Masta
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Robert
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This final series chronicles Harry’s epic rollercoaster ride as he begins to lose grip on his empire, alongside the fortunes of all those whose lives he has touched. London, 1928. Nine years have passed and Harry Selfridge is at the pinnacle of his wealth and celebrity and enjoying the frenzy of the roaring 20s. But in this buzzing, fast-e册ving world, Harry is splashing his cash in an unprecedented, dangerous way. As he parties and gambles with stage stars, the Dolly Sisters, and pursues risky new business ventures, the trials and tribulations of our other much loved characters, and a handful of newcomers, also unfold. Lady Mae returns to London to rebuild her life whilst Mardle and Grove thrash out their differences, and Kitty and Frank embark on the biggest challenge to their relationship yet.
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"WithDCIGillMurrayinretirement,ever-ambitiousRachel(SuranneJones)returnsfromherVicesecondmentfiredupandfullofnewideasandinitiatives.She’sgainedvaluableexperienceandreallywantstomakehermarkasshereturnstoSyndicate9’sMurderSquad.Exhilaratedtostepuptotheplate,RachelisexactlywhoJanet(LesleySharp)andtheSquadneedtomoveforwardwithaterrifyingandsinisterInternetcrimeinvestigationofepicscaleandunrelentinghorror.UsingherViceauthorisation,Rachelaccessesadisturbingworldwherepeoplebragaboutcommittingmurderandlaydownthegauntletforthenextvictim.Agameofruthlesslifeordeathdaringdevelops,asScott&Baileyinvestigatemultiplekillerswithhorrifyingandeverlastingconsequences.Theywillbechangedforeverandtheinvestigationwilltakeadevastatingtollontheirprivate,professionalandpersonallives."ThedramawillbeexecutiveproducedbyNicolaShindler(HappyValley,LastTangoinHalifax,Banana,Cucumber)founderoftheRedProductionCompanyandproducedbyMichaelaEccleston,Red’sHeadofProduction.SuranneJones,whoconceivedtheideaforthedramawithfellowactressSallyLindsay,willalsoexecutiveproducealongsideNicola.SallyLindsayalsoreturnstothedramaplayingRachel’ssisterAlison.5-1RachelstepsuptoactingDIonacasethatbecomesmoresinisterthanitfirstappeared.
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冬天,蒂妲絲雲頓拜訪落腳於法國小山村四十餘年的挚友約翰伯格,兩人散步於靄靄白雪的村莊!或深或淺地,在小屋中聊起童年記憶與歷史承接。春天,透過凝視動物,經歷一場人類與動物關係的思辨。炎天,於山村中跟三兩藝術家漫談當代政治,佐以舊時影片!音樂,摸索藝術怎样述說政治。秋日,蒂妲再度帶著孩子拜訪約翰以及約翰之子,在視野遼闊的山村生涯中,發現傳承的意念存在於所觀看的每一片風景。四部短片象徵四序的更迭,而山村的風景!動物!生涯則是年復一年的循環,體現約翰口中[無窮延长的此時现在]。他的思惟及人生觀與陈旧的農舍!青葱的綠地!放牧的牛群相呼相應,說著這個天下方圆人物风物的故事,阿爾卑斯山裡的小村莊,則是最诱人的舞台。（以上來自2016台北金馬影展）The Seasons in Quincy is a feature-length documentary film in four parts by the Derek Jarman Lab at Birkbeck, in collaboration with Til da Swinton, Christopher Roth and Colin MacCabe. Together, the parts constitute a film portrait of John Berger, the British writer and thinker.In 1973 - Berger abandoned the metropolis to live in the tiny Alpine village of Quincy. He realized that subsistence peasant farming, which had sustained humanity for millennia, was drawing to an historical close. He determined to spend the rest of his life bearing witness to this vanishing existence, not least by participating in it. Berger’s