Farber
搜索"Farber" ，找到 以下影视作品
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约翰·里德利
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奥兰多·布鲁姆,芙蕾达·平托,小莱斯利·奥多姆,CynthiaErivo将主演约翰·雷德利(《美国重案》)执导新片《时栈中的指针》(NeedleinaTimestack),BronStudios制作。基于RobertSilverberg写的短篇,雷德利改编剧本,设定在一个存在时间旅行的世界里,一对夫妻努力维系着婚姻,过去和现在总是摇摆不定。
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恩斯特·刘别谦
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玛丽埃特（凯·弗朗西斯 Kay Francis 饰）是个腰缠万贯作风轻浮的漂亮寡妇，经营着一间公司。一次偶然中，她和一个名叫里瓦尔（赫伯特·马歇尔 Herbert Marshall 饰）的男人相识了。里瓦尔英俊潇洒风流倜傥，玛丽埃特很快就被他的魅力所征服，雇佣他成为了自 己的私人秘书，这正是里瓦尔所梦寐以求的。 原来，里瓦尔系化名，这个风度翩翩的男人的真实身份是一名国际大盗，他和曾经的情人莉莉（米利亚姆·霍普金斯 Miriam Hopkins 饰）联手，企图将玛丽埃特的财产据为己有。公司董事长阿道夫（C·奥布雷·史密斯 C. Aubrey Smith 饰）察觉了里瓦尔的阴谋并告诉了玛丽埃特，可玛丽埃特并不相信他的忠告，里瓦尔的阴谋眼看就要得逞。
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70多岁的哈里·布朗（迈克尔·凯恩 Michael Caine 饰）是一名退役的皇家水师军官,老婆逝世后,靠退休金生涯的哈里径自住在穷人窟四周的小公寓。四周的人行地道是小地痞们陌头打斗!毒品交易跟精神交易的场合,跟布朗下象棋的好友人,老头子莱昂纳德（大卫·布莱德利 David Bradley 饰）就常被这帮地痞骚扰,乃至终被残暴杀戮。女警官弗兰普顿（艾米莉·莫迪默 Emily Mortimer 饰）与上司担任考察案件,却因证据缺乏而不得不开释杀戮莱昂纳德的凶手。一把年事的布朗忍气吞声,决议亲身上阵,革除地痞,为莱昂纳德报复。 本片获2010年英国「帝国」片子杂志评比的最佳英国影片!最佳惊悚片及最佳男配角（迈克尔·凯恩）提名,并获伦敦影评人协会最具打破性的英国影人（丹尼尔·巴伯 Daniel Barber）提名。
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由PatrickSwayze和JenniferGrey主演的热门电影《DirtyDancing》即将登陆小荧幕。ABC目前预订了AbigailBreslin主演的电视电影《DirtyDancing》。本剧由狮门电视制作，选角完成之后或许可以得到ABC一路绿灯通过。跟1987年的电影一样，剧版的《DirtyDancing》背景依旧设置在上世纪六十年代，讲述了天真的年轻女孩Baby（Breslin饰）在跟随父母和妹妹到CatskillMountains度假，爱上了她的舞蹈教练。原版电影中由Grey饰演这个角色。AllisonShearmur以及原电影的编剧EleanorBergstein担任本剧执行制作人，剧版剧本由JessicaSharzer执笔，由WayneBlair执导，由热门百老汇音乐剧《Hamilton》编舞大师、托尼奖得主AndyBlankenbuehler编舞。
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兰达·海恩斯
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Frank, a retired Irish seaman, and Walter, a retired Cuban barber, are two lonely old men trapped in the emptiness of their own lives. When they meet in a park Frank is able to start a conversation after several attempts. They begin to spend time together and become friends. But because of their different characters they often quarrel with each other and finally seperate after Frank misbehaves to Walter's friend Elaine.
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AnimmersivejourneythroughtheNewYorkmusicsceneoftheearly2000s.Anewgenerationkick-startedamusicalrebirthforNewYorkCitythatreverberatedaroundtheworld.
