Ladd

平安夜里，为了赚更多钱用来医治自己重病的的儿子罗丝（杰西卡·贝尔JessicaBiel饰）依然在脱衣舞夜总会加班加点地工作。他的老板拉里（帕特里克·斯图尔特PatrickStewart饰）毫不在乎，是个利益熏心的自私鬼。不过有一个她的爱慕者杜利特尔（埃迪·雷德梅恩EddieRedmayne饰），在这个夜晚在殡仪馆工作的他也不空闲。在这个神圣的日子，犯罪集团组织的前雇员杰克（雷·利奥塔RayLiotta饰）正被他昔日的首领（克里斯·克里斯托佛森KrisKristofferson饰）劝服不要对组织内的现任雇员展开报复。牧师的查理（福里斯特·惠特克ForestWhitaker饰）心情郁闷并伴有自杀倾向，但一个变性的性工作者雷克萨斯（阿莱让德罗·罗曼罗AlejandroRomero饰）的出现又让一切峰回路转。这个夜...

适度沉沦酒精!年届不惑的盖瑞·金（西蒙·佩吉 Simon Pegg 饰）,忽然间想起20年前芳华时期一件引认为豪但未竟的游荡事,于是接踵找来现在曾经有了各自家庭跟奇迹的好搭档奥利弗·张伯伦（马丁·弗瑞曼 Martin Freeman 饰）!彼得·佩吉（埃迪·马森 Eddie Marsan 饰）!史蒂文·普林斯（帕迪·康斯戴恩 Paddy Considine 饰）跟安迪·奈特利（尼克·弗罗斯特 Nick Frost 饰）。他们相约前往家乡纽顿哈芬,试图再次找回彻夜5人!12间酒吧!60杯啤酒的快活时间。小镇判若两人,多少乎不什么变更,然而镇上的人好像全然不记得这多少个老男孩。 在盖瑞的引领下,后来所有还比拟畸形,可当夜幕来临之后,诡异变乱瓜代演出,盖瑞等人发明,他们俨然鬼不觉鬼不觉步入某种超天然的骗局之中……

早前在TV动画还未放送前，本作推出过OAD作品，这也达到了非常不错的预热效果，而在今日举办的「我的朋友很少PremiumEvent」上，有关本作新作动画的情报得到披露——OVA「我的朋友很少Add-onDisk」发售决定!官方推特也发表了OVA的相关信息，此次的OVA作品将是TV未放送的第13话，发售日期定在了今年的9月26日。至于OVA的剧情如何，要待官方日后的发表了，各位敬请期待吧!

