Mantell

SergeantVoighttriestofindoutwhoisbehindthemurderofJin,andcomeupwiththeunbelievablediscoveryandlearnedthatSergeantEdwinStillwellplayingadoublegamewiththeintentionofgettingoutonthesurfaceofthebigfishalongwithVoight.Inthemeantime,allmembersoftheintelligencedepartmentsreceivedeaththreatsfromanunknowngroupcalled"Shadow".AtseveralplacesinChicagoinafire,explosion,androbbery,forwhich"Shadow"takeresponsibility,bringingthecityintochaos.

JanetispromotedtosergeantbutstepsdowntogiveittoRachelasshefeelssheisneededmoreathome.ThepairjointhesearchforeighteenyearoldRobinMcKendrick,asimpleladreportedmissingbyhisboss,landlordJohnRivington.PubregularsareunforthcominguntilaboycalledJohntellsJanetthatanex-soldierknownasJackie-BoylockedRobininhiscarbootasacruelprank.Helaterreportedthecarasstolen.AnotherwitnessclaimsthatJackie-BoydumpedhiscarinaquarrywithRobinstillintheboot.IntheprocessoftheinvestigationGillidentifiesanotherbodyfoundintheriver,thatofMandySweeting,whodisappearedtwodecadesago.

Narratedbytwo-timeGoldenGlobe®nomineeEwanMcGregor,HumpbackWhalesisanextraordinaryjourneyintothemysteriousworldofoneofnature’smostawe-inspiringmarinemammals.SetinthespectacularwatersofAlaska,HawaiiandtheremoteislandsofTonga,thisoceanadventureoffersaudiencesanup-closelookathowthesewhalescommunicate,sing,feed,playandtakecareoftheiryoung.CapturedforthefirsttimewithIMAX®3Dcameras,andfoundineveryoceanonearth,humpbackswerenearlydriventoextinction50yearsago,buttodayaremakingaslowbutremarkablerecovery.Joinateamofresearchersastheyunlockthesecretsofthehumpbackandfindoutwhyhumpbacksarethemostacrobaticofallwhales,whytheysingtheirhauntingsongs,andwhytheseintelligent55-foot,50-tonanimalsmigrateupto10,000milesround-tripeveryyear.AMacGillivrayFreemanfilmpresentedbyPacificLife,HumpbackWhalesisdirectedbyGregMacGillivray(TheLivingSea,Dolphins,Everest)andproducedbyShaunMacGillivray(ToTheArctic,GrandCanyonAdventure).Filmedwith15perf,65mmIMAX®cameras,HumpbackWhalesiswrittenandeditedbyStephenJudson(Everest,ToTheArctic)withamusicalscorebySteveWood(JourneytotheSouthPacific,ToTheArctic).AOneWorldOneOceanproduction.

有弗成能在数千年前伶俐性命曾经拜访过地球,带来了他们的科技,彻底的转变了人类汗青开展过程！由ErichvonDaniken撰写,1968年出书的滞销书「诸神的战车」提出了一个“太古外星人”的实践,推翻了人们对人类过程的信心。太古窟窿壁画中奇怪的生物,秘鲁的飞机跑道古迹,跟印第安笔墨中所描写的“神的飞翔器”这些变态的考古文物只是一小部门被vonDaniken援用作为太古外星宇航员早已被咱们的先人所熟知的例证。本片由vonDaniken本人独破制造,「太古外星人」开端了全新的探险,寻觅并评价这些证据。专一于近来30年间的最新的发明,包含人类退化中不平常的DNA跟从埃及到叙利亚,到南美洲的最新的解密的艺术品。这是对一个从许多方面来说不克不及全信,但又不克不及被疏忽的实践的一场不倾向的考察。IsitpossiblethatintelligentlifeformsvisitedEarththousandsofyearsago,bringingwiththemtechnologythatdrasticallyaffectedthecour搜索引擎优化fhistoryandman’sowndevelopment?Presentedinthe1968bestsellingbookChariotsoftheGodsbyErichvonDaniken,thetheoryof"ancientaliens"rockedpeople’sbeliefsinmankind’sprogress.Ancientcavedrawingsofstrangecreatures,remainsoflandingstripsinPeru,andIndiantextsthatdescribethe"flyingmachinesofthegods"werejustafewoftheoddarchaeologicalartifactscitedbyvonDanikenasproofthatancientastronautswerewellknowntoourancestors.ProducedwiththeexclusivecooperationofvonDanikenhimself,AncientAlienslaunchesall-newexpeditionstoseekoutandevaluatethisevidence,withaconcentrationonthelatestdiscoveriesofthelast30years,includingunusualDNAfindingsonman’se册utionandnewlydecodedartifactsfromEgypttoSyriatoSouthAmerica.Itisabalancedinvestigationintoatheorysomebelievecannotbetrue,butmanyagreecannotbeignored.

