Azarly

Suede's arrival in British music in the 1990s was a phenomenon. Fated as 'The Best New Band in Britain' before they had even released a single, their debut album was the biggest selling for a generation and their emergence and dominance heralded Britpop. Made with full access to the band and their unexpurgated, incredible archive, Suede: The Insatiable Ones is documentary-feature that tells their story with brutal honesty, humour and dignity. Pulling no punches, the film eschews a linear form for a themed journey through Suede's intense career, and its creative and personal highs and lows. Through five chapters it explores: their roots and identity; the rush of success and immediate, infamous internal power struggle and schism, which few thought they could survive; the subsequent commercial apogee and significant international success; the resultant excess and substance abuse; their 'slow painful death' and split; and - ultimately - their recent, brilliant, acclaimed artistic rebirth. Frontman Brett Anderson and the band are joined by a wonderful cast that includes founder member of Suede and Elastica, Justine Frischmann, Suede's early manager Ricky Gervais, early Suede drummer and ex-Smith Mike Joyce, alongside friends, family and collaborators including Richard Osman, iconic designer Peter Saville, and others.

Goldberg一家跟其余幸福跟气的家庭不什么差别,只是家里个个都是大嗓门。老妈Beverly（WendiMcClendon-Covey）是个典范的[老妈爱逝世你]。她在这家人中占有相对的[威望],并且素来不晓得什么叫[界线],什么叫[底线]。不外她那些气概压人的做法归根结底是为了掩护家人——假如他们不认为那是[掩护适度]的话。老爸Murray（JeffGarlin）是特性情浮躁!性格很坏的人,临时以来推行[不骂不上进]的为父之道……直到近来心脏安康方面的起因招致他再也不敢大声叫嚷。大姐Erica（HayleyOrrantia）17岁了,性感!刁蛮,谁也招惹不起。老二Barry（TroyGentile）往年16,典范的[高分低能]先生,并且或多或少有一点[排行旁边综合症]。Adam固然年事最小,但却很有禀赋,没准他以后真的能当一个大导演！然而他当初面对一个大疑问：他留恋着年事比他大很多的Zoe（她曾经15岁了。）,并且基本无奈与Zoe的同龄人[对抗]。这个家庭中最后一名成员是丧尽天良的外公Al“Pops”Solomonwww.bwudi.com（GeorgeSegal）——人说[老少老少],他果真是家里最[调皮]的一位。他自动教诲Adam[追女孩的窍门]……毫无疑难,那毫不是坏事。家家都有一本难念的经,Goldberg家的事件,谁又能说得清呢！

《戏里戏外》它是一部半小时的喜剧，我们将遇到来自英国的快乐编剧夫妇Sean和BeverlyLincoln(由塔姆辛·格雷格(TamsinGreig)和史蒂芬·曼甘(StephenMangan)饰演)。将英剧改编为美剧是现在美国主流电视圈的一种潮流。大家也许都看到了像《办公室》系列在全世界制造的影响力。

是一部对于一支间谍小组的举措剧集,这支小组附属五角大楼的特殊部分,负担着考察任何有一丝证据证实与水师及水师陆战队职员有关的犯法,且不管其级别或职位的高下。引导这支小组并独破于水师批示体系的是NCIS间谍LeroyJethroGibbs(MarkHarmon饰),这名教训丰硕的考察员与审讯员是个机灵!倔强而且为了实现义务违心攻破惯例的人。直接收Gibbs引导的是AnthonyDiNozzo间谍(MichaelWeatherly饰),作为一名前重案组捕快,其精彩的天性来自于大批的考察教训。之后参加他们俩的是KateTodd(SashaAlexander饰),一个俏丽而又顽强的前特勤处间谍,曾与Gibbs短兵相接（见NCIS第一季第一集）。另有从事技巧剖析任务的AbbySciuto(PauleyPerrette饰),是一名蠢才迷信家,她那玄色滑稽与哥特作风的打扮相形见绌。新参加小队的是TimothyMcGee(SeanMurray饰),麻省理工学院（MIT,剧中常常会提到）的结业生,他对电脑的精晓使他在Gibbs带领的小组中成为一名见习间谍。在小组当面冷静支撑的是法医Donaldwww.bwudi.com"Ducky"Mallard(DavidMcCallum饰),他孤陋寡闻。从行刺!特务运动到恐惧运动!偷盗潜艇,这些间谍们为了考察全部与水师及水师陆战队相干的犯法运动,脚印遍及全天下。固然同样由CBS电视网制造,NCIS却跟CBS的另一王牌剧「犯法现场」(CSI)有着极大差异,NCIS每集只用心报告一个案子。CIS重点在于犯法证据的网络跟考察,NCIS着重于案情的悬疑弯曲以及重要脚色的光鲜特性。第二季扫尾的一个案子就异常有代表性,一家军用直升飞机停在麦田中心,直升飞机四周的麦田全体伏倒造成了一个圆圈。而驾驶飞机的水师陆战队员则曾经不翼而飞,如许的扫尾不由一下让不雅众想到了外星人。不外NCIS究竟不是「X档案」,事件的本相仍是要归离开实在的生涯中来。特性光鲜的多少位长线脚色也是NCIS吸引不雅众的别的一大卖点,上到考察处头头吉不斯,小到一个验尸官的助手,每一位NCIS成员都有着与人差别的特殊性情。

