.Voice1 - Theysaidthatoblivionwastheirrulingpassion.Theywantedtoreinventeverythingeachday;tobecomethemastersandpossessorsoftheirownlives.Justasonedoesnotjudgeamanaccordingtotheconceptionhehasofhimself,onecannotjudgesuchperiodsoftransitionaccordingtotheirownconsciousness;onthecontrary,onemustexplaintheconsciousnessthroughthecontradictionsofmateriallife,throughtheconflictbetweensocialconditionsandtheforcesofsocialproduction.Theprogressachievedinthedominationofnaturewasnotyetmatchedbyacorrespondingliberationofeverydaylife.Youthpassedawayamongthevariouscontrolsofresignation.Ourcamerahascapturedforyouafewaspectsofaprovisionalmicrosociety.Theknowledgeofempiricalfactsremainsabstractandsuperficialaslongasitisnotconcretizedbyitsintegrationintothewhole"”whichalonepermitsthesupersessionofpartialandabstractproblemssoastoarriveattheirconcreteessence,andimplicitlyattheirmeaning.Thisgroupwasonthemarginsoftheeconomy.Ittendedtowardaroleofpureconsumption,andfirstofallthefreeconsumptionofitstime.Itthusfounditselfdirectlyengagedinqualitativevariationsofeverydaylifebutdeprivedofanymeanstointerveneinthem.Thegrouprangedoveraverysmallarea.Thesametimesbroughtthembacktothesameplaces.Noonewenttobedearly.Discussiononthemeaningofallthiscontinued...Voice2 - "Ourlifeisajourney"”Inthewinterandthenight."”Weseekourpassage..."�Voice1 - Theabandonedliteratureneverthelessexertedadelayingactiononnewaffectiveformulations.Voice2 - Therewasthefatigueandthecoldofthemorninginthismuch-traversedlabyrinth,likeanenigmathatwehadtoresolve.Itwasalooking-glassrealitythroughwhichwehadtodiscoverthepotentialrichnessofreality.Onthebankoftherivereveningbeganonceagain;andcaresses;andtheimportanceofaworldwithoutimportance.Justastheeyeshaveablurredvisionofmanythingsandcanseeonlyoneclearly,sothewillcanstriveonlyincompletelytowarddiver搜索引擎优化bjectsandcancompletelyloveonlyoneatatime.Voice3(younggirl):Noonecountedonthefuture.Itwouldneverbepossibletobetogetherlater,oranywhereelse.Therewouldneverbeagreaterfreedom.Voice1 - Therefusaloftimeandofgrowingoldautomaticallylimitedencountersinthisnarrow,contingentzone,wherewhatwaslackingwasfeltasirreparable.Theextremeprecariousnessofthemeansofgettingbywithoutworkingwasattherootofthisimpatiencewhichmadeexcessesnecessaryandbreaksdefinitive.Voice2 - Oneneverreallycontestsanorganizationofexistencewithoutcontestingallofthatorganization’sformsoflanguage.Voice1 - Whenfreedomispracticedinaclosedcircle,itfadesintoadream,becomesamererepresentationofitself.Theambianceofplayisbynatureunstable.Atanymoment"ordinarylife"�canprevailonceagain.Thegeographicallimitationofplayisevenmorestrikingthanitstemporallimitation.Anygametakesplacewithinthecontoursofitsspatialdomain.Aroundtheneighborhood,arounditsfleetingandthreatenedimmobility,stretchedahalf-knowncitywherepeoplemetonlybychance,losingtheirwayforever.Thegirlswhofoundtheirwaythere,becausetheywerelegallyunderthecontroloftheirfamiliesuntiltheageofeighteen,wereoftenrecapturedbythedefendersofthatdetestableinstitution.Theyweregenerallyconfinedundertheguardofthosecreatureswhoamongallthebadproductsofabadsocietyarethemostuglyandrepugnant:nuns.Whatusuallymakesdocumentariessoeasytounderstandisthearbitrarylimitationoftheirsubjectmatter.Theydescribetheatomizationofsocialfunctionsandtheisolationoftheirproducts.Onecan,incontrast,envisagetheentirecomplexityofamomentwhichisnotresolvedintoawork,amomentwhosemovementindissolublycontainsfactsandvaluesandwhosemeaningdoesnotyetappear.Thesubjectmatterofthedocumentarywouldthenbethisconfusedtotality.Voice2 - Theerahadarrivedatalevelofknowledgeandtechnicalmeansthatmadepossible,andincreasinglynecessary,adirectconstructionofallaspectsofaliberatedaffectiveandpracticalexistence.Theappearanceofthesesuperiormeansofaction,stillunusedbecau搜索引擎优化fthedelaysintheprojectofliquidatingthecommodityeconomy,hadalreadycondemnedaestheticactivity,whoseambitionsandpowerswerebothoutdated.Thedecayofartandofallthevaluesofformermoreshadformedoursociologicalbackground.Therulingclass’smonopolyovertheinstrumentsweneededtocontrolinordertorealizethecollectiveartofourtimehadexcludedusfromaculturalproductionofficiallydevotedtoillustratingandrepeatingthepast.Anartfilmonthisgenerationcanonlybeafilmonitsabsenceofrealcreations.Everyoneunthinkinglyfollowedthepathslearnedonceandforall,totheirworkandtheirhome,totheirpredictablefuture.Forthemdutyhadalreadybecomeahabit,andhabitaduty.Theydidnotseethedeficiencyoftheircity.Theythoughtthedeficiencyoftheirlifewasnatural.Wewantedtobreakoutofthisconditioning,inquestofanotheru搜索引擎优化ftheurbanlandscape,inquestofnewpassions.Theatmosphereofafewplacesgaveusintimationsofthefuturepowersofanarchitectureitwouldbenecessarytocreatetobethesupportandframeworkforlessmediocregames.Wecouldexpectnothingofanythingwehadnotourselvesaltered.Theurbanenvironmentproclaimedtheordersandtastesoftherulingsocietyjustasviolentlyasthenewspapers.Itismanwhomakestheunityoftheworld,butmanhasextendedhimselfeverywhere.Peoplecanseenothingaroundthemthatisnottheirownimage;everythingspeakstothemofthemselves.Theirverylandscapeisalive.Therewereobstacleseverywhere.Therewasacohesionintheobstaclesofalltypes.Theymaintainedthecoherentreignofpoverty.Everythingbeingconnected,itwasnecessarytochangeeverythingbyaunitarystruggle,ornothing.Itwasnecessarytolinkupwiththemasses,butweweresurroundedbysleep.Voice3 - Thedictatorshipoftheproletariatisadesperatestruggle,bloodyandbloodless,violentandpeaceful,militaryandeconomic,educationalandadministrative,againsttheforcesandtraditionsoftheoldworld.Voice1 - Inthiscountryitisonceagainthemenoforderwhohaverebelled.Theyhavereinforcedtheirpower.Theyhavebeenabletoaggravatethegrotesquenessoftherulingconditionsaccordingtotheirwill.Theyhaveembellishedtheirsystemwiththefunerealceremoniesofthepast.Voice2 - Years,likeasingleinstantprolongedtothispoint,cometoanend.Voice1 - Whatwasdirectlylivedreappearsfrozeninthedistance,fitintothetastesandillusionsofanera,carriedawaywithit.Voice2 - Theappearanceofeventsthatwehavenotmade,thatothershavemadeagainstus,nowobligesustobeawareofthepassageoftime,itsresults,thetransformationofourowndesiresintoevents.Whatdifferentiatesthepastfromthepresentispreciselyitsout-of-reachobjectivity;thereisnomoreshould-be;beingissoconsumedthatithasceasedtoexist.Thedetailsarealreadylostinthedustoftime.Whowasafraidoflife,afraidofthenight,afraidofbeingtaken,afraidofbeingkept?Voice3 - Whatshouldbeabolishedcontinues,andwecontinuetowearawaywithit.Weareengulfed.Weareseparated.Theyearspassandwehaven’tchangedanything.Voice2 - Onceagainmorninginthesamestreets.Onceagainthefatigueofsomanysimilarlypassednights.Itisawalkthathaslastedalongtime.Voice1 - Reallyhardtodrinkmore.Voice2 - Ofcour搜索引擎优化nemightmakeafilmofit.Butevenifsuchafilmsucceedsinbeingasfundamentallydisconnectedandunsatisfyingastherealityitdealswith,itwillneverbemorethanare-creation"”poorandfalselikethisbotchedtravelingshot.Voice3 - Therearenowpeoplewhopridethemselvesonbeingauthorsoffilms,asotherswereauthorsofnovels.Theyareevenmorebackwardthanthenovelistsbecausetheyareunawareofthedecompositionandexhaustionofindividualexpressioninourtime,ignorantoftheendoftheartsofpassivity.Theyarepraisedfortheirsinceritysincetheydramatize,withmorepersonaldepth,theconventionsofwhichtheirlifeconsists.Thereistalkoftheliberationofthecinema.ButwhatdoesitmattertousifonemoreartisliberatedthroughwhichTom,DickorHarrycanjoyouslyexpresstheirslavishsentiments?Theonlyinterestingventureistheliberationofeverydaylife,notonlyintheperspectivesofhistorybutforusandrightaway.Thisentailsthewitheringawayofalienatedformsofcommunication.Thecinema,too,hastobedestroyed.Voice2 - Inthefinalanalysis,starsarecreatedbytheneedwehaveforthem,andnotbytheirtalentorlackoftalentorevenbythefilmindustryoradvertising.Miserableneed,dismal,anonymouslifethatwouldliketoexpanditselftothedimensionsofcinemalife.Theimaginarylifeonthescreenistheproductofthisrealneed.Thestaristheprojectionofthisneed.Theimagesoftheadvertisementsduringtheintermissionsaremoresuitedthananyothersforevokinganintermissionoflife.Toreallydescribethiseraitwouldnodoubtbenecessarytoshowmanyotherthings.Butwhatwouldbethepoint?Bettertograspthetotalityofwhathasbeendoneandwhatremainstobedonethantoaddmoreruinstotheoldworldofthespectacleandofmemories.1.Thisfilm,whichevokesthelettristexperiencesattheoriginofthesituationistmovement,openswithshotsoftheParisdistrictfrequentedbythelettristsintheearly1950s.

