Diouf
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In the bleak filmscape of glasnost, The Needle stood out as a black sheep of a movie. The most playful and offbeat of the Soviet films of the period, it contrasted sharply to the mainstream, which was overwhelmed with revisionism of the Stalinist past and nihilistic social criticism.
Made in 1988 by a young Kazakh director, Rashid Nugmanov, fresh out of VGIK (the national film school), The Needle was a pioneering effort in several ways. Having e from a remote, stagnant republic of Kazakhstan, the picture set off a movement that has e to be known as the "Kazakh New Wave." Represented by such works as Alexander Baranov's and Bakhyt Kilibayev's The Three (1988) and Woman of the Day (1990); Kilibayev's The Tick (1990); Baranov's He and She (1990); Abai Karpykov's Little Fish in Love (1989); and Serik Aprymov's The Last Stop (1989), the Kazakh New Wave was for the agonizing Soviet film of the late 1980s what the French New Wave was for the dusty French film of the late 1950s. The Needle was the movement's a bout de souffle. The film also became a model for the Russian version of postmodernism—uninhibited and uninformed, pensating for the lack of culture, skill, and resources with mischief and wit. A young man named Moro (played by Viktor Tsoi, the late rock 'n' roll legend from the St. Petersburg band "Kino") returns to his Asiatic hometown only to find his exgirlfriend, Dina (Marina Smirnova), being a drug addict and himself being involved in the bizarre life of the city's underworld. In an attempt to save Dina, Moro takes her away to the Aral Sea, turned into a barren desert by the time they arrive. There Dina seems cured, but back in town everything starts anew. Almost desperate, Moro decides to fight the drug dealers, led by a hospital doctor (played by another rock 'n' roll star, eccentric leader of the "Sound of Mu" band and the future star of Taxi Blues, Pyotr Mamonov), when one of them stabs him in a deserted park.
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马塞尔·哈侬
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Synopsis:Julienetsonpreneurdeson,Michel,tournentàBrugesundocumentairedecommande.Julienrêveaufilmqu’ilpourraittournerdanscettevillemystérieuse:uneadaptationdeShakespeareoudeMusset.LerejointbientôtSophie,safemme,anciennecomédienne,quisouffredeladistancequeJuliensemblemettredansleursrapports.Bientôt,àuneexpositiondepeinture,ellerencontreunartistequ’ellevoitsouslestraitsdeJulienetquil’inviteàvenirvisiterFlorence.ElleconfieàMichelsestourments.Julien,desoncôté,vientd’accepterlapropositiondesonproducteur:réaliserune"histoire"avecdes"personnages"et,pourquoipas,des"vedettes"...Alorsqu’ellesemblaitdécidéeàsuivrel’inconnu,SophiesejettedanslesbrasdeJulien.Lemetteurenscènequitourneunfilmintitulé"L’hiver"demandeunenouvelleprise.Pourlasecondefois,SophiesejettedanslesbrasdeJulien.Lepeintreinconnus’enva...©FichesduCinéma“Onecouldspendforeverunravelingthisendlessnet,sotightlywovenwithsignsandechoes,whichbecomesricherwitheveryviewing.Hanoun’sformalinvestigationofthefragmentandthe(almostsubliminal)flashframe,ofveryslightlyalteredvariationsandrepetitions,whichheappliestosituationasmuchastodialogue(oftenrepeated,eitherwithinthesameshotorfromadifferentangle)revealssomethingoftheinteriorityoffilm,ofitscreator’sunconscious,whichbecomesthatofhischaracters.ThisstructuralresemblancetoaRussiannestingdollshouldnotconfuse;it’sratherthecontraryofthisdetachmentwithwhichthefilmends.ThemoreHanouncompresseshisdreamsofdreamswithindreams(films),thecloserhegetstointimacy.”-EmericdeLastens(Re:Voir)
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Aromanticadventurewithanintriguingblendofmodernandclassictouches,THERENDEZVOUSthrowstogetherRACHEL,aJewish-AmericandoctorandJAKE,anArab-Americangovernmentbureaucrat,whoaretryingtosolvethemysteriousdeathofRachelstreasurehuntingbrother.Racingaroundtheworld,theyfindthemselvesbeinghuntedbyadoomsdaygroupcallingthemselvestheArmageddoniteswhobelieveRachelandJakepossessanancientscriptdiscoveredbyRachelsbrotherthatcouldbringabouttheendofdays.Caughtinthemiddleofaplottohastentheendofmankind,RachelandJakeneedtosolveamurder,savetheworldanddiscoverforthemselvesthattreasureiswhereyoufindit.