荣获金球奖最佳戏剧类电视剧集。荣获艾美奖最佳戏剧类影集选角。萤幕演员公会最佳戏剧类电视剧集。故事连续第三季杰出的剧情。西雅图恩惠病院由于这些练习大夫之间的爱恨情仇,变得愈加热烈更有可看性。第三季中格蕾终於解脱了德瑞克跟兽医间的三角爱情,依本人的情意挑选了所爱的人。伊兹在丹尼逝世后一厥不振,乃至想要废弃成为外科大夫的妄想。克莉丝汀晓得了柏克的机密后,始终妄图帮他掩盖。而乔治跟性感火辣的住院医师之间的关係变得更迷离。而艾破克斯竟发明本人仍是爱著伊兹。别的,马克为了艾蒂森竟也离开了西雅图恩惠病院任务。Meredith跟Cristina蜜月返来（买好的机票欠好糟蹋~）,Burke曾经消逝无踪。客岁的练习大夫Meredith,Cristina,Izzie跟Alex,曾经掉掉落了正式驻院大夫的资历,而且有了本人的跟从,一群初出茅庐,青涩而稚嫩的练习大夫。傍边,有客岁测验分歧格的George,另有Meredith素未碰面的妹妹LexieGrey。明天,他们将要处置一宗三车连环相撞的交通不测,大批的伤者让新来的练习不知所措,呆若木鸡。另一边厢,Derek跟Meredith的情感堕入僵局,有可能他们都市跟新来的共事有新的情感开展。Bailey对Callie成为驻院总大夫觉得愤慨,兴许她一时三刻还难以接收本人当初要向Callie报告任务。Richard留任外科主任,仍旧是各人的老迈~(简介转自YDY)Afterfailinghisexam,Georgereluctantlyfaceshisfirstdayrelivinghisinternshipamongaseaoffreshfaces.Meanwhile,Cristina,Meredith,IzzieandAlexareinchargeoftheirowninternsandGeorgeisassignedtoMeredith.NeitherCristinaorMeredithhaveheardfromherexessincethewedding,andtheydon’tseemoverlyconcerned,whichastoundsIzzie,whoiscountingeverydaysinceshelastspoketoGeorge.GeorgeaskstotalktoMeredithbutbeforehecangetheralone,therestofthenewinternsshowupinthehallandareshooedoffbytheresidents.Georgegivesupandjoinstheinterns.Cristinanicknameshim"Bambi,"sayingheneedstolearnhowtodealwithhisnewsituation.