广袤壮不雅的澳洲大陆,小男孩科迪（亚当·雷恩 Adam Ryen 配音）跟妈妈生涯于此,科迪交友了很多植物友人,天天纵情享用大天然的奉送。但是,三番五次盗猎者毫无所惧捕杀植物!损坏了澳洲大陆的安静。这一日,科迪不测遭受罪恶的盗猎者麦克里奇,为了捉住贵重的金雕,麦克里奇把男孩看成钓饵绑架起来。这一新闻经由过程植物们很快传到地球另一边的美国纽约,俏丽大胆的小老鼠比安卡（Eva Gabor 配音）跟爱恋她的伯纳德（Bob Newhart 配音）担当起此次的救济义务。一场高出万里重洋!惊险安慰而又妙弗成言的救济行为就此开展……　　本片荣获1991年轻年艺术家奖!1990年洛杉矶影评人协会最佳动画片奖

为了说和花心的哥哥奥布朗斯基（马修·麦克费登MatthewMacfadyen饰）和嫂子多丽（凯莉·麦克唐纳KellyMacdonald饰）濒临破败的婚姻，美丽贵妇安娜·卡列尼娜（凯拉·耐特丽KeiraKnightley饰）乘坐火车来到莫斯科。她在当地邂逅骑兵军官渥伦斯基（亚伦·约翰逊AaronJohnson饰），后者风度翩翩，英俊迷人，令多丽的妹妹凯蒂（艾丽西卡·维坎德AliciaVikander饰）神魂颠倒，也让已为人妇的安娜心中若有所动。忌惮周遭的风言风语，安娜压抑内心的情感，乘夜返回彼得堡的家中。醉心名利的丈夫亚历山大·卡列宁（裘德·洛JudeLaw饰），似乎全然无法体恤妻子心中的苦闷。未过多久，渥伦斯基尾随来至彼得堡，安娜再也无法闭锁那充满爱火和渴望的心门……本片根据文豪列夫·托尔斯泰的同名经典名作改编，...

　　故事产生在悠远的现代,名叫瑟拉多（安迪·吉雷 Andy Gillet 饰）的牧羊人跟名叫阿斯特蕾（斯蒂芬妮·克雷恩考尔 Stéphanie Crayencour 饰）的牧羊女相爱了,两人的恋情炙热而真挚,他们都视相互为今生的独一。可怜的是,因为听信了流言,阿斯特蕾误认为瑟拉多尚有新欢。悲伤欲绝的阿斯特蕾起誓再也不肯见到瑟拉多。　　得到了阿斯特蕾的瑟拉多悲哀万分,只想促了结今生,没想到,妄图投河自杀的他被仙女救起。求逝世不成,瑟拉多从新感触到了本人对阿斯特蕾的爱意,但是永不相见的誓言曾经许下,面临这铁正常的枷锁,瑟拉多可以从新见到阿斯特蕾吗！又将有几多艰苦险阻在途径上期待着他呢！

