SagarR
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米洛斯·福尔曼
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本片从一个宫廷乐师萨里埃利的角度,为我们呈现了天才莫扎特的一生。萨里埃利(F·莫里·亚伯拉罕 F. Murray Abraham饰)是维也纳音乐界里有名的人物,自视甚高的他自从遇到了莫扎特(汤姆·休斯克 Tom Hulce饰),心里的妒嫉之火便熊熊燃烧不能平息。莫扎特总能以他超乎常人的音乐作品赢得全场惊叹,他的《费加罗的婚礼》等歌剧,都成了传颂千古的经典。萨里埃利对莫扎特又羡慕又嫉恨的心理已经发展到几乎扭曲的地步。他在莫扎特的事业上一次次的从中作梗——故意缩短歌剧的上演周期,恶意删改莫扎特的作品,在莫扎特承受着丧父之痛时给他无情的精神折磨。贫穷虚弱的莫扎特在生命最后的几年里,写就遗作《安魂曲》,一代大师35岁就与世长辞,留下不朽作品。而萨里埃利,早有等待他的宿命般的结局。©豆瓣
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在一辆开往莫斯科的火车上,军事学院的先生安德烈.托尔斯泰(欧列格·缅希科夫 Oleg Menshikov饰)偶遇了风情万种的美国女人珍(朱莉娅·奥蒙德 Julia Ormond 饰),两人暗生情愫。珍谎称本人是个未亡人,来俄罗斯看 望跋扈狂的机器师父亲(理查德·哈里斯 Richard Harris 饰),但现实上是被请来骗取军事学院院长拉德洛夫将军(阿列克谢·彼得连科 Aleksey Petrenko 饰)信赖的外交花,好让机器师的“西伯利亚剃头师”砍木性可以顺遂驶进西柏林亚。然而没想到将军对珍动了真情感,并想向她求婚,而安德烈对珍的情感愈演愈烈,珍一方面想接收安德烈的情感,另一方面又想实现义务,于是变乱开展到了弗成整理的田地。在一次上演中安德烈由于妒忌跟误解,抽伤了院长,被放逐到了西伯利亚。在火车站上只管珍遇上了最后的送别,然而安德烈一直没能跟珍见最后一面。十年后,珍终于在西伯利亚找到了安德烈的居处,但毕竟逃不外运气的转变……多少年后珍回到了美国,把这段旧事在信中报告给了军事学院的儿子。
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列维·施瑞博尔
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名义下去看,雷(列维·施瑞博尔LievSchreiber饰)是一个一般的中年男子,现实上,他从事着一份布满了安慰跟伤害的奥秘任务——替下流社会的各路名流雅士处理他们“不克不及说的费事”。在客户们眼中,雷是无所不克不及的天主,但是雷呢,只管处理过种种百般的“疑问杂症”,但他一直无奈“医治”本人的生涯。雷的父亲麦克(强·沃特JonVoight饰)刚从牢狱里出来,他的家人跟社会可以宽容的接收这个看起来有些玩世不恭的老头子吗!身为雷的老婆,艾比(葆拉·马尔科姆森PaulaMalcomson饰)对老公的奇迹跟本人的身份又抱有着怎么的疑惑呢!另有雷的一双后代布莱恩特(凯莉丝·多西KerrisDorsey饰)跟康纳(DevonBagby饰),他们亦有各自的烦苦衷儿。
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昆汀·塔伦蒂诺
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1858年,美国南北战争前两年。德国赏金猎人金·舒尔茨(克里斯托弗·瓦尔兹 Christoph Waltz饰)从贩奴商人手中买下黑奴姜戈(杰米·福克斯 Jamie Foxx饰),让其重获自由。舒尔茨实则是要把姜戈培养成无法无天的赏金猎人,为其缉拿各种通缉犯以换取报酬。姜 戈的唯一条件是:从暴虐的糖果庄园主卡尔文·坎迪(莱昂纳多·迪卡普里奥 Leonardo DiCaprio饰)手中解救出自己的妻子布鲁姆希尔达(凯丽·华盛顿 Kerry Washington饰)。本片是昆汀向1966年由塞吉奥·考布西执导的经典意大利西部片《迪亚戈》的致敬之作。鬼才导演痞子昆丁三年磨一剑,继《无耻混蛋》后又一巨制力作。本片延续昆汀一贯低调奢华的风格,处处可见奇思妙想的幽默元素和血腥野性的动作场面,更有强档群戏,豪华卡司,可谓看点十足。《被解放的姜戈》荣获第85届奥斯卡金像奖-最佳原创剧本大奖,克里斯托弗·沃尔兹 Christoph Waltz则凭借此片荣获最佳男配角。本片同时荣获第85届奥斯卡金像奖最佳影片、最佳摄影和最佳音效剪辑提名。©豆瓣
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雷吉纳·哈德林
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13岁的黑人小孩克里斯(泰勒·詹姆斯·威廉姆TylerJamesWilliams饰)生活在纽约布鲁克林区,家中有做好几份低等工拼命养家、极度抠门的老爸朱利叶斯(泰瑞·克鲁斯TerryCrews饰),有虚荣、能干的大嗓门老妈罗谢尔(蒂琪娜·阿诺TichinaArnold饰),还有一对麻烦的弟妹德鲁(特昆·里奇蒙德TequanRichmond饰)和唐娅(ImaniHakim饰)。到了上学年龄,克里斯被严格的老妈送入白人学校,不出所料受尽欺侮,但也有幸交到一个好朋友——因瘦弱苍白同样要做受气包的格雷戈(文森特·马特拉VincentMartella饰),每天从家里到学校同样吵闹和无奈,克里斯始终用一种无所谓的自嘲精神面对这一切……本剧里面“克里斯”的原型是艾美奖得主、喜剧明星克里斯·洛克(ChrisRock),并由他本人亲自担任独白。
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费利普·弥勒
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丽莎(柯莱儿布翁尼许ClaireBouanich饰),今年8岁,单亲,喜欢提问,各种各样童稚的问题。邻居的爷爷(米歇尔?塞罗MichelSerrault饰),儿子已经去世,脾气古怪,有收集蝴蝶标本的癖好。一天,丽莎闯进了爷爷的密室,发现了五彩斑斓的蝴蝶标本。爷爷还说,他要到山上去采集一个叫“伊莎贝拉”的蝴蝶,丽莎大喜,要跟爷爷一起去探险,她多么希望跟着爷爷去看满天飞的蝴蝶。一路上,丽莎给爷爷添了不少麻烦,因为她有问不完的问题,还放走了爷爷采来的蝴蝶。丽莎掉进了一个山洞,爷爷着急,找来了救生人员。两人的友谊、亲情,与美丽的大自然融为一体。
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Setin790AD,VikinganefeaturesthedailychallengesofpeoplelivinginasmallVikingvillage,frompowerstruggle,brotherrivalry,genderequality,tobetrayalandfriendship."It’sthestoryofpeoplefromourtime,butlivingduringtheVikingera.Ofcourseeverydaychoiceshavefarmoredramaticconsequencesandthatmakesforgreatcomedymaterial.
