Pimental
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麦肯锡·克鲁克
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Settobroadcastintwoone-hourfilms,thisfamilytreatisinspiredbytheclassicbooksofBarbaraEuphanToddandispeggedtobetheTVeventoftheseason.MackenzieCrookhastakenScatterbrookmingtian6.comfarmandtheinfamouscharactersofthiswell-lovedtaleandinjectedthemwithatenderandauthenticcharm.Thisistheperfectfamilyadventure,packedwithafun,mischievousspiritanddeliveredwithanenvironmentalmessage.
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Will,ayoungHispanicgaypotter,isonegregariousguy.Hisbossisterrible,buthe'sgotagreatboyfriendandagreatjob.Unfortunately,behindthatveneerisadarkpastofviolenceandmentalillnessthatheisdesperatetokeephidden.Whenhisbipolarmothercomesoutofthewoodworkaftertenyearsofsilence,hebeginsexhibitingunexplainablesymptoms.Afteraninjuryatwork,hestartslosingfunctioningofhisarms,andsomethingsinisterlurksinthecornerofhisvision:asilentandominousmaninawolfcostume.Willspiralsintoanobsession,determinedtosolvethismysteryofhisown.Whatisgoingonwithhisarms?Canhetrusthisboyfriend?Ishebecominghismother?
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内详
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Settobroadcastintwoone-hourfilms,thisfamilytreatisinspiredbytheclassicbooksofBarbaraEuphanToddandispeggedtobetheTVeventoftheseason.MackenzieCrookhastakenScatterbrookfarmandtheinfamouscharactersofthiswell-lovedtaleandinjectedthemwithatenderandauthenticcharm.Thisistheperfectfamilyadventure,packedwithafun,mischievousspiritanddeliveredwithanenvironmentalmessage.MackenzieCrook,(PiratesOfTheCaribbean,Detectorists)whohaswritten,directedandstarsasWorzelGummidge,hasgatheredahostofbothaccomplishedandbrilliantactorswhoaresettoappearinthiseagerlyanticipatedadaptation.PlayingTheGreenMan,creatorofthescarecrows,whoarrivestoScatterbrookinepisodetwo,iscomedylegendSirMichaelPalin.Hesays:“It’salovelypartforme,butthewholescriptisverymemorableandtouching,andveryfunnytoo.Itquiteskillfullyweavesinsomethingforeverybodyallthetime.”ZoëWanamaker(MyFamily,HarryPotterAndThePhilosophersStone)willplaytheeccentriclocalaristocrat,LadyBloomsburyBartoninepisodetwo.Shesays:“Thewholethingissocharmingandinventive.It’sthesortofthingI’dwatch.I’msureitwillbeahugesuccess.Iknowitwill-it’sdivine.”VickiPepperdine(GettingOn,TheWindsors)takesontheroleoftheformidableAuntSallyinepisodeone.Shesays:“There’ssomethingforeverybody.It’sgotthishearttoit,andyou’dbehardpushedasanadultnottoengagewithit.”StevePemberton(LeagueOfGentleman,Benidorm)willplayMrBraithwaite,thefarmer.Hesays:“Thisisthekindofshowthewholefamilycanenjoytogether.Ithasalotofhumour,alotofvisualhumourtoo,andIthinkkidswillenjoywatchingthechildrenbeingcentraltothestory.”RosieCavaliero(GentlemanJack,CleaningUp)willplayMrsBraithwaite,sheadded:“It’sastoryabouttheimagination,andchildrenescapingintothisdifferentworld.Mackenzie’sversionistotallycontemporary.”OnestowatchIndiaBrown(HettyFeather)andThierryWickens(makinghisTVdebut)willplaySusanandJohn,twocitychildrenspendingtheirsummeratScatterbrookfarmwhoquicklybefriendWorzelandbeginasummerofadventures.Thefirstepisode,TheScarecrowOfScatterbrook,seestwoyoungstrangersarriveinthevillageofScatterbrook.It’snotlongbeforeSusanandJohnencounterWorzelGummidge,theScarecrowofTenAcreField.TheirworldissentspinningintoconfusionwhentheyrealiseGummidgecomestolife.TheonlypersonmoreshockedisWorzel,whenhediscoversthatthechildrenarenotinfactfellowscarecrowsbuthumans.Theirworldsshouldnevercommunebutfatehasconspiredtocreateanextraordinaryunion.Theseasonshavestoppedandtheharvesthasn’tarrived.Therhythmofthenaturalworldisoutofkilterandthisunlikelytriomusttrytoputitright.Magic,mysteryandmayhemunfurl.Thesecondepisode,TheGreenMan,welcomesanothermysteriousarrivaltoScatterbrook.TheGreenManisthecreatorofscarecrowsandkeeperofscarecrowlore.Heisn’tatallhappythatWorzelisconsortingwithhumans.Elsewhere,localaristocratLadyBloomsburyBartonisholdingafete,withaScarecrowcompetitionthatWorzelisdeterminedtowin.WhatwillTheGreenManandWorzel’smostcompetitiverival,SoggyBogartmakeofitall?WorzelGummidgeiswrittenanddirectedbyMackenzieCrookandisaLeopardPictures,TreasureTroveProductionsandLolaEntertainmentproductionforBBCOne.ItisExecutiveProducedbyKristianSmithforLeopardPictures,LisaThomasforLolaEntertainment,MackenzieCrookforTreasureTroveProductions,withrightsholdersPatrickD.PidgeonandEricS.RollmanexecutiveproducersforPidgeonEntertainment,Inc.ItisproducedbyGeorgieFallonandAlexMoodyistheCommissioningEditorfortheBBC.Furthercasting:FrancescaMills-EarthyMangoldTimPlester-ClartyColinMichaelCarmichael-SoggyBogartAndrewJamesSpooner-FlatAlistairPhilHulford-HannahHarrowTomMeeten-HMSOdneyChristopher-RobertBarlow-RagBagKiranShah-ChopperandRootBoundCharlieMayhew-RustleSprouterLucyMontgomery-JackiePuddingGusBrown-OswaldPollypopMalikIbheis-TrikeBenLangley-DriverMariamHaque-Receptionist
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Thisearly70’sgiallobyUmbertoLenziiscertainlyamongthebestinhisfilmographyandalsointhewholegenre.PersonallyIthinkLenzi’sbestfilmsarethefunnycartoon-turned-filmKriminal,thestylishgialloSevenBlood-StainedOrchids,theexplosiveNapoliviolentaandthis.IntheeightieshedidplentyoffilmtrashinformofEatenAlive,HitcherintheDarkorBlackDemons,allofwhicharerippingsomethingoffand/orverydullandslowmoving.KnifeofIcecamewhenthegialloboomwasatitshottestandtheresultisconvincing.Technicallythefilmissuperb,containinggreatcinematographyinthebeginningwhenwelearnaboutthemaincharacter’straumatowardstrains.Fromthispointon,Lenzishowsushisabilitytobenefitthewidescreenand,forexample,thebicyclerideneartheforestisgenuinelybeautiful!ThisscenealsoshowsLenzi’sabilitytobuildsuspense,veryslowlybutmeaningfully.Afterall,therearen’tsomanymurdersinthewholefilm,onlythesuspensecirculatingaroundthemurderer’sidentity.Onesuspectisadevilworshipperwhichbringsnewaspectstothemystery.Sincethefinalscenetakesplaceinachurch,onecanwonderifLenziwantedtocommentonsomething,maybethehypocriticalmoraleofchurchandsuperstition.Themaincharacter(CarrolBaker)ismutewhichdemandsalotfromherfaceandeyes.Theactressworksverywell,givingusabelievableperformancecirculatingaroundtheemotionsoffearandmentalpain.Theotheractorsaregood,too.Thefinally,however,maynotgivetoopositiveasightaboutfemalesexsincetheyallareexpressedrathernegativelyinthefilm,onewayoranother.Stillthisiseasilyamongthemostnoteworthyinthegenre,notasbloodyastheArgentofilms,forexample,butequallysuspensefulandvisuallyalsointeresting.