trilogy Into their Labours chronicles the peasant life of this Alpine village and its surrounding countryside. Our portrait places Berger in the rhythm of the seasons in Quincy.The four parts of the film each address different strands of Berger's life and work. The first, Ways of Listening, directed by Colin MacCabe, deals with fathers and friendship. Spring, directed by Christopher Roth, considers Berger's writing on our relationship with animals in juxtaposition with the animals that surround him in the Haute Savoie. A Song for Politics, directed by Colin MacCabe and Bartek Dziadosz, reflects on politics through a conversation between Berger, Colin MacCabe, Ben Lerner, Akshi Singh and Christopher Roth. The last part, Harvest, directed by Tilda Swinton, revisits Quincy to meditate on belonging and continuity with John and his son Yves.來自http://www.jarmanlab.org/the-seasons-in-quincy-four-portraits-of-john-berger.html
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Jeff
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干净能源真的干净吗！这部由Michael Moore监制的记录片率领不雅众走进干净能源的一线,细究干净能源的装备制作方法跟资料!应用年限!发电资料起源!以及当面的经济驱能源。本片也提醒了美国一些头号环保人士跟环保构造在生物资能源等可再生能源令人困惑跟担心的破场,以及环保活动跟能源业的赞助关联。当环保主义跟资源主义手牵手,能源真的会更干净吗！Michael Moore presents Planet of the Humans, a documentary that dares to say what no one else will this Earth Day — that we are losing the battle to stop climate change on planet earth because we are following leaders who have taken us down the wrong road — selling out the green movement to wealthy interests and corporate America. This film is the wake-up call to the reality we are afraid to face: that in the midst of a human-caused extinction event, the environmental movement’s answer is to push for techno-fixes and band-aids. It's too little, too late.Removed from the debate is the only thing that MIGHT save us: getting a grip on our out-of-control human presence and consumption. Why is this not THE issue? Because that would be bad for profits, bad for business. Have we environmentalists fallen for illusions, “green” illusions, that are anything but green, because we’re scared that this is the end—and we’ve pinned all our hopes on biomass, wind turbines, and electric cars?No amount of batteries are going to save us, warns director Jeff Gibbs (lifelong environmentalist and co-producer of “Fahrenheit 9/11” and “Bowling for Columbine"). This urgent, must-see movie, a full-frontal assault on our sacred cows, is guaranteed to generate anger, debate, and, hopefully, a willingness to see our survival in a new way—before it’s too late.Featuring: Al Gore, Bill McKibben, Richard Branson, Robert F Kennedy Jr., Michael Bloomberg, Van Jones, Vinod Khosla, Koch Brothers, Vandana Shiva, General Motors, 350.org, Arnold Schwarzenegger, Sierra Club, the Union of Concerned Scientists, Nature Conservancy, Elon Musk, Tesla.Music by: Radiohead, King Crimson, Emerson, Lake & Palmer, Blank & Jones, If These Trees Could Talk, Valentina Lisitsa, Culprit 1 - Patrick O’hearn, The Torquays, Nigel Stanford, and many more.Donate: https://www.paypal.com/cgi-bin/webscr...Website: https://planetofthehumans.com/FB: https://www.facebook.com/PlanetoftheH...
