LaChance

又名:八卦天后第二季/绯闻少女第二季/流言蜚女第二季/绯闻私校第二季/流言教主第二季/花边教主第二季/八卦女郎第二季热力四射的暑假即将过去，goosipgirl却从未离开大家的视线，继续日日大爆料。我们亲爱的Seriena（BlakeLively饰）和寂寞男孩Dan（PennBadgley饰）似乎爱火重燃，然而导致他们分手的根本问题从没有真正解决，再次分手也就变成无可奈何的事，于是二人开始努力学习如何去当普通朋友。上一季不欢而散的Blair（LeightonMeester饰）和Chuck（EdWestwick饰）继续纠缠在捕获对方的游戏中，玩得不知疲惫的二人渐渐发现，对方真是自己心中所爱，但是已经习惯了用游戏作为相处手段的他们，悲哀地感觉到他们没有办法像其他恋人一样以认真严肃的态度去恋爱。我们的白马王子Nate（ChanceCrawford饰）本在暑假和一个有夫之妇勾搭上，当然事实的真相并不那么美好，Nate最终和她分手，而和V的爱情之花也死在萌芽中。但他却收获了Dan这个朋友，由于家产被查收，他住进了Dan的家中，不知不觉中对小Jenny在乎起来。Jenny（TaylorMomsen饰）在设计上的天赋在这一季中完全绽放，她的才华被大家所赏识，且得到了在Waldorf工作室继续工作的机会，老爸也答应让她在家自学以逃开学校女孩们派系的纷争。不过小Jenny不仅仅满足于替Waldorf做枪手，她已经开始筹划自己的个人品牌了。以上所有消息，都是来源于我们最爱的goosipgirl。

故事发生在美国的一处移民社区中，萨拉菲娜（安娜·玛格纳妮AnnaMagnani饰）和丈夫罗萨里奥（LarryChance饰）过着平静的生活，厄运降临了，一场车祸夺取了罗萨里奥的生命，留下萨拉菲娜和女儿罗莎（玛丽莎·佩雯MarisaPavan饰）相依为命。悲痛的萨拉菲娜失去了理智，她的行为举止日渐怪异，和女儿之间的关系也越来越紧张。一次偶然中，萨拉菲娜发现丈夫并非自己心目中的那样忠贞完美，他不仅从事走私活动，更背叛了婚姻四处沾花惹草，之后，萨拉菲娜结识了名为阿尔瓦罗（伯特·兰卡斯特BurtLancaster饰）的年轻卡车司机。随着时间的推移，阿尔瓦罗的乐观和开朗逐渐改变了萨拉菲娜，她能够鼓起勇气，迎接新的生活吗？

