Antal

7组竞争者共14人分离空降到温哥华岛的北部,每组的两个队员一共能够挑选10个生活设备,并中分设备。每组中须要挑选一人下降在营地,另一人则下降在间隔营地16km（1 - mi）的处所并须要靠指南针徒步到营地。每自我都能够在任何时光退出游戏,同时另一名组员也会自动被退出游戏。假若有组员由于受伤而退出,那么与自动退出游戏一样。保持到最后一组的两名成员掉掉落50万美金。供给的设备：1 - pair high leg Hunting boots1 - Pair water shoes (crocs/sandals/keens)1 - T-shirt2 - fleece or wool shirts (hooded or unhooded)1 - wool sweater3 - pairs wool socks2 - hats (brimmed, wool or baseball)1 - bandana or shemagh or buff/face mask2 - Pairs of Gloves (one insulated and one leather work style glove)2 - pairs underwear1 - warm outdoor jacket1 - rain jacket1 - rain pant1 - pair thermal underwear (long top and bottom)1 - pair of gaiters1 - leather belt (or synthetic equivalent)1 - toothbrush1 - pair of eye glasses (with proof of prescription)1 - personal photograph1 - Multi-seasonal Sleeping Bag (should be a minimum of a -10 - degrees Celsius rating and synthetic)1 - Fixed Blade Knife1 - Ferro Rod (must not be longer than 6in, and must have plastic handle)可选设备：每组选出10种*Each Team may select 10 - items from the following list (5 - items per person).*Participants may only choose up to 2 - Food items each.*Non-Hunting Items are limited to 1 - of each item listed per Teammate.*The Hunting Items are limited to 1 - of each item listed per Team.Shelter12x12 - ground cloth/tarp (grommets approved)8 - mm climbing rope - 10M550 - parachord - 20m1 - hatchet1 - saw1 - axBedding1 - bivi bag (Gore-Tex sleeping bag cover)1 - sleeping pad1 - hammockCooking1 - large pot (no more than 2 - quarts; includes lid)1 - steel frying pan1 - enamel bowl for eating1 - spoon1 - canteen or water bottleHygiene1 - bar soap1 - 8 - oz tube of toothpaste1 - face flannel1 - 40 - m roll dental floss1 - small bottle bio shower soap1 - shaving razor (and 1 - blade)1 - towel (30” x 60”)1 - combHunting (Note: only 1 - item can be chosen between each pair of participants)1 - 300-yard roll of a single filament fishing line / 25 - assorted Hooks (no lures)1 - primitive bow + 6x arrows (must be predominately made of wood)1 - small gauge gill net (12' x 4' with 1.5" mesh)1 - slingshot/catapult + 30 - steel ball bearings + 1 - replacement band1 - net foraging bag1 - 3.5 - lb roll of trapping wire3 - lbs of one solid block of saltFood2 - lbs of beef jerky (protein)2 - lbs of dried pulses/legumes/lentils mix (starch and carbs)2 - lbs of biltong (protein)2 - lbs of hard tack military biscuits (carbs/sugars)2 - lbs of chocolate (Simple/complex sugars)2 - lbs of pemmican (traditional trail food made from fat and proteins)2 - lbs of gorp (raisins, m&m's and peanuts)2 - lbs of flour (starch/carbs)1/3 - lbs rice/ 1/3 - lb sugar / 1/3 - lb of saltTools1 - pocket knife1 - Leatherman multi-tool or similar1 - sharpening stone1 - roll of duct tape or 1 - roll of electrical tape1 - small shovel1 - small sewing kit1 - carabineer1 - LED flashlight1 - pair of ice spikes

芝加哥退休工人MikeLaszlo受法庭传讯，从联合国组织发来的报告证明他曾是纳粹党卫队的行刑队长，在匈牙利犯下令人发指的暴行。MikeLaszlo是匈牙利移民，40年前来到美国。他在妻子死后辛苦带大的女儿AnnTalbot现在是一名刑事诉讼律师，离婚后带着小儿子跟他一起生活。他对女儿说他没犯下被指控的罪行，Ann决定为父亲辩护。她相信父亲的清白，但是在法庭上发生的一切改变了她的想法，她找到了那个存有证据的八音盒……