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Sixty Glorious Years is an exercise in the creation of iconography, both for Victoria and its star, Anna Neagle (who subsequently became known as 'Regal Neagle'). Just as Elizabeth I commissioned artists to create flattering iconic images for public consumption, so this film performs a similar function, for Neagle is more beautiful than the real life Victoria. Controversial events (such as the 'Irish problem') are omitted and unpleasant aspects of Victoria's character (her petulance, arrogance, favouritism and 'right to privilege') are glossed over as endearing little 'whims'. Albert acts as a moderating influence when she goes too far. The film followed a year after the highly successful Victoria the Great (d. Herbert Wilcox, 1937). Again the screenplay is by Miles Malleson and Robert Vansittart, and many of the supporting cast (the cream of acting talent of period) repeat their roles, this time for the colour cameras. This was the first full length Technicolor film of cinematographer Freddie Young, who captures the spectacle of royal weddings, grand balls and opulent interiors, with scenes actually filmed at royal palaces. Vivid battle scenes, set in Alexander Korda's empire territory (Sevastopol and the Sudan), rival those in The Four Feathers (d. Zoltan Korda 1939). The title music sets the tone a regal choir sings over a shot of the crown. Elgar's 1901 'Pomp and Circumstance' march is heard during the diamond jubilee celebrations and, as Victoria's coffin lies in state, the film concludes with Anthony Collins' stately music accompanied by the text of Rudyard Kipling's 'Lest we forget'. Combined with the emotional appeal of scenes of Victoria connecting with her 'ordinary folk', this is stirring stuff. The film connects with contemporary events of 1938. The release of two celebratory royal films was intended to boost public affection for the monarchy in the wake of Edward VIII's abdication. Anglo-German relations were another touchy subject. With another war on the horizon, influential voices wanted appeasement, and the film could be seen to fit that agenda. Victoria herself was of mainly German descent, nicknamed 'the grandmother of Europe', while Albert is a 'good German', charmingly played by Anton Walbrook as a cultured, decent man. Sixty Glorious Years now seems unduly formal and reverential. Had movies existed during Victoria's reign (they only emerged at the end) this might have been the kind of film produced. Unlike Mrs Brown (d. John Madden, 1997), it is all so very 'Victorian'. Roger Philip Mellor
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Belgiandirector/screenwriterBertScholiersjumpsallovertheplaceinhisimaginativefeaturedebut.OnemomentweareinanAntwerppub,thenextwearewalkingacrossanexpanseofsnow,theninacosmicblackholeorchasingaflyingpineapple.ThisishowbestfriendsCharlieandHannah’sdrink-fuellednightpansoutafterswallowingamagicalsweetthatchangestheworldsurrealistically–alsoforeveryonearoundthem.Thelaconictwenty-somethingsrespondtotheseeventswithamusedamazement(whethertheywindupinapre-warbrothelorareblowntosmithereensbyanatombomb),allthewhilesaunteringalonganddiscussingthereallyimportantstuff:dealingwithexesandrelationships.LikeatrippingWoodyAllenorNoahBaumbach,Scholiersplayswithform,usinginventivevisualhumour,colourandblack-and-white,switchingaspectratiosandreferringtosilentmoviesandItaliangiallohorror.
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劳埃德·培根
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Scion of the once-rich Mitchell family, Herbert Wynn is found shot to death. Nurse Adams, bored by hospital routine, is recruited by the police to ferret out clues as she tends to Wynn's elderly aunt Julia. Jokingly given the 'rank' of Miss Pinkerson, after the famous detective agency, Adams probes into the mystery, but not before a second death.
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心思学专业先生安吉拉（Amaia Salamanca 饰）格外担忧她的期末学分,在传授的提议下,这个一贯不信任超天然的女孩决议去看望一座早已放弃的矿区小镇Susurro,那边已经有一个嗜血如命的马特加大夫,传说他的恶灵至今还在小镇上浪荡,摧残偶尔突入的人们。为了证实马特加大夫的传说化为乌有,也为了顺遂经由过程测验,安吉拉跟她拥有较强第六感的妹妹戴安娜（Alba Ribas 饰）以及同窗乔西（Maxi Iglesias 饰）!托尼（Óscar Sinela 饰）!贝兰（Úrsula Corberó 饰）!卡罗斯（Lucho Fernández 饰）驱车前去谁人荒漠阴沉的遥远小镇。 借助精细仪器跟戴安娜的共同,他们好像真的将马特加大夫唤回了世间,而逝世神也一步步向他们凑近……
