Janel

AcornTV联手Channel5制作罪案剧《达格利什Dalgliesh》，《福斯特医生》的BertieCarvel饰演标题人物。首季共6集，2集一个故事，12月份将在北爱尔兰开始制作。本剧由全女性团队打造，改编自P.D.James(图2)的系列小说《InspectorDalglieshMysteries》，将会追溯Dalgliesh从上世纪七十年代的英格兰一直到如今打击犯罪的职业生涯，每个故事都会聚焦他破解一桩不寻常的凶案，发生在不同的地点，有不同的客串人物。首季的3个故事将分别改编自：《ShroudforaNightingale》，一名实习护士的死亡；《TheBlackTower》，对一间异常的残疾人之家的调查；《ATasteforDeath》，一名无家可归的养老金领取者和一名内阁大臣被发现死在一间教堂里。原著共14本，首次出版于1962年，最后一本出版于2008年。该系列曾被多次改编搬上校荧幕。

Paris,1981.ThewindsofchangeareblowingonelectionnightandtheFrenchstormthestreets,elated.ButÉlisabeth(CharlotteGainsbourg)strugglestosharethegeneralmoodofoptimism.Hermarriageiscomingtoanendandshewillnowhavetosupportherfamily.Sheisdistraught,andherfatherandteenagechildrenareworriedthathertearssimplywillnotdry.Butwhatiflisteningtoheremotionscouldhelphertostartfillingtheblankpageofherfuture?Whatifsheweretowritealetteronawhimtothehostofherfavouriteradioprogramme?Orinviteahomelessgirlintoherhouse?Whatwouldhappenifsheweretomakethekindofgesturesthatactuallychangelives?Inthisfollow-uptothebeautifulAmanda,MikhaëlHersdirectshishypersensitivegazeatthe1980sandtheseeminglymundanemomentsinonefamily’slifethatshapeindeliblememories.Alargenumberofcharacterspopulatesthisnostalgicsagaofself-invention.Thedirectorhonourstheirvulnerabilityandkindnessinawaythatstandsoutinacinematiclandscapemoreoftenfascinatedbydisillusionedantiheroes.Thisisfilmatitsmostprofoundlyintimateandmesmerising,thekindthat,whenwereflectonhowwefunctionasasociety,givesusanideaofwhylovematters.

AMilanesewartimeentrepreneurformsabandofmisfitsandroguestostageanelaborateheistofalegendarytreasurebelongingtoBenitoMussolini.

We are inEast Berlin, 1978. It’s summer, three years after Wassilly’s death. Nelly’s boyfriend and Alexei’s father died in a car accident in Russia. Since he is dead, Nelly wants to leave too. Away from the GDR, to leave the grief and the memories behind. To get a fresh start. That should be possible in the West, or so Nelly believes.

LonelyteenagerMiagetshookedonthethrillsofconjuringspiritsthroughaceramichand,butwhensheisconfrontedbyasoulclaimingtobeherdeadmother,sheunleashesaplagueofsupernaturalforces,andstrugglestodecidewhoshecantrust:thelivingorthedead.

「鲨海逃生」报告了四名美女索菲·内利斯（Sophie Nélisse）,科琳·福克斯（Corinne Foxx）,布莱恩·朱（Brianne Tju）跟西斯廷·史泰龙（Sistine Stallone）的潜水冒险,她们摸索了一个被沉没的玛雅城。　　当她们进入外部 发明下沉的废墟是致命明白鲨的猎场,心境由高兴转为惊骇。 跟着她们的供氧逐步增加,必需在水下错综庞杂且幽闭恐惧的窟窿跟诡异的地道中寻觅逃离水牢的前途。

‘How do you feel about intimate relations? Speak freely, don’t hold back.’ · ‘I think it’s the highest connection between two souls.’ Benny’s hair is as red as the fur of her devout father’s treasured calf – which he believes will bring salvation. But the 17-year-old feels as lonely and trapped as the calf in its enclosure. Benny’s mother died giving birth to her, and she grew up alone with her caring yet patriarchal father. He is a figure of authority and a mentor for many people in their Jerusalem religious community. Benny becomes increasingly critical of her father’s religious, utopian nationalism and then there’s Yael, the self-confident young woman who has set off a whirlwind of longing and emotions in her. Avigayil Koevary powerfully portrays the defiance and desire of a young woman in Tsivia Barkai Yacov’s debut feature film.