中国晚期引进的科幻译制片（实在实质是个僵尸片子。。。）Twosisters,highschoolseniorsintheearly1980s,awakenonemorningtobloodredskiesandtherealizationthatthehumanracehasbeenwipedout.ItbecomesapparantthatanyonewhowasnotsurroundedbysteelwhentheEarthrecentlypassedthroughthetailofHaley’scomethasbeenreducedtoapileofredash(thetraceelementsofhumanchemicalmakeup.)TheyencounterarebelliousNativeAmericanmanandtakeovertheairwavesatalocalradiostationinanattempttogethelp.Unfortunately,theyattracttheattentionofagroupofscientistswhoknewwhattheeffectsofthecometwouldbe.Theyhidundergroundinasteellaboratory,butidioticallylefttheventsopen.Now,asvarioussurvivorsofthecometwhowereonlypartiallysurroundedbysteelaredecayingintoflesh-hungryzombies,thescientistsareattemptingtocomeupwithavaccinemadeofthebloodofpeoplewhowerenotinfectedbythecomet.Thusthetriomustfighttheirwaypastnotonlyrovingpacksofthecannibalisticdead,butalsooutsmartapackofscientistsdesperatenottobecomethatwaythemselves.

JamesNortonandRobsonGreenreturnastheunlikely1950scrimefightingduo,VicarSidneyChambersandPoliceInspectorGeordieKeating,inthethirdseriesofGrantchester,producedbyKudos.Thesix-partseriesisbasedonTheGrantchesterMysteriesbyJamesRuncie.TessaPeake-JonesisbackasSidney’ssharptonguedhousekeeperMrsMaguirewhokeepsthevicarincheck;MorvenChristiereprisesherroleasSidney’sforbiddenloverAmanda;AlWeaverreturnsasthetimidcurateLeonardFinch;KaceyAinsworthisbackasGeordie’slongsufferingwifeCathy,LorneMacFadyenputshispolicehelmetbackontoplayDCPhilWilkinsonandSelineHizlireturnsasthefeistypolicesecretaryMargaret.Andofcourseitwouldn’tbeGrantchesterwithoutthereturnofthegorgeousblackLabradorDickens.

在一次行动，三剑客被米莱迪（米拉乔沃维奇MillaJovovich饰）和白金汉公爵（奥兰多布鲁姆OrlandoBloom饰）背叛暗算，以失败归隐告终乡间。三年后，练就一手好剑术的达达尼昂（罗根勒曼LoganLerman饰）初出茅庐，来到巴黎投奔火枪队长特雷维尔（马修麦克费登MatthewMacfadyen饰），与三剑客不打不相识，意外成为惺惺相惜的好友，同时也偶遇王后侍女，与之一见倾心。不久后众人意外得知权倾朝野的红衣教主黎塞留（克里斯托弗沃尔兹ChristophWaltz饰）为了自己的灭国计划，想要挑拨英法两国关系，意欲制造一起皇室丑闻，使国王路易十三对王后安娜产生误会。富有正义感的众人为了抗击红衣教主的邪恶阴谋，维护安娜王后的清白，保持英法两国的和平关系，和敌人展开了斗智斗勇的比拼。达达尼昂更是凭借出色的剑...

Twonakedsurvivalistsarechallengedtosurvivefor21daysintheCostaRicanrainforest,despiteadeadlysnakebiteonaproducer.KimispairedwithShane.Theyencounterchallengesincludingrain,illness,shelterfire,andasnakeattack.

In the autumn of 2014 - in the ATO zone, an intelligence group headed by experienced captain Anton Sayenko (called by nickname "Banderas") tries to prevent sabotage and neutralize the Russian saboteur.

故事产生在1798年的法国凡尔赛宫,反动的高潮囊括了全部国度,栖身在宫中的王公贵族们成为了反动者们袭击的工具。为了保命,许多人决议逃跑,但是皇后玛丽（黛安·克鲁格 Diane Kruger 饰）却无奈放下她高尚的庄严。久长以来,波利内公爵夫人（维吉妮·拉朵嫣 Virginie Ledoyen 饰）跟玛丽皇后坚持了暗昧而又密切的关联,而这一次,顾全波利内公爵夫人的生命则成为了玛丽皇后首当其冲须要处理的疑问。西朵妮（蕾雅·赛杜 Léa Seydoux 饰）只是一介小小侍女,但她对玛丽皇后的奸臣跟倾慕是任何人都无奈比拟的,即便到了这个紧急关头,她仍然素性可以守在玛丽皇后的身边,为她卖力。于是,西朵妮牵强附会的成为了玛丽皇先手中的棋子,而她并不晓得,本人将要面对的是怎么的运气。