Isidora
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Anunbearablyadorable,eternallyoptimisticQuokkanamedDaisyhasanimpossibledream-towinthe'World'sScariestGames'.
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PANIC BEATS begins with a totally nude woman with welts on her body, running through a misty forest full of decayed skeletons. A knight on horseback is chasing her, and we soon learn that he is Alaric de Marnac (a wicked character Naschy first created for HORROR RISES FROM THE TOMB), viciously killing her for her unfaithful ways. After the credits role, we are taken to the present where a descendent of Marnac named Paul (Naschy) is married to the wealthy Geneviève (Julia Saly) was has some serious heart problems. Paul decides to take her to his ancestral home in the country for some peace and quiet, but the superstitious-filled setting opens a Pandora’s Box of terrible occurrences. We soon discover that Paul is a real son-of-a-bitch who plans to scare his wife to death, planning to control her fortune and continue his secret affair with seductive bad girl Mireille (Silvia Miró), who happens to be the niece of the tarot card-reading housekeeper, Mabile (Lola Gaos). Paul’s malevolent scheme works, but he still has to worry about an additional money-hungry mistress (this guy really gets around!), the unforgiving Mabile, as well as new fianceé Mireille who might be hiding a thing or two herself. More grisly murders follow, and the ghost of Marnac returns from hell to punish the most despicable human character in the film. PANIC BEATS was also written by Naschy (under his real name Jacinto Molina) who injects the film with an old-fashioned spooky house motif, beefed up with a modern movie sense of violence and sexuality. The film offers nothing too innovative storywise, and even Naschy admits on the disc’s extras that it was partly inspired by GASLIGHT and REBECCA, but he seems to just toss in a hodgepodge of exploitation and horror ingredients, while delivering a stylish and enjoyable effort with a number of twists and some genuinely chilling moments. The camera shots and lighting are both effective, and there's even does a cool set-up (much like what Freddie Francis did in THE SKULL and THE CREEPING FLESH) where we see the point of view of Marnac through his dark helmet as he stalks his female prey. Graphically, we are exposed to everything from a plate of bloody eyeballs, to victims being beaten relentlessly with the various Medieval weapons affixed on the house’s walls (for example, someone is axed in the stomach, followed by the soaked entrails oozing out!). Naschy’s most frequent 1980s leading lady, Julia Saly, is not given much to do, but with her offbeat looks, is a nice presence nonetheless. The prominent female star here is Silvia Miró who is seen in the buff frequently, and she certainly makes for some well-appreciated Euro starlet eye candy. Naschy himself is very good in the film, putting on conniving facades, carrying a number of women on a string,
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马赫什·纳拉扬
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HareeshandReshmiareanimmigrantcouplefromKeralaworkinginamedicalglovesfactorynearDelhi.DuringtheCOVID-19lockdowns,whenanoldvideoresurfacesamongthefactoryworkers,itopensupaPandora’sboxthatthreatensthecouple’sjobsandmarriage.Asdesperationandhostilitymounts,theyconfronttheirownneedsanddesireswhiletornbetweenalifeofconscie...
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Yiannis doesn’t have much going for him, save for his adorable dog, Jimi, and his fast-approaching date to get out of Cyprus for good. But when Jimi wanders across the U.N. buffer zone and into the section of the island Turkey seized more than forty years ago, an unregulated state unrecognized by the rest of the world, Yiannis learns, bringing a dog back over the border is not as easy as walking straight home. He enlists a mismatched band of accomplices from every side of the Cyprus dispute to find a way to get Jimi back, while never leaving the land he calls home. Writer and director Marios Piperides has been producing films in Cyprus for more than a decade, and his inside knowledge pays dividends in this narrative feature debut—a whip-smart comedy on legality, disputed nationality, and the frameworks that are erected to maintain a fragile peace. He demonstrates his compassion for locals on both sides of the divide, as he tenderly captures their struggle to find hope and make a living in a divided land. Such serious themes pair perfectly with Piperides’s sense of humor: As Yiannis’s efforts dip farther into absurdity, they offer a send-up of the forces that prolong a conflict that has been poorly understood and largely forgotten by the outside world.
