Dayu
搜索"Dayu" ，找到 以下影视作品
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AftersettlingdowntogetherandonlybeingseparatedindeathduringtheAyutthayaera(1351-1767CE),DejandKaraketarerebornintheearlyRattanakosinperiod(1782-1855CE).Butthereisonlyoneofthemwhostillbelievesin‘destiny’.Bhop,achiefengineerwiththesweetestsmileinSiam,hasbeenseeingthesameladyinhisdreamsformanyyears.Hebelieveswholehear...
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Yitzhak runs the turkey farm his father built with his own two hands after they emigrated from Iran to Israel. When his son Moti turns thirteen, Yitzhak teaches him the trade, hoping that he will continue the proud family tradition. But Moti doesn't like working in the turkey barn; his passion is fixing up junkyard cars and bringing them back to life. Moti's mother Sarah tries to reconcile between the two, while his grandfather pushes Yitzhak to take a firm hand with his son. Yitzhak takes Moti's refusal to work in the turkey barn as a personal rejection. Though he loves his son dearly, he makes it his mission to impose the family farm on Moti. The arrival of Darius, the uncle from America, sets off a chain of events that will undermine the familial harmony. Soon enough Yitzhak will learn that his son is just as stubborn as he is. The conflict is inevitable. Written by Yuval Delshad
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金义石
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Tae-gyu and Ji-hye get married. Two young lovers dreamed of the ideal married life which each had respect for each other. But honeymoon is soon over as each comes to realize that the other isn't quite what they thought. The liberal woman would like to talk of sex with frankness and ease. The conservative man can't get rid of his traditional sense of superiority. They end up hurting each other and decide to get a (limited) divorce. Once apart, they each begin to feel empty without the other, and realized they need to make an effort to understand each other.
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比尔·杜克
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Having witnessed his junkie father killed Russell Stevens grows up to become a policeman and make a difference. When he is offered an undercover job by Gerald Carver he accepts and begins to build a relationship with David Jason in order to get to the main dealers. However as he is forced to deal drugs and kill to keep his cover he finds the lines between cop and criminal being lost – is he a cop pretending to be a dealer or a dealer pretending to be a cop Larry (as he was then) Fishburne's first lead role was a typically dark vehicle. The story is the usual one of cop losing himself when undercover, however it manages to be more than that for most of the time. Co-written by Tolkin, who wrote The Player, this naturally has a nice cynical edge to it when it looks at the US's hypocritical approach to drug control and the political links between the street hustlers and the political high rollers who court respectability. The story does eventually settle into a traditional setting but even then it works well as a thriller. The multi-talented Bill Duke directs well with a gritty feel and a few nice touches. However several things are a bit iffy. For most of the film Fishburne's narrationvoice over is a bit like a cross between Apocalypse Now and Blade Runner – it comes across as a little too dark and heavy and also explains things like we can't figure it out ourselves. However once you get into the film it's not as big a deal. My main problem lies with the characters. Fishburne is excellent, a real model of underlying anger and violence, Goldblum is good but perhaps a little OTT on the yuppieviolence thing, but there's good support from Smith and Spin City's beautiful (and often underused – but not here) Victoria Dillard. However the two main white characters (Goldblum and Smith) are both smeared with racist insinuations – Smith appears to insult his black officers and doesn't care about the junkies, while Goldblum is fascinated about all things black and talks about them as wild beautiful beasts and loves having sex with black'. These things aren't a major problem, but with basically only two white characters in it, it's a little worrying that both are given that edge. However these are minor complaints that get lost with a good thriller. Fishburne excels and Duke delivers a story that is a good thriller but also has a jaded, subversive edge.
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简君晋
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到底这部青年人制作是否就是片中自谑「那些每日特别放映一场的闷戏」？陈家乐饰演的怀才不遇电影学院毕业生自中学恋上同是戏剧学会的成员阿殷（乐队坏碑唇主音Yuki），但青涩爱情能否经历成长考验？于美国UC Berkeley MBA毕业的周永恒一年来见工数十份却无一成功，到底是不幸还是真正「高分低能」？中学生刘振安恋上年长四届学姊陈嘉宝，日夜思考相遇是遇然还是命运，单向倾慕能否一日开花结果？ 《超级巨星》陈康健接手亲戚留下来的乐器铺，纵有不凡歌唱技巧，歌手梦却被家人极力反对，最终应面对现实还是继续寻梦？四位年轻人相遇相知，迷茫渡日却最少曾经青春过。再看客串的善良班主任梁雨恩、看破世情的训导廖启智、甚或放弃了音乐理想的刘以达，这部剧情长片都给人一种独特清新感觉。
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张圭声
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世宗（朴英奎 Yeong-gyu Park 饰）因不满大儿子的陷溺酒色,荒淫无耻,免除了他王世子的位置,改破三子李祹(朱智勋 Ji-hun Ju 饰)为王世子。但是整天念书体质孱弱的李祹对宫廷政治跟权利并不感兴致,乃至在父亲的频频施压下妄图逃离这备受束缚的生涯。德七(朱智勋 Ji-hun Ju 饰)是一名浑身蛮力的仆从,长着一张跟王世子一样的模样。德七从小就跟自家主人的女儿秀妍（李荷妮 Ha-nui Lee 饰）互为倾慕。不意这家主人牵涉到一场政治诡计中,百口以逆反的罪名被诬告入狱。德七妄图爬过宫墙救本人的心上人,阴错阳差的跟正流亡宫外的王世子更换了身份。一方面,德七提心吊胆的在宫中顶替着王世子,另一方面,离开官方游历的王世子历经磨练,尝尽甜头,看到了嫡平易近的魔难,垂垂有了作为君主的一番看法。而此时,宰相沈奕发明白假世子的机密… 该片取自韩国汗青上著名的英君贤主李祹成为世子前后的秘史。