Voice1(male"professionalannouncer"type):Thisneighborhood(1)wasmadeforthewretcheddignityofthepettybourgeoisie,forrespectableoccupationsandintellectualtourism.Thesedentarypopulationoftheupperfloorswasshelteredfromtheinfluencesofthestreet.Thisneighborhoodhasremainedthesame.Itwasthestrangesettingofourstory,whereasystematicquestioningofallthediversionsandworksofasociety,atotalcritiqueofitsideaofhappiness,wasexpressedinacts.Thesepeoplealsoscorned"subjectiveprofundity".Theywereinterestedinnothingbutanadequateandconcreteexpressionofthemselves.Voice2(Debord,monotone):Humanbeingsarenotfullyconsciousoftheirreallife-usuallygropinginthedark;overwhelmedbytheconsequencesoftheiracts;ateverymomentgroupsandindividualsfindthemselvesconfrontedwithresultstheyhavenotwished.Voice1 - Theysaidthatoblivionwastheirrulingpassion.Theywantedtoreinventeverythingeachday;tobecomethemastersandpossessorsoftheirownlives.Justasonedoesnotjudgeamanaccordingtotheconceptionhehasofhimself,onecannotjudgesuchperiodsoftransitionaccordingtotheirownconsciousness;onthecontrary,onemustexplaintheconsciousnessthroughthecontradictionsofmateriallife,throughtheconflictbetweensocialconditionsandtheforcesofsocialproduction.Theprogressachievedinthedominationofnaturewasnotyetmatchedbyacorrespondingliberationofeverydaylife.Youthpassedawayamongthevariouscontrolsofresignation.Ourcamerahascapturedforyouafewaspectsofaprovisionalmicrosociety.Theknowledgeofempiricalfactsremainsabstractandsuperficialaslongasitisnotconcretizedbyitsintegrationintothewhole"”whichalonepermitsthesupersessionofpartialandabstractproblemssoastoarriveattheirconcreteessence,andimplicitlyattheirmeaning.Thisgroupwasonthemarginsoftheeconomy.Ittendedtowardaroleofpureconsumption,andfirstofallthefreeconsumptionofitstime.Itthusfounditselfdirectlyengagedinqualitativevariationsofeverydaylifebutdeprivedofanymeanstointerveneinthem.Thegrouprangedoveraverysmallarea.Thesametimesbroughtthembacktothesameplaces.Noonewenttobedearly.Discussiononthemeaningofallthiscontinued...Voice2 - "Ourlifeisajourney"”Inthewinterandthenight."”Weseekourpassage..."�Voice1 - Theabandonedliteratureneverthelessexertedadelayingactiononnewaffectiveformulations.Voice2 - Therewasthefatigueandthecoldofthemorninginthismuch-traversedlabyrinth,likeanenigmathatwehadtoresolve.Itwasalooking-glassrealitythroughwhichwehadtodiscoverthepotentialrichnessofreality.Onthebankoftherivereveningbeganonceagain;andcaresses;andtheimportanceofaworldwithoutimportance.Justastheeyeshaveablurredvisionofmanythingsandcanseeonlyoneclearly,sothewillcanstriveonlyincompletelytowarddiver搜索引擎优化bjectsandcancompletelyloveonlyoneatatime.Voice3(younggirl):Noonecountedonthefuture.Itwouldneverbepossibletobetogetherlater,oranywhereelse.Therewouldneverbeagreaterfreedom.Voice1 - Therefusaloftimeandofgrowingoldautomaticallylimitedencountersinthisnarrow,contingentzone,wherewhatwaslackingwasfeltasirreparable.Theextremeprecariousnessofthemeansofgettingbywithoutworkingwasattherootofthisimpatiencewhichmadeexcessesnecessaryandbreaksdefinitive.Voice2 - Oneneverreallycontestsanorganizationofexistencewithoutcontestingallofthatorganization’sformsoflanguage.Voice1 - Whenfreedomispracticedinaclosedcircle,itfadesintoadream,becomesamererepresentationofitself.Theambianceofplayisbynatureunstable.Atanymoment"ordinarylife"�canprevailonceagain.Thegeographicallimitationofplayisevenmorestrikingthanitstemporallimitation.Anygametakesplacewithinthecontoursofitsspatialdomain.Aroundtheneighborhood,arounditsfleetingandthreatenedimmobility,stretchedahalf-knowncitywherepeoplemetonlybychance,losingtheirwayforever.Thegirlswhofoundtheirwaythere,becausetheywerelegallyunderthecontroloftheirfamiliesuntiltheageofeighteen,wereoftenrecapturedbythedefendersofthatdetestableinstitution.Theyweregenerallyconfinedundertheguardofthosecreatureswhoamongallthebadproductsofabadsocietyarethemostuglyandrepugnant:nuns.Whatusuallymakesdocumentariessoeasytounderstandisthearbitrarylimitationoftheirsubjectmatter.Theydescribetheatomizationofsocialfunctionsandtheisolationoftheirproducts.Onecan,incontrast,envisagetheentirecomplexityofamomentwhichisnotresolvedintoawork,amomentwhosemovementindissolublycontainsfactsandvaluesandwhosemeaningdoesnotyetappear.Thesubjectmatterofthedocumentarywouldthenbethisconfusedtotality.Voice2 - Theerahadarrivedatalevelofknowledgeandtechnicalmeansthatmadepossible,andincreasinglynecessary,adirectconstructionofallaspectsofaliberatedaffectiveandpracticalexistence.Theappearanceofthesesuperiormeansofaction,stillunusedbecau搜索引擎优化fthedelaysintheprojectofliquidatingthecommodityeconomy,hadalreadycondemnedaestheticactivity,whoseambitionsandpowerswerebothoutdated.Thedecayofartandofallthevaluesofformermoreshadformedoursociologicalbackground.Therulingclass’smonopolyovertheinstrumentsweneededtocontrolinordertorealizethecollectiveartofourtimehadexcludedusfromaculturalproductionofficiallydevotedtoillustratingandrepeatingthepast.Anartfilmonthisgenerationcanonlybeafilmonitsabsenceofrealcreations.Everyoneunthinkinglyfollowedthepathslearnedonceandforall,totheirworkandtheirhome,totheirpredictablefuture.Forthemdutyhadalreadybecomeahabit,andhabitaduty.Theydidnotseethedeficiencyoftheircity.Theythoughtthedeficiencyoftheirlifewasnatural.Wewantedtobreakoutofthisconditioning,inquestofanotheru搜索引擎优化ftheurbanlandscape,inquestofnewpassions.Theatmosphereofafewplacesgaveusintimationsofthefuturepowersofanarchitectureitwouldbenecessarytocreatetobethesupportandframeworkforlessmediocregames.Wecouldexpectnothingofanythingwehadnotourselvesaltered.Theurbanenvironmentproclaimedtheordersandtastesoftherulingsocietyjustasviolentlyasthenewspapers.Itismanwhomakestheunityoftheworld,butmanhasextendedhimselfeverywhere.Peoplecanseenothingaroundthemthatisnottheirownimage;everythingspeakstothemofthemselves.Theirverylandscapeisalive.Therewereobstacleseverywhere.Therewasacohesionintheobstaclesofalltypes.Theymaintainedthecoherentreignofpoverty.Everythingbeingconnected,itwasnecessarytochangeeverythingbyaunitarystruggle,ornothing.Itwasnecessarytolinkupwiththemasses,butweweresurroundedbysleep.Voice3 - Thedictatorshipoftheproletariatisadesperatestruggle,bloodyandbloodless,violentandpeaceful,militaryandeconomic,educationalandadministrative,againsttheforcesandtraditionsoftheoldworld.Voice1 - Inthiscountryitisonceagainthemenoforderwhohaverebelled.Theyhavereinforcedtheirpower.Theyhavebeenabletoaggravatethegrotesquenessoftherulingconditionsaccordingtotheirwill.Theyhaveembellishedtheirsystemwiththefunerealceremoniesofthepast.Voice2 - Years,likeasingleinstantprolongedtothispoint,cometoanend.Voice1 - Whatwasdirectlylivedreappearsfrozeninthedistance,fitintothetastesandillusionsofanera,carriedawaywithit.Voice2 - Theappearanceofeventsthatwehavenotmade,thatothershavemadeagainstus,nowobligesustobeawareofthepassageoftime,itsresults,thetransformationofourowndesiresintoevents.Whatdifferentiatesthepastfromthepresentispreciselyitsout-of-reachobjectivity;thereisnomoreshould-be;beingissoconsumedthatithasceasedtoexist.Thedetailsarealreadylostinthedustoftime.Whowasafraidoflife,afraidofthenight,afraidofbeingtaken,afraidofbeingkept?Voice3 - Whatshouldbeabolishedcontinues,andwecontinuetowearawaywithit.Weareengulfed.Weareseparated.Theyearspassandwehaven’tchangedanything.Voice2 - Onceagainmorninginthesamestreets.Onceagainthefatigueofsomanysimilarlypassednights.Itisawalkthathaslastedalongtime.Voice1 - Reallyhardtodrinkmore.Voice2 - Ofcour搜索引擎优化nemightmakeafilmofit.Butevenifsuchafilmsucceedsinbeingasfundamentallydisconnectedandunsatisfyingastherealityitdealswith,itwillneverbemorethanare-creation"”poorandfalselikethisbotchedtravelingshot.Voice3 - Therearenowpeoplewhopridethemselvesonbeingauthorsoffilms,asotherswereauthorsofnovels.Theyareevenmorebackwardthanthenovelistsbecausetheyareunawareofthedecompositionandexhaustionofindividualexpressioninourtime,ignorantoftheendoftheartsofpassivity.Theyarepraisedfortheirsinceritysincetheydramatize,withmorepersonaldepth,theconventionsofwhichtheirlifeconsists.Thereistalkoftheliberationofthecinema.ButwhatdoesitmattertousifonemoreartisliberatedthroughwhichTom,DickorHarrycanjoyouslyexpresstheirslavishsentiments?Theonlyinterestingventureistheliberationofeverydaylife,notonlyintheperspectivesofhistorybutforusandrightaway.Thisentailsthewitheringawayofalienatedformsofcommunication.Thecinema,too,hastobedestroyed.Voice2 - Inthefinalanalysis,starsarecreatedbytheneedwehaveforthem,andnotbytheirtalentorlackoftalentorevenbythefilmindustryoradvertising.Miserableneed,dismal,anonymouslifethatwouldliketoexpanditselftothedimensionsofcinemalife.Theimaginarylifeonthescreenistheproductofthisrealneed.Thestaristheprojectionofthisneed.Theimagesoftheadvertisementsduringtheintermissionsaremoresuitedthananyothersforevokinganintermissionoflife.Toreallydescribethiseraitwouldnodoubtbenecessarytoshowmanyotherthings.Butwhatwouldbethepoint?Bettertograspthetotalityofwhathasbeendoneandwhatremainstobedonethantoaddmoreruinstotheoldworldofthespectacleandofmemories.1.Thisfilm,whichevokesthelettristexperiencesattheoriginofthesituationistmovement,openswithshotsoftheParisdistrictfrequentedbythelettristsintheearly1950s.