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With this new series Andrew Graham-Dixon returns to Europe taking us on a journey into the captivating watery world of the Low Countries and its art. This small myriad of regions we now know as Holland and Belgium produced some of the most celebrated names in art: Van Eyck, Bosch, Rembrandt, Rubens, Vermeer, Van Gogh, Mondrian and Magritte. As he travels by canal boat and of course by bicycle Andrew reveals just how important the Low Countries were in key moments in the development of western culture - the birth of oil painting in the late medieval ages, the triumph of the Dutch golden age, and the onset of polarizing modern art movements surrealism and abstraction. This is not the story of one nation, but of fluid, ever-shifting boundaries and the search for identity in an area that has always been politically contested. EPISODE ONE: The first episode will be about how the art of Renaissance Flanders e册ved from the craft of precious tapestries within the Duchy of Burgundy into a leading painting school in its own right. Starting his journey at the magnificent altarpiece of Ghent Cathedral created by the Van Eyck brothers Andrew explains their ground breaking innovation in oil painting and marvels how the colours they obtained can still remain so vibrant today. Andrew will describe how in the early Renaissance the most urgent preoccupation was not the advancement of learning, humanist or otherwise, but the Last Judgment. People believed they were living in the end of days; a subject popular with preachers and artists and intensely realized in swarming microscopic detail by Hieronymus Bosch. EPISODE TWO: In the second episode Andrew explores how the seemingly peaceful countries of Holland and Belgium – famous for their tulips and windmills, mussels and chips - were in fact forged in a crucible of conflict and division. He will examine how a period of economic boom driven for the first time by a burgeoning and secular middle class led to the Dutch Golden Age of the 17th Century. Andrew travels to Delft and Amsterdam to demonstrate the striking contrast between two of its greatest proponents, Rembrandt and Vermeer (one famed for his breathtakingly realistic domestic street scenes, the other for explosive rapid brushstrokes and raw colours, best exemplified in his contentious magnum opus – The Nightwatch.) Radically different in style, both men were united by the realization that they must become innovators in business as well as masters of their craft. Yet boom also meant bust - and in a story with very modern echoes they ultimately shared the same fate, financial destitution. EPISODE THREE: Following a brief period of decline, the third episode will look at how the entrepreneurial and industrious region of the Low Countries rose again to become a cultural leader in the modern age; how despite its small and apparent insignificance when stood up against the powerhouses of Europe it produced important forward thinking artists like Van Gogh, Mondrian, Magritte and Delvaux who changed the face of art forever. In this episode Andrew’s exhilarating journey takes us to a remote beach in North West Holland which inspired Mondrian’s transition to his now renowned abstract grid paintings.
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维姆·文德斯
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查韦斯(哈利戴恩斯坦通HarryDeanStanton饰)迷失在德州荒无人烟的沙漠中,因为身体虚弱而昏迷。医院联系了他的弟弟沃特(迪恩斯托克维尔DeanStockwell饰)来接他。出院的查韦斯一直沉默,直到看见“巴黎,德州”的牌子,才终于开口。回到洛杉矶弟弟家,查韦斯见到了儿子——亨特(亨特卡森HunterCarson饰演),弟弟弟妹其实是养父养母。但是亨特对突如其来的父亲并不接受。后来,查韦斯用很特别的方式收复了孩子的心。通过交流,查韦斯了解到孩子的生母——简(娜塔莎金斯基NastassjaKinski饰)的下落。于是,父子踏上了一条寻母之路……本片获第37届戛纳电影节最佳影片金棕榈大奖。