Voice1(male"professionalannouncer"type):Thisneighborhood(1)wasmadeforthewretcheddignityofthepettybourgeoisie,forrespectableoccupationsandintellectualtourism.Thesedentarypopulationoftheupperfloorswasshelteredfromtheinfluencesofthestreet.Thisneighborhoodhasremainedthesame.Itwasthestrangesettingofourstory,whereasystematicquestioningofallthediversionsandworksofasociety,atotalcritiqueofitsideaofhappiness,wasexpressedinacts.Thesepeoplealsoscorned"subjectiveprofundity".Theywereinterestedinnothingbutanadequateandconcreteexpressionofthemselves.Voice2(Debord,monotone):Humanbeingsarenotfullyconsciousoftheirreallife-usuallygropinginthedark;overwhelmedbytheconsequencesoftheiracts;ateverymomentgroupsandindividualsfindthemselvesconfrontedwithresultstheyhavenotwished.Voice1 - Theysaidthatoblivionwastheirrulingpassion.Theywantedtoreinventeverythingeachday;tobecomethemastersandpossessorsoftheirownlives.Justasonedoesnotjudgeamanaccordingtotheconceptionhehasofhimself,onecannotjudgesuchperiodsoftransitionaccordingtotheirownconsciousness;onthecontrary,onemustexplaintheconsciousnessthroughthecontradictionsofmateriallife,throughtheconflictbetweensocialconditionsandtheforcesofsocialproduction.Theprogressachievedinthedominationofnaturewasnotyetmatchedbyacorrespondingliberationofeverydaylife.Youthpassedawayamongthevariouscontrolsofresignation.Ourcamerahascapturedforyouafewaspectsofaprovisionalmicrosociety.Theknowledgeofempiricalfactsremainsabstractandsuperficialaslongasitisnotconcretizedbyitsintegrationintothewhole"”whichalonepermitsthesupersessionofpartialandabstractproblemssoastoarriveattheirconcreteessence,andimplicitlyattheirmeaning.Thisgroupwasonthemarginsoftheeconomy.Ittendedtowardaroleofpureconsumption,andfirstofallthefreeconsumptionofitstime.Itthusfounditselfdirectlyengagedinqualitativevariationsofeverydaylifebutdeprivedofanymeanstointerveneinthem.Thegrouprangedoveraverysmallarea.Thesametimesbroughtthembacktothesameplaces.Noonewenttobedearly.Discussiononthemeaningofallthiscontinued...Voice2 - "Ourlifeisajourney"”Inthewinterandthenight."”Weseekourpassage..."�Voice1 - Theabandonedliteratureneverthelessexertedadelayingactiononnewaffectiveformulations.Voice2 - Therewasthefatigueandthecoldofthemorninginthismuch-traversedlabyrinth,likeanenigmathatwehadtoresolve.Itwasalooking-glassrealitythroughwhichwehadtodiscoverthepotentialrichnessofreality.Onthebankoftherivereveningbeganonceagain;andcaresses;andtheimportanceofaworldwithoutimportance.Justastheeyeshaveablurredvisionofmanythingsandcanseeonlyoneclearly,sothewillcanstriveonlyincompletelytowarddiver搜索引擎优化bjectsandcancompletelyloveonlyoneatatime.Voice3(younggirl):Noonecountedonthefuture.Itwouldneverbepossibletobetogetherlater,oranywhereelse.Therewouldneverbeagreaterfreedom.Voice1 - Therefusaloftimeandofgrowingoldautomaticallylimitedencountersinthisnarrow,contingentzone,wherewhatwaslackingwasfeltasirreparable.Theextremeprecariousnessofthemeansofgettingbywithoutworkingwasattherootofthisimpatiencewhichmadeexcessesnecessaryandbreaksdefinitive.Voice2 - Oneneverreallycontestsanorganizationofexistencewithoutcontestingallofthatorganization’sformsoflanguage.Voice1 - Whenfreedomispracticedinaclosedcircle,itfadesintoadream,becomesamererepresentationofitself.Theambianceofplayisbynatureunstable.Atanymoment"ordinarylife"�canprevailonceagain.Thegeographicallimitationofplayisevenmorestrikingthanitstemporallimitation.Anygametakesplacewithinthecontoursofitsspatialdomain.Aroundtheneighborhood,arounditsfleetingandthreatenedimmobility,stretchedahalf-knowncitywherepeoplemetonlybychance,losingtheirwayforever.Thegirlswhofoundtheirwaythere,becausetheywerelegallyunderthecontroloftheirfamiliesuntiltheageofeighteen,wereoftenrecapturedbythedefendersofthatdetestableinstitution.Theyweregenerallyconfinedundertheguardofthosecreatureswhoamongallthebadproductsofabadsocietyarethemostuglyandrepugnant:nuns.Whatusuallymakesdocumentariessoeasytounderstandisthearbitrarylimitationoftheirsubjectmatter.Theydescribetheatomizationofsocialfunctionsandtheisolationoftheirproducts.Onecan,incontrast,envisagetheentirecomplexityofamomentwhichisnotresolvedintoawork,amomentwhosemovementindissolublycontainsfactsandvaluesandwhosemeaningdoesnotyetappear.Thesubjectmatterofthedocumentarywouldthenbethisconfusedtotality.Voice2 - Theerahadarrivedatalevelofknowledgeandtechnicalmeansthatmadepossible,andincreasinglynecessary,adirectconstructionofallaspectsofaliberatedaffectiveandpracticalexistence.Theappearanceofthesesuperiormeansofaction,stillunusedbecau搜索引擎优化fthedelaysintheprojectofliquidatingthecommodityeconomy,hadalreadycondemnedaestheticactivity,whoseambitionsandpowerswerebothoutdated.Thedecayofartandofallthevaluesofformermoreshadformedoursociologicalbackground.Therulingclass’smonopolyovertheinstrumentsweneededtocontrolinordertorealizethecollectiveartofourtimehadexcludedusfromaculturalproductionofficiallydevotedtoillustratingandrepeatingthepast.Anartfilmonthisgenerationcanonlybeafilmonitsabsenceofrealcreations.Everyoneunthinkinglyfollowedthepathslearnedonceandforall,totheirworkandtheirhome,totheirpredictablefuture.Forthemdutyhadalreadybecomeahabit,andhabitaduty.Theydidnotseethedeficiencyoftheircity.Theythoughtthedeficiencyoftheirlifewasnatural.Wewantedtobreakoutofthisconditioning,inquestofanotheru搜索引擎优化ftheurbanlandscape,inquestofnewpassions.Theatmosphereofafewplacesgaveusintimationsofthefuturepowersofanarchitectureitwouldbenecessarytocreatetobethesupportandframeworkforlessmediocregames.Wecouldexpectnothingofanythingwehadnotourselvesaltered.Theurbanenvironmentproclaimedtheordersandtastesoftherulingsocietyjustasviolentlyasthenewspapers.Itismanwhomakestheunityoftheworld,butmanhasextendedhimselfeverywhere.Peoplecanseenothingaroundthemthatisnottheirownimage;everythingspeakstothemofthemselves.Theirverylandscapeisalive.Therewereobstacleseverywhere.Therewasacohesionintheobstaclesofalltypes.Theymaintainedthecoherentreignofpoverty.Everythingbeingconnected,itwasnecessarytochangeeverythingbyaunitarystruggle,ornothing.Itwasnecessarytolinkupwiththemasses,butweweresurroundedbysleep.Voice3 - Thedictatorshipoftheproletariatisadesperatestruggle,bloodyandbloodless,violentandpeaceful,militaryandeconomic,educationalandadministrative,againsttheforcesandtraditionsoftheoldworld.Voice1 - Inthiscountryitisonceagainthemenoforderwhohaverebelled.Theyhavereinforcedtheirpower.Theyhavebeenabletoaggravatethegrotesquenessoftherulingconditionsaccordingtotheirwill.Theyhaveembellishedtheirsystemwiththefunerealceremoniesofthepast.Voice2 - Years,likeasingleinstantprolongedtothispoint,cometoanend.Voice1 - Whatwasdirectlylivedreappearsfrozeninthedistance,fitintothetastesandillusionsofanera,carriedawaywithit.Voice2 - Theappearanceofeventsthatwehavenotmade,thatothershavemadeagainstus,nowobligesustobeawareofthepassageoftime,itsresults,thetransformationofourowndesiresintoevents.Whatdifferentiatesthepastfromthepresentispreciselyitsout-of-reachobjectivity;thereisnomoreshould-be;beingissoconsumedthatithasceasedtoexist.Thedetailsarealreadylostinthedustoftime.Whowasafraidoflife,afraidofthenight,afraidofbeingtaken,afraidofbeingkept?Voice3 - Whatshouldbeabolishedcontinues,andwecontinuetowearawaywithit.Weareengulfed.Weareseparated.Theyearspassandwehaven’tchangedanything.Voice2 - Onceagainmorninginthesamestreets.Onceagainthefatigueofsomanysimilarlypassednights.Itisawalkthathaslastedalongtime.Voice1 - Reallyhardtodrinkmore.Voice2 - Ofcour搜索引擎优化nemightmakeafilmofit.Butevenifsuchafilmsucceedsinbeingasfundamentallydisconnectedandunsatisfyingastherealityitdealswith,itwillneverbemorethanare-creation"”poorandfalselikethisbotchedtravelingshot.Voice3 - Therearenowpeoplewhopridethemselvesonbeingauthorsoffilms,asotherswereauthorsofnovels.Theyareevenmorebackwardthanthenovelistsbecausetheyareunawareofthedecompositionandexhaustionofindividualexpressioninourtime,ignorantoftheendoftheartsofpassivity.Theyarepraisedfortheirsinceritysincetheydramatize,withmorepersonaldepth,theconventionsofwhichtheirlifeconsists.Thereistalkoftheliberationofthecinema.ButwhatdoesitmattertousifonemoreartisliberatedthroughwhichTom,DickorHarrycanjoyouslyexpresstheirslavishsentiments?Theonlyinterestingventureistheliberationofeverydaylife,notonlyintheperspectivesofhistorybutforusandrightaway.Thisentailsthewitheringawayofalienatedformsofcommunication.Thecinema,too,hastobedestroyed.Voice2 - Inthefinalanalysis,starsarecreatedbytheneedwehaveforthem,andnotbytheirtalentorlackoftalentorevenbythefilmindustryoradvertising.Miserableneed,dismal,anonymouslifethatwouldliketoexpanditselftothedimensionsofcinemalife.Theimaginarylifeonthescreenistheproductofthisrealneed.Thestaristheprojectionofthisneed.Theimagesoftheadvertisementsduringtheintermissionsaremoresuitedthananyothersforevokinganintermissionoflife.Toreallydescribethiseraitwouldnodoubtbenecessarytoshowmanyotherthings.Butwhatwouldbethepoint?Bettertograspthetotalityofwhathasbeendoneandwhatremainstobedonethantoaddmoreruinstotheoldworldofthespectacleandofmemories.1.Thisfilm,whichevokesthelettristexperiencesattheoriginofthesituationistmovement,openswithshotsoftheParisdistrictfrequentedbythelettristsintheearly1950s.