在一座位于都会中心的大剧院内,每个华灯初上的夜晚,剧院内便会响起「胡桃夹子」的旋律,俏丽的芭蕾舞演员跟着音乐翩翩起舞,曼妙多姿,倾倒众生。在剧院的最远端,小老鼠杰瑞跟塔菲（Chantal Strand 配音）逐日里定时不雅看「胡桃夹子」扮演,他们欢呼欢呼,乐在此中。但是不上演的日子如斯难受,杰瑞他们无比落寞。许是彼苍知晓了他的宿愿,剧院内全部的玩具忽然有了性命,杰瑞跟塔菲也进入了布满理想跟幽美旋律的梦境国家。剧院表面,白雪皑皑的陌头巷尾,野猫之王跟他的部下们正得意其乐。杰瑞跟玩具们的美食盛筵引来野猫们贪心的眼光。包含汤姆在内的这群歹徒闯了出去,不只损坏了晚宴,还抓走玩具芭蕾舞蜜斯。 杰瑞与塔菲由此开展了一段奇幻大冒险……

WelcometotheofficialfanpageforHotelBabylonseries4!Checkinhereforthelatestnews,gossipandexclusivecontentcourtesyofCarnivalFilm&TelevisionLtd.Wehopeyou’llenjoyyourstay,andcomebackagainsoon-we’llbepostingexclusivenewclips,photosandupdatesweekly,becausewhetheryou’refirst-timevisitortoHotelBabylonoraregularguest,allourfansdeservefivestartreatment.ThebignewsisNigelHarmanisHotelBabylon’snewstarthisyear.HeplaysSamFranklin,asexysuaveandimpulsivebusinessman,joiningallyourfavouritereturningcharacters;Anna,Tony,Gino,James,Ben,EmilyandTanyainthehitBBCOneshowwhichtakesatantalizingandseductiveinsightintothesexyworldoftheluxuryfive-starhotelindustry.HotelBabylonliftsthelidontheserviceindustry.Whenpeoplearepayingupwardsofthreehundredpoundsanightforaroom,they’repreparedtoleavereallifeatthedoorandplayashardastheywant.Filmdirectorsrubshoulderswithcon-artists,childstarsminglewithbusinessbillionairesandfoodguruschatwithglitterati.WeddingsandValentine’sDay,fashionshowsandfilmshootsallcombinetoproduceaheady,hedonisticcocktailwhereanythingcan,anddoes,happen.WhenSamFranklin(Harman)attemptstocheckintoHotelBabyloninepisodeone,littledoesheknowthathisex-wife,Juliet(Wilson-Jones),hasbeenappointedasatrouble-shootertoeithershutdownorsavethehotel.Asthedayunfoldssomedisturbingeventsthreatenthehotel’sequilibriumandSamdecidestotakemattersintohisownhands.SeveralphonecallslaterandSamFranklinisthenewownerofHotelBabylon,muchtohisex-wife’sannoyance.WithaBollywoodstylewedding,acelebritymagazineshoot,mafiagangstersandlotsofgueststarscheckingin,series4will,intrueHotelBabylonstyle,keepaudiencescaptivatedandentertainedallthroughtheSummer.HotelBabylonseries4beginsonFridaythe19thofJuneat9:00pmonBBCONE.

NickisangryatMatanddecidestostartshootingattheschool.DuringthelockdownCallieandBrandontalktoStefandLenaabouttheirpastdecisions.JesusandEmmadiscussgettingbacktogether.JudeandDariagetlockedinaroomtogether.

NickisangryatMatanddecidestostartshootingattheschool.DuringthelockdownCallieandBrandontalktoStefandLenaabouttheirpastdecisions.JesusandEmmadiscussgettingbacktogether.JudeandDariagetlockedinaroomtogether.

