Toda
搜索"Toda" ，找到 以下影视作品
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DuetosomecommoninterestsbetweenGermanandRussianaristocracy(theRussiansevenhadaristocratsintheirpastnottomentiontheyhadanEmpresscalledCatherinetheGreat,asgreatasthisGermancountsheiresses…),itisnotstrangethatthisTeutoniccounthasunderstoodandevenenjoyedHerrS.M.Eisensteins"StaroyeINovoye".Itisnotveryusualthatforthe...
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内详
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JustasBuffywasintendedtomeijubar.netcaptureasenseofthesuburbanoppressionexperiencedbymanyteens,Angeldepictedthefeelingsofloneliness,dangerandcallousnessoftenattributedtotheurbanLosAngelesmegalopolis.Thedivisionsbetweentheorderedworldofthedayandthechaoticworldofthenighthavebeentrademarkthemesofnoirandbydepictingaprotagonistwholiterallyhasnodaytimelife,theserieswasabletoexplorethesesamethemesinmoredramaticmetaphoricalways.
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伊万·麦克格雷格
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Narratedbytwo-timeGoldenGlobe®nomineeEwanMcGregor,HumpbackWhalesisanextraordinaryjourneyintothemysteriousworldofoneofnature’smostawe-inspiringmarinemammals.SetinthespectacularwatersofAlaska,HawaiiandtheremoteislandsofTonga,thisoceanadventureoffersaudiencesanup-closelookathowthesewhalescommunicate,sing,feed,playandtakecareoftheiryoung.CapturedforthefirsttimewithIMAX®3Dcameras,andfoundineveryoceanonearth,humpbackswerenearlydriventoextinction50yearsago,buttodayaremakingaslowbutremarkablerecovery.Joinateamofresearchersastheyunlockthesecretsofthehumpbackandfindoutwhyhumpbacksarethemostacrobaticofallwhales,whytheysingtheirhauntingsongs,andwhytheseintelligent55-foot,50-tonanimalsmigrateupto10,000milesround-tripeveryyear.AMacGillivrayFreemanfilmpresentedbyPacificLife,HumpbackWhalesisdirectedbyGregMacGillivray(TheLivingSea,Dolphins,Everest)andproducedbyShaunMacGillivray(ToTheArctic,GrandCanyonAdventure).Filmedwith15perf,65mmIMAX®cameras,HumpbackWhalesiswrittenandeditedbyStephenJudson(Everest,ToTheArctic)withamusicalscorebySteveWood(JourneytotheSouthPacific,ToTheArctic).AOneWorldOneOceanproduction.
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陈建仪
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Yesterday is HistoryTomorry is a MysteryToday is a giftThat's why we call it the present二十年前,一位名叫奥法的8岁儿童神奇地突入美国联邦当局电脑体系,惹起联邦当局惊骇,联邦考察局如临大敌,全部出动,终将此案破获,奥法因而被尘封影象,并判21岁前不得触摸电脑。二十年后,又有一名十多少岁的少年受电脑黑客教授侵入航空公司电脑收集,捣乱导航体系,使班机在飞翔时,无端撞向高压电柱。电脑黑客又在动画软件中拔出经假装的暴力画面,在催眠的感化下,应用潜认识掌握人的头脑,迫害青少年,致使产生校园中先生杀人跟自轰变乱。黑客妙手“千禧消息科技”公司,一直研制一代又一代的电脑病毒,侵入收集,形成伤害后,又冠冕堂皇地派人上门“解毒”,攫取暴利；更有甚者,他们侵入中森银行电脑体系,致使储户帐目丧掉或款额转变,市平易近平易近气惶遽,争相提款,形成暴力变乱；新千年降临之际,他们妄想应用“千年虫”,损坏寰球电脑,惹起惊恐,从而到达统治寰球收集的野心。警方衔命与其开展了公理与罪恶的比赛,经由一场又一场触目惊心的恶战,终将恶魔征服,寰球顺遂迎来新世纪曙光。合法人们欢喜鼓励跨入新的世纪,黑客妙手又丧尽天良地东山复兴,警方再度反击……
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奥逊·威尔斯
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厌倦了逃亡生涯的匈牙利赝品画家艾米尔德霍瑞（ElmyrdeHory）于1969年回到西班牙伊维萨岛，成为岛上名人，并结识了美国作家克利福德艾尔文（CliffordIrving）。导演奥逊威尔斯在介绍艾米尔德霍瑞的同时穿插讲述了曾轰动一时的克利福德艾尔文造假美国飞行业大亨霍华德休斯自传案，随后又杜撰了女友欧嘉蔻达（OjaKodar）与毕加索之间的一段奇事。真假穿插中，奥逊威尔斯提出了“艺术是什么”与作品归属权的问题。本片是美国导演奥逊威尔斯的最后一部完整的电影作品，大部分镜头素材来自由艾尔文克利福德编剧，法国导演弗朗索瓦莱兴巴赫（FrancoisReichenbach）导演的关于匈牙利赝品画家艾米尔德霍瑞的BBC纪录片。
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凯西·杰伊
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TheRedPillchroniclesfilmmakerCassieJaye’sjourneyfollowingthemysteriousandpolarizingMen’sRightsMovement.TheRedPillexplorestoday’sgenderwarandasksthequestion"whatisthefutureofgenderequality?"