ItwastheageofDaVinciandMichelangelo,ofenlightenedcreativityandunparalleledintellectualachievement.ButitwasalsotheageofMachievelli,oframpantlawlessness,incessantwarandunspeakabledepravity.AttheheartoftheworldorderwastheVatican,thearbiterofconflictsbetweenkingdomsandempires.AndatthecenteroftheVaticanwasamanwhosequestforpowerwouldpropelhimtoseektheultimateprize,theholyseeofRome.Hewasamanwhosenamewouldbecomesynonymouswithruthlessness,andwhosereignaspopewouldberememberedasthemostinfamouschapterofthehistoryoftheCatholicchurch-RodrigoBorgia.Hisfourchildren-Juan,theoldest,aprideful,lazy,unscrupuloussexualpredator,Cesare,ayoungmantornbetweenafaiththatwasnothiscallingandhisdarkviolentnature,Lucretia,ayounggirldiscoveringthesecretpowerthatawomen’ssexualityholds...

ItwastheageofDaVinciandMichelangelo,ofenlightenedcreativityandunparalleledintellectualachievement.ButitwasalsotheageofMachievelli,oframpantlawlessness,incessantwarandunspeakabledepravity.AttheheartoftheworldorderwastheVatican,thearbiterofconflictsbetweenkingdomsandempires.AndatthecenteroftheVaticanwasamanwhosequestfo...

TERMINATOR:THESARAHCONNORCHRONICLESpicksupitssecondseasonwithSARAHCONNOR(LenaHeadey)huntingthefutureinpresentdayLosAngeles,hopingtostoptheimpendingapocalypseandchangefateforhersonJOHN(ThomasDekker).Whiletheever-evolvingtechnologicalenemygrowsstronger,16-year-oldJohnbeginstakingthestepsnecessarytoembracehisdestinyasthesaviorofmankind.Johnfindshimselfcaughtbetweenhisfearlessprotector,thebeautifulbutpotentiallydangerouscyborg,CAMERON(SummerGlau),andhisnewfriend,RILEY(LevenRambin),whorepresentsfreedombutalsoapotentialrisktohissafety.John’suncle,DEREKREESE(BrianAustinGreen),continuestofightalongsidetheConnors,buthasheoverstayedhiswelcome?AfterCROMARTIE(GarretDillahunt),theT-888sentfromthefuture,sparedFBIAgentJAMESELLISON’s(RichardT.Jones)life,Ellisonhasbecomeabeliever,acceptingthat"nooneiseversafe."AgentEllisonisnowbentonunderstandinghisroleandhispurpose.CATHERINEWEAVER(ShirleyManson),CEOofZeiraCorp,mayjustknowwheretofindtheanswersEllisonislookingfor.InSeasonTwo,lifefortheConnorsintensifiesastheirrelationshipsarechallengedandthepresentandthefuturebegintobecomeone.HowlongcanCameronprotectthembeforethey’rediscoveredbySkynet?HowwilltheConnorskeeptheirfamilyintact?============================================《终结者外传》第二季还将继续着上一季的故事，SarahConnor（LenaHeadey饰）将在今天的洛杉矶为人类的未来而战，期望着能阻止不久就将来到的审判日以及改变自己儿子John（ThomasDekker饰）的命运。随着终结者机器人的不断进化和强化，16岁的John也逐渐开始接受自己作为人类救世主的命运。同时，他还发现自己陷入了两个女孩的中间——一个是被送来保护他的Cameron（SummerGlau饰），漂亮但却可能对John的安全有潜在威胁，毕竟Cameron也是一个终结者；而另一个是John的新朋友Riley（LevenRambin饰），她的出现似乎象征了John所追求的自由，但同样也可能给John带来威胁。而John的叔叔DerekReese（BrianAustinGreen饰）则继续和他们两母子并肩作战，但似乎Derek已经不那么受欢迎了。另一方面，在和T-888型终结者Cromartie（GarretDillahunt饰）面对面并且逃过一命之后，FBI探员JamesEllison（RichardT.Jones）开始深信Sarah的那句话：“没有人是绝对安全的。”Ellison探员现在明确了自己的目标，而CatherineWeaver（ShirleyManson饰），一个神秘公司的CEO，很有可能知道在哪里能找到Ellison追求的目标。在第二季，Sarah一家人的生活越来越惊险，因为随着时间的推进，“现在”和“未来”在逐渐的合而为一。在“天网”发现John的行踪之前，Cameron还能保护他们多久？而John一家人能安全无恙么？《终结者外传》第二季将呈现更多的精彩。