Voice1(male"professionalannouncer"type):Thisneighborhood(1)wasmadeforthewretcheddignityofthepettybourgeoisie,forrespectableoccupationsandintellectualtourism.Thesedentarypopulationoftheupperfloorswasshelteredfromtheinfluencesofthestreet.Thisneighborhoodhasremainedthesame.Itwasthestrangesettingofourstory,whereasystematicquestioningofallthediversionsandworksofasociety,atotalcritiqueofitsideaofhappiness,wasexpressedinacts.Thesepeoplealsoscorned"subjectiveprofundity".Theywereinterestedinnothingbutanadequateandconcreteexpressionofthemselves.Voice2(Debord,monotone):Humanbeingsarenotfullyconsciousoftheirreallife-usuallygropinginthedark;overwhelmedbytheconsequencesoftheiracts;ateverymomentgroupsandindividualsfindthemselvesconfrontedwithresultstheyhavenotwished.Voice1 - Theysaidthatoblivionwastheirrulingpassion.Theywantedtoreinventeverythingeachday;tobecomethemastersandpossessorsoftheirownlives.Justasonedoesnotjudgeamanaccordingtotheconceptionhehasofhimself,onecannotjudgesuchperiodsoftransitionaccordingtotheirownconsciousness;onthecontrary,onemustexplaintheconsciousnessthroughthecontradictionsofmateriallife,throughtheconflictbetweensocialconditionsandtheforcesofsocialproduction.Theprogressachievedinthedominationofnaturewasnotyetmatchedbyacorrespondingliberationofeverydaylife.Youthpassedawayamongthevariouscontrolsofresignation.Ourcamerahascapturedforyouafewaspectsofaprovisionalmicrosociety.Theknowledgeofempiricalfactsremainsabstractandsuperficialaslongasitisnotconcretizedbyitsintegrationintothewhole"”whichalonepermitsthesupersessionofpartialandabstractproblemssoastoarriveattheirconcreteessence,andimplicitlyattheirmeaning.Thisgroupwasonthemarginsoftheeconomy.Ittendedtowardaroleofpureconsumption,andfirstofallthefreeconsumptionofitstime.Itthusfounditselfdirectlyengagedinqualitativevariationsofeverydaylifebutdeprivedofanymeanstointerveneinthem.Thegrouprangedoveraverysmallarea.Thesametimesbroughtthembacktothesameplaces.Noonewenttobedearly.Discussiononthemeaningofallthiscontinued...Voice2 - "Ourlifeisajourney"”Inthewinterandthenight."”Weseekourpassage..."�Voice1 - Theabandonedliteratureneverthelessexertedadelayingactiononnewaffectiveformulations.Voice2 - Therewasthefatigueandthecoldofthemorninginthismuch-traversedlabyrinth,likeanenigmathatwehadtoresolve.Itwasalooking-glassrealitythroughwhichwehadtodiscoverthepotentialrichnessofreality.Onthebankoftherivereveningbeganonceagain;andcaresses;andtheimportanceofaworldwithoutimportance.Justastheeyeshaveablurredvisionofmanythingsandcanseeonlyoneclearly,sothewillcanstriveonlyincompletelytowarddiver搜索引擎优化bjectsandcancompletelyloveonlyoneatatime.Voice3(younggirl):Noonecountedonthefuture.Itwouldneverbepossibletobetogetherlater,oranywhereelse.Therewouldneverbeagreaterfreedom.Voice1 - Therefusaloftimeandofgrowingoldautomaticallylimitedencountersinthisnarrow,contingentzone,wherewhatwaslackingwasfeltasirreparable.Theextremeprecariousnessofthemeansofgettingbywithoutworkingwasattherootofthisimpatiencewhichmadeexcessesnecessaryandbreaksdefinitive.Voice2 - Oneneverreallycontestsanorganizationofexistencewithoutcontestingallofthatorganization’sformsoflanguage.Voice1 - Whenfreedomispracticedinaclosedcircle,itfadesintoadream,becomesamererepresentationofitself.Theambianceofplayisbynatureunstable.Atanymoment"ordinarylife"�canprevailonceagain.Thegeographicallimitationofplayisevenmorestrikingthanitstemporallimitation.Anygametakesplacewithinthecontoursofitsspatialdomain.Aroundtheneighborhood,arounditsfleetingandthreatenedimmobility,stretchedahalf-knowncitywherepeoplemetonlybychance,losingtheirwayforever.Thegirlswhofoundtheirwaythere,becausetheywerelegallyunderthecontroloftheirfamiliesuntiltheageofeighteen,wereoftenrecapturedbythedefendersofthatdetestableinstitution.Theyweregenerallyconfinedundertheguardofthosecreatureswhoamongallthebadproductsofabadsocietyarethemostuglyandrepugnant:nuns.Whatusuallymakesdocumentariessoeasytounderstandisthearbitrarylimitationoftheirsubjectmatter.Theydescribetheatomizationofsocialfunctionsandtheisolationoftheirproducts.Onecan,incontrast,envisagetheentirecomplexityofamomentwhichisnotresolvedintoawork,amomentwhosemovementindissolublycontainsfactsandvaluesandwhosemeaningdoesnotyetappear.Thesubjectmatterofthedocumentarywouldthenbethisconfusedtotality.Voice2 - Theerahadarrivedatalevelofknowledgeandtechnicalmeansthatmadepossible,andincreasinglynecessary,adirectconstructionofallaspectsofaliberatedaffectiveandpracticalexistence.Theappearanceofthesesuperiormeansofaction,stillunusedbecau搜索引擎优化fthedelaysintheprojectofliquidatingthecommodityeconomy,hadalreadycondemnedaestheticactivity,whoseambitionsandpowerswerebothoutdated.Thedecayofartandofallthevaluesofformermoreshadformedoursociologicalbackground.Therulingclass’smonopolyovertheinstrumentsweneededtocontrolinordertorealizethecollectiveartofourtimehadexcludedusfromaculturalproductionofficiallydevotedtoillustratingandrepeatingthepast.Anartfilmonthisgenerationcanonlybeafilmonitsabsenceofrealcreations.Everyoneunthinkinglyfollowedthepathslearnedonceandforall,totheirworkandtheirhome,totheirpredictablefuture.Forthemdutyhadalreadybecomeahabit,andhabitaduty.Theydidnotseethedeficiencyoftheircity.Theythoughtthedeficiencyoftheirlifewasnatural.Wewantedtobreakoutofthisconditioning,inquestofanotheru搜索引擎优化ftheurbanlandscape,inquestofnewpassions.Theatmosphereofafewplacesgaveusintimationsofthefuturepowersofanarchitectureitwouldbenecessarytocreatetobethesupportandframeworkforlessmediocregames.Wecouldexpectnothingofanythingwehadnotourselvesaltered.Theurbanenvironmentproclaimedtheordersandtastesoftherulingsocietyjustasviolentlyasthenewspapers.Itismanwhomakestheunityoftheworld,butmanhasextendedhimselfeverywhere.Peoplecanseenothingaroundthemthatisnottheirownimage;everythingspeakstothemofthemselves.Theirverylandscapeisalive.Therewereobstacleseverywhere.Therewasacohesionintheobstaclesofalltypes.Theymaintainedthecoherentreignofpoverty.Everythingbeingconnected,itwasnecessarytochangeeverythingbyaunitarystruggle,ornothing.Itwasnecessarytolinkupwiththemasses,butweweresurroundedbysleep.Voice3 - Thedictatorshipoftheproletariatisadesperatestruggle,bloodyandbloodless,violentandpeaceful,militaryandeconomic,educationalandadministrative,againsttheforcesandtraditionsoftheoldworld.Voice1 - Inthiscountryitisonceagainthemenoforderwhohaverebelled.Theyhavereinforcedtheirpower.Theyhavebeenabletoaggravatethegrotesquenessoftherulingconditionsaccordingtotheirwill.Theyhaveembellishedtheirsystemwiththefunerealceremoniesofthepast.Voice2 - Years,likeasingleinstantprolongedtothispoint,cometoanend.Voice1 - Whatwasdirectlylivedreappearsfrozeninthedistance,fitintothetastesandillusionsofanera,carriedawaywithit.Voice2 - Theappearanceofeventsthatwehavenotmade,thatothershavemadeagainstus,nowobligesustobeawareofthepassageoftime,itsresults,thetransformationofourowndesiresintoevents.Whatdifferentiatesthepastfromthepresentispreciselyitsout-of-reachobjectivity;thereisnomoreshould-be;beingissoconsumedthatithasceasedtoexist.Thedetailsarealreadylostinthedustoftime.Whowasafraidoflife,afraidofthenight,afraidofbeingtaken,afraidofbeingkept?Voice3 - Whatshouldbeabolishedcontinues,andwecontinuetowearawaywithit.Weareengulfed.Weareseparated.Theyearspassandwehaven’tchangedanything.Voice2 - Onceagainmorninginthesamestreets.Onceagainthefatigueofsomanysimilarlypassednights.Itisawalkthathaslastedalongtime.Voice1 - Reallyhardtodrinkmore.Voice2 - Ofcour搜索引擎优化nemightmakeafilmofit.Butevenifsuchafilmsucceedsinbeingasfundamentallydisconnectedandunsatisfyingastherealityitdealswith,itwillneverbemorethanare-creation"”poorandfalselikethisbotchedtravelingshot.Voice3 - Therearenowpeoplewhopridethemselvesonbeingauthorsoffilms,asotherswereauthorsofnovels.Theyareevenmorebackwardthanthenovelistsbecausetheyareunawareofthedecompositionandexhaustionofindividualexpressioninourtime,ignorantoftheendoftheartsofpassivity.Theyarepraisedfortheirsinceritysincetheydramatize,withmorepersonaldepth,theconventionsofwhichtheirlifeconsists.Thereistalkoftheliberationofthecinema.ButwhatdoesitmattertousifonemoreartisliberatedthroughwhichTom,DickorHarrycanjoyouslyexpresstheirslavishsentiments?Theonlyinterestingventureistheliberationofeverydaylife,notonlyintheperspectivesofhistorybutforusandrightaway.Thisentailsthewitheringawayofalienatedformsofcommunication.Thecinema,too,hastobedestroyed.Voice2 - Inthefinalanalysis,starsarecreatedbytheneedwehaveforthem,andnotbytheirtalentorlackoftalentorevenbythefilmindustryoradvertising.Miserableneed,dismal,anonymouslifethatwouldliketoexpanditselftothedimensionsofcinemalife.Theimaginarylifeonthescreenistheproductofthisrealneed.Thestaristheprojectionofthisneed.Theimagesoftheadvertisementsduringtheintermissionsaremoresuitedthananyothersforevokinganintermissionoflife.Toreallydescribethiseraitwouldnodoubtbenecessarytoshowmanyotherthings.Butwhatwouldbethepoint?Bettertograspthetotalityofwhathasbeendoneandwhatremainstobedonethantoaddmoreruinstotheoldworldofthespectacleandofmemories.1.Thisfilm,whichevokesthelettristexperiencesattheoriginofthesituationistmovement,openswithshotsoftheParisdistrictfrequentedbythelettristsintheearly1950s.