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黛博拉·法拉贝拉
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莱昂德拉·利尔
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泰丝·阿劳茹
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Thainá
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Duarte
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卡米拉?皮坦佳
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路易斯·卡洛斯·瓦斯康赛罗斯
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罗密欧·布拉加
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古斯塔屋·法尔桑
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Vitor
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Thiré
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Bruno
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Goya
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古斯塔沃·瓦兹
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Ravel
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Andrade
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丹尼尔·里贝罗
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Kay
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Sara
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Abra?o
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Mazuruna
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克劳迪乌·亚博朗迪
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Flávio
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Rocha
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布鲁诺·帕基利亚
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Marcos
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de
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Andrade
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哈法埃尔·普林莫特
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Luti
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Angelelli
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塞缪尔·德·阿西斯
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Daniel
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Volpi
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B
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FundadorasdaONGdepreserva??oambientalAruana,Natalie(DéboraFalabella),Luísa(LeandraLeal)eVer?nica(TaísAraújo)viajamparaCari,nointeriordoAmazonas,aoreceberemumadenunciasobreatentadosaopovoindígenaseconflitospelapossedeterraspreservadas.ElasdescobremumgrandeesquemadecrimesambientaisetemquelidarcomOlga(CamilaPitanga),donadeu...
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Euskadi 1985. El colegio ha terminado, por fin llegan las ansiadas vacaciones. Marcos y sus tres amigos, José Antonio, Paquito y Toni, reciben expectantes la llegada del verano, un verano prometedor sobre todo porque a sus doce a?os poco importa dónde, ni cuándo, ni cómo. Recorrerán las horas en el laberinto que la vida les ha deparado, en una Euskadi antigua, luchadora, convulsa. Un laberinto de paredes grafiteras, donde rebotan las pelotas de goma y los sue?os de libertad; cubierto de un cielo gris prefabricado en cooperativas, donde la muerte y la vida ya no mantienen relaciones formales.
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朱利安·罗贝侬
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What Nicholas (9) loves most is playing with his gang of middle school pals, The Invincibles. Adorable, yet mischievous, they have all sorts of adventures together and life could not be funnier. So when his dad gets promoted and announces that the family is relocating to the South of France, his world falls apart. Little Nicholas cannot live without his friends. But the pack has a plan to prevent this terrible relocation a treasure hunt.
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黛博拉·法拉贝拉
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莱昂德拉·利尔
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泰丝·阿劳茹
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Thainá Duarte
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卡米拉•皮坦佳
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路易斯·卡洛斯·瓦斯康赛罗斯
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罗密欧·布拉加
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古斯塔屋·法尔桑
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Vitor Thiré
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Bruno Goya
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古斯塔沃·瓦兹
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Ravel Andrade
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丹尼尔·里贝罗
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Kay Sara
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Abraão Mazuruna
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克劳迪乌·亚博朗迪
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Flávio Rocha
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布鲁诺·帕基利亚
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Marcos de Andrade
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哈法埃尔·普林莫特
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Luti Angelelli
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塞缪尔·德·阿西斯
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Daniel Volpi
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B
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Fundadoras da ONG de preservação ambiental Aruana, Natalie (Débora Falabella), Luísa (Leandra Leal) e Verônica (Taís Araújo) viajam para Cari, no interior do Amazonas, ao receberem uma denuncia sobre atentados ao povo indígenas e conflitos pela posse de
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《飞出个未来第八季》于2011年6月在频道首播,共13集。PhilipJ.Fry是一名25岁的披萨店外卖小哥,生活庸庸碌碌、平平无奇。1999年12月31日,他在送外卖时意外把自己冻住,醒来后已经是2999年12月31日。从此,他的生活有了一个新的开始。他加入了PlanetExpress,一家未来的快递公司,负责把快递运往宇宙的所有五个象限。他的小伙伴们包括快递飞船船长Leela,一个紫色头发的独眼外星人;Bender,一个拥有着人类缺点机器人...S8E01-NeutopiaS8E02-BenderamaS8E03-GhostintheMachinesS8E04-LawandOracleS8E05-TheSilenceoftheClampsS8E06-YoLeelaLeelaS8E07-AllthePresidents’HeadsS8E08-M?biusDickS8E09-FryAmtheEggManS8E10-TheTipoftheZoidbergS8E11-ColdWarriorsS8E12-OverclockwiseS8E13-Reincarnation