萨宾娜30岁了,她的母亲跟祖母都试着为她寻觅完婚工具却未果。有一天,她碰见了一位酷似片子明星的年青女子,并对他发生了兴致。他的涌现惊喜连连,使三位女性的生涯发生了变更……Astoryaboutwomen,setinthepresentandin1950sWarsaw.ThemaincharacterisSabina,aquiet,shywomanwhohasjustturnedthirty.Clearly,shelacksamaninherlife.Hermotherknowsallaboutitandtriesatallcoststofindherdaughteragoodcandidateforahusband.Thewholesituationiscontrolledbythegrandmother,aneccentricladywithasharptonguefromwhomnosecretcanbeconcealed.Successiveadmirersarriveatthepre-wartenementwherethewomenlive,butSabinaisinterestedinnoneofthem.Oneday,appearingoutofnowhere,comesthecharming,intelligent,andterriblygood-lookingBronislaw.Hispresencewillsparkoffaseriesofunexpectedeventsrevealingthedarkersideofthewomen’snature.WrittenbyWarsawFilmFestival本片是导演BorysLankosz的故事长片童贞作,也是记录片导演Lankosz初次拍剧情片。该片是击败了「市场女孩」跟「疯人院」两部片子掉掉落的加入奥斯卡最佳外语片比赛的机遇。

