SagarR
搜索"SagarR" ，找到 以下影视作品
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Afteranexperimentaldrugtrialgoeshorriblywrong,thesurvivingtestsubjectshavetofightoffsleep,andeachother,tostayalive.
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马修·卡索维茨
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年青老练的米兰达（海莉·贝瑞 Halle Berry 饰）是一名卓有造诣的犯法心思学家,她跟老公独特运营一家精力医治机构,两人无论生涯仍是奇迹都东风自得,顺风顺水。不外一贯感性的米兰达也碰到了难缠的敌手,她的病人之一克罗伊（佩内洛普·克鲁兹 Penélope Cruz 饰）因密谋继父背离入狱,克罗伊常常沉迷在不实在际的理想中,这令米兰达困扰不已。在某个雨夜,米兰达驱车回家途中几乎撞上一名小女孩,继而产生了令人难以相信的事件。当她从苏醒中清醒后,发明本人被关在了精力医院,接上去则要面临行刺老公的控告。米兰达想方想法要证实本人的洁白,在这一进程中也发明白恐惧!暗中的本相…… 本片荣获2004年青年挑选奖最佳女配角奖（Halle Berry）。
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ChrisSun
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Intheharsh,yetbeautifulAustralianoutbacklivesabeast,ananimalofstaggeringsize,witharuthless,drivingneedforbloodanddestruction.Itcaresfornone,defendsitsterritorywithbrutalforce,andkillswitharaw,animalisticsavageryunlikeanyhaveseenbefore.
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AregalmannamedVangelisthrustonajourneyagainsthiswillwhenheismysteriouslyarrestedandbeginstohavestrangevisionsofawomaninwhite.Armedwithanancientbookthathereceivesfromawisesage,hisadventurebegins.
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Afunnyandirresistiblestoryofayounggirlwholiterallycannotseeorhearhermother,despitelivingunderthesameroof.Withthehelpofaneccentricyoungpsychiatrist,(BenjaminWalker:TheChoice),andalocalaccidentalhero,ourheroine(ShannonTarbet:Beast)fallsinloveandeventuallytakesholdofherfuture-despitenotseeingwhat’sinfrontofher!Aheart-warmingstoryofloveandself-discoverystarringAidanTurner(Poldark),Chlo?Sevigny(AmericanHorrorStory)andMatthewBroderick(FerrisBueller’sDayoff)
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A dark comedy about one man's overreaction! Roma's (Anthony Michael Hall) perfect life unravels when his foreman goes missing and he chooses to fire the wrong guy.
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讲述关于特权和欲望的邪恶故事：奥利弗（巴里·基奥恩BarryKeoghan饰）努力在牛津大学里寻找自己的位置，他被魅力迷人贵族气派的菲利克斯（雅各布·艾洛蒂JacobElordi饰）所吸引，后者邀请他去到自家庞大的萨特本庄园，度过一个永生难忘的夏天。
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"Aleksei Gherman junior’s film The Last Train premiered in Moscow in mid December during the film festival Stalker, which also awarded it the prize for the best film. However, its first screening had already taken place in the ‘controcorrente’ competition of the Venice Film Festival in September. The film, dealing with theme of war and shot in black and white, remained unnoticed by the press in the context of the Venice Film Festival (preoccupied almost exclusively with Zviagintsev’s The Return), although it was awarded a prize. In Moscow, it made rather a different impression, especially when set in the context of films dealing with human rights issues.Gherman’s film is, in a sense, a response to his father’s war film 20 - Days without War. Maybe this explains the oddity of a young, clearly talented director venturing on his debut film into the trodden territories of the war film, a theme that dominated Russian cinema in general, but had also been dealt with by his father. For Gherman Junior, however, war knows neither winners nor losers: instead of exploring the history of WWII, Gherman looks at the fate of two men who have failed to make the right choice (or a choice) at the right time. Therefore, they are now the victims of circumstances, of politics, of regimes – which they have or have not elected. Gherman’s concern is with people in particular circumstances, which are not their choice, and how they cope with these unwanted situations.
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TroubledartistCassiesufferswithreoccurringvisionsofmurder,whichshecopeswithbycommittingtheviolentactstocanvas.Butwhenhervisionsbegintomanifestinreallife,herfriendsandfamilybegintoturnupdead.Realizinghervisionsactuallyprovideadirectlinktothekiller,Cassiemustnowconfrontherownpastinordertostopthemurdersandsaveherself.