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布拉德利·比克尔
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罗伯·劳
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丽芙·泰勒
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罗南·鲁宾斯坦
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谢拉·艾琳娜·麦克莱恩
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吉姆·帕拉克
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娜塔莎·卡拉姆
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布莱恩·迈克尔·史密斯
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拉斐尔·席尔瓦
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朱利安·沃克斯
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马克·埃利亚斯
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布里安娜·贝克
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布雷特·赖斯
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乔恩·福斯特
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玛格丽塔·佛朗哥
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奥马尔·莱瓦
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艾丹·伯托拉
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埃文·阿诺德
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劳德伦斯·本尼迪克托
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凯尔·赛科特
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阿莱克斯·费尔南德斯
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海缇安·朴
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艾琳·库明斯
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帕特里卡·达博
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麦克利·米勒
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杰克·普罗特尼克
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约书亚·比顿
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阿莱克斯·卡特
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希娜·阿卜杜拉
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杰西·卢肯
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马特·麦克蒂赫
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以利亚·尼尔森
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肯·柯比
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格拉汉姆·
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FOX从前宣告直接预订「紧迫呼救9-1-1」的衍生剧「紧迫呼救：孤星9-1-1 - LoneStar」,如剧名这剧配景设置在美国孤星州-得州,主演是RobLowe。母剧原班人马RyanMurphy﹑BradFalchuk及TimMinear联手担任此衍生剧,剧中报告一名纽约警员OwenStrand（RobLowe饰）为了找复出活均衡,携同儿子离开得州。配角在处置本人的疑问之余,还得在新处所继承掩护市平易近。
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内详
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Earl过去的生活中做了许多错误的事情，但是一件事情却使他的生活发生了不小的变化，让他有了重新开始的机会，Earl中了彩票。在知道这一切后，他做了一个重大决定，要用这笔财富来改变他的生活方式，尽力弥补他在过去所犯的错误，他希望这是他新生活的开始。可惜，在他实施这一措施以前，不幸就已经出现了。兑奖前几秒钟，他被汽车撞倒了，而且失去了记忆，彩票也被风吹走了。在医院里，Earl看了《LastCallwithCarsonDaly》的节目，Carson在采访时说，他之所以成功是好心有好报的结果，就在这时，Earl发现真的有因果报应这回事。他想要自己的生活变得美好，所以开始弥补自己以前的错误。最后，他选择了Kenny，一个小学里做滑稽表演的人。帮助Earl寻求改变命运，洗刷罪恶的是他的一群朋友们，尽管他们的头脑有些不灵光：总是比较倒霉的兄弟Randy、非常性感的Catalina、还有Darnell，Earl喜欢去的酒吧CrabShack的老板，他们都给了Earl很多的帮助和支持。但是Earl的前妻Joy却不想帮助他，除非她能从中得到什么好处。尽管Earl的头脑有些迟钝，但是他异常地努力，所以中间也发生了不少的趣事。Earl这个人物非常有自己的特色，有独特的声音和造型。他是GregGarcia笔下所创造的人物。《MyNameisEarl》是Garcia和MarcBuckland一起写的故事，由20世纪福克斯电视台拍摄。Earl’slifehasbeenfullofpoorchoicesandmistakes,butafterwinningasmalllotteryjackpothehasanepiphanyandvowstochangehisways.Upondiscoveringthatheistheholderofawinningticket,Earlishitbyacarandtheticketblowsoutofhislimphandasheliesunconsciousinthestreet.Whilerecoveringinthehospitalandwatchingtelevision,Earlhasakarmicepiphany,thankstoCarsonDaly,whoattributeshissuccesstodoinggoodforothers.AlightbulbgoesoffinEarl’sdimheadandhesetsouttorighteverywronghehasdonestartingwithagradeschoolgeek.
