Raston

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巨石启示录
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当一群考古学家在巨石堆历史纪念碑附近挖出一具木乃伊时,一个潜藏在岩床下的远古机器部件也被发现了。毫不知情的工人们偶然间触发了一个机关,于是启动了一连串终结世界的事件。WhenagroupofarchaeologistsdigupahumanskeletonnearthehistoricalmonumentofSTONEHENGE,anancientpieceofmachineryhiddenbeneaththebedrockisdiscovered.Notknowingwhatitcouldbetheworkersaccidentallytriggerthemechanismandstartachainofeventsthatmayverywellendtheworldasweknowit.
最后幸存者
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Thepicissetintheaftermathofanapocalypticeventthatforcespeopleintoextremeisolation.Afather(Moyer)andson(VanAcker),whohavebeenlivingoffgridfor20years,encounteranoutsider(Silverstone)whothreatenstodestroytheutopiathey’vebuilt.
嚎叫2015
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疲乏的列车任务职员乔(爱德华·斯皮伊尔斯EdSpeleers饰)刚实现漫长的旅途,他跟共现实现交代任务,回到换衣室发明之条件升主管的请求被采纳,格外烦末路之际又被新主管下令代班踏上了连夜开往东伯勒的列车。列车慢慢启动,乔低头沮丧地播报行驶信息,随后开端了例行查票任务。也许这干燥的旅途中,只有那俏丽的乘务员艾伦(荷莉·韦斯顿HollyWeston饰)还让他几多有点儿能源。临时放动手头任务后,乔找个宁静的角落沉觉醒去,忽然他被伟大的晃悠所警觉。不知什么起因,火车在某个山坡上迫停。司机托尼下车检讨,谁知却受到奥秘生物的袭击。冷雨寒夜,荒田野岭。俨然与世隔断的暗中地点,迫停的列车上登上恐怖的搭客……
镜子的另一面:纽波特民歌艺术节1963~1965
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"Bob Dylan going electric" at the 1965 Newport Folk Festival is one of those epochal moments in rock history that seemingly everyone has heard about, but what few people seem to know is that it wasn't some ephemeral event that we only know from word of mouth -- filmmaker Murray Lerner documented the performances at the Newport Festival for several years running, and The Other Side of the Mirror collects footage from the three years Dylan appeared at the celebrated folk gathering, allowing us to see Dylan's rise through the folk scene for ourselves. Watching Lerner's documentary, what's most remarkable is how much Dylan changed over the course of 36 months; the young folkie performing at the afternoon "workshop" at the side of Joan Baez in 1963 is at once nervy and hesitant, singing his wordy tunes while chopping away at his acoustic guitar and energizing the crowd without seeming to know just what he's doing. In 1964, Dylan all but owns Newport, and he clearly knows it; he's the talk of the Festival, with Baez and Johnny Cash singing his praises (and his songs), and his mand of the stage is visibly stronger and more confident while his new material (including "Mr. Tambourine Man" and "It Ain't Me, Babe") sees him moving away from the "protest songs" that first made his name. When the audience demands an encore after Dylan's evening set (Odetta and Dave Van Ronk were scheduled to follow him), Peter Yarrow tries to keep the show moving along while Dylan beams at the crowd's adulation, like the rock star he was quickly being. By the time the 1965 Newport Festival rolled around, Dylan's epochal "Like a Rolling Stone" was starting to scale the singles charts, and the hardcore folk audience was clearly of two minds about his popular (and populist) success. When Dylan, Fender Stratocaster in hand, performs "Maggie's Farm" backed by Al Kooper, Mike Bloomfield and the rhythm section from the Paul Butterfield Blues Band, the raucous but hard-driving number inspires a curious mixture of enthusiastic cheering and equally emphatic booing, and while legend has it that the version of "Like a Rolling Stone" that followed was a shambles, the song cooks despite drummer Sam Lay's difficulty in finding the groove, though if anything the division of the crowd's loyalties is even stronger afterward. After these two numbers, Dylan and his band leave the stage, with Yarrow (once again serving as MC) citing technical problems (if Pete Seeger really pulled the power on Dylan, as legend has it, there's no sign of it here); Dylan returns to the stage with an acoustic six-string to sing "Mr. Tambourine Man" and "It's All Over Now, Baby Blue" before vanishing into the night without ment. While much of the audience at Newport in 1965 wanted the "old" Dylan back, his strong, willful performances even on the acoustic stuff makes it obvious that the scrappy semi-amateur we saw at the beginning of the movie was gone forever, and the ovations suggest more than a few people wanted to see Dylan rock. Lerner's film tells us a certain amount of what we already knows, but it gently debunks a few myths about Dylan during this pivotal moment in his career, and his performances are mitted and forceful throughout; no matter how many times you've read about Dylan's Newport shoot-out of 1965, seeing it is a revelatory experience, and Lerner has assembled this archival material with intelligence and taste. This is must-see viewing for anyone interested in Dylan or the folk scene of the '60s.