残酷的战争摧毁了12岁男孩伊万（NikolayBurlyaev饰）的童年，母亲和姐姐早年被德国军队杀害，小小年纪的伊万也不得不走上战场，成为一名在战火和死亡中穿梭的侦察兵。由于年龄的关系，中尉戈克森甚至不敢相信伊万的身份，但从科赫林上尉（ValentinZubkov饰）的口中，他得知眼前这瘦小的男孩竟如此果敢。科赫林上尉希望将伊万带离战场，送他到远方读书。然而伊万却拒绝离开，这个勇敢的男孩决心战斗到生命的最后一刻……本片荣获1962年旧金山国际电影节最佳导演奖和1962年威尼斯电影节金狮奖。

NCIS(水师犯法考察机构)是一部对于一支间谍小组的举措剧集,这支小组附属五角大楼的特殊部分,负担着考察任何有一丝证据证实与水师及水师陆战队职员有关的犯法,且不管其级别或职位的高下。引导这支小组并独破于水师批示体系的是NCIS间谍LeroyJethroGibbs(MarkHarmon饰),这名教训丰硕的考察员与审讯员是个机灵!倔强而且为了实现义务违心攻破惯例的人。直接收Gibbs引导的是AnthonyDiNozzo间谍(MichaelWeatherly饰),作为一名前重案组捕快,其精彩的天性来自于大批的考察教训。之后参加他们俩的是KateTodd(SashaAlexander饰),一个俏丽而又顽强的前特勤处间谍,曾与Gibbs短兵相接（见NCIS第一季第一集）。另有从事技巧剖析任务的AbbySciuto(PauleyPerrette饰),是一名蠢才迷信家,她那玄色滑稽与哥特作风的打扮相形见绌。新参加小队的是TimothyMcGee(SeanMurray饰),麻省理工学院（MIT,剧中常常会提到）的结业生,他对电脑的精晓使他在Gibbs带领的小组中成为一名见习间谍。在小组当面冷静支撑的是法医Donald"Ducky"Mallard(DavidMcCallum饰),他孤陋寡闻。从行刺!特务运动到恐惧运动!偷盗潜艇,这些间谍们为了考察全部与水师及水师陆战队相干的犯法运动,脚印遍及全天下。固然同样由CBS电视网制造,NCIS却跟CBS的另一王牌剧「犯法现场」(CSI)有着极大差异,NCIS每集只用心报告一个案子。CIS重点在于犯法证据的网络跟考察,NCIS着重于案情的悬疑弯曲以及重要脚色的光鲜特性。第二季扫尾的一个案子就异常有代表性,一家军用直升飞机停在麦田中心,直升飞机四周的麦田全体伏倒造成了一个圆圈。而驾驶飞机的水师陆战队员则曾经不翼而飞,如许的扫尾不由一下让不雅众想到了外星人。不外NCIS究竟不是「X档案」,事件的本相仍是要归离开实在的生涯中来。特性光鲜的多少位长线脚色也是NCIS吸引不雅众的别的一大卖点,上到考察处头头吉不斯,小到一个验尸官的助手,每一位NCIS成员都有着与人差别的特殊性情。如许一来,每位不雅众都能在剧中找到本人爱好的脚色。McCallum现在与他的装潢师老婆凯瑟琳一同住在纽约市。他们有一个儿子一个女儿。之前的一场婚姻还为他留下2个儿子。现在为止,他有2个孙后代。他的诞辰是9月19日。感激风软FRM字幕组晶晶队长从官方网站翻译以上内容。

一戏之间》（Episodes）完全是为原《老友记》（Friends）核心演员MattLeBlanc一个人开发的新剧，他的个人魅力将直接决定这部剧集的生死。在这部剧集中，他将扮演他自己。夫妻编剧组合Sean（TamsinGreig扮演）和Beverly（StephenMangan扮演）开发了一部反映高级寄宿学校校长和学生之间的故事，在英国播出后大获成功。他们决定将这部剧集搬到好莱坞，但好莱坞有个不成文的规矩：凡是外来文化必须经过「改造」实现「本土化」。好莱坞素有「乱改剧本」的恶名，这次也不例外－－他们不仅将这部引得无数英国人发笑的知识性和趣味性并重的优秀剧集改成纯粹的「好莱坞样板戏」，还请来Sean和Beverly夫妇很讨厌的喜剧演员MattLeBlanc担任主角。更要命的是，MattLeBlanc的到来彻底搅乱了Sean和Beverly的生活，甚至让他们本来十分牢固的婚姻出现裂痕。MattLeBlanc在访谈中告诉记者：「我的经纪人告诉我，这部剧集是反映你的，你应该去试试。我去了，结果发现试镜准备室里一堆演员打扮成我的模样，穿着我最常穿的衣服，口里念叨着我在《老友记》里最有名的台词（Howyoudoin"?）。我感觉非常滑稽。更滑稽的是，人事导演竟然说我并不是参与试镜的演员中最出色。嘿！别人扮演我比我扮演我还要出色？