Hulu的《钱斯医生Chance》由《豪斯医生House》的明星HughLaurie主演。该剧由小说原作者KemNunn执笔，颁奖季热门电影之一的《房间Room》导演LennyAbrahamson掌镜。Hulu续订了两季，共20集。Hulu此举动也是为了打响平台电视剧系列品牌迈出了重要的一步。Nunn的《钱斯医生》是一部惊悚心理片，围绕着一名来自旧金山名叫EldonChance（Laurie饰演）的法医精神科专家而展开的故事。Eldon身处在一个充满着身份错乱，警察腐败以及众多精神病患者的城市。糟糕的是他做了一个错误的决定，和一位不确定是不是真的多重人格障碍的性感女病人产生了感情。这不仅惹怒了女病人性格火爆的警探前夫，害自己面临着离婚的危机，还使得他和自己十几岁的女儿产生了严重的隔阂。更可怕的这还激发出了他内心深处最可怕最黑暗的一面。在《数字追凶Numb3rs》及《火线救援RescueMe》演出过的DianeFarr饰演循环角色Christina，男主的前妻。经常处于恼怒的状态﹑对批评很敏感；她目前是个抱负的摄影师，有一个读写障碍的私人教练男朋友，她对自己的前夫充满怨恨。LisaGayHamilton饰演心理学家SuzanneSilver，是与EldonChance在加利福尼亚大学旧金山分校授课时就认识的好友。是个女同志，性格直接﹑聪明﹑感觉敏锐，她对Chance，以及发生在他身边的怪事皆十分关心。《凯莉日记TheCarrieDiaries》的主演StefaniaLaVie饰演Nicole，Chance的女儿，对父母离异心生不满，因此也容易受外界影响，甚至引起混乱。GretaLee饰演主角Chance的助理Lucy，是个前画廊艺术家，目前望修心理学。《大西洋帝国BoardwalkEmpire》主演GretchenMol饰演JaclynBlackston，就是上文中所指的「女病人」。在《丑闻Scandal》有演出的PaulAdelstein饰演RaymondBlackstone，上文所指的警探前夫。《愚人善事MyNameIsEarl》的EthanSuplee饰演常规角色D，是个外表强悍﹑满身纹身﹑沈默寡言的人。可能是个前军人，曾驻守在阿富汗；他在剧中低调地干着古董修复的工作。《火线TheWire》及《劫后余生Treme》主演ClarkePeters加盟该剧，饰演Carl，是位同性恋者，有文化﹑谈吐得体﹑老派的古董商，十分理解市场，知道如何增加古董的价值……不管手段是否合法也好。Nunn和《绝望的主妇DesperateHousewives》的编剧Cunningham负责剧本编写和电视制作。同时《钱斯医生》这部小说刚问世就引来了很多人的关注，众多名导都想尝试拍摄此剧。