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布兰科·普莱沙
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1970年瑞士洛迦诺国际电影节最佳影片金豹奖.Ayoungteenagegirlissenttoanorphanagewhenshebecomestoomuchforhermothertohandle.Lilika(DraganaKalaba)issenttotheinstitutionafterhermother(TamaraMiletic)discoverssheisstealingfruitfromthelocalmarket.Sheisveryprotectiveofheryoungerbrotherandamentallychallengedfriend,andtakesalikingtohercounselor(BrankoPlesa).Shedreamsofhavinganordinarylifeandescapingthejuvenilehomesheregardsasaprison.Lilikafantasizesaboutherfutureasshehopesforawayoutoftheorphanage.Elevenyearsoldgirl,daughterofawomanaffectedbywar,feelssheisunneededinlifeofherfosterfatherandhermother.Fromcruelenvironmentandtwistedfamily,thejudgeandthejurywillfindHouseofcorrectionasheronlywayout,whichshedoesn’tregardasnewhome,butaspenalservitudeforchildren.
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Based on a true story, John Larroquette plays a hotshot executive that ends up in court over a certain charge. He is sentenced to community service. He is assigned to coach a basketball team of mentally handicap citizens. At first, he is reluctant and thinks selfishly of his own needs. Later on, he finds the real meaning of life which is helping others.
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A brief trip back home turns into a longer stay when Eric finds himself caught between catching up with his two sisters and conquering his old poker group. The more Eric extends his visit to prove that he is still the best poker player in town, the harder it becomes to steer clear of the old fault lines in his relationship with his sister Rachel. As their little sister Maggie attempts to recreate the intimate world they once shared, Eric and Rachel are faced with the divide between their childhood selves and the adults they have now become. ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ?Displaying all the sensitivity and wicked humour of his previous works, Dustin Guy Defa’s new film is a shrewd study of the pitiless condition known as adulthood. After growing up in a family unit that constitutes your whole world, with its particular set of habits and a shared language, crossing the border into the realm of adults can feel disempowering, even terrifying. A sense of loss may be difficult to ever really overcome. The film’s meticulous structure and novelistic depth lay bare this fundamental fear, but also the resources that exist to fight it. Setting about this treasure hunt deep within as individuals and as a family is an admirable trio of actors whose interpretation is as nuanced as it is poignant.
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拉契得·波查拉
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Thismovieisalsocalled"Dustoflife"inEnglishandwasmadebyAlexBoucharebin1994.In1975 - 3kidsdecidetoescapeareeducationcampintheVietnameseequatorialforestnearCambodiawheretheAmerasiansareimprisoned,torturedbothmentallyandphysically.Son,theheroissentinthatcampafterhermotherfailstofindhisfathertosendhimawaytoAmerica.Searchthewebforthetitletofindmoreinformation.Youcanfindtheposterofthemovieoncinepostersdotcom.KindofremindsmeofPapillonortheKillingFieldsthoughmaybeanotchdownintermsofrealization...Thismovieisbasedonfactsfromtheafterwar.
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竹内洋介
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After the Great Earthquake in Northeastern Japan, Mitsuo is sent to a mental hospital from the strain of grief from working to clear out the debris of the disaster. When he is released 3 years later, he feels a moment of happiness as he is welcomed back by his brother Yuta, his wife Yoko, their first daughter Chie, and their second daughter Itsuki, who has a down syndrome.The next day, Chie wishes to go to the amusement park, and Mitsuo takes Chie and Itsuki there. But these happy moments don't last long, and the incident happens at the park. Chie dropped Itsuki on the concrete when Mitsuo took his eyes off of them. Yoko cannot accept Itsuki's death, madly questions Chie and Mitsuo. In this pressure, Chie lies that "Uncle Mitsuo dropped Itsuki." As Yoko goes through a mental breakdown from the shock. Becoming full with regret day by day, Yoko accuses Yuta and questions if he felt relieved that Itsuki died. Hearing this fight between her parents, Chie's heart was also slowly being ...
