Tanakul
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花心的明星Wat（Alek饰演）与漂亮名模Gin（Namtarn饰演）是一对恋人；飞行员Tet（Krating饰演）与法医Kul（Bua饰演）是一对恋人；突然一天，Wat和Tet的灵魂交换了，面对不同的职业，两位将会面临怎样的挑战？面对对方异常的举动，他们的爱人能否发现？
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1942年之夏，瓦斯柯夫准尉（彼得·费奥多罗夫PyotrFyodorov饰）带领两个班的女机枪手驻扎在一个靠近小车站的村子里。一天，班长丽达（阿纳斯塔西娅·米库尔钦娜AnastasiaMikulchina饰）在不远的树林里发现了两个空降的德军计划要袭击苏联腹地的军事设施。瓦斯柯夫带领一支小分队去搜查敌军，成员包括丽萨（索菲娅·列别杰娃SofyaLebedeva饰）、迦尔卡（克里斯蒂娜·阿斯姆斯KristinaAsmus饰）、丽达、索妮娅（雅戈尼娅·库兹涅佐娃AgniyaKuznetsova饰）、冉妮娅（叶夫根尼娅·马拉霍娃ZhenyaMalakhova饰）等五个姑娘。但敌人的力量与自然环境的恶劣远比她们想得要残酷，这些美丽的苏联女战士，不得不在丛林中与人数众多的敌军反复周旋......电影根据前苏联当代着名作家鲍...
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比尔（布鲁斯·威利斯BruceWillis饰）是一名心理医生，这个特殊的职业让他接触过许多精神抑郁生活压抑的病人，他们的压力在无形之中也转嫁到了比尔的身上，终于，当病人蜜雪儿（KathleenWilhoite饰）在比尔眼前坠楼身亡后，比尔意识到，休息的时间到了。沮丧的比尔决定去找老友鲍勃（斯科特·巴库拉ScottBakula饰）叙叙旧，不幸的是，在两人见面后没多久，鲍勃便被某个凶徒残忍的谋杀了，丝状可怖。为了查明老友死亡的真相，比尔展开了缜密的调查，在此过程中，一个名叫罗丝（珍·玛奇JaneMarch饰）的神秘女子浮出了水面，然而比尔不知道的是，当他逐步接近真相的同时，危险也在接近着他。
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Teerakitkankul家族和Wirayawanit家族的竞争从爷爷这辈开始，延续到了孙辈，看起来竞争的DNA直接遗传到了两家巨头家族集团的继承人AnawinTeerakitkankul（Alek饰）和MilinWirayawanit（Nychaa饰）的身上。当男主Anawin的前女友Veeanna（Donut饰）即将成为女主Milin的后妈后，男女主有了共同的目标：男主Anawin为了打败这个侵占他心爱女人（即Veeanna）的男人，而女主Milin则为了报复选择新的妻子而拋弃了她的父亲，为此两大继承人达成合作开办新公司，携手假扮情侣，对抗报复女主父亲Pee（Sam饰）。事实上，Milin心里深藏的秘密，是早已爱上自己的对手Anawin，她的爱情能成真吗？即便她知道Anawin的心里有后妈的影子，最重要的是，两家的深深敌意...
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PANIC BEATS begins with a totally nude woman with welts on her body, running through a misty forest full of decayed skeletons. A knight on horseback is chasing her, and we soon learn that he is Alaric de Marnac (a wicked character Naschy first created for HORROR RISES FROM THE TOMB), viciously killing her for her unfaithful ways. After the credits role, we are taken to the present where a descendent of Marnac named Paul (Naschy) is married to the wealthy Geneviève (Julia Saly) was has some serious heart problems. Paul decides to take her to his ancestral home in the country for some peace and quiet, but the superstitious-filled setting opens a Pandora’s Box of terrible occurrences. We soon discover that Paul is a real son-of-a-bitch who plans to scare his wife to death, planning to control her fortune and continue his secret affair with seductive bad girl Mireille (Silvia Miró), who happens to be the niece of the tarot card-reading housekeeper, Mabile (Lola Gaos). Paul’s malevolent scheme works, but he still has to worry about an additional money-hungry mistress (this guy really gets around!), the unforgiving Mabile, as well as new fianceé Mireille who might be hiding a thing or two herself. More grisly murders follow, and the ghost of Marnac returns from hell to punish the most despicable human character in the film. PANIC BEATS was also written by Naschy (under his real name Jacinto Molina) who injects the film with an old-fashioned spooky house motif, beefed up with a modern movie sense of violence and sexuality. The film offers nothing too innovative storywise, and even Naschy admits on the disc’s extras that it was partly inspired by GASLIGHT and REBECCA, but he seems to just toss in a hodgepodge of exploitation and horror ingredients, while delivering a stylish and enjoyable effort with a number of twists and some genuinely chilling moments. The camera shots and lighting are both effective, and there's even does a cool set-up (much like what Freddie Francis did in THE SKULL and THE CREEPING FLESH) where we see the point of view of Marnac through his dark helmet as he stalks his female prey. Graphically, we are exposed to everything from a plate of bloody eyeballs, to victims being beaten relentlessly with the various Medieval weapons affixed on the house’s walls (for example, someone is axed in the stomach, followed by the soaked entrails oozing out!). Naschy’s most frequent 1980s leading lady, Julia Saly, is not given much to do, but with her offbeat looks, is a nice presence nonetheless. The prominent female star here is Silvia Miró who is seen in the buff frequently, and she certainly makes for some well-appreciated Euro starlet eye candy. Naschy himself is very good in the film, putting on conniving facades, carrying a number of women on a string,