When a plane crashes, Newspaper columnist Peyton MacGruder discovers a Note that was meant for the child of one of the passengers. "The Note" shows how dramatically life can change in a spilt second...the need to make a connection and reach out to someone you care about. If only we had a chance for those final goodbyes, to offer words of reconciliation, to say I love you or share regret. Who would you write to if you had only a few moments? What would you say?

Carter (Thomas Jane), a troubled veteran who gets a chance at redemption by protecting a 12 - year-old girl from an assassin after she witnesses a murder. Holding a shotgun with a single shell, he engages in physical and psychological warfare in a desperate fight for the girl's life.

曾在英国选秀节目《英国达人》（BritainsGotTalent）上一鸣惊人的保罗·珀特斯（PaulPotts）很快将被人拍成电影了，《成为简·奥斯汀》（BecomingJane）的导演朱里安·杰拉德（JulianJarrold）将会执导这部名为《机遇》（OneChance）的电影，《英国达人》评委西蒙·考威尔（SimonCowell）将负责制作这部影片，《海扁王》（Kick-Ass）的编剧兼导演马修·沃恩（MatthewVaughn）也将帮助融资。36岁的保罗·珀特斯是英国一个普通的手机推销员，2007年他参加了《英国达人》节目，由于外表平淡无奇，观众和评委都对他表示出轻视和怀疑。然而当他开口唱出普契尼的《图兰朵》歌剧选段《今夜无人入睡》后，全场的人都被震住了，因为没有人想到一个手机推销员能唱出如此般天籁。之后，这段视频被传上...

Post September 11 - Mohsen Makhmalbaf tracks the children who do not attend school in the border villages between Iran and Afghanistan with his digital camera and questions why they are not being educated. He finds girls studying in UNICEF classes in one region. One of the girls is not willing to come out of her burqa despite the fact that she has run away from Afghanistan and the Taliban are not present here. She is more afraid of the horrifying god that the Taliban have created more than the Taliban. The teacher tries…                                                                    Director's commentary:                                                                    The Taliban was not a political regime in Afghanistan but they are still a culture. Bombarding can ruin a political regime but it cannot change a culture. You cannot free a woman whom is imprisoned in the burqa with a rocket. The Afghan girl needs education. She doesn’t know that she doesn’t know. She is imprisoned but she does not know that she is a prisoner of poverty, ignorance, prejudice, male chauvinism and superstition. 95% of the women and 80% of the men in Afghanistan did not have the chance to attend school even before the Taliban. The film seeks the lost key to be able to open the lock of the cultural problems of Afghanistan.                                                                    From the IMDB:                                                                    In 2002 - about 3 - million Afghan Refugee were living in Iran. From those about 700 - 000 - were Afghan Children who were not allowed to go to Iranian schools because of their illegal status in Iran. After this movie was made, this subject became controversial and finally the Iranian Majlis (Parliament) passed a bill in which the Afghani children were allowed to go to school and it resulted in 500 - 000 - kids getting education.

MickTaylorseesalifetimeopportunityafterachanceencounterwithacoachfullofinternationaltourists.

When an overenthusiastic Maya accidentally embarrasses the Empress of Buzztropolis| she is forced to unite with a team of misfit bugs and compete in the Honey Games for a chance to save her hive.