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内详
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JustasBuffywasintendedtocaptureamingtian6.comsenseofthesuburbanoppressionexperiencedbymanyteens,Angeldepictedthefeelingsofloneliness,dangerandcallousnessoftenattributedtotheurbanLosAngelesmegalopolis.Thedivisionsbetweentheorderedworldofthedayandthechaoticworldofthenighthavebeentrademarkthemesofnoirandbydepictingaprotagonistwholiterallyhasnodaytimelife,theserieswasabletoexplorethesesamethemesinmoredramaticmetaphoricalways.
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Totallyunawares,Saverio,ateacherandMario,ajanitorofthesameschoolinwhichtheybothwork,travelbackintimeandfindthemselvesincentralItalyattheendofthe15thcentury.TheycarrywiththemanunresolvedsquabbleconcerningSaverio’ssister,creatingalotoftensionbetweenthetwo,whichwillincreaseintheplot.Fromthismomentontheywillhavetocometogripswiththegrotesquesituationtheyfindthemselvesin,tryingto"hitchalift"backtothefutureinamostoutlandishway,usingandmisusingtheirforesightoftheeventstakingplaceroundthattime,andgenerallymakingfoolsofthemselvesintheeyesof"normal"renaissancefolks.TheirmeetingwithLeonardodaVinciishysterical,whentheybecomemoreandmoreconvincedthatthegeniusisinrealityamoron.AnothercharactertheymeetisSavonarolatheheretic,whoenjoinsthemtorepent,beforeheistakentothestake,elicitingsomebreezycommentfromthem.Ifitweren’tforaweirdkindofhomesickness,theywouldquiteenjoylivinginthisperiod,fullofdaringfashionsandtantalisingdamsels.Thecoupleshowsgreatchemistryandisfunnyineveryrespect.Thepsychologyoftheircharactersiscomplexandcredible-foroncecomicalroleswithadepth.Basically,Saverioisanembitteredpetit-bourgeoisforeverattractedandrejectedbywomen,enviousofMario,aneasy-goingproletarianeverywomanfallsinlovewith.Saverioisscheming,meanandvindictiveasmuchasMarioisnaive,generousandforgiving.Whatamatchoftalents:RobertoBenigniandMassimoTroisiatthepeakofcombinedcreativity.Toobadtheywillnevercomebacktogetherforanotherjointventure.Ormaybeitisbetterthisway:masterpiecesofthislevelcannotbeimprovedon,atbesttheycanbeimitated.ForthisreasonNoncirestachepiangerewillshinelikeageminthecrownofthebestItalianmoviesofalltimes.Sadlynotmanypeopleseemtohaveseenit,noteveninItaly,wheretheviewersdonotneedsubtitlestoenjoythehilariousjugglingofthetwoactorswiththelanguage,buttheirbodylanguagecanbeuniversallyappreciated.Ifyoumissityouwillhavetorepent!
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Marion
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Barbeau
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皮奥·马麦
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弗朗索瓦·西维尔
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Hofesh
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Shechter
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德尼·波达利德斯
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穆里尔·罗宾
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索海拉·雅各布
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Mehdi
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Baki
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艾莉西亚·乔达诺
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Robinson
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Cassarino
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戴米恩·查潘
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Marion
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Gautier
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de
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Charnacé
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Marilou
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Aussilloux
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玛蒂尔德·瓦尔尼耶
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Florence
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Clerc
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Louis
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Lancien
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Agathe
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Berman
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齐达内·苏阿内
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Fanny
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Sage
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Kevin
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Garnichat
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Jade
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Elise,averypromisingclassicaldancer,isinjuredduringaperformanceat26yearsold.Althoughshe'stoldshewillnolongerbeabletodance,shewilltrytofindanewdirectionincontemporarydance.
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Homelessness, hunger and shame: poverty is rampant in the richest country in the world. Over 40 - million people in the United States live below the poverty line, twice as many as it was fifty years ago. It can happen very quickly. Many people in the United States fall through the social safety net. In the structurally weak mining region of the Appalachians, it has become almost normal for people to go shopping with food stamps. And those who lose their home often have no choice but to live in a car. There are so many homeless people in Los Angeles that relief organizations have started to build small wooden huts to provide them with a roof over their heads. The number of homeless children has also risen dramatically, reaching 1.5 - million, three times more than during the Great Depression the 1930s. A documentary about the fate of the poor in the United States today. 这是一部对于贫平易近生活情况的记录片。在美国这个天下上最富有的国度,有超越4万万人低于穷困线,比50年前多了两倍。一夜崎岖潦却是常有的。贫平易近只能依附食物券过活。无家可归的人除了住在车里不其余挑选。在洛杉矶有太多的无家可归者,一些公益构造开端赞助他们造街边小板屋。无家可归儿童的数目也大幅回升,亲近150万,这个数字是1930年月大冷落时代的3倍。这是一部对于贫平易近在本日美国的运气。