疯狂原始人
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原始人咕噜一家六口在老爸Grug(尼古拉斯·凯奇NicolasCage配音)的庇护下生活。每天抢夺鸵鸟蛋为食,躲避野兽的追击,每晚听老爸叙述同一个故事,在山洞里过着一成不变的生活。大女儿Eep(艾玛·斯通EmmaStone配音)是一个和老爸性格截然相反的充满好奇心的女孩,她不满足一辈子留在这个小山洞里,一心想要追逐山洞外面的新奇世界。没想到世界末日突然降临,山洞被毁,一家人被迫离开家园,展开一场全新的旅程。离开了居住了“一辈子”的山洞,展现在他们眼前的是一个崭新绚丽却又充满危险的新世界,到处都是食人的花草和叫不出名字的奇异鸟兽,一家人遇到了全所未有的危机。在旅途中,他们还遇到了游牧部落族人Guy(瑞恩·雷诺兹RyanReynolds配音),他有着超凡的创造力和革新思想,帮助咕噜一家躲过了重重困难,途中他还发明了很多“高科技”产品,...
娜娜1
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另一个译名是:世上的另一个我。小松奈奈(宫崎葵饰)要去见男朋友,在通往东京的火车上,她遇到了另一个Nana——大崎娜娜(中岛美嘉饰),娜娜希望去东京重组BlackStone乐队。两个nana一见如故,到达了东京有两人再次相遇,并且一同搬进了出租屋707。两人虽然有着同样的名字,却有着迥异的性格,在二人同居的生活期间,她们都受到了感情的创伤,她们在扶持中更加了解彼此,感情也越来越深,一路鼓励对方寻找自己的理想。
魔法总动员
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劳伦斯(道格·斯通 Doug Stone 配音)曾经是一名魔术师,某日,他收留了一只流浪的小猫,取名闪电(穆雷·布鲁 Murray Blue 配音)。闪电成为了劳伦斯家中的一份子,很快,它就和别墅里的各种机器人和玩偶们打成了一片。然而,在这欢乐祥和的气氛中,却产生了一丝不和谐的声音,对于闪电的到来,白兔和小鼠的态度一直不是十分友好。  某日,为了把雷电赶走,白兔和小鼠想出了一个计划,然而,这个计划却令劳伦斯发生了车祸,受伤住院。劳伦斯离开后,一直觊觎他财产的侄子接管了别墅,并想要将它偷偷卖掉。为了保护自己赖以生存的家园,闪电、白兔和小鼠决定联手,奋起反击。
灰色女士
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A Boston police officer goes to Nantucket to investigate the murder of his partner, but he finds more than he bargained for.
侠盗罗宾汉
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13世纪,大英帝国在狮心王理查一世(丹尼·赫斯顿 Danny Huston 饰)的带领下与来犯的法国部队开展激战。力大无穷!勇猛善战的罗宾·朗斯特莱德(罗素·克劳 Russell Crowe 饰)是这群英国兵士中的一员,作为弓手的他曾随理查加入过十字军东征,在对法的战役中也表示英勇。然而狮心王遭受诡计刺杀,罗宾接收与国王一起遇刺的罗伯特•洛克斯利的遗言,摇身酿成罗伯特回到英国。在王宫骗吃骗喝当时,罗宾履约离开罗伯特的家乡诺丁汉,他不只掉掉落罗伯特父亲的答应继承假扮其儿子,还不测得悉了本人的出身之谜。与此同时,法国大志勃勃,觊觎着英国的国土,而英国海内又乱相丛生,危急四伏。 在暗流涌动的大时期下,罗宾好像明白了本人的生活任务,未多少后他拿起长弓,投入深林,开启了耐久不衰的罗宾汉的传说……
黄石第五季
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Powerhasaprice.WhataretheDuttonswillingtopay?YellowstoneisadramaseriesthatfollowstheDuttonfamily,ledbypatriarchJohnDutton(KevinCostner).TheDuttonscontrolthelargestcontiguousranchintheU.S.andmustcontendwithconstantattacksbylanddevelopers,clasheswithanIndianreservationandconflictwithAmerica'sfirstnationalpark.
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