AtthetimeofthePolishsocialregime,asecurityofficerispromotedtoworkataprisonyard.Introducingconcurrentlywiththenarrator;hespeaksofhimself,histhoughts,hispointofview.Hetellsthatheisnotafraidofbanditsorgangs;onthecontraryhegetsakickoutarmedconflicts.Togetastartinhisnewduty,heshopsforawatchdog;andhebuysanuntrainedattackdogashiscompanion.Thenhespeaksoftheadjudicationsthatthedeathsentenceforfugitivesislackinginfluence.Fromhispointofview,thejudicatorytribunalmustexecutethefugitivesinpublic.Inthemorningthenextdayhewearshisuniformandstartworkingwithpride.Whilstheisonhisduty,averyharmonicmusicscorebeginstobeplayedonthepiano.Thewatchmanspectatesthepeacefullifeonthestreet.Atthattimewecatchonthatsocialismisnotagovernmentalregime;yetit’sanuneducatedbehavior.Asafinalscenethewatchmanwitnessesofacadetschool’spupilsbeingtaughtofthedemocracy.Heleavesuswithaconfusedsmile.AsoftandlikablethesisfromthePolishdirectorKieslowski.YoucanfindthisshortdocumentaryasaspecialfeatureinhisDVDofAShortFilmAboutKilling.Itcouldhelpyoutocompasshisfilmlanguage.