With this new series Andrew Graham-Dixon returns to Europe taking us on a journey into the captivating watery world of the Low Countries and its art. This small myriad of regions we now know as Holland and Belgium produced some of the most celebrated names in art: Van Eyck, Bosch, Rembrandt, Rubens, Vermeer, Van Gogh, Mondrian and Magritte. As he travels by canal boat and of course by bicycle Andrew reveals just how important the Low Countries were in key moments in the development of western culture - the birth of oil painting in the late medieval ages, the triumph of the Dutch golden age, and the onset of polarizing modern art movements surrealism and abstraction. This is not the story of one nation, but of fluid, ever-shifting boundaries and the search for identity in an area that has always been politically contested. EPISODE ONE: The first episode will be about how the art of Renaissance Flanders e册ved from the craft of precious tapestries within the Duchy of Burgundy into a leading painting school in its own right. Starting his journey at the magnificent altarpiece of Ghent Cathedral created by the Van Eyck brothers Andrew explains their ground breaking innovation in oil painting and marvels how the colours they obtained can still remain so vibrant today. Andrew will describe how in the early Renaissance the most urgent preoccupation was not the advancement of learning, humanist or otherwise, but the Last Judgment. People believed they were living in the end of days; a subject popular with preachers and artists and intensely realized in swarming microscopic detail by Hieronymus Bosch. EPISODE TWO: In the second episode Andrew explores how the seemingly peaceful countries of Holland and Belgium – famous for their tulips and windmills, mussels and chips - were in fact forged in a crucible of conflict and division. He will examine how a period of economic boom driven for the first time by a burgeoning and secular middle class led to the Dutch Golden Age of the 17th Century. Andrew travels to Delft and Amsterdam to demonstrate the striking contrast between two of its greatest proponents, Rembrandt and Vermeer (one famed for his breathtakingly realistic domestic street scenes, the other for explosive rapid brushstrokes and raw colours, best exemplified in his contentious magnum opus – The Nightwatch.) Radically different in style, both men were united by the realization that they must become innovators in business as well as masters of their craft. Yet boom also meant bust - and in a story with very modern echoes they ultimately shared the same fate, financial destitution. EPISODE THREE: Following a brief period of decline, the third episode will look at how the entrepreneurial and industrious region of the Low Countries rose again to become a cultural leader in the modern age; how despite its small and apparent insignificance when stood up against the powerhouses of Europe it produced important forward thinking artists like Van Gogh, Mondrian, Magritte and Delvaux who changed the face of art forever. In this episode Andrew’s exhilarating journey takes us to a remote beach in North West Holland which inspired Mondrian’s transition to his now renowned abstract grid paintings.

　　The new series on Renaissance painting, written and presented by Matthew Collings, begins with an artistic investigation into one of the most radiant and beautiful images in all of art history, The Madonna of the Meadow, painted in 1505 - by Raphael.　　Renaissance art has become part of the 21st-century heritage industry but when Raphael was alive, it was a startling new form of visual expression, and Raphael's vibrant 'realism' was striking and fresh. It became the model for western art for the next 400 - years, right up until the birth of Modernism.　　As much as it was a cultural 'rebirth', the Renaissance was also a re册ution in ideas about reality. Matthew Collings sets out to remind us of how radical Renaissance paintings were when they were made, as well as opening our eyes to what is still truly great about them. In this programme he deconstructs The Madonna of the Meadow with the help of the very latest high-resolution digital technology, which allows him to explore the inner secrets of Raphael's painterly effects with a clarity and at a level of detail never before seen on television.　　As Matthew says, it is a journey 'to the other side of an illusion', revealing how Raphael created the alluring images that were so appealing to his wealthy Renaissance clients - including the Pope - and which entranced artists for centuries after his death. Matthew explains the secret to Raphael's vibrant colour harmonies, which the artist grasped intuitively, long before the advent of colour 'theory'; and Raphael also knew how to exploit colour effects to create the impression of extraordinary depth in his paintings.