Fernand
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那奇欧·维加隆多
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中年男子海克特(Karra Elejalde 饰)和妻子克莱拉(Candela Fernández 饰)搬到郊外一幢别墅居住,他用望远镜观察四周的景物,却意外看到一个正脱去衣衫的妙龄女子。海克特心感疑惑,决定前往女子出现的灌木丛中查看一番,结果遭到一个手持尖刀、全身缠满绷带的男子的追杀。海克特仓皇之中逃入一所空旷的实验室内,并在其中的大水槽内躲了起来。次日,当海克尔回到家时,却看到另一个自己正和妻子搬家具,他不知不觉穿越时空来到了一天前。原来水槽是一个时空机器,海克特的命运无意间发生了改变…… 本片荣获2008年阿姆斯特丹奇幻电影节黑郁金香奖、2007年奥斯汀奇幻电影节新浪潮奖。
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内详
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海因米·洛伦特
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InthesecondseasonofElCid,afterthedeathofKingFernando,hissonsSancho,AlfonsoandGarcíabecamethekingsofCastilla,LeónandGalicia,respectively.Urraca,ladyofZamora,willhandlethethreadsofpowerandwewilldiscoverherdarkerside.ThedisputesbetweenthemwilltransformtheIberianPeninsulaintoafieldofbloodybattles.Ruyisknighted,butintheprocesshewillhavetosacrificewhathelovesmosttobecomeatruehero.
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Fernando Di Leo's Milano Calibro 9 is an out-and-out masterpiece of Italian Crime cinema and, in my opinion, one of the most astonishing crime stories ever told. The first film in Di Leo's excellent 'Milieu' trilogy, Milano Calibro 9 was followed by La Mala Ordina (aka. Manhunt, also 1972) and the brilliant Il Boss (1973). The three films are not connected story-wise, but all three are excellent, and highly realistic portrayals of organized crime. As far as I am concerned Manhunt is (allthough excellent) slightly inferior to this one and Il Boss which both stand out as absolute all-time highlights of crime cinema. Milano Calibro 9 is the best of them all, a film that is astonishing in all aspects, be it the ingenious plot that, apart from a compelling story and clever twists, includes social criticism, the performances, the gritty atmosphere and suspense or the brilliant score. I can hardly find the right words to express my admiration for this masterpiece which easily ranks among the greatest Gangster flicks ever brought to screen. Gastone Moschin stars as Ugo Piazza, a tough and elliptical ex-convict who has just been released from prison. Immediately after his release, Ugo is approached by members of the Milan mob lead by the irascible gangster Rocco (Mario Adorf), as they suspect him to be responsible for the disappearance of a large sum of money belonging to their boss, an American (Lionel Stander) who controls the organized crime in Milan... Milano Calibro 9 is a film that delivers an astonishingly realistic mood of the underworld like hardly another. The intriguing storyline goes in hand with interesting characters, raw atmosphere, suspense and breathtaking action, social criticism and brutal violence. The film is simply stunning from the beginning to the end, which is even intensified by the brilliant score, a collaboration of the famous composer Luis Enríquez Bacalov and the Italian Progressive Rock band Osanna. Ugo Piazza must be one of the most charismatic gangster characters ever in cinema, and Gastone Moschin was the prefect choice for the role. Moschin delivers a brilliant performance, and the rest of the cast is also great. Mario Adorf is irascible like a rabid dog as the ferocious gangster Rocco, a role that fits him like a glove. The great Lionel Stander fits perfectly in his role of the American Mafia Don. The two cop characters in the film are played by two of the greatest regulars of Italian genre-cinema, Luigi Pistilli and Frank Wolff (who committed suicide before the film was released). The ravishing Barbara Bouchet is astonishing and incredibly sexy in the role of Ugo Piazza's stripper girlfriend. Bouchet is both a stunning beauty and an excellent actress and this is doubtlessly one of her most memorable roles. This is also a political film and director Di Leo embedded a lot of social criticism about topics like corruption. This film simply has everything one can possibly desire in cinema. Films like Milano Calibro 9 are the reason why I love cinema. This is an absolute masterpiece in all regards and, without exaggeration, one of the greatest Crime flicks ever made! The ingenious opening scene alone is more memorable than most films get in two hours.