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奥利佛·斯通
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http://site.douban.com/108127/华尔街：款项永不眠 豆瓣小站 2001年,往日叱咤华尔街的戈登（迈克尔•道格拉斯 Michael Douglas 饰）出狱了,无人来接,8年未见的女儿维妮（凯瑞•穆里根 Carey Mulligan 饰）与他势同水火。不外,她的男友——股票买卖员杰克（希亚•拉博夫 Shia LaBeouf 饰）却对他有些崇敬。杰克热衷干净动力名目,但他的老板兼导师路易斯都劝他早日罢手,并给了他一笔钱。没想到,公司因负面消息债台高筑,投资银行的詹姆斯乘隙收购。被逼无法的路易斯卧轨自残。杰克信心为导师复仇。他向戈登自告奋勇,生机掉掉落他的指导。戈登懂掉掉落他与维妮的关联,便提出了一个买卖：杰克给他发明亲近女儿的机遇,他教杰克怎样操纵资源。为了复仇,杰克决议逼上梁山,但是情感的翻转却让他始料不迭……
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This1992Japanesefilmtellsthestoryofascientistwhosetsouttocreatethenew"superAdamandEve",humanswhocannotbecontrolledbytheiremotions.Ofcourse,theendresultitnotexactlywhatthegooddoctorexpects.commentsfromimdb:Thismoderntaleofanattempttobuildacreatureisoneofthebest"horror"filmsevermade,evenifitsnotahorrorfilmbutsomethingelseentirely.Certainlyitsonmyshortlistofalltimegreatfilms.Thisfilmwasintroducedtomebysomeonewhotoldme"Ihavethisfilmthatprobablyoneofthebestfilmsyou’lleversee.Itwillmoveyouandtouchyouandmakeyouthink,butifItoldyouwhatitisandtoldyouhowitsdoneyouwillthinkitsthestupidestthingonthefaceofitandyouwon’twatchit."IntriguedIaskedwhatdidhemean,andhesaid,"WellitsaFrankensteinstory,withaverygoofysortofedge,butwhichusesittoitsadvantage."Myearsperkedup,andIbeingatrustingsoultookthetapeandwatchedit.Iwasblownaway.TheplotconcernsamadscientistattemptingtomakeanewAdamandEveinthewakeofasuicidalplaguethatisravagingtheworld.Lockedupinhislabhisexperimentsgodifferentlytheneitherheorweexpect.Someofitissilly(Theboltsintheneck,thewrestlingmoves...),allofitistouchingandthoughtprovoking.Icannotrecommendthismovieenough.IfyouarewillingtotakethefilmonitstermsandallowittotellitsstorythenIurgeyoutoseekthisfilmoutandseeit.Thisisanundiscoveredgemthatwillstaywithyouforever.15outof10andthensome.10/10Alsoknownas"TheLastFrankenstein",thisisanextraordinary,impeccablyproducedhorrorfilm.DirectorTakeshiKawamurausesMaryShelley’snovelasamerelaunchingpadforanexplorationofsubjectsasdiverseandfascinatingasthenatureoflove,desire,suicide,masshypnosis,sex,alienationandjealousy.Andthoughthefilmisdensewithsubtext,itisalsostunninglyphotographedandrichinatmosphereanddetail.TheperformancesareallamazingandKawamura’ssensitivehandlingofthestrange,delicaterelationshipsbetweenthecharactersresultsinanemotionallycharged,angst-riddentragedy.Thescenesoftheconfused,troubledmonsterhurtlingthroughafog-shroudedforestatnightarememorableandstriking,asisabrillianthomemovie-stylemontageofthefilm’smorecuriouscharactersenjoyingapreciousafternoonatthebeach.KawamuracreatesresonatingvisualpoetryofhorrorandsadnessbarelysightedsinceToddBrowning’sclassic"Freaks".Intelligent,emotional,tragicandreal,thisisanabsolutegem.9/10