本片讲述了意大利黑手党格莫拉的5个故事：13岁男童托托（萨尔瓦多•阿布鲁兹Salvatore Abruzzese 饰）近墨者黑，逐渐堕落；马可（马可•马克尔 Marco Macor 饰）和希罗（希罗•帕冲Ciro Petrone 饰）一心想称霸，结果横尸街头；因为丈夫涉黑，妻子玛利亚（玛利亚•纳棕娜丽 Maria Nazionale 饰）锒铛入狱，她把孩子托付给帮派同伙弗兰克（托尼•瑟维洛 Toni Servillo 饰）；黑帮老会计唐•希洛（吉安法利斯•因巴拉多Gianfelice Imparato 饰），因出卖朋友，命丧黄泉；黑帮纺织厂的裁缝帕里跨斯（萨尔瓦多•坎德鲁普Salvatore Cantalupo 饰）因给华人上课而引火烧身…… 本片荣获61届戛纳最佳影片评委会大奖。

"TheWitchBurntAlive"Afteraverylong,butvisuallyarrestinganimatedopeningcreditssequence,LuchinoVisconti(DeathinVenice)directsthefirststory,whichisthelongestofthefive,takingapproximatelyathirdofthefilm'srunninglength.Manganoplaysasuperstaractressandmodelwhotravelstoamountainresort,onlytofindthewell-to-doinhabitantshavepre...