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Awealthyrais(aheadoflocaladministrationinTadzhikistan)buildshistoiletrightnexttothehouseofateacherinthevillage.Thearomasofthetoiletdisturbthelifeoftheteacher’sfamily;itisveryupsettingforthem.ButtheraisisalsoanewTadzhik(newmoney)andignoresthecomplaints.Moreover,everytimehevisitsthetoilet,heshamelesslystaresattheteacher’syoungwifeoverthefence.However,thepoweroftheraisissogreatthatnobodydarestoopposehim.Theteacherbuyscheaplyahomerightinfrontoftherais’shousefromanoldmananddecidestobuildapublictoiletthere.Itseemsthattheeraoffairytalesandlegendshasvanishedanditisnotpossibletomakefilm-parables.However,JamshedUsmonovcreatesfilm-parables.Ineveryoneofhisfilmsthereisacharactertellingalegendthatturnsthemeaningofthefilmallaround.InFlightoftheBeeitisataleaboutabee,whichsavedthelifeofanarmy:Onceuponatimeitwasacustomtokilloldpeoplewhoreachedacertainage.ButoneofthesoldiersofAlexandertheGreatdidn’thavethehearttokillhisfather.Hehidhiminhistravelingtrunkandcarrieditonhisbackduringmarches.Thearmycametoadesertandthewarriorsstartedtodiefromthirst.Nobodyknewhowtofindwater.Thefathersaidtohisson:Catchabee,tieawhitethreadtoitslegandfollowit.Itwilltakeyoutowater.Theyfoundwaterandthearmywassaved.Afterthatoldpeopleweresparedbecauseeverybodyrecognizedthemasasourceofwisdom.Thevillageteachertellsthisstorytohisstudentsatthebeginningofthefilm.ItisinterestingtonotehowinthefilmFlightoftheBeedifferentmentalitiesintermingledandco-existed.TheteacheristypicaloftheSovietintelligentsia:hewritesbooksthatnobodypublishes;helooksforjusticefromthegovernmentthathasneverbeenfairtohim.ThesurroundingsofthevillagearestillSoviet:theraishasLenin’sportraitinhisoffice;youngpeopleareidleanddrunkastheyalwayswereduringtheSovietera.Thenewcapitalists,thenewTadzhiksinthevillage,donotweardesignerjacketsanddonottalkoncellphones.Thenewmoneyispresentedinthecharacteroftherais.Ithasalmostafeudalquality;itisthepowerofalocallord.JamshedUsmonovhasauniquetalenttobalancethefunnyandserious,thesimpleandcomplicated.He,likenobodyelse,sensesthisborder,whereasimplestoryturnsintoaparableandfilmcharactersstandoutasarchetypesofdifferentperiodssettogetherinthegapoftimes.(kinokultura/GULNARAABIKEEVA)
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十次拜佛积德抵不外一次作歹行孽。 新锐计划师纳（James Maggie）筹划与其女友布恩（Siraphan Wattanajinda）自驾车到清迈玩耍,一日恰好离开纳的故乡,两人决议前往造访已两年未见的纳的母亲。纳的母亲尼达雅（Penpak Sirikul）是一名忠诚的释教徒,她镌谕纳与布恩在游览途中前往9座差其余寺庙参拜积德,但纳基本没放在心上。动死后纳偶遇童年玩伴（Paradorn Sirakovit）,此时的他已是一名行走僧侣,纳于是邀他一起上路。旅途中的三人发明,好像有人追随而来。当他们认识到追随而来的并非活人之时,所有都为时已晚。那被安葬已久的恐惧过往,正在清醒,要他们血债血偿…
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《把哥哥退货可以吗》、《限时好友》后，泰国最瞩目爆笑爱情喜剧《只有我能喜欢妳》（LoveandRun），找来全台破亿天菜《模犯生》「阿班」查农桑提纳同库（ChanonSantinatornkul），颠覆《模犯生》中天才资优生形象，在新片中化身中二屁孩，只为了保护小自己一岁的女神小姑姑「小琳」，泰国超人气女神苏帕莎拉珊纳洽（SupassraThanachat）饰演，查农使出浑身解术要斩断女神所有桃花！
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Teerakitkankul家族和Wirayawanit家族的竞争从爷爷这辈开始，延续到了孙辈，看起来竞争的DNA直接遗传到了两家巨头家族集团的继承人AnawinTeerakitkankul（Alek饰）和MilinWirayawanit（Nychaa饰）的身上。当男主Anawin的前女友Veeanna（Donut饰）即将成为女主Milin的后妈后，男女主有了共同的目标：男主Anawin为了打败这个侵占他心爱女人（即Veeanna）的男人，而女主Milin则为了报复选择新的妻子而拋弃了她的父亲，为此两大继承人达成合作开办新公司，携手假扮情侣，对抗报复女主父亲Pee（Sam饰）。事实上，Milin心里深藏的秘密，是早已爱上自己的对手Anawin，她的爱情能成真吗？即便她知道Anawin的心里有后妈的影子，最重要的是，两家的深深敌意会让他们两人的爱情无法成真！这是一场以生命和尊严做赌注的比赛，所以不要相信任何人的言行，因为每次竞争，每个期望，都会让这游戏发生改变！
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他们想一夜暴富,于是合资出翻戏,终局倒是到处逃跑。Tod（Shahkrit Yamnarm）都城名吧的把戏师,人送绰号“牌仙”,切牌换牌手段灵巧天然多少乎看不出任何马脚。Sian（Suthep Po-ngam）造假卖假佛牌的新手,是一个佛牌专家。他的侄子Riang（Akkharin Akkharanithimeatharat)狡诈无比,生成嗜赌成性。为了让牌技高明的Tod挑衅赌坛真正的大仙,他们开出巨款,让Tod最后决议参加他们的步队。Riang还试着让本人暗恋已久的性感舞女Sri(Pattara Atiratkul)充任此次义务的钓饵。