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乔·兰多
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丹妮尔·查克兰
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迪奥拉·拜尔德
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亚布拉哈姆·本鲁比
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约瑟夫·D·雷特曼
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Sean Dillingham
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凯兰崔尔·斯蒂尼曼
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布伦特·贝利
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伊凡·谢尔盖
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雷吉·奥斯汀
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Kevin Joy
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Nayeli Esparza
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Carly Diamond Stone
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Val Barri
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保罗·哈帕尼米
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Tianna Tuamoheloa
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Levi Vincent
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Thomas Nelson
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Jillian Tremaine
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客岁過世的波蘭導演耶吉‧卡瓦萊洛威茲,是「Polish Film School運動」中的代表人物之一。其作品擅長以影像呈現細膩的細節,累積給予觀者強烈的震能源。議題圍繞個人在社會備受政治或戰爭壓迫下,人道的掙扎與品德的選擇。這些深具豐富意涵的創作文本,也讓他的作品深受影壇重視。1951年拍攝首部劇情長片「The Village Mill」,隨後实现「Shadow」(1956) ,以及本片「夜車」,這些影片都被視為相當具時代代表性的波蘭電影。卡瓦萊洛威茲亦曾主掌着名的KADR 製作部門,安德烈華依達!塔都茲考威克(Tadeusz Konwicki) 跟尤利斯馬休斯基(Juliusz Machulski)都曾在其製作部門任务。他最為人所熟知的影片莫過於1961年的「修女約安娜」,以及1966年改編自Bolesław Prus的歷史小說「Pharaoh」,本片亦入圍了1967的奧斯卡最佳外語片。「夜車」敘述一對男女Jerzy跟Marta不测埠在前去波羅地海邊Hel的夜車上共處一室。一表人才的Jerzy狀似緊張,看來像是在回避追趕,Marta剛開始也缄默不言,渐渐的兩人才成為友人。在車上還有愛慕著Marta的男孩Staszek,以及擁有豔光四射的年輕太太的老律師。當火車停靠在一個小站裡,警方上車開始搜寻惧罪潛逃的殺人犯時,谣言開始四起,都將警方要緝捕的對象,指向這個車廂中的Jerzy跟Marta…。差别於當時深受義大利新寫實主義影響的「Polish Film School運動」作品,「夜車」瀰漫著希區考克式的懸疑詭譎氣氛。全片的劇情推展在火車內進行,封閉的車廂成為卡瓦萊洛威茲最好的發展空間。火車上搭客間相互的猜疑與不信赖,可說是當時波蘭共產社會的最佳寫照,也是一部波蘭影史主要的傑作。
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迈克尔·巴塞特
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Section20arecalledintoBangkok,ThailandtorescueChloeFoster,thedaughtertoBritishambassadorandlongtimfriendofPhillipLocke(Green),RobinFoster(TimMcInnerny).Theteamfindthecompoundwheresheisbeingheld,butduringtheraidthekidnappersescapewithChloe.AfteridentifyingtheleadkidnapperasRayMcQueen(MaxBeesley),MichaelStonebridge(Winchester),DamienScott(Stapleton)andJuliaRichmond(Lukes)trackhimtoanightclubandplantatrackeronhim.However,McQueensoonrealisesheisbeingtailedandtriestoescapewithChloeagain,whilealsocontactingFostertodeliveranarmedbombtotheembassywhereheisnegoatiatingwiththeNorthKoreans.Withlessthanfifteenminutes,ScottandStonebridgehavetofindMcQueenandcontendwithalocalgang.TheyultimatelyrescueChloeandapprehendMcQueen,butLockefailstostopFosterbeforethebombdetonated,killingFosterandaNorthKoreangeneral
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Sevilla,1920.Teresa,unamujerdecuarentaaos,llegaaSevillahuyendodelmisteriosoasesinatodelembajadorespaolenLisboaytraslapistadeunnombre:RobertaLuna,unaalumnadelaacademiadeseoritasdelaciudad.Intentandorecabarinformaciónsobrelajoven,TeresadecidehacersepasarporprofesoraysolicitaplazaenlaAcademia.TrassorprenderalanuevadirectoraManuelaporsusideasprogresistasysunuevamentalidad,Teresaconsigueelpuestoypasaaserunamásenelplanteldeprofesorasdelaacademia.Sinembargo,notodovaaserigualdefácilparaTeresa,yaqueallíseencuentraconlaoposicióndesucompaeramásexperimentada,Luisa,yladesmotivacióndeunasalumnasquenuncahanrecibidounaeducaciónquelesayudeapensaryavalerseporsímismas.
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A look at the current state of Syria amidst war and chaos in 2017 - featuring stories of survival and observations by political experts from around the world.