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迈克尔·贝
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距今50多年前,一艘来自赛博坦的飞船坠落月球,由此激发了美苏两国的太空比赛。人类争相登上月球,只为一探飞船残骸中的机密。时光回到21世纪初,经由多少番交战,汽车人终于挫败霸天虎的入侵,继而与人类协作,独特守卫俏丽的地球。但是产生在切尔诺贝利的变乱却将尘封已久的月球筹划从新摆到桌面。为了防止霸天虎找到能量柱为非作恶,擎天柱与战友飞赴月球,更从昔时的飞船中救出了汽车人的先代引导者——御天敌。御天敌是能量柱的创造者,将上百根能量柱聚集在一同便可制作太空桥,实现物资的霎时传递。 忙着找任务以及跟女友卡莉（罗茜·汉丁顿-惠特莉Rosie Huntington-Whiteley 饰）运营恋情的山姆（希亚·拉博夫 Shia LaBeouf 饰）无可防止地卷入此中,他垂垂发明霸天虎的把持所有的诡计,却不知更大的诡计跟危急隐蔽在那月影当面……
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Djibi et Ange, deux adolescents à la rue, arrivent à l’Archipel, un centre d'hébergement d'urgence au cœur de Paris. Ils y affrontent des vents mauvais, des vents contraires, mais ils cherchent sans relâche le souffle d'air qui les emmènera ailleurs. Et c'est avec l'écriture et le chant qu’ils s’en册ent… et nous emportent. Une plongée au coeur de l’Archipel, un centre qui propose une façon innovante d’accueillir les familles à la rue.
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HeartlandIsACanadianTelevisionDramaSeries,WhichDebutedOnCBCTelevisionOnOctober14,2007.TheSeriesIsLooselyBasedOnTheHeartlandBooksByLaurenBrooke.OnMarch7,2008CBCAnnouncedTheShowWillReturnForASecondSeason.OnJanuary20,2009,ItWasAnnouncedOnTheHeartlandBlogOnTheShowsOfficialWebsiteThatTheShowHasBeenRenewedForAThirdSeason.SetAgainstTheStunningVistasOfTheAlbertaRockyMountains,HeartlandIsASprawlingFamilyDramaThatFollowsSistersAmyAndLouFlemingAndTheirGrandfather,Jack,ThroughTheHighsAndLowsOfLifeOnAHorseRanch.AmyContinuesToKeepHerMother’sDreamAliveByHealingAbusedAndNeglectedHorses.
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阿尔玛·哈勒
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12岁的Otis是一名在好莱坞徐徐升起的电视新星。当他的奇迹开端风生水起时,他曾扮过马戏小丑的父亲回到他身边,成为他的监护人。在片场之外的时光里,Otis与他的父亲一同住在一家位于都会边沿的汽车旅店,忍耐着狂妄蛮横的父亲的迫害。「法宝男孩」追跟着两条时光芒,展示了一对父子之间布满争议的关联以及十年来两人试图修复心障的过程。 这是编剧/主演Shia LaBeouf与导演Alma Har'el的又一次令人赞叹的协作,描写出了一幅疼痛却又给人以启发的生长自画像。Shia LaBeouf的脚本深刻潜进Otis的精力天下,发掘出迫害给他留下的创痕!令人不快的本相；而Alma奉献出了激昂听心!自我作风激烈的导演技能,同时也一直不忘却影片暖和动听的内核。两位精彩的年青演员——Noah Jupe跟Lucas Hedges——分离表演两个差别春秋段的Otis,他们布满张力的表演塑造出了一个无力而朴实的脚色,他的情感被末路怒跟饶恕的盼望驱策着——这两种情感看似自相抵触,却又实在共存。