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由FernandoSolanas监制并任摄影和剪辑,找来自己当年的老搭挡OctavioGetino和一群“解放电影小组”的成员,个个都是阿根廷新浪潮里的革命派人物,拍摄了这部长达210分钟共12章节的黑白纪录片,真实记录下1969年5月29日阿根廷人民走上科尔多巴市的街头反抗翁加尼亚(Ongania)军事专政的场景,阿根廷反抗独裁争取自由之路由此开始。“解放电影小组”(GrupoCineLiberación)由Solanas和OctavioGetino、GerardoVallejo三人组建,吸收了一批当时优秀的新浪潮导演,以拍摄纪录片为主,虽然其成员各自的政治信仰不尽相同,有些信仰马克思主义,有些则推崇贝隆主义,但对独裁专治的共同憎恶使他们走到了一起。而“解放电影小组”也与阿根廷左翼先锋导演RaymundoGleyzer的“CinedelaBase”、古巴ICAIC的革命电影、巴西新浪潮、及玻利维亚的JorgeSanjines共同奠定了拉美第三世界电影运动的基础。本片是继《燃火的时刻》后拉美影史上又一部重要的政治纪录片,在71年柏林电影节上全体创作人员共同获得了FIPRESCI奖。
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Malvís (Alfredo Landa) is sick of working like crazy for nothing. He'd rather become a bandit, that's much better, he's gonna be the fearful Fendetestas! He'll spread panic in the woods of his region. But there's a little problem there aren't much people living in his region, everyone knows everyone and everyone is so poor, so is gonna be difficult that someone takes MalvísFendetestas too seriously. This is a magic history, so funny, and full of situations that will make you laugh. It's also full of characters that belong to the Spanish idiosyncrasy the strict priest, the Guardia Civil, the old devout women, the village idiot... there's even a lost soul wandering around the woods. The great Alfredo Landa heads a cast that gathered together the best two generations of Spanish scene from Fernando Rey to Encarna Paso, from Manuel Alexandre to María Isbert... A cast like that would be just unthinkable nowadays. El Bosque Animado was the first movie of José Luis Cuerda's trilogy of rural comedies (after this one he made the surreal Amanece Que No Es Poco, and Así En El Cielo Como En La Tierra. Those are movies so personal that stress the Spanish culture. The young directors should take note of films like El Bosque Animado, instead of trying to be the new enfant terrible and imitating US worst cinema.
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蒂亚戈·盖吉思
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Albano Jerónimo
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Sandra Faleiro
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米格尔·博尔赫斯
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Ana Vilela da Costa
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João Vicente
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João Pedro Mamede
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Rodrigo Tomás
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Beatriz Brás
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Diogo Dória
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Ana Bustorff
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维多利亚·盖拉
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Filipe Vargas
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Luís Garcia
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特丽莎·马德鲁加
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Cândido Ferreira
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约翰·尤海斯
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Dinis Gomes
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阿梅瑞科·席尔娃
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马塞洛·乌戈盖
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葡萄牙名導Tiago Guedes第五部劇情長片以一幕美麗懾人的場景作為開場,靜謐的鄉村小鎮卻發生一連串慘案,永遠改變了Joao Fernandez的终生。20年後,葡萄牙受左翼的第二共跟國政權統治,這時的Joao已是名富有的田主,並成為家属裡最具主見的領導人。由Joao帶領的家属勢力在接下來的40餘年,都將在葡萄牙歷史中佔有主要位置,不僅與動盪不定的政治!社會變遷绝对抗,家属埋藏已久的机密與謊言也將真相明白。導演Guedes以19世紀葡萄牙文學家Jose Maria Eca de Queiroz的現實主義故事為主軸,創造出獨一無二的藝術視角,聚焦傳統各人族的內部關係怎样受外在天下所影響,結果犹如另一名19世紀文學家所言:[所有堅固的事物都終將煙消雲散]。
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路易斯·布努埃尔
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鲁滨逊(丹·奥赫里奇 Dan O'Herlihy 饰)在航海期间遭遇了海难,幸运的捡回了一条性命的他流落到了一座孤岛上,在这里,他似乎是唯一的现代人类。鲁滨逊没有向命运低头,而是凭借着智慧和勇气,在岛上慢慢的建立了属于自己的王国。 然而,除了恶劣的气候和匮乏的物资外,鲁滨逊要面对的最大威胁是潜伏在小岛身处的食人族部落。一次偶然中,鲁滨逊从食人族的手中救下了一个孩子,他给他取名为星期五(Jaime Fernández 饰)。就这样,星期五成为了鲁滨逊最好的朋友和最忠实的仆人。在岛上,鲁滨逊生活了二八年两个月零十九天,这一段难忘的时光彻底改变了他的命运。
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心思学专业先生安吉拉(Amaia Salamanca 饰)格外担忧她的期末学分,在传授的提议下,这个一贯不信任超天然的女孩决议去看望一座早已放弃的矿区小镇Susurro,那边已经有一个嗜血如命的马特加大夫,传说他的恶灵至今还在小镇上浪荡,摧残偶尔突入的人们。为了证实马特加大夫的传说化为乌有,也为了顺遂经由过程测验,安吉拉跟她拥有较强第六感的妹妹戴安娜(Alba Ribas 饰)以及同窗乔西(Maxi Iglesias 饰)!托尼(Óscar Sinela 饰)!贝兰(Úrsula Corberó 饰)!卡罗斯(Lucho Fernández 饰)驱车前去谁人荒漠阴沉的遥远小镇。 借助精细仪器跟戴安娜的共同,他们好像真的将马特加大夫唤回了世间,而逝世神也一步步向他们凑近……