故事产生在16世纪。丹妮尔（德鲁·巴里摩尔 Drew Barrymore 饰）从小跟父亲相依为命,但父亲迎娶继母罗米拉（安杰丽卡·休斯顿 Anjelica Huston 饰）后,很快出不测身亡,丹妮尔成了灰女人,但照旧顽强独破!酷爱生涯。机遇偶合之下,丹妮尔与法国王子亨利（多格雷·斯科特 Dougray Scott 饰）相遇,还从绿林暴徒手中救了王子一命,两人相互倾慕,王子更想为她谢绝家中支配的政治婚姻。但继母得悉这所有后,空心理惟让本人长女玛格丽特（梅根·多兹 Megan Dodds 饰）嫁给王子,还谎称丹妮尔只是家中女仆。王子听信了继母假话,末路怒地废弃了丹妮尔……

USA的《生死狙击Shooter》由MarkWahlberg当执行制片﹑JohnHlavin编剧，电视台早前正式预订。该剧确定在美国时间7月19日首播。RyanPhillippe（《秘密与谎言SecretsandLies》）饰演前海军陆战队狙击手BobLeeSwagger，他被召参与秘密任务，但途中却被误会是刺杀总统的凶手。CynthiaAddai-Robinson饰演女主演FBI探员NadineMemphis，是个充满野心﹑有强大直觉的年轻FBI探员，在局中是个新星，不过她的性格也在过去惹上麻烦。原本调查主角的案件是她升职的高速通道，但她发现背后实际有被隐藏的阴谋，而因为和主角试图拆破该阴谋，她因而被追杀并逼不得已下与主角组成同盟。该角色原本由EmilyRios饰演。OmarEpps饰演IsaacJohnson，...

由于感情生活受挫，Addison（KateWalsh饰）决定移居加州，加盟好友Naomi（MerrinDungey饰）的私人诊所，开始新的生活。面对新的环境，Addison不仅要适应加州多雨的天气，还要努力融入新的圈子。在这个私人诊所里，每个人都是医学界的高手，却都有自己难以治愈的心灵伤口。刚刚离异的Naomi和Sam；由于妻子的逝世而陷入自责的Pete；对已婚前男友念念不忘的Violet；暗恋Violet而不敢开口的Coope。在忙碌而紧张的日常工作中，每个人都努力的追求着自己想要的幸福，试着释怀，试着重新开始。

YouareneverfullyliberatedfromAuschwitz,11July2016Author:Red-125fromUpstateNewYorkTheFrenchmovie"àlavie"wasshownintheU.S.withthetranslatedtitle"ToLife(2014)."ItwaswrittenanddirectedbyJean-JacquesZilbermann.ThefilmisaPost-Holocaustsaga,althoughitopenswithscenesinAuschwitzthataretrulyhorrific.Hélène(JulieDepardieu)andL...

泰迪·布里奇斯(Teddy Bridges)总统逝世后,麦肯齐·艾伦(MacKenzie Allen)升任美国第一任女总统。

影片由四章组成，分别是“相爱”、“危机”、“背叛”和“离弃”。四个章节通过四对不同夫妇展示。第一章中托玛索和古里娅先后经历幽会、初吻、性爱、同居，最终结婚。第二章的芭芭拉和马尔科恋爱数年后陷入“危机”：一个儿子能挽救他们吗？第三章里的欧尔内拉拥有一种独特的神奇力量；最后一章的男主人公无法面对生命中的悲剧，不得不求助于书本知识，而书的名字恰好是“爱情手册”！本片在2005年意大利电影金像奖(DAVIDDIDONATELLOAWARDS)中获得最佳男配角、最佳女配角奖；及最佳摄影、最佳服装设计、最佳剪辑、最佳电影、最佳音乐等10项提名并荣获意大利电影新闻记者协会(ItalianNationalSyndicateOfFilmJournalists)最佳剧本、最佳男配角奖；及最佳导演等三项提名。