Night Falls in India tells the story of Ricardo (Juan Diego) and Dana (Clara Voda). Ricardo decides to travel overland to India, as he used to do in the old days, when he brought hippies to the East with his van, crossing Europe, Turkey, Iran and Pakistan. But the situation is very different now. Ricardo has been in a wheelchair for the last ten years, suffering from a degenerative disease now in its final stage. He wants to die on the banks of the Ganges River and meet Gadhali again. In this journey, he is accompanied by Dana, his Rumanian housekeeper. Life owes something to these two lonely beings. The journey will become the alibi for paying it off. Night Falls in India is a shining road-movie full of life that uses journey as an excuse to tell a story about love and the passing of time, about the importance of the present and the need to recover lost time; a story in which the journey itself is as important as the arrival.

Setinanundergrounddungeoninhabitedbybundled,raggedhumanbeings,afterthenuclearholocaust.Thestoryfollowsthewanderingsofaherothroughthesituationsofsurvival.PeoplewaitfortheArktoarriveandrescuethemwhiletheirhabitatfallsapart.Delvingdeepintothedustyandlongabandondedvaultsofb-cinemainsearchoflostgemsalwaysleavesmewithabittersweettaste.Ononehandthediscoveryofunexpectedgemswherenoonewouldthinkthempossibleisarewardingexperience.Ontheotherhandthoughitmakesonewonderhowmanyoftheseremarkablelow-budgetoddities,personalloveaffairsofdirectorsneverquitefamousandnowallbutforgotten,havealmostforeverslippedfrommemory?nanycasewhatwehavehereisalittlepost-apocalypticgemfromPolandthatisreallybetterthanithasanyrightto.ThedystopiannearfutureofO-BI,O-BAfindsagroupofsurvivorsofthenuclearwarthatravagedtheEarthinhabitinganunderworldconcretebunkerandbidingtheirtimeastheywaitforthemysteriousArk,anairshipofsomekindthatwillcomeandsavethem.TheArkprovestobeanelaboratehoax,carefullydesignedtogivehopetothemalnourishedanddesperatedenizensofthebunker,whileinthemeantimethedomethatseparatestheirmiserableexistencefromthenuclearwinteroutsideisslowlycavingin.Whatfirststrikedmeaboutthemovieisthedesignofthebunkerandthedepictionofthesurvivors.Thesurvivorsaregaunt,filthyandterrible-lookingpenitents,dressedinragsandaimlesslywanderingtheneon-lithallsofthebunkerlikeautomatons.Thebunkerisarundown,seedyplace,withbrightneonlightspeeringfromallsidesliketheeyesofmalignantbeasts.Ononehanditisaslightly80’sdepictionofthedystopianfuturebutthemovieneverstoopsdowntoMADMAXcheese.Insteaditcombinesbitingpoliticalsatirewiththebleakoutlookofaworldwithnofuture,blackcomedywithbarbsonapathy,religionandpower.Thesurvivors,forexample,arefedsomekindofflourdroppingfromatubethathoversintheair-lateronwediscoverthefoodsupervisorusesbooksandtheBibleitselfasfillerforthismeagremeal.Therearemanysuchshortsymbolictouches,perhapsnotlife-changingorfaith-restoring,yetplayful,cleverandinspired.Onethingisforsure;O-BI,O-BAisnotyourrun-of-the-millsci-fischlock.Itovercomesitsmodestbudgetwithcreativityandhasgenuineartisticaspirationsbothfromawritinganddirectingperspective.Myopinionisthatitshouldhavebeenfilmedinblackandwhiteinsteadofcolourthough.Thedirectorusesatmosphericlightandshadowtogreateffectanditwouldhaveregisteredevenbetterinstarkblackandwhite.Theblue-greenneonontheotherhandoutstaysitswelcomeafterawhile.Justaminorgripeinanotherwisesolidb-moviewithitsheartsetinalltherightplaces.ImaginealessbleakTHEROAD(CormacMcCarthy)beinginjectedwiththesatireandhumourofDR.STRANGELOVEandyou’regettingthere.Seeitifyoucanfindit.

Awomanwhoiskidnappedandforcedtocompeteineliteundergroundfightsandhastobattleherwayouttofreedom.