Voice1(male"professionalannouncer"type):Thisneighborhood(1)wasmadeforthewretcheddignityofthepettybourgeoisie,forrespectableoccupationsandintellectualtourism.Thesedentarypopulationoftheupperfloorswasshelteredfromtheinfluencesofthestreet.Thisneighborhoodhasremainedthesame.Itwasthestrangesettingofourstory,whereasystematicquestioningofallthediversionsandworksofasociety,atotalcritiqueofitsideaofhappiness,wasexpressedinacts.Thesepeoplealsoscorned"subjectiveprofundity".Theywereinterestedinnothingbutanadequateandconcreteexpressionofthemselves.Voice2(Debord,monotone):Humanbeingsarenotfullyconsciousoftheirreallife-usuallygropinginthedark;overwhelmedbytheconsequencesoftheiracts;ateverymomentgroupsandindividualsfindthemselvesconfrontedwithresultstheyhavenotwished.Voice1 - Theysaidthatoblivionwastheirrulingpassion.Theywantedtoreinventeverythingeachday;tobecomethemastersandpossessorsoftheirownlives.Justasonedoesnotjudgeamanaccordingtotheconceptionhehasofhimself,onecannotjudgesuchperiodsoftransitionaccordingtotheirownconsciousness;onthecontrary,onemustexplaintheconsciousnessthroughthecontradictionsofmateriallife,throughtheconflictbetweensocialconditionsandtheforcesofsocialproduction.Theprogressachievedinthedominationofnaturewasnotyetmatchedbyacorrespondingliberationofeverydaylife.Youthpassedawayamongthevariouscontrolsofresignation.Ourcamerahascapturedforyouafewaspectsofaprovisionalmicrosociety.Theknowledgeofempiricalfactsremainsabstractandsuperficialaslongasitisnotconcretizedbyitsintegrationintothewhole"”whichalonepermitsthesupersessionofpartialandabstractproblemssoastoarriveattheirconcreteessence,andimplicitlyattheirmeaning.Thisgroupwasonthemarginsoftheeconomy.Ittendedtowardaroleofpureconsumption,andfirstofallthefreeconsumptionofitstime.Itthusfounditselfdirectlyengagedinqualitativevariationsofeverydaylifebutdeprivedofanymeanstointerveneinthem.Thegrouprangedoveraverysmallarea.Thesametimesbroughtthembacktothesameplaces.Noonewenttobedearly.Discussiononthemeaningofallthiscontinued...Voice2 - "Ourlifeisajourney"”Inthewinterandthenight."”Weseekourpassage..."�Voice1 - Theabandonedliteratureneverthelessexertedadelayingactiononnewaffectiveformulations.Voice2 - Therewasthefatigueandthecoldofthemorninginthismuch-traversedlabyrinth,likeanenigmathatwehadtoresolve.Itwasalooking-glassrealitythroughwhichwehadtodiscoverthepotentialrichnessofreality.Onthebankoftherivereveningbeganonceagain;andcaresses;andtheimportanceofaworldwithoutimportance.Justastheeyeshaveablurredvisionofmanythingsandcanseeonlyoneclearly,sothewillcanstriveonlyincompletelytowarddiver搜索引擎优化bjectsandcancompletelyloveonlyoneatatime.Voice3(younggirl):Noonecountedonthefuture.Itwouldneverbepossibletobetogetherlater,oranywhereelse.Therewouldneverbeagreaterfreedom.Voice1 - Therefusaloftimeandofgrowingoldautomaticallylimitedencountersinthisnarrow,contingentzone,wherewhatwaslackingwasfeltasirreparable.Theextremeprecariousnessofthemeansofgettingbywithoutworkingwasattherootofthisimpatiencewhichmadeexcessesnecessaryandbreaksdefinitive.Voice2 - Oneneverreallycontestsanorganizationofexistencewithoutcontestingallofthatorganization’sformsoflanguage.Voice1 - Whenfreedomispracticedinaclosedcircle,itfadesintoadream,becomesamererepresentationofitself.Theambianceofplayisbynatureunstable.Atanymoment"ordinarylife"�canprevailonceagain.Thegeographicallimitationofplayisevenmorestrikingthanitstemporallimitation.Anygametakesplacewithinthecontoursofitsspatialdomain.Aroundtheneighborhood,arounditsfleetingandthreatenedimmobility,stretchedahalf-knowncitywherepeoplemetonlybychance,losingtheirwayforever.Thegirlswhofoundtheirwaythere,becausetheywerelegallyunderthecontroloftheirfamiliesuntiltheageofeighteen,wereoftenrecapturedbythedefendersofthatdetestableinstitution.Theyweregenerallyconfinedundertheguardofthosecreatureswhoamongallthebadproductsofabadsocietyarethemostuglyandrepugnant:nuns.Whatusuallymakesdocumentariessoeasytounderstandisthearbitrarylimitationoftheirsubjectmatter.Theydescribetheatomizationofsocialfunctionsandtheisolationoftheirproducts.Onecan,incontrast,envisagetheentirecomplexityofamomentwhichisnotresolvedintoawork,amomentwhosemovementindissolublycontainsfactsandvaluesandwhosemeaningdoesnotyetappear.Thesubjectmatterofthedocumentarywouldthenbethisconfusedtotality.Voice2 - Theerahadarrivedatalevelofknowledgeandtechnicalmeansthatmadepossible,andincreasinglynecessary,adirectconstructionofallaspectsofaliberatedaffectiveandpracticalexistence.Theappearanceofthesesuperiormeansofaction,stillunusedbecau搜索引擎优化fthedelaysintheprojectofliquidatingthecommodityeconomy,hadalreadycondemnedaestheticactivity,whoseambitionsandpowerswerebothoutdated.Thedecayofartandofallthevaluesofformermoreshadformedoursociologicalbackground.Therulingclass’smonopolyovertheinstrumentsweneededtocontrolinordertorealizethecollectiveartofourtimehadexcludedusfromaculturalproductionofficiallydevotedtoillustratingandrepeatingthepast.Anartfilmonthisgenerationcanonlybeafilmonitsabsenceofrealcreations.Everyoneunthinkinglyfollowedthepathslearnedonceandforall,totheirworkandtheirhome,totheirpredictablefuture.Forthemdutyhadalreadybecomeahabit,andhabitaduty.Theydidnotseethedeficiencyoftheircity.Theythoughtthedeficiencyoftheirlifewasnatural.Wewantedtobreakoutofthisconditioning,inquestofanotheru搜索引擎优化ftheurbanlandscape,inquestofnewpassions.Theatmosphereofafewplacesgaveusintimationsofthefuturepowersofanarchitectureitwouldbenecessarytocreatetobethesupportandframeworkforlessmediocregames.Wecouldexpectnothingofanythingwehadnotourselvesaltered.Theurbanenvironmentproclaimedtheordersandtastesoftherulingsocietyjustasviolentlyasthenewspapers.Itismanwhomakestheunityoftheworld,butmanhasextendedhimselfeverywhere.Peoplecanseenothingaroundthemthatisnottheirownimage;everythingspeakstothemofthemselves.Theirverylandscapeisalive.Therewereobstacleseverywhere.Therewasacohesionintheobstaclesofalltypes.Theymaintainedthecoherentreignofpoverty.Everythingbeingconnected,itwasnecessarytochangeeverythingbyaunitarystruggle,ornothing.Itwasnecessarytolinkupwiththemasses,butweweresurroundedbysleep.Voice3 - Thedictatorshipoftheproletariatisadesperatestruggle,bloodyandbloodless,violentandpeaceful,militaryandeconomic,educationalandadministrative,againsttheforcesandtraditionsoftheoldworld.Voice1 - Inthiscountryitisonceagainthemenoforderwhohaverebelled.Theyhavereinforcedtheirpower.Theyhavebeenabletoaggravatethegrotesquenessoftherulingconditionsaccordingtotheirwill.Theyhaveembellishedtheirsystemwiththefunerealceremoniesofthepast.Voice2 - Years,likeasingleinstantprolongedtothispoint,cometoanend.Voice1 - Whatwasdirectlylivedreappearsfrozeninthedistance,fitintothetastesandillusionsofanera,carriedawaywithit.Voice2 - Theappearanceofeventsthatwehavenotmade,thatothershavemadeagainstus,nowobligesustobeawareofthepassageoftime,itsresults,thetransformationofourowndesiresintoevents.Whatdifferentiatesthepastfromthepresentispreciselyitsout-of-reachobjectivity;thereisnomoreshould-be;beingissoconsumedthatithasceasedtoexist.Thedetailsarealreadylostinthedustoftime.Whowasafraidoflife,afraidofthenight,afraidofbeingtaken,afraidofbeingkept?Voice3 - Whatshouldbeabolishedcontinues,andwecontinuetowearawaywithit.Weareengulfed.Weareseparated.Theyearspassandwehaven’tchangedanything.Voice2 - Onceagainmorninginthesamestreets.Onceagainthefatigueofsomanysimilarlypassednights.Itisawalkthathaslastedalongtime.Voice1 - Reallyhardtodrinkmore.Voice2 - Ofcour搜索引擎优化nemightmakeafilmofit.Butevenifsuchafilmsucceedsinbeingasfundamentallydisconnectedandunsatisfyingastherealityitdealswith,itwillneverbemorethanare-creation"”poorandfalselikethisbotchedtravelingshot.Voice3 - Therearenowpeoplewhopridethemselvesonbeingauthorsoffilms,asotherswereauthorsofnovels.Theyareevenmorebackwardthanthenovelistsbecausetheyareunawareofthedecompositionandexhaustionofindividualexpressioninourtime,ignorantoftheendoftheartsofpassivity.Theyarepraisedfortheirsinceritysincetheydramatize,withmorepersonaldepth,theconventionsofwhichtheirlifeconsists.Thereistalkoftheliberationofthecinema.ButwhatdoesitmattertousifonemoreartisliberatedthroughwhichTom,DickorHarrycanjoyouslyexpresstheirslavishsentiments?Theonlyinterestingventureistheliberationofeverydaylife,notonlyintheperspectivesofhistorybutforusandrightaway.Thisentailsthewitheringawayofalienatedformsofcommunication.Thecinema,too,hastobedestroyed.Voice2 - Inthefinalanalysis,starsarecreatedbytheneedwehaveforthem,andnotbytheirtalentorlackoftalentorevenbythefilmindustryoradvertising.Miserableneed,dismal,anonymouslifethatwouldliketoexpanditselftothedimensionsofcinemalife.Theimaginarylifeonthescreenistheproductofthisrealneed.Thestaristheprojectionofthisneed.Theimagesoftheadvertisementsduringtheintermissionsaremoresuitedthananyothersforevokinganintermissionoflife.Toreallydescribethiseraitwouldnodoubtbenecessarytoshowmanyotherthings.Butwhatwouldbethepoint?Bettertograspthetotalityofwhathasbeendoneandwhatremainstobedonethantoaddmoreruinstotheoldworldofthespectacleandofmemories.1.Thisfilm,whichevokesthelettristexperiencesattheoriginofthesituationistmovement,openswithshotsoftheParisdistrictfrequentedbythelettristsintheearly1950s.

黄文展“狗头”（任达华饰）和何家宝“猪女”（徐子珊饰）是香港CIB（CriminalIntelligenceBureau）的职员。CIB俗称香港警察中的狗仔队，里面人人行动低调样貌平凡，但却对罪犯有极其灵敏的嗅觉。狗头和猪女这次的任务是追踪珠宝劫案的疑犯陈重山（梁家辉饰）。陈重山是个犯案“天才”，对躲避警察追捕有丰富经验和巧妙手段。这次CIB行动，比平时都更为艰巨。尽管已经警方十面埋伏，狗头和猪女都使出浑身解数，陈重山还是屡屡逃脱。一路的跟踪就好像猫捉老鼠，没完没了。陈重山似乎有神奇的力量，闻到警察追到身边的气味。眼看有警员在追踪过程中殉职，狗头和猪女心急如焚。